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@photoburnout

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Going back in time
I felt as temporary as the smoke that disappeared from my lips into the air
my heart made of ash the slightest shake could make it crumble away

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Because I keep asking myself
If Iâm in love with every human then why do I only think of you. Late at night, before I sleep, youâre on my mind and in my dreams.
Sally Mann
Virginia #37, 2004.
Sally Mann, Sunflower Seeds, 1991.
Sally Mann From âBody Farmâ series
The Color of Humanity in Sally Mannâs South
âWeâre in Virginia, where the photographer Sally Mann was born, in 1951, and where she still lives, making work so rooted in place that it is inseparable from history, from lore, and from the effects of slavery. Like Janus, she looks forward as she looks back, at all those bodies that made her and her place in Virginia, and into the landscape, filled with rutted earth, big or low clouds, storybook fantastic vegetation, and the Southern light that reminds so many of photography itselfâdark, as Joan Didion wrote, and glowing âwith a morbid luminescence.â That entire vision is a part of Mannâs photographs, as she asks in these images of family members, roads, rivers, churches, and the effects of blackness on whiteness and whiteness on itself: Abide with me. And it all doesâvoices, sounds, the invisible things that Mannâs haunted and haunting photographs allow us to see.âÂ
âHilton Als
Read more here.Â

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Sally Mann, Self-portrait,
Sally Mann, Blackwater 17, 2008-2012
Candy Cigarette  by Sally Man  1989.
Sally Mann, Deep South, 1998
itâs that time of year

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