Trying To Stay True To My Username

POV: it’s 2021 and you hear this mashup for the first time

I could talk about Our Flag as a fan or a queer person or a neurodivergent person, but here I want to talk as a writer and amateur filmmaker. To a see a show like Our Flag get canceled despite doing everything right as far as doing what a production house or streaming service could want and still get canceled feels so disheartening. If well-respected professional filmmakers like David Jenkins and Taika Waititi can have their stories cut short on a whim, then what chance do my stories have? What chance does any aspiring creative have? The message that the untimely cancelation of Our Flag Means Death sends to young creatives is that, “There is no point in trying to tell your stories, because even if you play the game and play it well, you could still lose and there is nothing you can do about it.”

I am asking for this to be proven wrong. I am asking for our stories to be told. I am asking to #renewasacrew

They are different shows people! They have different themes! Amphibia is a classic take on isekai as escapism! Marcy went to amphibia to avoid her real life and while she had fun she didnt mature until after she accepted she needed to embrace change in her life! Anne matured in amphibia bc she always recognized that she has her own life to get back to! Sasha matured after realizing that too! Leaving amphibia for good means to embrace the step out of childhood! Something thats inevitable for everyone!

The owl house is about finding a community in midst of ostracization! Luz stayed in the boiling isles because she found people who accepted her quirks! The boiling isles was in danger from a bigot and luz helps her new community defeat him! Its a very queer story! Community is the center of the story so it makes sense for luz to be able to go back to the boiling isles since shes maintaining her place in the community!

Steven universe is about choosing to be kind! Its that everyone has their own specific traumas that they can overcome with the right support! Its about surviving in a world of bigots at any cost, even if it you have to work with the bigots to carve out a space for the people you love! Because people like you exist and theres nothing anyone in power can do about it! Its also a very queer story! The diamonds can never stamp out the off colors because they will always be there! Steven works with the diamonds not because he likes them but because they can improve the world for his family if only he could get through to them! Hes rewarded for choosing to be kind with success because the theme of the show is hope! Hope that anyone can change! But even though the diamonds stop being fascist steven still doesnt like them because its not about forgiveness! Its about fixing things! Stevens just polite about it!

The owl house starts off with the assumption that everyone can change but its not about the potential its about the willingness to change! The focus is on belos, whos had every chance to turn his life around but will never admit that hes wrong! And the show posits that if someone isnt willing to change theyre not worth helping! Its not about whether or not the character is fascist its about if theyre willing to stop being fascist! Several characters stop being fascist and are welcomed by the characters with open arms belos just wasnt one of them! Several characters clean up their acts but dont adequately address the previous harm they did and are STILL fully forgiven eventually! For toh forgiveness is paired with fixing things you just need to give it time!

And theres an argument that some of these shows didnt do their themes well. If you wanted to portray amphibia as an escapism world that the girls need to leave behind to get to their richer futures then having them get such caring found families go against that by giving them a potential of a good life in the isekai world. Steven universe uses the diamonds as metaphors for mental illness and relationships but its hard to stick with that when you also need to consider the countless other gems they hurt. I think its also fair if people prefer one theme over another.

we good? no one spoiling themselves? beauty

for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough

what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale

look again

this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her

Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her

he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay

then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)

the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy

but don't think I forgot the internal conflict! :D

because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether

but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change

Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)

But Luz does have one real choice ahead of her

because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself

and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.

Also PJO fandom: Lin🙄Manuel🤮 Miranda😭as😒 Hermes 🤯?! Tell me it's a joke✋

it’s about james hong being in a triumphantly empathetic film with asian leads after 70 years of watching the landscape for asian actors change with his own eyes, it’s michelle yeoh being taken seriously as a leading actress who can anchor a movie with both humor and heart, it’s ke huy quan getting to play all the roles he never got to play over the last two decades, it’s stephanie hsu bursting onto the scene as a rising star next to all these established actors by walking the path that they helped pave

“One finds oneself in such an incredible position, and, well, one should declare it... assuredly, fervently, loudly."