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Today's Document
trying on a metaphor
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@pixiejens
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Fontainbleau
https://www.deviantart.com/sylviaritter
@cenizacaer
uhmm EXCUSE ME?? I NEED IT?
I have a mighty need.
Umm fuck yes.
Reblog if your going to choose Scorbunny as you’re starter in Pokémon sword and Shield!

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Peles Castle, Peleș Castle (Romanian: Castelul Peleș pronounced [kasˈtelul ˈpeleʃ] (listen)) is a Neo-Renaissance castle in the Carpathian Mountains, near Sinaia, in Prahova County, Romania, on an existing medieval route linking Transylvania and Wallachia, built between 1873 and 1914. Its inauguration was held in 1883. It was constructed for King Carol I. https://en.wikipedia.org/wiki/Pele%C8%99_Castle
Holy fuck.
うらちゃん@ねこ休み展
look. look at this beautiful sword meme. i’m going to cry
@petermorwood
I saw and reblogged this one a while back, but it’s always worth repeating, and this time I’m adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swords…
…Ancient Greek Xiphoi…
… and a Roman “Mainz-pattern” gladius…
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…
…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…
…but may also have had the secondary function of being a saw.
A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
There’s no doubt about this one either.
The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.
Here’s a Circassian kindjal, forged wiggly…
…and an Italian parrying dagger forged straight then ground wiggly…
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…
Just a very flexible one…
If you want more odd blades, Moghul India is a good place to start…
i could not ask for a better addition to my meme post than blade education thank you so much
Source.
Men are so fuckin weak dude I swear. Women are out there grindin like nothing’s wrong while bleeding out of their vaginas 7 days a month, cramps so bad we can barely function, pushing a human out of our hoohas, taking pills that fuck with our horomones just so you can hit it raw and you have the damn nerve to judge the size of our hips that have birthed the civilizations of the world like they were made to be admired by you? No. Next time you get flicked in the balls I don’t wanna hear u talk about how it’s so much harder being a man. Damn. Shout out to women. Don’t let men tell you shit.

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Faery Castle by Fre De
©Karl Graf
♪ Love of my life, you’ve hurt me You’ve broken my heart and now you leave me ♪
American Honey - review
Just finished this film - had to watch it over two days since it was rather long and I didn't quite realize when I started it.
I don't often watch this kind of film - I prefer to be entertained and uplifted. That doesn't mean I cannot appreciate a good bleak window into a subculture though. But I find it also to be a bit exploitative in a way.
What I did like about this film was the realism. The script was good; all the characters in the entire film were stupid and dumb. I felt like it was a part of why they became dispossessed and rootless to begin with. The script did a beautiful job actually having them speak, well, stupidly. A lot of movies will have this clever smart screenwriter who forgets that his characters are supposed to be dumb and will write the wrong words in their mouths. This writer, Andrea Arnold, doesn't make this mistake. It's good and believable. The writer is also the director and she knew exactly the kind of level of intelligence the actors needed to get across too. No one brilliant - or even reasonably smart, ends up like these kids.
What I did like was how without words at all, never words, she shows how kind Star (the protagonist) is. Over and over and over her kindness bleeds all over the screen. This girl, despite her circumstances, is a gentle soul with goodness in her. It's the one spark of redemption in a very sad and bleak existence. Poverty sucks.
Everytime I see poverty portrayed on screen though, it's like theater. Similar to the Showtime series Shameless, I feel like it's just used to shock the beiges. Oooh, look at the dirty poor people and how they live. It's dehumanizing - *even* showing how kind and sweet Star is.
Instead of giving us a chance to feel real empathy for these people, the film instead is just a window for us to peer into their world, like a voyeur. Instead of our empathy being tagged, we're just shocked and our pity is being delved instead. This is a typical construct, but I'd like to see someone take a chance and require a little bit more from the moviegoer.
Maybe people just aren't ready for that yet.
DnD alignments lockscreens! Like/reblog if you save

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The House at Swamp Bottom - Spirited Away - Dir. Hayao Miyazaki (2001)
My Year in Books, 2017
I never thought of doing this before – but this morning while just waking up and I had the idea to just sort of review everything I had read this year and keep a kind of log for it and I was so excited with the idea it got me out of a very warm and comfortable bed at 8 o’clock in the morning!
So thankfully I have Goodreads, which helps a lot for recall of this kind. I did remember everything I read, but not in the correct order that I read them in – and the stuff I disliked, I thought I had read a LONG time ago. Funny how my mind wanted to push those memories away.
So I began 2017 in a glorious way. I decided to pick up Gormenghast, which begins with Titus Groan. In fact, I bought the second book first because it had a great foreword by Tad Williams, a great favorite of mine. But discovering my error I quickly picked up Titus Groan and my life was forever changed.
Now, I know Peake isn’t for everyone. But he’s absolutely for me. The extremely dense and rich prose is *directly* up my alley and I enjoyed every single perfect second of this book. It was a delight to read, it was incredibly immersive, incredibly descriptive and I feel like I’ve been to Gormenghast and trawled its endless and infinite halls myself.
Because this is just a quick and dirty backstep into my previous year of reading, I cannot express my love *enough* for this book. But it launched itself RIGHT into my top 10 handily and I will love it forever.
I did some Non-Fiction reading after that, picking up and making notes from Katherine Briggs’ The Fairies in Tradition and Literature. The Middle Ages; Everyday Life in Medieval Europe and Everyday Life in Medieval England. This is for research purposes as well as just my own general interest. I’ve been in constant study since…. Well, forever.
The next fiction I read was The Heart of What Was Lost by Tad Williams a bridge novella between his Memory, Sorrow and Thorn trilogy and his new sequel series, The Last King of Osten Ard. I love everything Tad Williams writes and this was no exception.
Next was another bit of Non-Fiction. At Day’s Close: Night in Times Past. Hot damn this book is excellent. It describes what people and historians and basically *everyone* ignores. What did we do at night? What were our rituals, our traditions, what did we think of the night at large? I can promise you this book will open your eyes and teach you things you never thought of before and never realized. It was one of the best Non-Fic books I’ve ever read and I loved every single page.
Next I read Wylding Hall. Sounds cool – book cover even cooler. Flip to the back and it sounds very cool indeed. 1970s folk band needs to get away to write an album, they go to a dilapidated old Manor House in the English countryside to get away from everything and something mysterious happens… etc etc
It was good for ambiance, I’ll give it that much. +100 to the author for using a Neolithic Long Barrow as a Faerie mound, as is proper. But she had this amazing cool potential and just dropped the ball so hard. Really uninspiring ending. I’d almost love to rewrite the ending to this book and flesh out the creepiness and thrill. She gave it a good college try, but ultimately it felt lacking.
Next was the Mistborn series by Brandon Sanderson. Erstwhile finisher of the Wheel of Time series. He can write adequately of course – typical fifth grade reading level kind of stuff. Nothing special in his prose. Here’s the thing; it’s baby fantasy. Meant for first timers to the genre. Basic Hero’s Journey kind of stuff, of which I have read hundreds of examples of. (I’m not exaggerating.)
So, while this series is insanely popular and beloved, it fell quite *meh* for me. It was just ok and it wasn’t even really that good because I didn’t finish it. I didn’t care about the characters enough. It felt too much like someone was just plugging in a bunch of expected tropes and pumping out expected fetishizing fantasy bits and bops. It just wasn’t special.
This is because I’ve read too much typical Fantasy, I do understand this. This book has a place in the genre – but for people newer to the genre. That’s the nicest thing I can say about it. I read books 1 and 2 and skimmed 3 before just rolling my eyes. Sorry folks, it’s just not great.
Next I read Seveneves by Neal Stephenson.
All I can say is this; holyfuckingshitIlovedthisbooksomuchitwasincrediblefuckfuckfuckgreatomgoneofthebestever. YES.
Everyone should read Seveneves. The physics might be tough for some people to muddle through, but all of it’s worth it.
Next I read The Witchwood Crown by Tad Williams – the new book in his new sequel trilogy The Last King of Osten Ard. I loved this book. He’s changed as a writer though – he’s dumbed down his prose quite a bit to widen his readerbase. This is fine, because he’s still a crackin perfect (and I mean PERFECT) storyteller. But oh, those early books of his… he can craft my fine fellows. He’s a wordsmith through and through. I’m a Tad Williams *devotee* and this was really quite excellent. Cannot wait for Empire of Grass.
Then I picked up some more Non-Fiction and absolutely devoured Life in a Medieval Village. I had read this 20 years ago, but without the intervening 20 years of study (and a buttload of travel to England) to back it up it was mostly lost on me. Why we have 20 year-old’s study in college and then quit studying is beyond me. Y’all should never stop. Your brain gets better at learning as you learn. So much delectable information in this book. Details and minutiae about everyday life in a medieval village abound. I loved it so much I read it twice. I’ll probably read it again about six times. Medieval life absolutely comes alive in this book, it is just fantastic.
Then, ruminating around with a kind of ennui with fantasy and having just finished The Witchwood Crown I was just like… nothing can compare to this…. What shall I do……………
So I decided to re-read (for the third time, but it’s been years) The Lord of the Rings.
People who know me will simply nod and “ahhh, yes.” But to those uninitiated, let me express to you the depth and lasting devotion to that most perfect and wonderful of stories.
…….. I’m expressing wordlessly because there are no words to describe.
And lastly, after about a week of not reading anything, which is UNREAL for me but I needed a little downtime after finishing The Lord of the Rings, I picked up The Gone Away World by Nick Hardaway.
Totally fun, different book. I must naturally key myself to British writers because I could tell he was British simply by his (excellent) prose and word usage and of course, once I read “bubble & squeak” the case was closed. At least, I think he mentioned that at some point. Hahah!
Anyway, terrific book. Would highly recommend, was great fun and I love a good post-apocalyptic book with a fair bit of humor and of course, Ninjas 😉
So that’s 16 books give or take, because I’m quite sure I’ve neglected to mention about 3 or 4 Non-Fiction books in there that aren’t on my Kindle or still on my desk and so I have regretfully forgotten them at present.
If you’re goggling at that amount of reading, firstly – let me be the first to say that there will always be some pedantic asshole who will want to come in and say “I’ve read 30 books this year” and feel better about themselves. That’s fine. Their retention may vary. I only read at night, before going to sleep whilst laying in bed. So it can be done! So if you ever wish you read more, just know you can indeed read as much as you like, it’s possible! 😊