Works by Yuri Hill

KIROKAZE
we're not kids anymore.
Game of Thrones Daily

shark vs the universe

Love Begins
Stranger Things
dirt enthusiast
Alisa U Zemlji Chuda
Peter Solarz
styofa doing anything

Kiana Khansmith

ē„ę„ / Permanent Vacation

JVL
art blog(derogatory)

⣠Chile in a Photography ā£
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Discoholic šŖ©
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

seen from Brazil
seen from T1
seen from Germany

seen from United States
seen from United States

seen from United States

seen from Germany
seen from United States

seen from United States
seen from United States

seen from China
seen from United States
seen from Denmark
seen from United Kingdom

seen from Türkiye
seen from Germany
seen from United States
seen from India
seen from United States

seen from United Kingdom
@postpunkpixie
Works by Yuri Hill

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Losers Didnāt Actually Read Frankenstein, Write an Article About It Anyway, More at 11
Siouxsie Sioux by Steve Severin taken on September 20, 1976; the day of the 100 Club Punk Festival
Plate ā 2 from Bill Sienkiewiczās Vampyres series (1985).
I love Bill Sienkiewicz so muchhhhhh
āGolly jeepers
Whereād you get those weepers?
Peepshow, creepshow
Where did you get those eyes?

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L.A. goth boy Leo at Helter Skelter, L.A., 1992. From the late ā80s to early ā90s the club was at several different locations, and always boasted the biggest and best clientele of goths, rivet heads and dark wavers. It was run by Michael Stewart and Bruce Perdew, the latter of whom created the magnificent skeletal and cadaver artwork for the clubās fliers, advertisements and murals. This photo was published in an article about Helter Skelter in Propaganda Magazine Issue No. 19/Fall 1992. Photo by Fred H. Berger, 1992. (Posted June 20 ā18)
#propaganda magazine #gothic #goth #helter skelter #androgyny #vampire #skull #fred h. berger #photography
Siouxsie Sioux, 1980s.
in the late 1790s it was in style to wear earrings depicting the execution of louis xvi.
Siouxie Sioux in Ghent, Belgium. 1982.
Bauhaus playing with Nico, 1981

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PSA to all bats: Stay hydrated and keep away from the giant flaming orb in the sky.
possibly controversial opinion: i think ānaturalā makeup is, over time, more damaging than bold, obvious makeup
I donāt think thatās controversial at all.Ā
@qualr sure Iāll explain :-)
Mainly because makeup itself, the generic concept, is an integral part of human identity. People have always done it (even Neanderthals used makeup) and weāre always going to keep doing it. The concept of decorating our faces/bodies with colored pigments is practically hardwired and on a deep level just plain FUN (look at how much kids love to get their faces painted at fairs and carnivals and so on). The concept is also totally gender neutral. In some societies, men traditionally do it more than women, for example. Using your own body as a canvas for art taps into a mystical, childlike sense of wonder. First you look one way, then⦠another! Like magic.Ā
But mainstream commercial makeup culture as it exists today is incredibly exploitative, misogynist, colonialist, colorist, and hurts women, especially poorer women and women who donāt fit the racial ideal as expressed by the mainstream corporate beauty industry. And a big part of that is pushing ānaturalā looks. All women are supposed to look ānaturallyā poreless, for example (which isnāt realistic or healthy) and are punished socially and often financially if we arenāt. Another example: contouring is supposed to accentuate the ānaturalā lines of your face but for me and a lot of other Asian women with moonfaces, itās the furthest thing from natural! The further you are from the rich thin young lightskinned bigeyed straightsmallnosed highcheekboned look, the more weirdly artificial the word ānaturalā becomes. Weāre supposed to sink all this time and money and resources into achieving this bullshit ānaturalā look until it all feels a bit like Sisyphus rolling the stone up the hill.Ā
Putting a bright blue streak on your eyelids and walking out the door might take five seconds and probably makes you feel expressive and happy and good about yourself, even if it seems ātackyā through the lens of mainstream makeup culture. But taking an hour and trying soooo hard, using all the latest expensive products to make it seem like youāre not really trying at all, makes a lot of women feel worse about themselves, not better. In fact it leads to a lot of women feeling insecure about their real face and their real skin. There are many ways to look garish, but only ONE way to lookĀ ānaturalā. Instead of turning your own face into a canvas where youāre the creative artist, youāre following a ruthless set of instructions and doing a sort of strict paint-by-numbers that youāre never going to do right anyway. So it represents giving up more power over your own face/body than youāre actually getting back. Subjugation to the social norm, not creativity.
How to spot a dragon using an illusion spell
credit
shes just a dense, thick bitch

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Have a good day at work little buddy
EVERYONE LOOK AT THIS IMMEDIATELY.
His name is Black and was adopted by the workers of a construction site in Antofagasta, Chile. He was found by some workers near the area, when he was just a kitten, and they decided to take care care of him. Ā The workers loved him and one of the cleaning ladies of the site designed some mini reflective jackets- and other outfits- for him. Ā He was officialy named foreman Ā and had its own access credential to the construction site. I belive the constrution work finished on 2017 and he was adopted by one of the employees.
Look at him!
He is such a good site foreman!
Heās working so hard and doing such a good job! <3
I looked up āCATPATAZ DE INGRESOā (on the catās ID card) and Google Translate corrected my spelling.
āCapatazā = āforemanā.
āCatpatazā = a terrible, terrible pun.
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Thank yāall for bearing with the political topics being so prevalent on the blog recently. Here is a heartwarming story and a horrible pun.Ā
Natacha, 1990