Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
NASA

if i look back, i am lost

★
KIROKAZE


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Lint Roller? I Barely Know Her
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oozey mess
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$LAYYYTER


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@postalpunk

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the problem is i really do love staying up until one billion o'clock. it just cant be helped
watch out, there's a new zany cat-n-mouse duo about to drop 🧀
ive been kamen rider maxxing man i hate drawing real people
changerion is like donbrothers except it's 25 years earlier and toshiki inoue has never been the Only writer on a show before so he just kind of fucks around for 30-odd episodes and then the show gets cancelled
and it fucks 👍

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It's imperative that he does a lil diva pose before henshinning
let's play apples together
I forget that not everyone pirates media. Like ppl will be celebrating something going on a streaming service because “now I can finally watch it!” Dude you could watch it before on the Watch Everything For Free Website
i wonder if people thought this was cute or something before the pandemic . its such a grotesque thing to see portrayed in a positive light holy shit
did not grab many screenshots but was very much in awe of the camera and film direction of ep 22 of ultraman. that akio jissoji guy was damn good
this is probably my favorite shot bc i <3 reflections but the use of negative space and shadows in general was so cool this ep.
not a good capture of it but this was prolly my 2nd favorite shot. when the person obsessed w frames sees a shot that is framed

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yapping
waow i dont really know much about how these things ACTUALLY worked but to me it feels like zero one is a shifting point for the aesthetics and rhythm of action scenes that make reiwa stuff look so different from mid-to-late heisei stuff (which is already insanely different from early heisei), with the big slow motions and more frequent use of impact frames and a more mobile camera work with sharp angling and stuff. feels a little more exaggerated i think? i guess they wanted to go towards a more Dynamic™ direction in the new era. which makes me feel like the way a lot of the ex-aid action scenes were made in a way that seems kinda ahead of its time? i think it definitely felt a little closer to this than to other its adjacent shows!! but of course these things change for each director since each of them have their own style etc. however all these changes do feel more present now, like they've been paying close attention to each other's works. but i havent really seen that much of reiwa rider to actually know what im talking about!!!
I HAD to make this asap
after making that post i locked in and actually finished zio in 2 days and while it does pick up and gets more fun in the second half it is also probably the most insecere and afraid-of-commitment show in the entire heisei era.. feels like they were so desperate for ideas they just used everything whenever they could.. i truly CANNOT count the amount of ideas and concepts that were mentioned Once as a Relevant Thing in this universe and then never again because the next Thing is even more important and will raise the nonexistent stakes a bit more. last 2 episodes actually somehow managed to assassinate tsukuyomi's character (which barely existed!!) for cheap shock value And kinda fridge her for absolutely no reason.. whatever man
he always says things in the most aggravating way possible hes so funny man
i wish they did the full grand zio henshin every time he transformed

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i love it whenever theres a post-drive cameo thing because it's either tomari and kiriko being happily married or gou x chase crazy yaoibait
why would you write a big story reveal about a character and make it so the rebooted alternate universe version of the character was the one that listened to it. what role does a rebooted universe play in this story that didnt work better with the normal one. baffling decisions