summerâs almost over so hereâs some summer themed drawings~
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
The Bowery Presents
The Stonewall Inn
occasionally subtle
Misplaced Lens Cap
Claire Keane
KIROKAZE

⣠Chile in a Photography âŁ
Jules of Nature
$LAYYYTER

PR's Tumblrdome
Fai_Ryy

oozey mess
todays bird
đ
Show & Tell
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
Mike Driver
seen from Lithuania
seen from Netherlands
seen from Singapore

seen from Malaysia

seen from Malaysia
seen from India
seen from Uzbekistan

seen from Thailand
seen from Lithuania

seen from Malaysia

seen from Singapore

seen from Croatia
seen from Peru
seen from Germany

seen from United States

seen from TĂźrkiye
seen from United States
seen from United States
seen from United States
seen from United States
@pi-day
summerâs almost over so hereâs some summer themed drawings~

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âAnd you must be, Miss Granger?â
i know that like if we want the rewards of being loved we must submit to the mortifying ordeal of being known but like what are the rewards of being loved? are they really worth all that? you talk of love and loving often and sometimes im so in your corner but other times it just makes me angry. is it really all that great?
This ask has been in my inbox for a number of days now, and honestly, every time I try and contemplate what itâs asking my mind stalls. âWhat are the rewards of being loved?â reads like like asking what kind of cheese the moon is made of, or how much dark there is before the dawn. Itâs definitely a question! Theoretically it has an answer! But what kind of answer can I give that will make sense, since apparentlyâŚ.the reward of being loved isnât being loved.
I mean, in the original essay, the one that gave birth to the meme, the trigger for âbeing knownâ is not really all that mortifying. Timothy Kreider emailed his friends about a herd of goats he was renting. Someone accidentally replied-all âoof,â which inspired the reflection about the gap between how we imagine people see us (charmingly off-beat renter of goats, perfect) and how we are actually known by the people in our lives (someone who fritters away their income renting a herd of goats for no discernible reason.) Kreider concludes that this actually isnât a gap at allâwe are all fully capable of loving people profoundly while still seeing their faults, finding things they do annoying, and commiserating with mutual friends about that personâs quirks.Â
I as an individual might like to think I am exempt from this, that I am dazzling and charming and the people who like me donât even notice my foibles, but the truth is they do, it just doesnât effect their love for me.Â
Hence the âmortifying ordealâânot only do I have to make myself vulnerable to someone elseâs gaze, but I then have to accept that the people who like me do it in full knowledge of who I am. At any given moment, people are walking around fully aware of the fact that Iâm a know-it-all and a bad loser, that I am not always emotionally available; my first instinct is to argue and my taste in music is somehow pedestrian and pretentious at once, that I am mostly trying, and a lot of times I fail. All the less-than-perfect things inside me are not secreted out of view; they are very obvious to anyone who has spent enough time with me, who has chosen to be around me for more than a half hour.
And thatâs the people who like me!
So if we didnât want to be known, deep down under all the squirming icky, insecure mess that makes being known such a terrifying prospect, then youâre right. The ordeal isnât worth it, we should all pack up and go home, because people are always going to fucking see us. The random coworker who watches your face during a meeting knows you; the cousin who listened to your snarky comment knows you. You stumble through the world being known, inevitably, inexorably.
But being seen is necessary to be truly lovedâand when it comes down to it, to be loved is to be real. Kreider references The Velveteen Rabbit in his follow-up article, appropriately titled âI Am a Meme Now.â I donât think heâs wrong to draw on the idea that people observing our secret places, our weird faces, our strange comments and experience of the world makes them ultimate more real. Our experience lives inside us, in our head and impulse and feeling, so we are not objective in thisâbut we canât escape all that leak out of us into the sight of others either. We canât escape being known by someone who isnât us, and rendered more than just our subjective selves through them. (In some ways, being known by someone else can be even truer than what we know about ourselves.)
The reward of all thisâthe only one that countsâis that sometimes, someone looks into your bloody beating insides and stays. They see your ugly expressions and listen to your nasty comments and peel back the heavy, wet layers of your intestines to see the guts beneath and still, they love you anyway.Â
It is the closest thing to a miracle most of us will experience.
emily dickinson / van goghâs bedroom (1888)
this is either the dumbest thing Iâve ever made or the culmination

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                   The Bell Jar, Sylvia Plath
I FORGOT MY MELATONIN AT SCHOOL HOW AM I SUPPOSED TO ESCAPE NOW
*pours maple syrup on a shoe*
aesthetic
the bechdel test is officially dead. in its place iâd like the propose the obnoxious gifset test. the obnoxious gifset test states that a work is feminist if it has enough female characters to make a gifset with either âyou can be the king, but watch the queen conquerâ or the âscrew writing strong womenâ post on itÂ

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#this is so important honestly #because it shows how alone sheâs been in all of her problems #that even such modest praise brings her to tears #everyone was too busy bashing her and making dumb ass jokes #no one cared to compliment and commend the little improvements that she made #instead they were mocked and she was demonised by everyone #and so even the little praise that she got from tv show hosts makes her cry #because she isnât used to hearing these things from anyone anymore #because since 2007/08 she didnât have many people in her corner & only had herself to turn to in difficult situations #I AM SO PROUD OF HER
Edward Hopper âArt is a line around your thoughts.â â Gustav Klimt
Hufflepuff aesthetic: sitting after a long day; pulling your blanket back on when it falls off in the night; broken cinnamon sticks; jumpers that are too big; putting on warm socks; your pet resting their head on your lap; butterfly kisses; extra creamy hot chocolate; humming in the morning;
Gryffindor aesthetic: being breathless after running; spinning fast on office chairs; untying your hair; having dirty feet; finishing big breakfast; holding hands; fire crackling; having red lips from berries; burning the tips of your fingers on hot drinks; brushing your hands through fur;
Slytherin aesthetic: making perfect paper creases; sucking on ice; rooms with high ceilings; looking up at the stars; getting up for a drink of water at night; brushing your hair behind your ears; heels clicking on polished floors; dancing home alone; driving fast; jumping high on trampolines; charcoal on fingers; blasting music on headphones; being light-headed after a sleep in;
Ravenclaw aesthetic: covering your eyes with your hair; cold wind on your face; brushed teeth; finishing a long book series; wearing extravagant clothes at home for no reason; sipping lemonade through straws; multi-tasking; hot showers; staying up late; quiet music; the taste of mint; perfectly sharpened pencils;
I canât believe this isnât real.
âso articulate,â âthatâs not a compliment.â soooo true lol
HE SPRAYED HER WITH A WATER BOTTLE I WANT TO SCREAM
Bitch Iâm tryin to help youđ

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this iS REALLY FUCKING FUNNY JUST WAIT FOR IT TO GET GOING
Thatâs one hell of a Rube Goldberg machine.
all good rube goldberg machines contain a live animal