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Lint Roller? I Barely Know Her
Claire Keane
Mike Driver
RMH

oozey mess
Stranger Things
$LAYYYTER
KIROKAZE

Xuebing Du
official daine visual archive
tumblr dot com
Cosmic Funnies

One Nice Bug Per Day

#extradirty
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TimeOut Jan 1998 Cover
TimeOut Jan 1998 Live And Let Dial
“They may interrupt meals and annoy you on trains, but it’s hard to imagine modern life without mobile phones. We consider the ‘90s telecom explosion before taking you through the latest headsets and accessories.”
TimeOut Jan 1998 Girls On Top
“the 20 most powerful women in Hollywood”
Mary Beth Edelson 1972

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Don’t Forget to Take Photos (2015)
@Olana NY State Historical Site
An Open Letter on Female Participation
I am in my last semester at Bard and want to reflect on the gender divide that exists on our campus. This year in particular seems to bring to the surface a lot of this institution’s underlying issues. For the past four years, I have been involved in and in charge of many events promoting women on this campus. I’d like to share my perspective as I leave Bard no more changed than it was when I got here. The purpose of this letter is to officially state much of what has been spoken only amongst women, to bring an insular conversation to the public. I wish to encourage more women to be present members of our community.
In my junior year, there was an all-male photo show held in Woods studio. This show offended a lot of female photo majors and the arts community alike. In reaction to this, the feminist art club Through the Flower was formed. A few weeks later Through the Flower had a group of women working on a zine with art and writing created by the women at Bard. The launch party for the zine, full of performances and videos made by women, was well attended and an overall success. I was featured in the issue and had never seen work from most the women featured alongside me.
A few months later, posters went up all around campus calling for submission for the following issues. Yet, Through the Flower 2.0 was never released because they did not receive enough submissions to publish.
Earlier this semester, there was another all-male show but this time in studio arts and film. Once again the women of Bard, and most everyone else, were offended by this. There were plenty of comments on the internet drawing attention to the show’s all-straight, all-white, all-male participants. The show still happened, and was supposedly well attended.
A few days after the advertisements for the show were posted, I received a Facebook invite for a different studio art show in Fischer. The list of participants for this show were mostly women and I thought it might be reactionary. But, I was wrong. It was simply a class show: a genuine depiction of the gender make-up of the studio arts department.
In the past few weeks, for those of you who haven’t been invited, a new Facebook group has sprung up in response to a frustration of the undiscussed inequalities permeating our very liberal college. This group, originally called Bard: Girls, now goes under the title Bard: No Boys Allowed to allow participation of those who share similar feelings but do not identify within the gender binary. The intentions of this group seem to be misguided. Some members want the group to be a space to promote and advertise positive aspects and spaces in our community, while others have turned it into a space for complaints and cries for help to the mostly inactive 300 members.
This may be a classic case of whoever speaks the loudest gets their voices heard. I know for a fact that the opinions most present on the page, while they may reflect some of the student body, do not represent any sort of diverse whole. The form of Facebook posting, hidden behind computer screens, can be misconstrued as action. Clicking “post” to an unknown group of internet avatars is a safe but passive way of connecting. There is no back and forth, there is no real action. The more we privately talk with our friends and obsess over what hurts us, these issues continue to exist in a cycle that makes us believe we cannot change the realities we face. We tend to loose agency when we speak about action more than we actually do. There is nothing wrong with a place where women can express what ails them, but it can’t stop there. In a school with many genius female professors and a predominantly female student body, one would think our numbers would be clearly represented in shows, publications, activism and participation by women in student life in general. For some reason, it doesn’t seem to matter the amount of bodies on campus. It’s a matter of who feels the most confident and encouraged to participate.
I hesitate to say that this is a problem of finding opportunities to participate, being a current head and long time member of the female film and video club Joanie4Jackie and past member of Through the Flower. There are opportunities and facilities for women at this school but very few women actually show up or feel inclined to organize. It’s an age old problem of institutionalized inequality that plants a sense of inferiority in women’s psyches.
This issue of a lack of participation goes across the whole of Bard. Many people have held events, shows, screenings, and meetings that spoke exactly to what the student body requested and the turn outs have been a disappointment. The feeling of being too cool to show up plagues all genders at Bard but it seems most important for women to step up while we have the chance. This is the moment we have to call people out, to change the minds of this school. After we graduate we will most likely all work in male-dominated industries where our presence will be constantly outnumbered. While we have the overwhelming amount of possible participants we need to start encouraging as many people as possible to actually show up.
As a senior, a feminist, and an active member in trying to make Bard a more positive place for women, and personally to make it a more positive place for women artists, it is extremely important for the work I know you are making, the ideas I know you are having and the issues I know you face to be made public. Things like the Facebook group are a good start for a place to spawn a real life community at Bard where we can start to see women supporting each other on our campus. On the flip side, we need to be more comfortable calling out those communities on campus that exclude us and forget we are apart of this college. No group show should be able to claim they simply organized with a group their friends when they all happen to be straight white men. They can still be our friends, our roommates, our boyfriends, our partners, our collaborators, but all in all, they still need to be called out or abandoned if they continue to ignore our presence.
Let’s all leave our fear of being disliked by the men at Bard behind, and start creating a community that works to change the institutionalized inequality we see all around us.
PM 2016
Men Are From Mars (2015)
collage animation
Laida Lertxundi
http://www.thislongcentury.com/?p=5607&c=194
Three Weeks in May (1977)
Three Weeks in May exposed the extent of re- ported rapes in Los Angeles during a three-week performance in May, 1977. This was the first of a series of large-scale performances by Lacy on violence against women and is considered a signature piece, defining strategies and processes for the series of works subsequently authored by Lacy (alone), Leslie Labowitz (alone), and the two artists working together as Ariadne: A Social Art Network.

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Linen Closet 1972 Sandy Orgel
Valie Export’s performance Touch Cinema
Traffic in Women: A Feminist Vehicle
A Feminist Art Workers conceptual performance/bus tour from Los Angeles to Las Vegas to attend a conference on violence against women, 1978. FAW was comprised of Nancy Angelo, Cheri Gaulke, Vanalyne Green, Laurel Klick.
Desistfilm (1954) Stan Brakhage

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……remote…….remote (1973) Valie Export
lady painting