Issey Miyake "Pleats Please" FW 1998
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Issey Miyake "Pleats Please" FW 1998

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Frida Kahlo, My Birth, 1932, oil on metal, 12 × 14". © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York.
Maddy Inez (b 1993) is an artist living and working in Los Angeles. She works primarily in clay, creating hand-built ceramic sculptures that draw from domestic objects, furniture forms and architectural fragments. Her work often reinterprets functional vessels, pedestals, and ornamental structures, translating them into sculptural forms that emphasise weight, texture, and surface treatment.
Using glazing, carving, and layered construction, Leeser highlights the tactile qualities of clay while referencing historical decorative arts and interior design.
Megan Mulrooney is pleased to announce the opening of our new location with an exhibition of new work by all gallery artists. MEGAN MULROONE
carlos alonso was so right argentina is about meat is about violence is about state terrorism is about colonialism is about meat is about sex is about meat is about autopsies is about culture is about mutilation is about meat is about meat is about meat
carne de primera / gran tango / sin pan y sin trabajo (reversión de La Cárcova) / la lección de anatomía / la lección de anatomia / los camilleros / carne de primera
This is the historic location where my dad saw me as a child kill an ant and said "now imagine if you were an ant and couldnt scream for your family for help"

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TIL that back in the day if you wanted to rent a Cassavetes film before they were widely accessible you had to ring John Cassavetes' house and he'd be like "huh? oh yeah sure come over" and you'd go over and his wife (THE!!! GENA ROWLANDS!!!) would answer the door and be like "oh you're here for John? okay one sec. JOHN!!!!!!!!" and then John Cassavetes would amble out in a bathrobe and take you into his garage where instead of a parked car there were racks and racks of film and he would rent one to you for a weekend for $50
i'm assuming that if you didn't return the film then Gena Rowlands would show up at your house dressed like Gloria Swenson and pull a gun on you
all joking aside, it's easy to forget how tenuous film is as a medium. approximately 80% of all silent film is lost and approximately 50% of all film before 1950 is lost.
we can delude ourselves into thinking this would never happen with household names like Cassavetes and Rowlands but the truth is that largely they were making art for art's sake. The fact that Gena Rowlands was nominated for an academy award twice was the exception not the rule. She and her husband were mortgaging their house to make A Woman Under the Influence (1974). They were getting money from friends like Peter Falk and barely managing to scrape together $1M to produce it. The crew was mainly students from AFI. Nobody would agree to distribute the film, so Cassavetes had to personally ring up theatres and visit art houses carrying film under his arm and begging them to play it. You basically could not see this movie in theatres unless you went to a film festival in 1974 or unless you were living in Paris in the early 90s. Maybe these days you're lucky enough to live in a big city where they might play it for one night every 5 years. And this is THE Cassavetes/Rowlands film.
so of course if you're John Cassavetes and someone rings up your house and asks if you still have a copy of Opening Night (1977) and can they please borrow it to show to some film students, you're going to say "Yes."
We make fun of steampunk and mock it but imagine if there really were marvelous devices
why not have the reader re-read a sentence now and then? it won't hurt him....
girl nothing is ever gonna be all the way together just enjoy the bits and pieces #yourfragments
The Mechanic’s Waiting Room

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It feels cool to be "in" on celebrity gossip before anyone else. I ran into Californian Condor V9 and looked her up on the condor lookup website. It says her current mate is dead and she has no kids but I saw her with a new man AND a juvenile.
it's really funny how the entire world basically just blew the fuck up six short years ago and nobody wants to admit that that may have had some lasting consequences lmao
like so much of Everything today is premised on the idea that the earth-shattering catastrophe which happened within living memory of everyone older than a third grader has had no meaningful material or psychological effects on the general public and i don't think that's good, lol.
"(some of) the top-line economic indicators (sorta) recovered (in most places) so everything is fine and we don't need to talk about it" is not a sustainable framework for interfacing with reality
Jennifer Tilly in a custom Balmain dress with her face on it
Plum Cloutman - Self Pie, 2025 - Pastel, watercolor, and oil on paper mounted to board
[neolithic hottie who's been easing back into the modern dating scene]: so when he said he was a pot caster i thought he was a good artisan with a reliable income. But turns out he just talks to himself all day mostly. People don't even come to listen and he doesn't know shit about ceramics. Sometimes one of his friends is there though.
[One eyed priest-king who's been frozen in the ice for 10 000 years next to a mammoth but is starting to thaw]: girl no wayyyyy. What is slip casting a pot btw. The use of that technique (not to be confused with slipware) purportedly only dates back to the Tang Era (618–917).
[cornish tin miner from 3000 years ago]: my deposits may have played a key part in the advances of sophisticated kingdoms and states more than 4,000km (2,485 miles) away. #myDeposits.

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loml = laughing out my loud
Glen Martin Taylor, “but i am safe in here.”