Today's Document
Claire Keane

@theartofmadeline
trying on a metaphor
Show & Tell
untitled

Discoholic 🪩
occasionally subtle
Mike Driver

#extradirty
Monterey Bay Aquarium
Noah Kahan
Sade Olutola
ojovivo

roma★

PR's Tumblrdome
Aqua Utopia|海の底で記憶を紡ぐ
KIROKAZE
$LAYYYTER
NASA
seen from Portugal
seen from India

seen from Malaysia

seen from United States

seen from Brazil

seen from Jordan

seen from Bangladesh
seen from Morocco

seen from United States

seen from Spain

seen from Spain
seen from Germany
seen from United States
seen from Poland
seen from Germany
seen from Malaysia
seen from Canada

seen from Türkiye
seen from Romania
seen from Philippines
@oziads

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
everyone seems to be praising the direction & camerawork in the hadestown proshot but i actually really wish it was less cinematic, i found the amount of cuts and camera movement in numbers like wait for me and doubt comes in to be really frustrating in how they obscured the staging (conversely, i really liked the birds eye shots because of how they showcased the staging)
Christine de Pizan, Épître d’Othéa, 15th century
hotd noticeable decline in dialogue & general writing quality is hurting me
Nevermind hotd is good again
details of Maruyama Ōkyo's Morning Glories and Puppies painting on cedar doors (1784)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Man leads his dog, detail from the coffin of Khui
Middle Kingdom, 12th Dynasty, ca. 1991-1783 BC. From Tomb 8, Asyut. Now in the Egyptian Museum, Cairo. JE 36445
Photo: Richard Barnes
once you notice half of all memes are just a picture of a black person with unrelated text over them you really cannot unsee it
Alhassane Konté dit Lass.
my name is moose and my quest is trample undergrowth
Nicolas Antoine Taunay (1755–1830), “The Triumph of the Guillotine in Hell”
oil on canvas, c. 1790-1800
source

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
but actually genuinely why is the ant sad and leaving with a bindle
thats probably it...
you ever have one of those long days?
(marielda finale anniversary art from 2017) (twt)
hotd noticeable decline in dialogue & general writing quality is hurting me
regarding your comment that non-propaganda art is pretty low impact, my first reaction was to disregard it because I'm an artist, but I know that's not a good way to engage with stuff and I'm genuinely curious as to your reasoning. I haven't been able to form a coherent rebuttal but I'd like to think about it more.
By 'low-impact' do you mean impact on the material reality of people's lives, of politics, of marxism? Do you think that someone can make art that is effective propaganda without meaning to?
I agree that people especially on the 'art appreciation' website will have strong reactions to that statement as did I when reading it, I think it would be silly to expect otherwise, but I think it's something worth thinking about. I'm not super well-read even though I'm trying to fix that and I'd love to hear your thoughts on the matter if you have a moment.
i mean, like, any individual media object just has an extremely low impact on the world, materially and politically. when art or even specifically directed propaganda has influence on the world, it is in aggregate, as the manifestation of a cultural trend or the characteristics of mass media production--for instance, i don't think gears of war or top gun are individually very influential on the world in a vacuum, they are simply individual examples of the very influential billion-dollar mass culture imperialist propaganda industry.
and like, in case where a particular work or piece of propaganda can be singlehandedly influential, the properties of the work itself are secondary to the material factors propagating it and the political factions adopting and appropriating it. like, to take a very extreme example, the protocols of the elders of zion became a hugely important pillar of global antisemitism because of its usage by the black hundreds and later by white russian emigres, not because of some remarkably convincing element of its own rhetoric
and yknow, artists like to flatter themselves that they can change the world with their art, and it is a nice story, but it's just not true. it's a liberal conception of history, where it's driven by ideas, and if the right Ideas are simply released into the world they will drive history on the correct path. but history is not driven by ideas. at best, a piece of art or propaganda can contribute to a broader cultural context which shapes and is in turn shaped by the material basis of society. but if you are not attached to any actual material movement, if you are just throwing helium balloons up into the superstructure, i simply don't think it matters a lot at the end of the day. you can't heal the world with comedy
"Seeing the shift in Rhaenyra's face and whole body as she sees Alicent. This breaks something in her. From this scene onward, Rhaenyra changes in a way that she doesn't even really completely understand in that moment." – Clare Kilner
HOUSE OF THE DRAGON | Season 3, Episode 2, "Queen's Landing"

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Does friends at the table want me to die for not having a record player. should i just die
La comedia di Dante Aligieri con la nova espositione di Alessandro Vellvtello