PD's Art

Here it is, the tutorial I’ve been asked about the most: Etyas liquids. I tried to make them as visual as possible, sorry, if it’s a mess for you c: Every gif is separated by numbers, and an explanations can be found below:

1) Lighting

 - After drawing your contours, think about the location of your main light.I’ll also add for myself some back light, like… Candle or something. Yeah.

 - Your main light will track down the surface of your liquid string from the side it is shining.  - Liquid itself will distort this light to the sides.  - Same goes to the backlight, just in a smaller amount~

- It doesn’t need to be picture perfect. Liquids tend to be chaotic in structure.

2) Cover lighting

 - Liquids are not just strings and tubes that hang everywhere. They can cover stuff too! With the following effects…  - Here’s our basic test tube. It has it’s own shine coefficient, but when we pour some liquid over - It implifies shining effect of the weird test tube, folowing the rules from the previous gif  - It also will make coloration of the tube a bit darker… I’m sure you’re familiar with multiplying layer effect.

3) Distorion

 - When the liquid crosses something, it will distort it, mixing colors with the background.  - I prefer to draw that effect above every layer in the pic, copying colors around

4) Colors and opacity

 - By adjasting colors, opasity and lighting strength, we can manipulate our drawing to appear like other liquids. There is nothing to show off here - you should try it yourself!

5) Viscosity

 -  Don’t forget about the viscosity of liquids. They can behave differently depending on their type.

6 - 7) Little tips

Drawing liquid covering an object without contours

- Apply your liquid via Multiplier layer effect or Screen effect with the gradient tool or airbrush. - Make holes in it wherever you want - Draw your lighting over it, avoiding the holes and bending the light around them a little - Erase the light where your gradient ends - Draw light around the borders of the liquid

Drawing puddles

I started drawing around 2012 when I downloaded a little drawing app for the 3DS, and later picked up a cheap tablet so I didn’t have to deal with that cramped 3″ screen.

This probably isn’t the best advice to give as I’m not the most disciplined artist, but here are a few things:

Make it a point to draw often. I find if I go a few weeks without drawing anything my ability to draw atrophies considerably, and then it takes a long time to get back up to speed.

Collect lots references and drawing guides and try to actually use them from time to time. It’s easy to just hoard them and never look at them. Try following them at least once the minute you download them.

HEY YOU!!! YEAH I’M TALKING TO YOU, TUMBLRITE!

If you haven’t seen my Twitter yet, now is a good time to look! I just posted a clean sketch of gift art I made for Cewly’s birthday, check it out!!

Because like, it’s not going here, we’re SFW now boys. This image isn’t even really NSFW, but it does have some of those… female-presenting nipples.

HEY YOU!!! YEAH I’M TALKING TO YOU, TUMBLRITE!

If you haven’t seen my Twitter yet, now is a good time to look! I just posted a clean sketch of gift art I made for Cewly’s birthday, check it out!!

Because like, it’s not going here, we’re SFW now boys. This image isn’t even really NSFW, but it does have some of those… female-presenting nipples.

So yeah I don’t think anyone expected this outcome for the whole porn bot + CP thing happening on Tumblr, seriously, I’m pretty sure most people thought it would just blow over and stuff just like the previous billion times artist purges happened.

To be honest, It’s really sad that this happened, I personally love this site and I’ve met some really awesome artists through here, and It’s weird to think that if I started drawing later than I had, I might not have had the chance to meet these wonderful people. But that’s just how it’s gonna go, I suppose

ANYWAYS, I’m going the way of the great artist migration, and I made Twitter and Inkbunny accounts:

TWITTER: https://twitter.com/PDart_nsfw <— I’ll say this’ll be my main account.INKBUNNY: https://inkbunny.net/PDartI will probably consider some other places to post as well. But those two sites I’m most fond of. Additionally, currently, they’re empty, but I’ll fill them up soon, I promise.

This is one of my most asked questions so I am going to try and offer what advice I can. It certainly did not make any sense to me years ago and I would have liked a bit of help.

To preface this entire guide will be from the perspective of an artist attracting an audience for their work that is interested in buying and supporting their art.

Understanding and reaching the audience.

These are the people you want to see your work. If you are trying to create something commercially viable you must always keep the audience in mind. What matters to you is often lost on them and it is easy to lose track of that when you are emotionally involved in your work. 

Everything I discuss from here on is centred around the audience and how they will potentially regard you and your artwork. 

1. Time does not matter to the audience. 

I see this brought up a lot. “I worked very hard for a long time on my art, someone else did not, why don’t people appreciate that.”

To be incredibly blunt, why should they? Two artists create two similar pieces of work. One took 3 days, one took 3 hours. Both are at the same technical level and a similar concept. Why should one be “worth” anything more to the audience, who only sees the end result.

Time rarely matters to the audience. An audience with no art background of any kind will find it very hard to judge how long someone spent on a piece of art (especially digital art) unless-

It’s very clear. A huge traditional painting for example, with something for scale. A linked video showing the process. 

The artist states the time taken somewhere. Again, this is only really going to matter to the audience if it surprises them or justifies their own assumptions about the work. (It looks good, but they work quickly, how do they do it!)

I know there will be exceptions. People who really appreciate art will understand and recognise the time taken to create it. You aren’t leaving your success to exceptions though. You need to work with the majority.

Taking a long time to produce a piece of work only really informs your potential audience that they are going to have to wait a while to receive the content. If the work or the concept behind it are strong enough this is not a problem. It hurts an unknown artist trying to establish themselves though for the following reasons… 

2. Your upload schedule.

People like consistency and the best way to capture any kind of audience in media is with quick regular uploads of content they are prepared for, are looking for or easily understand. I will list a few things that I feel an audience appreciates or deviates towards.

A regular upload schedule, be it daily, twice a week, even once a month. As long as it is clear. This is a great way to keep viewers coming back to you once they find your work and are happy with the content you appear to be providing. 

The time you upload matters. If you post your artwork while the world is asleep no one is going to see it. On sites like tumblr this is even worse, hours can go by and your work will be pushed further and further down the audiences dashboard.

Consistent content. It’s great to try new stuff, but unless your audience knows you for it it could possibly confuse people browsing your page or site. Artists often get categorised as “The dude that draws X, Y Z” for a reason, it’s just easier for an audience to understand.

Do not add unnecessary comments to posts. Nothing puts people off more than 2 paragraphs of text explaining the process or a personal story on why it took so long. Save that for a separate post, consider that your audience needs to share your image. Make it as easy to share as possible.

3. Your content and the concept.

Content is important. Your finished artwork can be technically beautiful, but if there is nothing there for people to understand or relate to they will have no reason to care, or they will be purely judging your work on its level of technical ability. 

That can only go so far if the content is too strange, specific or incomprehensible. Very few people are going to share a technically impressive piece of work if it disgusts confuses or upsets them in some other aspect. 

Vice versa, a strong or interesting concept can take very simple artwork a very long way. The perfect storm is to have both a fantastic concept and strong artwork working together, but you must consider how much work that will mean you have to do and how fast can you do it. Find a balance. 

What grabs an audience varies greatly. You can build up your own brand with your own ideas concepts and characters as long as there is a consistent theme. More often than not an audience will look for:

Things they recognise 

Things they can understand at a glance

Things that are relevant to them and their lives

Consider these examples, try to consider which one has the most immediate appeal to the general public:

4. Make things easy for them, some important general advice. 

Upload on as many sites as possible, and where appropriate. (No one on a website purely for webcomics is going to appreciate your oil paintings, for example).

Join forums, sign up for art sites. Get to know people and make contacts to get your work out there. Understand the audience on the sites you frequent and what content they do and don’t enjoy. This takes time, this does not happen overnight. You have to commit and find your own path here. 

The audience will not just come to you. You need to be proactive. You have to get out there and find them, but be careful, nobody likes to feel like they’re being sold something. 

Wherever you post your art, MAKE IT EASY FOR PEOPLE TO FIND AND SHARE! Tag, list and group your content. Tags allow people to find things they already like, make use of that. Give them as few reasons as possible not to share your content. Put yourself in the shoes of the audience and think about what they would and would not want to share with their friends and people that know them. 

To conclude

I hope this will give some people who are really lost a few extra ideas when it comes to creating commercially viable content. It upsets me to say this but sometimes there are ideas that, no matter how beautifully illustrated or conceptually brilliant, will just not resonate with certain groups of people.

-You don’t get better at drawing by avoiding drawing until you are better at drawing.

- You don’t have to make a new masterpiece every day it’s okay if all you drew is a doodle of a bug. You are now +1 bug doodle better at doodling bugs. 

- Also it’s okay if the thing you drew didn’t turn out very good. Everything you draw makes you one step closer to being able to draw good. You are still +1 step better at drawing whatever you drew no take backsies.

- You are the only person who knows if your art didn’t turn out as good as you wanted it to. You are the only person who can see the things in your art that weren’t what you imagined in your head. No one else will know unless you tell them.

- Comparing yourself to other artists just isn’t fair. You get to see all of your art, the best stuff and the worst stuff. You usually only get to see the best stuff other artists make. You don’t get to see that half drawn badly propotioned face they drew at 2 am and immediately scrapped. So don’t compare your badly drawn 2 am face to their best work.

this is going to be text wall-y as all fuck but

i personally prefer to use S-4 for default drawing and S-7 when i need to draw really long smooth lines. this is what it does:

this is where you find transparent brush:

when you enable it, you can use your currently selected brush as eraser. this is what it does:

this is where you find clipping group:

you have to have at least two layers, the base layer and the one for the colors. when you draw on the layer with little red bar on side, the stuff you put on the layer appears only on top of the things you have on the base layer. the effect is p much same as preserving opacity except you dont change anything about the base layer and you can still use layer textures and effects. this is what it does:

DEVIANTART LINK FOR BETTER QUALITY Tumblr might take time to git gud

First tutorial. Quite abstract theme, forgive me for that. I hope someone will find it usefull. What do you want for me to teach you?