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Hilma af Klint

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Hilma af Klint. Work dated 1908.
Group I, No.17, Urkaos (Primordial Chaos), Hilma af Klint, 1906-07
A painting from her early works inspired by Goethe’s Theory of Colours (1810). Hilma af Klint interpreted blue as female and yellow as male; their unity is signified by green.
Hilma af Klint, Tree of Knowledge No. 5, 1913-15
Hilma af Klint, 1907. Group III, no. 5. of the large figure paintings.

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Hilma Af Klint
Poster No. 3a. Buddha’s Standpoint in Earthly Life by Hilma af Klint © Master Collection
Hilma af Klint
Hilma af Klint
Untitled
Watercolour on paper
'Group IX-SUW, The Swan, No. 9'. Hilma af Klint. 1915.

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Dove! Dove! Enchanted Dove That sways around me, Why are you afraid, white dove? Hear my voice, dove, my sister. From the resonant branches Descend in my dance, Descend upon my heart, dove of love!
And I dance and I sing and I dance once more, I dance nude, dazzled and splendid, Like a serpent in the high grass. I dance and I rage in the air, Like a flame from hell.
I dance bewinged, quivering and wild, In the depth of the living whirlwind, Whirling in the current that devours me, The whirlwind in which I descend. I dance until sated, With soul drunked, staggering, With the wine of dance, And with the wine of my blood.
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Dove Dove Enchanted Dove
Charles van Lerberghe 1861-1907
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Graphic - Hilma af Klint 1862–1944
One of Hilma af Klint’s paintings in the “Tree of Knowledge” series at Lightforms Art Center in Hudson.
Picture of the Starting Point, 1920 Hilma af Klint
Hilma af Klint (1862-1944) — The Dove IX [oil on canvas, 1915]
Hilma af Klint: Tree of Life at David Zwirner

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Hilma af Klint, The Ten Largest; Childhood (1–2), Youth (3–4), Adulthood (5–8), Old Age (9–10)
Hilma af Klint - No Title, On the Viewing of Flowers and Trees, 1922, aquarelle et graphite sur papier, 17,5 x 24,5 cm
© Stiftelsen Hilma af Klints Verk