we keep redesigning subjectivity because touching the infrastructure would upset investors
oh no oh god help us or whatever
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ
Cosmic Funnies
I'd rather be in outer space 🛸
$LAYYYTER
Lint Roller? I Barely Know Her
Game of Thrones Daily
official daine visual archive
let's talk about Bridgerton tea, my ask is open
Not today Justin
almost home
Today's Document
wallacepolsom
he wasn't even looking at me and he found me
Noah Kahan

tannertan36
Fai_Ryy
NASA
Xuebing Du

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@pozaba
we keep redesigning subjectivity because touching the infrastructure would upset investors
oh no oh god help us or whatever

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Saint George and The Dragon by Gustave Moreau, c. 1889-90
National Gallery, London
real primal fear from my ancestors got activated today when i thought i lost my pencil case for good

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In the Mood for Love (2000)
Barbican highwalk. London, October 2015.
im not horny it’s something else entirely. really wish there was a word for it
i think i just want to run. Like i just want to run
“Ivalo” (2005)

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Every wall, every piece of concrete, every steel beam is the result of excavation, dismantling, processing, and removal. An architectural object is therefore merely a condensation of dispersed geographical and logistical violence, which the modernist view of the house as an autonomous object systematically erases. While modernism understood the house as an organism, as a relatively self-contained whole comprising structure, function, and envelope, the extractive perspective opens it up to the outside.
The object turns out to be the tip of an iceberg, where its apparent stillness is based on the constant movement of materials, energy, and labor elsewhere. The house is therefore no longer legible as a local object with clear boundaries. It becomes the momentary crystallization of a planetary network of extraction, transport, and consumption.
god damn dj sorrow run that shit back
ᵃᵇᵒᵒʰᵒᵒʰᵒᵒᵒᵒ
A Clockwork Orange (1971)
The Nun of Monza, 1865 by Mosè Bianchi (Italian, 1840--1904)
Data General Aviion | DG/UX

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巳蛇
David Lynch with on-set dresser for Twin Peaks, Mike Malone