post-punk/goth/coldwave/dream pop (Molchat Doma, Peremotka, Cocteau Twins, etc.)
biblical/religious imagery/symbolism/aesthetics
Maxim Matveev ahehehe and his movies/shows (Demons 2014, Hipsters, Vice, Mosgaz, Union of Salvation, and Mata Hari)
Project Hail Mary (2026)
Lars and the Real Girl (2007)
interact with me on twitter!
my AO3 :)
crime and punishment
Making Raskolnikov's Birth Chart
the brothers karamazov
Making the Karamazov Brothers' Birth Charts: Pilot Test #1
note on sending asks
i welcome most things in my ask box, but please be advised that i hold the prerogative to ignore/decline to answer your ask if it makes me feel uncomfortable. if you're coming to my ask box to harass/insult me/my work, you better do it with that anonymous button turned off. if you have the gall to say those things to me, you should also be brave enough to let other people know who you are and that you speak that way to strangers online.
FAQ
Do you really like Stavrogin even after knowing what he did to Matryosha?
the only reason why i "like" him is because he's portrayed by Maxim Matveev. you won't see me talking about any other Stavrogin of the other adaptations of the book, because i only like Matveev's version, and because it's MATVEEV. i like Matveev. he's just objectively hot in my eyes. Stavrogin, the character, can go burn in hell for all i care. i think he's interesting and fun to analyze and write, but that doesn't necessarily mean that i condone the things he did. he still disgusts me. i want him to suffer.
Why do you not write for XYZ ship?
if i don't write about it = i'm not into it that much. that's it.
[anything regarding hot takes about Demons by Dostoevsky]
i don't post or hint about hot takes anymore on any of my public accounts.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
We don't see many late drawings from Rothko, there's one in '56 and some that are studies for mural projects, but for some reason, in 1962 we have this nice group of works on paper. What the intention of then was, no one knows for sure.
In 1962 Rothko was working on the Harvard Murals, but these drawings don't really resemble that work and only the 3rd drawing, in pencil. seems more like it might have been a sketch.
But it's still a little funny. The Seagram and Harvard mural sketches are cementing shapes that Rothko wasn't known the use. After all the stacked rectangle forms Rothko had painted by 1962, why sketch a single one out in pencil?
In seems likely to me that at least the 4 of them, in ink, were meant to stand alone, but we will probably never know.
I'm presenting them here as a set even though they are all up on the blog individually. For one thing it's nice to look at then this way, and for another these are recent scans from the NGA, which are different in small ways than what's already up. The previous scans are professional vetted scans but these new ones were probably done all at the same time and we sometimes see less yellow in the paper than we've seen before.
i'm OBSESSED with ur librarian!reader x lars fic they're so friggin cute !! the confession scene at the lake is so 🥺🥺🥺 lowkey sobbed when lars told reader that he said good bye to bianca there but he hoped that he wouldn't have to do that again with reader... ugh u hit me rigjt in the feels
i'm one of the folks who subscribe to the interpretation that Bianca was, aside from being Lars' first girlfriend, a manifestation of his loneliness and the parts of himself that he struggles to live with (Bianca = also Lars). so when i was writing that scene, it was not so much an act of Lars moving on and loving another person again; it was more of a statement that he's a whole person now; someone who can feel and love more freely without having to be scared of being abandoned, because he knows he's loved; he has embraced his entire self and has learned to let go of what needs to be let go :)
shades of earth on a random saturday | Lars Lindstrom x Fem!Reader Oneshot
Summary: You’ve known Lars for a while now. So perhaps it wasn’t much of a surprise that you’ve finally plucked up the courage to ask him out on a date yourself. It’s not the dark ages anymore, anyway — no one was going to shame you for taking charge.
Rating: T
Word count: 4.5k
Moving back to Wisconsin — with your grandparents who had long wished to see you again — for a fresh start was a decision you’ve been wanting to make for quite some time now. Life in the city had simply become monotonous and tiring; it was fast, demanding, and took a lot more out of you than you thought it could give back. So when your father, your only remaining parent since your early teenage years, brought up the similar idea of going back to his hometown, you didn’t need any further convincing to join him in such an endeavor.
Settling in wasn’t much of a problem, he had assured you. You had made preparations in advance when it came to your new workplace, and you secured a position at the local library a week before the big move.
The people there already knew you by name, specifically your paternal grandparents’ last name that you carried. This was something you found out when you applied for the vacant position over the phone, as the interviewer immediately recognized your surname. You never expected that something as simple and oftentimes overlooked detail as a surname could come in handy at a time you least expected it to.
When you showed up on your first day, everyone was excited to meet you. Not only did they show you the ropes at your new job, but they also gave you a tour around town so you could be more acquainted with the people and the general feel of the place.
Your interaction with the library visitors usually went like this: they’d come up with whatever they were going to borrow; they’d stop and take a good look at you and the small nameplate pinned on your shirt, and you’d get the same reaction as the last person who recognized you — “oh, you’re their granddaughter!" , they’d say upon realizing that you’re related to one of the elderly couples who’d been living in the town since its early years. They’d smile, and say that they’re happy you decided to come back and live with them. Somehow, that eased your guilt of not being able to visit your grandparents as much, as telephone calls were the only mode of communication you had with them in the past.
Being known in this way was nice. The locals were curious about your life in the city; they’d ask you how different it is from living in a small town while you’re helping them check out a book or a CD, and they’d tell you to not shy away from reaching out if you ever needed something that they knew they could provide. You’d smile, thank them, and file away their names so you could greet them out on the street if you ever passed by each other.
The library wasn’t always busy, so conversations with the visitors often occurred. They liked to chat, and you were more than happy to interact with them. Through this, you’ve met most of the locals throughout your first few weeks at work, but as with most things involving the idiosyncratic natures of human persons, even in something as mundane as entertaining people at your workplace, one of them eventually stood out from the rest.
Margo, who had easily become one of your favorite visitors at the library and was your constant companion on your off days, introduced you to Lars one morning after church. He was her coworker and friend. He was with his brother and sister-in-law then—Gus and Karin Lindstrom—when Margo presented you to him. He smiled at you and shook your hand, but he didn’t really converse with you; you figured he was just shy and didn’t think too much of it.
Turns out, the Lindstroms knew your family, too. They said they’ve met your grandparents a few times in the past, and they, too, were glad that you and your father had come back to live with them. You all went your separate ways after that short interaction, though you did notice Lars glancing over his shoulder at you a few times while you were en route to your car.
Curious about Lars, you asked Margo more about him as the two of you headed to an antique shop that you wanted to take a peek at somewhere downtown. She essentially crafted for you a near-complete sketch of who he was, what he’s like, and who he’s been with in the past. You learned about Bianca; how much the town loved and cared for her and Lars, especially when the former passed from an illness. You found it peculiar at first, but the more you listened and asked the locals about the stories you heard, the significance of this relationship and what it did for the town in return was something special; a memory that was to be honored by those who were fortunate enough to hear about it.
Your first interaction with Lars — without Margo’s facilitation — at the library was quite a fond memory. You were arranging and sorting the new acquisitions for the year then, when you noticed that your coworker had left their station unmanned; you figured that they went for a quick bathroom break then, but this was a tad ill-timed because someone was there, standing by the check-out, looking for a staff member to assist them.
You half-ran half-walked over to them, abandoning your current task to cover for your coworker this one time. Only then did you see who it was.
Lars. He turned to you as your footsteps drew near, and was visibly surprised when he realized that you worked here. He averted his gaze, choosing to stare at his shoes as he clutched the books he was going to borrow close to his chest. You pretended not to notice as you fixed your hair, having run all the way from the other end of the hall.
“Hi,” you began, “sorry for keeping you waiting. Are you all set?” You asked him.
“Yeah,” Lars gave you a tight-lipped smile. He still wasn’t looking at you, but he put the books on the counter along with his library card and let you do your job.
You checked out each of the books for him, opting not to make small talk as he was doing everything he could to not catch your eye. Interestingly, you didn’t find this offensive at all. It would have been, if you were in another context, but this was Lars. You sort of knew what he was like already, and you were ready to give him plenty of grace in your head in advance for whatever unique characteristics he had. If anything, his current behavior around you only served to endear him to you even more.
You successfully prevented yourself from smiling as you nurtured these thoughts, not wanting to appear like a weirdo in front of an acquaintance who hadn’t yet made up their mind about how comfortable they could be in your presence. It was no problem; Lars could take all the time he wanted with that.
You handed him his books once you finished up and he took them. He thanked you, turned to leave the library just as fast as he came; you did, too, since you still had some unfinished work on the shelves, but you were pulled right back to your previous position when you saw Lars approaching you again. You meet him halfway, still behind the check-out counter.
He blinked at you a few times before speaking. “Do you bowl?” He asked. His hands were gripping the books tightly as he waited for your response.
You blinked right back. “I… I do, yeah. But I kinda suck at it.” You laughed sheepishly. This seemed to disarm him, because he laughed right back at your self-deprecating joke, and you noticed his shoulders were a bit more relaxed now compared to how they were earlier.
“That’s okay,” Lars replied. “My friends and I are going bowling later, and… I thought maybe you’d want to join. Margo will be there, too.”
You took a moment to take all that in. Suddenly your cheeks felt hot (his were, too) and you wanted to start freaking out right where you stood, but you’re an adult. You and Lars were both adults. This was no time to act flustered like a high schooler. You gathered yourself quickly to take up his very kind offer.
“Sure,” you replied. Lars’ face brightened upon your confirmation. “What time will it be?”
“It’s at eight-thirty. But we all plan to come a little earlier because the bowling alley tends to get crowded fast.”
“Oh, that’s no problem.” You assured him. “I’ll be there. Thanks for the invite.”
Lars smiled at you again; now less tense and warmer. It’s like something was squeezing your heart as you basked in its glow. “You’re welcome. Bye. See you.” he said, leaving for real this time.
—
You’ve known Lars for a while now. So perhaps it wasn’t much of a surprise that, after months of skirting around the very obvious, very massive elephant in the room that you two have come to like each other, you’ve finally plucked up the courage to ask him out on a date. It’s not the dark ages anymore, anyway — no one was going to shame you for taking charge.
It was after a walk along the lake that you asked him if he was free this coming Saturday. Lars was accompanying you back to your house then; he was walking beside you, standing a little too close than usual, but with enough of a distance where your hands were just about to brush against each other. You could practically feel the current running along that gap the entire time, and the tension cracked when Lars responded to you with a soft exhalation of delight instead of just silence.
“You know, if I didn’t know any better, I’d say you were asking me out on a date,” he teased. Lars was pretty playful like this, as you’ve come to discover over time, though this trait appeared to be something he reserved for only you, dialed up just enough for you so you could feel its intensity. The smile that accompanied his words morphed into a grin when you turned to look at him. His ears were dusted pink under his beanie.
You chuckled and shrugged. “Well, yeah, I am. It’s been a while since I’ve gone on one.”
“Me too,” he said. “And what will we be doing?”
“Mm, I’ve been eyeing that frozen yogurt shop across the library since they opened. We should try their stuff out. Is two o’clock okay?”
Lars nodded, then glanced at you. “I’ll pick you up.”
“At my house?” You asked, a little surprised since your place wasn’t exactly within the usual route that Lars took to get to town. It was a pretty stupid question to ask, but you did anyway, because you wanted to know if he was actually serious.
Lars gave you a look that made your question sound redundant. “Yes, at your house. Where else?” He laughed. “You’re silly, [name].”
You mirrored his reaction. So he was serious. “See? I told you; it’s been a while. I’m out of practice.”
As you stepped over a particularly large tree root, you slowed down and somewhat leaned towards him; you weren’t about to trip or fall by any means, but Lars was quick to grab your arm. You seized up but recovered just as fast. You accompany your blunder with an awkward laugh.
Lars let you go as soon as you found your footing. Dropping another comment about that tree coming out from nowhere, you thanked him and continued walking; taking a silent, deep breath as you relished in the phantom grip of his hand on your sleeve.
You couldn’t see it, but Lars was smiling to himself, too. He knew you were alright; that you knew where you were stepping, and that you weren’t going to fall, but he still wanted to do that. So he did, and he was more than elated to realize that he wasn’t averse to touching you at all.
Next time, Lars hoped to touch you directly. You were also thinking this yourself.
—
Saturday came, and as he said, Lars did come to pick you up at two PM sharp. Your grandmother opened the door for him, and she let him inside as she called out for you. You hastily grabbed your purse, took one last look in the mirror, and descended the stairs. This was it: you were going on a date with Lars Lindstrom. The thought that used to be just a fantasy to both of your minds was now becoming real.
The first thing you caught sight of was the new sweater that Lars wore beneath his jacket. He stood up from his seat as soon as he saw you emerge into the living room, and the way his eyes drank you in was no different than how you did him.
His hair was neatly combed; you could see the top part of the knot of a necktie under the knitwear, and the pristine white collar of his shirt. Upon approaching him, you can smell the faintest whiff of clean soap and aftershave. So endearing it was to see him put so much effort in his appearance even if you were only going to get frozen yogurt. Truth be told, you sort of felt underdressed with your simple ensemble that’s composed of a white blouse and the floral midi skirt that you thrifted at the flea market from last week, partially covered by the cardigan you chose to protect yourself from the chilly wind. But Lars liked it; you could tell because his gaze kept on sweeping over you and he’d smile to himself when he thought you weren’t looking. Another one of those things that would throw you off if another person did it, but had (un)surprisingly no issue for you if Lars was the one doing it.
You bid your grandmother good-bye, promising to be back before dinner and trailing behind Lars as he led you to his car. Your cheeks colored when he opened the passenger seat door for you, even if it was the most played move in the book. You didn’t care. Lars was just thoughtful like that. He circled back to the driver’s side and got inside himself, fastening his seatbelt before igniting the engine.
Light conversation filled the car interior as you two made your way to your destination. Lars spoke fondly of his nephew as he drove; he was learning how to walk now, and Karin was teaching him how to say Lars’ name more clearly, as he had been coming over to watch the kid whenever the two were away at work, especially when they couldn’t get a babysitter.
You’d seen the newest addition to the Lindstrom family a few times in church these past few weeks—well, you heard him first when he cried during Rev. Bock’s homily, before Karin stepped outside to soothe him. Lars was quite happy about this development; it was obvious that he adored his nephew. He had hinted, some time ago, about wanting his own children in the future, but had his reservations owing to how dangerous pregnancy was. You’re no stranger to the fate of his mother by now. You knew why he was apprehensive despite his desire to be a father.
As for your contribution to the chatter, you talked about your experience at your grandparents’ shop where they did their pottery work. That was where they made most of their income, and what kept them entertained and occupied. It had been your grandfather’s passion throughout his entire life; he had some students learning under him, and some of them had ended up working for the shop somewhere down the line.
You told Lars that your latest project was a ceramic garlic grater, and all that was left to do was to glaze it and fire it in the kiln. You asked him for suggestions on the color of the glaze that you were going to use, as you couldn’t make up your mind between blue and maroon. Lars chose maroon.
“You should come over and try it out some time! It’s really fun. And I think you’ve got the hands for it,” you said.
Lars didn’t take his eyes off the road, but he had been listening to you the entire time you spoke. “I didn’t expect that you’d have looked at my hands enough to say that,” he replied, smiling to himself. He was teasing you again, and while you could give him the satisfaction of being flustered by his comment, you chose to keep your defenses steady against his jab.
“It’s just something my grandparents say,” you reasoned. It was true — somehow, decades of being in the pottery trade made them a good judge of character, and they’ve told you many times before, when Lars first came over at your house, that he was good — a judgment they made solely based on his hands.
“Okay, I’ll drop by next week,” came Lars’ response. You couldn’t see his expression as he was watching closely where he was making a turn, but you knew him well enough now to determine, just by the sound of his voice, that he was just as happy as you to have another chance to see each other again, one that you both held fast to your hearts like a promise.
—
Some people at the frozen yogurt parlor recognized you and Lars. Six of them — all parents, this bunch — were regulars at the library — you knew this because their kids were all friends, and you’ve assisted them once or twice with finding their favorite books at the children’s section. The others were possibly acquaintances of the Lindstroms. They greeted Lars warmly as you passed them by, and they smiled at you when they noticed that you were with him.
You could feel them watching the two of you as you occupied the bar stools by the counter and gave your order to one of the employees stationed behind the cashier. The looks that were directed at you and Lars weren’t in any way malicious — they were more similar to watching one’s child finally learning to take their first steps alone without needing to be guided. You surmise that they’re probably just happy to see Lars out and about again after a year since Bianca’s passing.
Your conversation in the car carried over as you two ate. Lars had asked you about what it was like when you first started making pottery.
“I used to be really clumsy in handling clay,” you recounted, scooping a dollop of your mixed berries yogurt, “my hands would be so stiff and I’d just stare at it and let it rotate in my palms. Then my grandma would snap me back to reality and tell me to actually shape the clay and not just watch it. The first one I made was a bottle. I didn’t make the lid, though.”
“Why not?” asked Lars. He was already halfway through his yogurt — vanilla and cherries — when you looked his way.
“I was lazy,” you admitted with a sheepish laugh. “I carved out a piece of cork instead and then used that as a lid. Oh—” you grabbed a couple of napkins off the dispenser to your left. “You have froyo on your face…”
Lars attempted to wipe it off on his own, but he missed by a few centimeters. You smiled. “I can get it for you. Is that okay?”
Lars stared at you for a while before he nodded, his eyes darting somewhere else as he leaned in towards you. He’s grinning like a little kid who’d just been given the shiniest toy on Christmas morning, but you could tell that he’s doing his best to tone it down. You felt the weight of everyone else’s gaze at that moment, as you carefully dab the stray froyo off the corner of his mouth.
“There, all clean.” You said as you crumpled up the napkin. You dared to look over your shoulder. After considering your next move, you leaned into Lars this time to whisper something to him. You felt apologetic as he stiffened from the sudden close proximity; his head was now bowed and he’s looking at his lap on instinct.
Lars was torn apart; he wanted to run away from you, and at the same time, run towards you. His heart was fluttering from all the butterflies that had been let loose inside his body, and for the first time in twenty-eight years, he had to quickly teach himself how to breathe. You, though, were none-the-wiser to his musings.
“Why are all these people looking at us?” You murmured. Lars could barely lift his eyes to yours, but he tried his best to reply.
“I… I don’t know,” he shrugged. His hand on the counter clenched then unclenched. “M-maybe it’s because we’re together?” This time he mustered up the bravery to meet your inquisitive gaze. His heart almost broke when you frowned a little.
“Is that… bad?”
He was quick to deny your theory. “No, I don’t think they mean it like that.”
His head began spinning again when your worried expression transformed into a smile. You pulled away, and directed your attention back to your food. “I hope they mean well, at least,” you said, playing with your remaining yogurt.
Unbeknownst to you, Lars was already missing your warmth despite being close enough to touch.
—
The day ended with another walk through the forest. Lars said he wanted to take you to his favorite spot by the lake right before it got dark; the sunset was magnificent there, he told you, and you let him lead the way, following him as he traced a well-trodden route. The air was nice and cool at this hour — birdcalls filled the silence that hung between you and Lars, punctuated by the soft crunch of the forest floor underneath the soles of your shoes. As much as you liked making conversation with Lars, sharing quiet moments with him like this was just as enjoyable, if not more conducive to your continuous discovery of each other. You’ve learned more about him this way, and so did he about you.
“Here we are,” Lars announced as he stopped by a bank. You stood beside him as you feasted on the sight before your eyes. He was right: the view was pretty over on this side of the lake. Cumulus clouds dotted the light orange sky overhead, though there were no signs of a storm coming despite the inherent chill. What you saw above, the water mirrored in fragmented glass in front of you. Further in the horizon, you could see the sun and its gradual descent; its light bathed the entire land in a beautiful, orange hue. You could feel Lars wordlessly observing you as you survey the landscape. You turn to him.
“It’s beautiful here,” you smiled. “I can see why it’s your favorite place.”
Lars returned the smile. You turn to the water again, closing your eyes as you breathe in the air. A gentle wind brushed past the both of you, whipping your hair and the foliage of the surrounding trees along its undertow. The sound of Lars’ footsteps cut through the breeze — he had stepped closer towards you now; you knew because the material of his jacket was now grazing your cardigan sleeve.
A long pause came before Lars broke it himself. Even though you weren’t standing in front of him, he found it more comfortable to bow his head as he began to speak.
“I really like you, [name].” He said. His voice sounded small, like he was shyly opening his palms to present to you a physical manifestation of his feelings. The next breath you took was a little difficult to inhale — you could tell from the beginning that he was planning on something when he proposed to show you this place; you anticipated this, yet you were unable to react with the usual wit that you possessed during your other interactions with Lars. You didn’t say anything in return just yet, and Lars inwardly thanked you, because he had more things to share.
“The last time I brought someone here, I had to say goodbye to her,” Lars said. You understood this as your cue to meet him where he was — still balmy blue and deep as ever — and as you expected, he was already waiting for you to do just that. “I hope I won't have to do that again by saying all of this to you.”
Your heart was now in your throat as you maintained the look that you were sharing. “I like you too,” you replied. You had hoped to be more confident, but you were just as swept away by the moment as Lars, too lost in his eyes to go back to your senses. It didn’t even register in your head that he had leaned down and towards you; he placed his hand below your jaw, his fingers ghosting over the skin as if afraid to press; and he kissed you: a soft, prolonged peck that lasted no more than five slow seconds. His breath fanned over you as he pulled away, but not entirely; he kept his hand over your cheek to see how you would react, and much to his happiness, you put both of your own hands on his shoulders. You were positively pink as you faced Lars, and he was, too — his smile grew larger when he realized that you were more than accepting of his honest declaration.
Every ounce of air in your body nearly escaped when you felt Lars pulling you in by your waist until you were flush against him. He laughed; the sound coming out light and boyish. “You’re even more nervous than I am,” he said. “You’re so adorable, [name].”
You sighed. “Oh Lars, you’re killing me,” you confessed, amused and helpless due to your inability to keep your heart from hammering like crazy inside your chest. You could feel Lars’ cologne rubbing off on you the longer he was holding you in his arms.
Lars cooed. “Don’t die on me, please. I still need to tell Gus and Karin about you.”
You gave up and finally hid your face onto his chest, your own laughter bubbling up from your throat. “I think they’ve been expecting you to do that for a while now.”
As always, Lars took you home after the walk — he got out of the driver’s seat to accompany you to the door, then he checked his watch just before you could twist the knob and announce your arrival to those at home. It was his mother’s watch, he told you once before. You reflexively smiled as he read the hour for you.
“Six-fifty,” he said. “Got you home just in time.”
You approached him and kissed his cheek. Lars was already smiling back at you.
“See you tomorrow at church, Lars.” You said. He returned your words and went down the porch steps, getting inside his car once again.
Choosing to linger, you watched from behind the screen as he pulled away and drove off into the night, undoubtedly brimming with so much joy and excitement like you also were. You could see him grinning behind the wheel in your head.
Both of you already couldn’t wait for the next sunrise to come.
summary: on your fourth big blockbuster working together, you find yourself scolding hollywood’s favorite, tom ryder. to much success, it manages to capture colt’s attention.
pairing: colt seavers x gn!reader
word count: 4.0k
tags: fluff and humor, coworkers to lovers, workplace relationship, mutual attraction, courting, flirty!colt, tom ryder being an asshole, brief gail meyer cameo, sexual humor, minor injury, kiss at the end, script supervisor!reader, gn!reader
cross-posted to ao3
“Solid chance for a reshoot,” you mutter under your breath, as soon as the director calls cut. It’s clearly too loud, because the lead actor for the film whips his head around to locate your voice. Tom Ryder looks like he’s about to throw a temper tantrum; the overly-tight business suit and cowboy hat he’s costumed in does nothing to help his case. You’re perched on your chair, script in-hand with one leg crossed over the other. You can only react with a raised brow.
“That doesn’t make any damn sense. I nailed it. My foot’s on the tape,” Ryder protests, arms flailing down to point at the gaff tape under his left shoe. He isn’t wrong, per say; his foot is most definitely on the spike. But, there’s a very clear issue.
“You’re faced in the—” Uncooperative, you remind yourself. There’s no point in arguing with Ryder head-on. You turn to the director, pen tapping against the stapled script in your hand. “He’s faced in the wrong direction.” You can’t imagine that you’re the only one who’s spotted this, but the vast majority of the crew want to keep their jobs—and someone as fiery as Tom Ryder isn’t the safest to correct.
It’s your fourth big blockbuster with him as lead and it still astounds you how much they let him improv his scenes. It’s difficult to tell if he’s playing different characters or just slightly different versions of himself. You can tell that half the set wants to throw in the towel by this point—with your observations and Ryder’s fussing. He clearly doesn’t want to admit that he’s clearly overlooked the simple detail. “So, Seavers can just reshoot the stunt to match the shot.” Classic.
You don’t even know where Colt is right now. Probably taking a nap in his trailer, or grabbing a bite to eat off-set. You can’t think about that now, because you need to focus on talking over Ryder. “That’s insane,” you counter. “It’s too expensive to reshoot the stunt, and it’s already perfect as-is. It doesn’t take a whole lot of work to recreate the scene you just did.” It’s really not. All he has to do is wave his stupid prop-gun around and run his mouth.
“Pain in the fuckin’ ass,” Ryder mutters indiscreetly. You can only scribble away on your script, unamused. The makeup artist that comes to touch up the highlighter on his cheeks looks half-scared to death. You can tell that she’s in a quick rush to dab the brush at his face and scurry away as fast as possible.
“Tom, bear with us for a minute. We’ve got this scene left, and then it’s press time. You love the press,” the director exclaims, all too sporadically. “We’ll redo the scene really quick, bud. Just go with the flow.”
—
You’ve been keeping your eye on Colt for the last week and a half of production. It’s not that you can control it. Whenever he’s substituting in for Ryder for the fight scenes or the pyro or the vehicular stunts, he’s always front and center. You’ve got to keep your eye on the script and Colt simultaneously; it’s your job—tracking the consistency. In any case, you’d have to do just the same for Ryder. Except, when Colt’s not needed for the shot, you, on occasion, still keep your eye on him.
So, you might have an inkling of a crush on the senior stunt double on your set. The reason, you’ve tried to deduce, is that he’s relatively much nicer than Ryder, which means you’re so much more likely to like him. And you’d be lying if you said you weren’t attracted to him, with his blonde highlights and all the movie quotes he spews out between takes.
Usually, you’ll find him at the catering table, on his third cup of your shared fourteen-hour day. It’s under these usual circumstances that he comes to thank you. You feel a tap on your shoulder—and Colt’s there, right beside you, mug in hand. You give him a nod and a smile, trying not to come off too jumpy. He still has his costume on, grayish blue suit and a slightly darker tie to match—topped with a brimmed cowboy hat. It’s the same as Ryder’s. You drop your thermos down on the folding table, trying to figure out what pastry might tie you over for the rest of the day.
“So, I heard you did me a big favor,” Colt murmurs. Word travels fast on-set, clearly. He takes the white little espresso mug up to his lips, taking a sip of the hot brew as he leans back against the catering table. He lowers it just a little to say, “You should’ve just let him make us reshoot.”
You shake your head, picking a scone off one of the trays and placing it onto your flimsy styrofoam tray. “It’s good to get him worked up early during production, so he might ease off the bitching later. It’s like an advanced payment.”
Colt snorts. “Nice,” he says, “I’m pretty sure he’s trying to get Gail to get you fired. Obviously, you didn’t hear it from me.” It barely fazes you. Ryder’s always dying to get somebody fired, and it alternates based on his particular moods. His targeting you is no different than usual.
“She can’t fire me,” you chuckle. After four blockbuster films of you on script with the bigwigs, you’re convinced that you’re invincible. It’s naive, maybe, but you’re good at what you do. You’re credible. And, on this particular contemporary Western at least—with crunch time now, in the middle of spring—you’re safe. You digress, “I know the film inside out, and it’d be a killer to replace me at this point in production.”
“Right,” Colt nods. He doesn’t seem to believe you too much, but it is what it is. He seems to lower his voice as crew, largely lighting and sound in all-black, whizz past you to set up for the next scene. Intently, he tells you, “I wouldn’t mind reshooting if it means Ryder won’t give you as hard of a time.”
Your eyebrows crease. It’s not that you don’t appreciate his efforts to make your life easier. It’s just so simple the way Colt thinks he can be tossed around; you wish he’d be more careful with himself. “Kind offer. Thanks.” You’re brushing him off; he can tell.
“Even if you won’t take me up on it,” Colt tilts his head, “I’m around whenever you need me. What is this, our third film together?” He’s flashing you a grin, back to the table. He must think he’s real cool; you hate that it’s working on you.
“Fourth,” you correct. You’re not sure if it comes out short or timid; regrettably, it feels more like the latter. Colt lowers his mug down onto the table, faltering just slightly.
Briskly, he repeats, “Fourth.” Colt makes an extended effort to turn around and pick your thermos up off the table. You have to suppress a yelped “hey.” Despite your protests, thermos his hand, Colt practically bodyguards the whole setup—the Keurig and the metal basket of espresso pods adjacent to it. Your hip bumps against his as he puts his forearm to fend you off. You’d try to grab for it if you weren’t at work, PAs and DPs flitting around you both. “You don’t have to—”
And, like a flash, Colt tosses your thermos onto the bottom plate, whips the pod into the canister, punches the lid down, and clicks double-shot. “My first installment for you screwing over Ryder on my behalf.” While you’re both waiting for the machine to pour down coffee, he’s humming something like ABBA. “How pissed was he to reshoot?”
“Practically frothing at the mouth,” you tell him, “I’m surprised they didn’t prep a bib.” Colt’s perfectly satisfied with this answer, nodding curtly. Respect. Not many people are capable of talking down on Ryder so openly.
The thermos gets filled halfway, and Colt offers it back up to you, “Here.” You take the thermos back, in steady avoidance of his callused fingertips. He admits, “I don’t know how you like your coffee yet.” Yet? You narrow your eyes. You’re not sure that Colt has ever been so attentive talking to you, and you’re trying not to feel the way your breath hitches in your chest in response.
If there’s anything you’re able to bond about with Colt, it’s the damn on-set coffee. He’s practically running on the stuff, probably ten times worse than you are. His little mug finds its way back into his hands again. Colt fails to speak for a moment, too occupied by… something on your face. You’re trying not to crumple beneath his observation, but Colt’s smiling and he’s searching over your features for something.
Finally, after a few seconds, he lets up. “I’ll get your order down sometime this week. I’m, uh, quick to learn,” he tells you. Then, he raises up his little cup toward you. “Cheers. To you disturbing the peace.” You raise your thermos, and Colt’s ceramic clinks against your metal. A little victory.
—
You could care less about Ryder’s peace, really; but, you’re partially grateful in the fact that it’s allowed you to catch Colt’s attention. Colt sticks to his word about the coffee, because he seems to keep his attention fixed whenever you’re at that catering table with him. And when you’re not at the catering table, he’s still somehow around, holding open doors for you and keeping spare pencils tucked on his person for you to use to mark scripts. You don’t want to mistake it for anything that it’s not, but it feels almost vaguely like Colt Seavers is trying to court you.
All the fuss that he’s been making to please you culminates into a really unnecessary scene on-set. You’re right off camera, next to the director, camera op, Gail, and… Colt. It’s one of those classic getaway car scenes, set in a downtown street; they’ve got Ryder in the motions of hopping into a great Oldsmobile Toronado, while two security guards are trying to hop and skip after him in the facade of a nameless bank. All the action—Ryder yelling “Really, it ain’t personal,” in a vaguely East Coast accent—culminates into him jumping down a set of stairs and whipping the door open. He clambers in, slams the door shut, and throws a big duffel into the backseat. The open zipper of the bag makes for a great effect of bills being scattered all in the closed containment of the car.
The director yells cut and the crew runs round to reset. Ryder runs his nails into his scalp, pushing back his curls; it all comes very easily to him, these things. As terrible as he is a person, he still can’t help but be great at his craft. It’s insufferable. One of the PAs guides him out of the car and off-camera to a tall chair with a glass of water and a tray of fruit. He pops a green grape into his mouth, before staring off in your direction, bored. “Can somebody tell Colt to stop eye-fucking the scripty?”
The notes that you’re taking down in red ink have to wait. You slap your script down onto your lap. “He’s not,” you spit out, gawking most of all at the choice of words. In front of the entire set—oh, you want to kill Ryder; there’s nothing in the world you’d want more.
“I’m not—” Colt scoffs. “I’m trying to gauge if the camera needs to get pulled back. It’s gonna be a killer if I crack the lens.” You look over your shoulder to check Colt’s conviction. There’s zero of it. He’s looking down at you and back at Ryder, hands propped on his hips. You can see his chest rise and fall. Colt wants to look tough, and his composure is doing absolutely to help you.
Ryder laughs, really guffaws. He makes sure to crunch down another green grape, before he shoos the whole arrangement away with a “Thanks, honey.” The PA by Ryder’s side makes sure to make themselves sparse, taking away the fruit and leaving him with the water. Ryder keeps his eye locked on Colt, already quite entertained. “You’re a shitty liar, dude.”
“There’s a reason why one’s the lead and the other’s the double,” Gail says heartily, smacking her gum with a shrug. When she finds that you haven’t agreed with her, or at least laughed alongside the two of them, she gives you an eyeroll under her wide glasses. It’s all wide and clear: Gail thinks you’re no fun. She should really adjust her priorities.
The director groans, “Jesus, Colt, just go get in the car.” The talk is getting you all further behind schedule. Colt’s meant to crash into a storefront window. Amidst the arguing, everything’s all in place—an Oldsmobile replica driven up in place of the real deal, door open for Colt to jump in. You can feel him hand tap the back of your chair as he straightens out his costume and grabs for his crash helmet. A wordless sorry. You try not to jump at the feeling of Colt’s suit brushing against your shoulder as he passes by you.
“You got it, boss,” Colt calls out, exclamation muffled. He throws out a big thumbs up as he makes it over to the car. You have a feeling that Colt is going to grovel later about Ryder making a scene of the two of you, but really, it isn’t the worst thing in the world—at least, until Colt slams the car door shut and Ryder decides to speak up again.
Leaned over in his tall chair, he asks slovenly, “Seriously, are you sleeping with Seavers? If it’s because he’s my stuntman and it’s a power thing—”
“No! No, I’m not sleeping with Colt and even if I was, you would have absolutely nothing to do with you,” you hiss. The ego on Ryder makes your head thrum. You try to keep to your script—taking up the clipboard in your lap to write notes down on your log on the last couple of shots.
“It would make sense ‘cause he looks like me, you hate my guts. It’s like that psychosexual shit that Freud talks about… uh…” Ryder taps his fingers on the armrest of his chair, then clicks his fingers: “Displacement.” Smartass. He probably only knows the term having prepped it for an interview on one of his psychological thrillers. Ryder is about to continue harping on about how flattered he is, but the 1st AD calls quiet on set; he shuts it.
—
You’re stationed at your new spot on the opposite side of the backlot, five feet behind the secondary camera setup—where Colt is meant to swing the car through a large glass window. Luckily, Ryder and Gail have decided amongst themselves to depart elsewhere to talk about the next big film. This way, you’ll be able to worry about this stunt in peace.
At action, the Oldsmobile revs. Colt is making sure to kick up some smoke. You can tell now that this is going to be a good take—just from the way he’s handling the car. If you’re not mistaken, you think that he might even be driving with a bit of extra force. The car starts barreling down the set raucously. You’re trying not to grip your script too hard at the sight of him speeding down the road. As Colt’s car approaches, you’re unable to see his expression past the tinted helmet. The flash that you do catch is of his gloved hands gripping the wheel—and the most that you can do is cross your fingers.
The collision is hard. You can’t help but flinch at the sight of him tearing the car through the pane. It shatters loudly, and you can see the motion of the Oldsmobile hitting the crash pad. The director makes sure to hold, so SFX can machine-pump a bit of fog out of the fictitious storefront and make the scene look a little prettier. Then, they call “Cut.” There’s a whole lot of movement towards the car—first, with brooms to sweep away the stray glass, and second, to check on Colt.
The door of the Oldsmobile whips open, and Colt shoots out a thumbs up. You sigh. He’s fine. As soon as he gets out of the car, though, you can’t help but notice that he’s gripping his shoulder and trying to stretch it back. He takes a moment to tug off his helmet and mess with his hair just a bit. The nearest on-set medic tries to approach him with a “If it hurts, I can take a look at it,” but you hear him deny it with an insistent “All good. Don’t worry about it.” The director runs up to give Colt praises—“The shot was perfect, man. Good job.”—calls a thirty-minute break to the crew, and then rushes away.
By the time Colt gets over to you, you’re still locked into your seat trying to look busy. Your fingers are clasping around your script and logs, trying to straighten out the stack as you tap it atop your knee a few times. He comes up and leans one hand on your armrest. As casual as he tries to make it look, Colt’s trying to keep himself steady. You suck in a breath and look straight up at him. “You screwed your shoulder up, didn’t you?”
His brows furrow. “No. I stepped on the gas harder than I should’ve so it’s just a residual, you know, body reaction,” Colt says, coming off your armrest. For once, Ryder’s right: Colt is a shitty liar. “I would know if I screwed my shoulder up,” he says dismissively.
“You,” you say, index fingers pointed up and towards Colt’s chest, “are going to let me take a look at it, and if it’s bad, I’m going to tell them to send you home early.”
He scoffs. “I still have two more stunts tonight.” But somehow, he’s still bending to your whim—because as soon as you hop off your chair and begin to walk off in the opposite direction, Colt’s right on your tail. “It’s my job to get dinged up,” he says, eyes still tracking your expression. He’s trying to tell whether or not you’re mad at him. You aren’t mad, per say—but you’re not very pleased, either.
His trailer is in sight pretty quickly, tucked away in a corner of the exterior set. It’s really just a giant metal box, identical to the rest. “Okay, yes, you’re supposed to get dinged up, but not recklessly,” you tell him, approaching the front door of the trailer. “Or more than you have to. Quality over quantity, Colt.” When you look over, Colt is trying not to wince. You can’t help but frown at him.
“I’m used to it,” he tells you, shaking his head, “I have Extra Strength Advil in there. It’ll work like a miracle—just watch.”
—
You already know that Colt screwed up his shoulder, because he can’t even take the suit jacket off himself. You have to come up behind him and help him shrug it off, trying to pay no mind to the shaky breaths and heavy groans that come with the movement. The pale blue dress shirt he has on is tight around the arms; it’s not your first time seeing how much muscle Colt has on him, but it’s still just as jarring. So, you’ve got to ignore that, too. The tie is easy for Colt to pull off and toss away. Though, he’s having trouble with the buttons on the shirt—too much pull on his shoulder. You swat his hand aside and begin the motions of unbuttoning it for him.
“Okay. I shouldn’t have driven as fast as I did,” Colt admits to you, “It’s on me, obviously—but it’s also on Ryder.” You get to the bottom button slowly but surely, trying to pay close attention to his words. This feels… close. Considering you’d offered the check-up purely out of worry, this is all more intimate than you’d expected.
You tilt your head. “Because he was saying all that stuff about the…”
“Eyefucking, yeah. And I’m sure it was uncomfortable for both of us to get a load of that in front of all of our coworkers. I didn’t wanna make it a thing, so I just… I was driving angry, which is never a good thing,” Colt says, “He has no class.”
“It’s Ryder, you know? It’s not like his words really ever carry any weight,” you say. Your priority still is to make sure Colt’s shoulder isn’t too screwed up, but it also doesn’t hurt to test the waters. You pop the last button off and try to help him shrug off his dress shirt. It’s difficult not to feel a little shifty in your abdomen when your fingertips slide down against Colt’s bicep; you make sure to fold up the shirt semi-nicely before tossing it down with the tie.
When you turn, Colt in his undershirt and the dress pants looks almost boyishly guilty. You narrow your eyes, “Okay, turn around. Lemme see it.” And Colt does as you say, spinning around to show you his back. His shoulder is splotched purple and green, pigmented all across his shoulder blade. “Fuck, Colt.”
“It always looks worse than it actually is. Stunts 101.” He’s trying to make you laugh, but you’re much too focused on the bruising. He steps away as soon as you ghost your fingers over his skin. Colt’s grabbing an ice pack from his mini fridge and bringing it over his shoulder. “And I should probably use right now as an opportunity to reassure you that I wasn’t trying to eye-fuck you,” Colt says. It’s a contradiction: you can see his eyes flashing down and back up. “Unless, obviously, you wanted me to. Then, it’d be a whole different story. But—”
You kiss Colt, crashing your lips against his, and he practically hurls the ice pack away to hug his arms around your waist. Given the chance, he would’ve gone through a whole spiel of telling you that he respects maintaining a professional relationship. But, now, you’re really laying it all out on the table. Your hands are coming up greedily to cup his face, and he’s sliding his hands up and down your lower back. He tastes like spearmint gum, and his face is burning up the longer you’re close to him.
Colt pulls back only for a moment to look at you; his pupils are dilated beyond repair. “Okay,” he murmurs, “Ryder caught me staring. Good on him for calling me on it.”
“I figured. You’re so easy to read,” you laugh, unable to stifle your amusement. Colt’s not offended at all—only leaning in closer to you. Everything about him seems a little bit lighter after you’ve kissed; he’s standing up straighter, and his hands are coming up to your head. Colt has his nimble, calloused fingers brushing through your hair. It’s a soothing, gentle motion—possibly a distraction—but it’s also romantic enough to placate you. You have to shuffle away a little bit, still locked into Colt’s grasp. “So, can I put in a word with somebody to see if you can get tonight off?”
He drops his hands back down to your waist—the workaholic he is. “If it pleases you, yes. And if it works out, I’ll nap here while you close out, ice my shoulder, and then I can take you out to dinner very, very far away from set. You choose, I pay,” Colt decides, “And we can make out a bit more after dessert. Does that sound good?” He really doesn’t waste any time.
You hum in agreement, hand flattening against Colt’s abs, just under the white wifebeater he’s got on. You can feel his stomach tighten just slightly. Sensitive. “You have me for ten more minutes, and then I’ve gotta go find an AD.”
And cockily, Colt replies, “I’m pretty sure you and I can get a lot done in ten. Don’t you?”
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Omg imagine lars getting jealous when you're talking to someone and the person is getting a little too comfortable around you and he happens to be there to see it so he just literally picks you up, puts you over his shoulder, and carries you away <33
he'd be sulking when you two are alone and would want to be reassured that you only love him... or he'd interrogate you (while still sulking) and make you promise never to talk to that person again
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Finished my Human Rocky and Adrian designs :) I was very inspired after seeing how much Eridian culture is based on real-world African practices so I wanted to drive that home and make more people aware. Their outfits are heavily based on Masaai, Afar, and other Nihlotic groups in the Sahel region (my people)!
thinking about blowing Ryland Grace for the first time... (mdni)
you pull Grace into your room as you two make out, your feet barely tracking the right path to take as you're both wrapped in each other's taste and scent. he's got his hands on your waist and yours in his soft blonde hair; he's devouring you and you're drinking him in just as much.
the back of his knees hit the bed, and he tumbles onto the mattress backwards; you follow, sinking down to kneel between his thighs as he sits up. his glasses are askew. a hand reaches up to fix them on the bridge of his nose when he realizes the position that you're in.
Grace blinks at you; wide-eyed and flustered. you meet his eyes and you smile at him. your hands are already following the material of his belt beneath the dorky science joke shirt he's got under his cardigan.
"can i?" you ask. Grace swallows the lump in his throat, feeling his cock twitch beneath his jeans. he shifts on the bed as he props himself up by his palms. he nods.
you take your time undoing the buckle, not wanting to make any unnecessary movements to agitate Grace. you could tell he's mentally walking on a tightrope, and by your infinite mercy, you exercise enough benevolence to not let him tip over just yet. you pull the belt off and set it beside him, and your fingers work on unfastening the button and zipper of his jeans.
black boxer briefs. Grace shivers when he feels you creep up under his shirt, just enough to grasp the hem of his jeans and tugging it down to signal that you wanted this off him. you know he's smart; he gets the message right away and lifts his hips so you can slide the material off his legs. the denim pools at his ankles. you free them from the piece of clothing, and now you're left to marvel at how smooth and flushed the skin of his milky thighs is; your hands caress the heated flesh as you inch closer and closer to where he's been aching. your eyes flit to his face. God, Grace is so pretty. so, so pretty.
Grace had been panting the moment you sank down before him, and even more now as you approach his cock straining at the material of his underwear. he breaks and lets out a moan when you palm him through the fabric; his hips instinctively jerking up to chase and obtain more of that friction. he's so embarrassed by how easily he's growing pliant at such a simple teasing act. the darkening patch gives away the precum that's been leaking from his tip, and you chuckle at the visual. the sound of your amusement over his agony only sends a bolt of mixed pleasure and shame racing up and down his spine. Grace almost jumps when you plant a wet kiss in his inner thigh.
"relax, baby," you smile up at him. his heart squeezes at your sweet attempt to help him keep his head together, but it's wiped clean of all thoughts once you pull down his boxer briefs to free his cock, letting it rest perfectly in your grasp as you scoot closer to the edge of the bed.
"ah-hah!" Grace gasps as you pump him once. his legs threaten to close before you give him a stern look. he whines like a reprimanded pup and keeps them spread for you. you smile again, pleased by his obedience, and gift him a small, soft kiss on the pinkish tip of his cock.
his elbows almost give out behind him. his chest rises and falls rapidly as he watches you, his tongue darting out to wet his lips. that makes you want to kiss him again, and you do — Grace moans against your lips, and you hear the remnants of it when you pull away. you come back down to finally, finally give him what he wants.
Grace's upper body jolts upward as you take him in his mouth, his hands balling into tight fists and his cardigan sliding off his shoulders. he whimpers at the sight of your lips wrapped around his cock, slowly dipping down to accommodate what you can into your mouth. you feel incredible: wet, hot, and soft... he can only imagine how heavenly the feeling of being inside of you later would be, but in the meantime...
his vision starts spinning when you start sucking; your head bobbing up and down his shaft as your tongue doubles the sensation. Grace matches the moan that you let out, the vibrations further weakening his defenses and twisting even more that coil in his belly. what you can't reach, you stimulate with your hands, and once in a while you reach below to massage his balls. he cries out when you do; it's tantamount to pouring gasoline onto an already roaring flame. the muscles of his abdomen flex when you decide to quicken your pace.
his feet, which are still clad in his favorite pair of socks, dig into the carpet by your bed. tremors travel from his thighs down to his toes. he wants to thread his fingers into your hair, and so he does — not to guide you or push you down more onto his length, but to anchor himself and keep some semblance of sanity as he struggles to see through the blissful tears that are clouding his vision. Grace thinks you look pretty like this too, showering him so much attention and love even if it's through something as dirty as a blowjob. he can't even deny it: he's imagined this scenario in his head for so long, and now it's happening right before his eyes.
"i-i'm close," he splutters, "i-i'm so close," he repeats. his hands leave your hair as he grips your shoulder. "mmph... ah... f-fuck..." he swears, and it shoots straight to you core. you file that away for later. you make it your mission to make this man curse even more before the night ends, but for now, you just want him to let go.
you pull your mouth off Grace and he whines from the loss. he's not left to sulk for long, though, because your tongue runs along the underside of his shaft — glistening from your spit and his precum — until you reach the head, which your mouth decides to spoil. you suckle on the tip and use your hand for the rest, making sure to keep your eyes on him as you coax him to cum. your tongue circles the sensitive head a few times, and the moment you dip it into his slit, Grace lets go at last.
he shudders as he comes, shooting his seed right into your mouth in thick white ribbons. he groans as his hips ride out the sensation, thrusting shallowly, shamelessly into you like you're made just for him. he sighs as he lays limp on the bed, his legs hanging off the edge as he reels from the ecstasy of being sucked for everything he's worth.
you swallow every drop he's given you, and you climb on top of him. Grace gives you a fucked out smile when you hover on top of him. he hums happily, reaching up to brush his knuckles against your cheek.
"you're incredible, baby," he sighs, eyes fluttering from the afterglow of his first orgasm. they flit to your lips. "touch me again," he says, "wanna go for one more... i want to be inside you next..."
i have an idea for a good ship name for sei and grace that's not made up of their names: "rocketscience"! so "rocket" is sei because she's an aerospace engineer and "science" is grace because he's mainly a scientist 🙂↕️
oh my... i feel so honored for this 🥹 thank you so much anon!! 💗 i'll be using this from now on :)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
If Sei's going to change the design of the ship, what's it going to look like?
the one in the PHM movie! that's what the ship will be, since it's very different from the design that's included/written about in the book. in Starbound, it's because of Sei that the design of the ship went from this (left picture) to this (right picture).