Untitled

P-30.May.2026 (D-6.May.1998) painting on parchment, shape of panel22.5x28.2cm Takahiko HAYASHI 林孝彦

""Lake Como #2" Sergiu Ciochină

Hiroo Isono

Photos by Lawrence Sackman for “Get Thee Behind Me, Satin,” Esquire, May, 1974.

Colour illustrations of Scraps, the patchwork girl, by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

Character portraits by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

Scarecrow and Scraps by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

More illustrations by John R. Neill for L. Frank Baum, “The Patchwork Girl of Oz” (The Copp, Clark Co., 1913).

Painting by The Brothers Hildebrandt in Omni, vol. 2, no. 4 (January 1980). Published across two pages.

Cover art by Frank Robbins for The Shadow #7 (November 1974).

Arthur Hacker (1858-1919): 1) “The Drone” (1899), 2) “Punting on the Thames” (1901), 3) “Lost Parasol” (1902), and 4) “A Morning Walk” (1902).

Personal work, c. 1980, by Jeffrey Catherine Jones.

Nikolai Konstantinovich Kalmakov (1873-1955), “Tamara and the Devil” (1917), watercolour and gouache over traces of pencil, 110 x 75 cm.

Jan Cornelisz Vermeyen (1500-1559), “Judith with the Head of Holofernes” (c. 1525), oil on panel, 47 x 65 cm.

2. Black-and-white interior illustration, uncredited and unsigned, but presumably also by Earle Bergey.

Michael Leonard (1933-2023)

“See-Saw” illustration by Armand Vallée, published in La Boheme Art Quarterly vol. 1, no. 1 (Winter 1927).