i hate the way fat antagonists have their weight moralized and used as a metaphor for greed and corruption and i hate the way it's overcorrected into fat people being "soft squishy friend-shaped cupcakes who look like they give incredible hugs" and i long for the day we have nuanced, interesting, and complicated fat characters and most of all i long for the day people are normal about fatness
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Dr. Alan Hart, a trans man from the USA who pioneered the use of X-ray photography in tuberculosis detection (saving countless lives according to researchers), was "reclaimed" by the lesbian community after his death in 1962, which means he was deadnamed and described as "a women loving woman who had to transition because at the time transsexualism was a quick medicine against sexism and homophobia" by numerous gay and lesbian associations and activists (including Jonathan Ned Katz whom I just quoted and who received many awards for his contributions to... I don't know, transphobia against trans men I guess), even though his widow always expressed how offensive it was to both her and her husband to refer to them as lesbians.
Hart was on testosterone, legally changed his name, and had gotten a hysterectomy (that was described as "unfortunate" by the Right to Privacy gay and lesbian political action committee), making him the first documented trans man to transition in the USA, yet he was characterized as a lesbian woman because cis gays and lesbians had the nerve (when do they NOT have the nerve, dare I say) to think they had the right to "honor [his] life as a woman" by having fundraiser dinners with his deadname attached to them, having college lectures where they talked about him as a lesbian hero, and using she pronouns for him until 2000. The USAmerican trans community, including trans activist Lou Sullivan, had to fight to defend Hart's identity and to have his manhood recognized by the wider community by protesting these lectures and dinners and having a conversation with the Portland chapter of the Lesbian Avengers association, which ended up having a favorable response and joining the trans community in the battle.
I want to end this by reporting the words of Candice Hellen Brown, a trans woman from Portland who wrote a letter to Just Out magazine in 1994 defending Hart's transness:
The Right to Privacy Political Action Committee in Oregon has a big fundraiser every year that is called the [deadname] Hart Dinner. When asked if I am going, I indignantly answer, "Not until they stop using the wrong name and gender for one of our heroes!" His name is Alan [. . .] He never wavered from his identity as a man, and upon his death, his widow continued to insist that he was a man. Why would such a straight man be called a lesbian by the gay community when today we would certainly call him a female-to-male transsexual? [. . .] He was transsexual or, at least, a transgenderist - a true pioneer. One who is seen as a hero by today's transsexual community. Please don't let him be taken away from us by allowing his old name to be used as though it were a badge of honor.
Think about this story every time the "trans men never contributed to anything in history" discourse resurfaces again. If this can happen to a famous historical figure from the USA and from a relatively recent time who medically transitioned and was explicitly out as a trans man, imagine how many others from other countries, historical periods, and situations have been erased or "reclaimed".
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Mira definitely spent hours listening to dog noises and imitating them until she was scarily good at doing so. Like the first time she barks like an actual dog, Zoey is so shocked she almost falls off the bed.
"She pulls the photo out, immediately recognising the outfit Mira’s wearing and knowing what night the photo was taken...
Rumi looks beautiful, her hair up in a sleek bun, a stunning black dress pressing to the curves of her body. However, it’s not the clothes, or the hairstyle, that takes Zoey’s breath away.
It’s the look of pure, unfiltered love on her face. Her smile is shy, bashful, but no less dazzling. Her eyes are wide, catching the flickering candle light and painting her face with unabashed joy.
The camera is a forgotten presence to them both.
Pictures like this, they belong in a gallery."
Chapter 18 of Wasting All These Nights (Trying to Keep You Off My Mind)
So excited to share this beautiful art work I commissioned of Chapter 18 of my fic, done by the wonderful @awildcaro. Thank you so much! I love it!!!
Please go and check out her blog and send her love and thanks for this and the other amazing pieces of art she has done for the fandom.
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don’t abandon joy because it is brief. don’t commit to solitude because happiness is fleeting. it’s okay that good things do not last forever. it’s okay to simply enjoy a thing for as long as you have it.
Look, we all know this is true. But there isn't a SOURCE for this, and the graph itself is basically illegible beyond "ooh colors". If we want to be good stewards of our informational resources, we need to cite our sources.
From a reverse image search, I found the website Show Your Stripes, run by the University of Reading in the UK, which is likely where the above graph originated. It provides temperature data for various regions of the world from approximately 1900-2025. For example, here are graphs for Canada, India, and Papua New Guinea:
All clearly show a sharp rise in temperature beginning around approximately the 1980s, which corresponds with the graph in OP's post. But now we know where this data came from, and we can verify its validity accordingly.
bro last night was magical. last night was enchanted. last night was bewitched. last night was cursed and hexed. last night was posessed. bro can you remember what we did last night? bro?
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Sometimes, out of the blue, Zoey will get updates from family members about something involving her parents.
It’s not necessarily something she asked for, although she’s never discouraged their messages. Hell, better it be from them than her actual parents. The updates range from being about things like her mother getting promoted, to her father breaking a bone (which always succeeded in giving Zoey a sick sense of satisfaction, given the arm and tooth and rib he’d broken of hers when she was still too small to ride a bike), to her mother having another baby, and to her father getting divorced with his second wife (once a cheater, always a cheater, she supposed). They were always formatted the same:“Hey, just so you know, *insert event related to her parents here*. Hope you’re doing well!”
She never responded to these messages.
Before the Idol Awards, she would hide in her room for the rest of the day, refusing to come out even when Rumi and Mira would beg for her to do so. The thought of being seen, of being perceived, was too painful. If they opened her door (because she hated locking doors. They’d never protected her from him, only ever made him more angry. Only ever made him break it down and threaten her with further harm.), she’d cover herself with her blanket. If they tried to pull it off of her, she would clutch it tighter.
They usually would sigh sadly and give her a comforting touch through the blanket, before leaving after that. Sometimes, Mira would try to push further (it made sense, now, why Rumi never did; after all, she wasn’t letting them in, so why should Zoey let her in?), but even she understood when Zoey had enough of her nudging.
She never felt more worthless than when she had to think about her parents. She couldn’t stand the idea of the two most important people in her life seeing her and thinking she was.
Now, though, things were different. Their communication skills, as a collective, had improved immensely since those days. Rumi and Zoey actually talked about the things that made them feel bad, while Mira knew their limits and the hurt her often brutal honesty caused them more.
So, instead of hiding from her girlfriends, Zoey would go straight to them. If they weren’t together, she’d ask whoever she found first to call the other to them. She’d hold out her arms, hug them tightly, push them back until they were sitting on something, and scramble onto their laps.
And then she would ask them a series of questions.
“Do you want me?”
“Do you think I’m worthless?”
“Do you love me?”
“Do you think I’ve ruined your lives?”
“Do you need me?”
She wouldn’t look them in the eye as she did so. Maybe someday she’d get to a point where she could do it, but for now, it was too hard to so. She would simply sit there, waiting for a response from them, before moving on to the next question.
The first time she’d done this, it had startled them so bad they’d tried to pull away, which had caused her to panic and clutch them closer. “Don’t,” she’d gasped, “Don’t go. Please.”
They’d stayed.
She could feel the way each further question unsettled them, however. Questions of how she could ever doubt these things of them were quickly followed by firm reassurances.
Overtime, though, they’d grown used to the unpleasant questions, although they were noticeably never comfortable with them. They eventually developed a series of responses to her questions that they would recite each time, with some variations here and there, some examples of when they wanted her, moments when she made them love her more, times when they needed her, the different ways she’d made their lives better, all recent, all fresh. It made their love feel safe, but ever-changing in its beauty. Always genuine.
Often, she’d claw at their clothing afterwards, desperate for the intimacy of their bare skin against hers. Sometimes, she would begin to grope them, indicating her need for further validation from sex. Most of the time, she wouldn’t. Their skin against hers would be all she needed.
Either ways, the three of them would lie together afterwards, and she’d say one last thing to them.
“Stay. Please.”
It wasn’t a question. But they always had the same answer.