Pulse dir. Kiyoshi Kurosawa (2001)
will byers stan first human second
noise dept.
2025 on Tumblr: Trends That Defined the Year
macklin celebrini has autism
PUT YOUR BEARD IN MY MOUTH

roma★

oozey mess

Peter Solarz
let's talk about Bridgerton tea, my ask is open
taylor price

occasionally subtle

izzy's playlists!
$LAYYYTER
Sade Olutola

tannertan36
d e v o n
Aqua Utopia|海の底で記憶を紡ぐ

pixel skylines
seen from Morocco
seen from Australia
seen from United States
seen from Luxembourg
seen from Pakistan

seen from Singapore

seen from Brazil
seen from United States
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seen from Malaysia

seen from Iraq
seen from Iraq
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seen from India

seen from United States

seen from United States
seen from United States
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seen from United States
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@peron75
Pulse dir. Kiyoshi Kurosawa (2001)

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Maybe love arouses murder.
Querelle (1982) // dir. Rainer Werner Fassbinder
People washing carpets, Tehran, Iran, 1967
so in love with these paintings by wayne thiebaud

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“‘How does one hate a country, or love one? […] I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply?”
— Ursula K. Le Guin, The Left Hand of Darkness. (via booksnippets)
perceval le galois, eric rohmer, 1978
Andre Dubus, “Marketing”, Broken Vessels: Essays
Beau Travail (Claire Denis, 1999)

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friday night dir. claire denis
Joan Crawford, c.1932-33, photo by George Hurrell
Like Grains of Sand, Ryosuke Hashiguchi (1995)
Marlon Riggs - Tongues Untied (1989)
#the last line of the poem isn’t “there will be no other end of the world” #the last line of the poem is “warsaw‚ 1944”

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“You learn from the part of the story you focus on.”
— Hannah Gadsby, Nanette
“They say that there are only three or four or five topics for literature, but maybe there’s only one: belonging. Perhaps all books can be read in function of the desire to belong, or the negation of that desire. To be part of or stop being part of a family, of a community, a country, of Chilean literature, a football team, a political party, a rock band, the fan club of a rock band, or at least a group of scouts. That’s what we write about when we’re given a free topic, and also when we think we are writing about love, death, travel, telegrams or suitcases with swivel wheels. That’s what we always talk about, seriously or in jest, in verse and in prose: belonging.” — Alejando Zambra, Not to Read
Rin Takanashi / Like Someone In Love (2012)