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Girl at the window, Nikos Engonopoulos, 1978

Cats against patriarchy.

Rhythm 0 and Rest Energy are two pieces, which for me was the most difficult in my entire life of performance artist, because in both pieces I was not in charge. In Rest Energy we actually hold one arrow on the weight of our body and arrow is pointing my heart. We have two small, little microphones on our hearts where we can hear the sounds of the heart beating. As our performance is progressing heart beats become more and more intense and it's just four minutes and ten seconds, for me it was, I tell you it was forever. So, it was really a performance about complete and total trust. [Marina Abramović]

Andy Goldsworthy, Ice Sphere, Scaur Water, Drumfriesshire, 1987

Winter 1926, Tutankhamun's Tomb. Statuettes of Geb, Sakhmet, Kebehsenuf and Duamutef

Gisela Fischer, 𝙈𝙖𝙜𝙞𝙘 𝘾𝙞𝙧𝙘𝙡𝙚, 1974

Gadające Glowy (Talking Heads), Krzysztof Kieślowski, 1980

The metamorphosis of Daphne, Trapani, 17th century

Sabina Poppaea, Fontainebleau school, c.1570

Orazio Gentileschi, Suonatrice di liuto (detail), 1612-1620

Frères de Limbourg, Homme zodiacal, Les Très Riches Heures du duc de Berry, 1412-1416

Girls Eat Large Swirls Of Cotton Candy In Copenhagen, Denmark, January 1963. Gilbert M. Grosvenor

The Wound of Christ, from "The Prayer Book of Bonne of Luxembourg, Duchess of Normandy", before 1349. Attributed to Jean le Noir.