Oh Emily Prentiss you will always be famous to me

blake kathryn

Kaledo Art

ojovivo
One Nice Bug Per Day

#extradirty

Discoholic 🪩
Peter Solarz
AnasAbdin
DEAR READER

祝日 / Permanent Vacation

oozey mess
wallacepolsom
Sade Olutola
h
Today's Document

JVL
Sweet Seals For You, Always
trying on a metaphor
NASA

seen from Algeria
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@pinapplerat
Oh Emily Prentiss you will always be famous to me

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CREDIT TO @rynporter on TikTok go see their writing their incredible!
oh Emily Prentiss you deserve not to be strong :(
Crazed teenager breaks into store. Eats pickle.
this is funnier the earlier in march you reblog it it
✨ it’s march ✨
😔 it’s march 😔
Baby it’s March🤡
It’s March 👀🔪
An Archive of Our Own, a project of the Organization for Transformative Works
So I wrote some canon-compliant angst last week for Imogen and Laudna. Tread this path at your own risk of pain, but sometimes the hurt is good; it reminds you to feel something.
Wow way to go and break my heart why don’t you
Gonna do myself a favour and not read this one! I love your work but I wanna be able to sleep tonight <3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Okay one of the few times that whole "PhD student in history" thing is going to be relevant to anything I post here but last night's C3 episode has me feeling some sort of wayyyyy.
Specifically the part where they found those incredibly ancient elven ruins within the cave they were exploring. After barely escaping near-death, and Laudna fresh from deliberately channeling the darkness within her, they stumble across these ruins. Deep within a dark cave where they sought refuge from the harsh storms that plague the unforgiving Ruidian surface. Geodes full of sharp and jagged crystal jut out from the walls of cold, ancient rock. A river coming from some unknown source pouring into a rushing waterfall, leading away further into the depths. Matt did a phenomenal job painting the scene.
There, in those ruins - in that tomb, that crypt - they run across a hauntingly serene sight. Bones from the presumable inhabitants are crushed into the walls, unmoving. Frozen. Sharing the same space in a wonderful, striking, tragic, serendipitous juxtaposition is an enchanted garden. There, in the derelict remains of this once-vibrant space, the vestiges of that past life hold strong. A small bastion of life and healing amidst the monument of death and destruction.
It's within this space of dizzying contrast - air thick with the practically tangible weight of past tragedies - that Laudna finds a doll. A simple doll, devoid of features beyond the bare minimum that helps identify it. A toy, a companion? A relic of some child from so long ago. Laudna likes dolls. She decides - after asking permission - to keep it.
Now within her possession is a ghost. Not a literal ghost, mind you, considering those are in fact a very literal thing in the world Laudna lives in, but a ghost all the same. Through that doll, a child from untold centuries before is reaching, grasping at Laudna. This child, whose entire life, history, and experienced are lost to time - trapped in the past - has managed to pierce that temporal barrier and make themselves known to her.
In addition to this framing of a ghost, the doll can represent another type of haunting. That of a reencounter. Through this doll, this mundane object that often is filed away under the folder of insignificance, Laudna is confronted with the complicated web of violence, trauma, and grief that wraps around both her and the space around her. Laudna loves children. She has a childlike innocence that constantly bubbles at the surface. Yet beneath that is 30 years of unfathomable pain and loneliness.
Laudna, much like the ruins, is at times also frozen. Both physically in her unaging visage and mentally in the way she seems to revert in response to intense trauma.
So, within the confines of this long-forgotten space, the woman who just hours before channelled 30 years of darkness, anger, and hurt into a spell that served to strengthen her tormentor, picked up a doll. A doll that in so many ways symbolizes the innocence and joy that Laudna embodies, surrounded by tragedy.
It was such a beautifully haunting scene.
**If folks are interested, I am referencing the wonderful works of Avery Gordon in her book Ghostly Matters (1997) and Crystal Baik in her book Reencounters: On the Korean War and Diasporic Memory Critique (2019)**
baby’s first fanart! Love my useless lesbian sorcerer <3
People say you are what you eat.
and if that’s true I guess I’m vehicular manslaughter 🤷♂️
I have a whole bunch a notes in my notes app in case I ever got tumblr
and guess what 👀 I’m hereeeee
I don’t mind people having opinions about different games, BUT I WILL NOT HANDLE ANY KIND OF SLANDER AGAINST THE GREATIST GAME KNOWN TO MAN…. SKYLANDERS
It is too tier and I will die on this hill

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“Dear gods oh fuck the height I’m going to die WE ARE ALL GOING TO DIE AHHHHH-”
“ yay I’m hugging Imogen weee 😄❤️”
Can I kiss you? 🖤💜 oh, I love them so much
The reason why there’s no one giant super cut of Imodna is because it would just be the entire campaign