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NASA

Today's Document
Claire Keane
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Love Begins
Fai_Ryy
$LAYYYTER
almost home

gracie abrams

pixel skylines
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
Jules of Nature

#extradirty
EXPECTATIONS
The Stonewall Inn

TVSTRANGERTHINGS

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@abettertomorrow
hello this is uminekoposter the nameless we post about other things too

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ganó el bebé.
HYDROGEN BOMB vs coughing baby
(baby won)
lol ur watching the world cup finals sorry im too busy HAVING SEX
(texting my dick guy) we gotta have sex rn i just blogged
(dick guy) im watching the world cup
i don’t know if i should try to salvage a relationship with my sister but tonight we can come together in shadenfruede
oh my god

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a frança e a inglaterra roubaram todos os gols que era pra ter nesse jogo
most annoying thing about this guardian/ward BL plot is how squeamish it is about the whole exploitation. which isn't unrealistic for the adult to feel but you can still counter this in the narrative
the US is currently looting Iraq. seeing Chevron, Space X, and other US corporations pick up $60 billion worth of contracts in the country, we have to remember that the US has controlled Iraq's access to it's own oil revenue since the 2003 US led invasion. revenues that it will cut off if Iraq doesn't play ball
Following the invasion of Iraq, the US occupation of the country became a reality after the collapse of Saddam’s government. Faced with a fait accompli, the UN Security Council had to accept the new status quo.
According to International Humanitarian Law, occupation forces – in this case, the US and UK – become responsible for the well-being of the populations they occupy. So, UNSC Resolution 1483 was issued on 22 May 2003 to establish the US-led Coalition Provisional Authority (CPA) as Iraq’s administrator and create the Development Fund for Iraq (DFI) to manage Iraqi oil revenues.
Note that Resolution 1483 did not mention the US Federal Reserve as the depositary of Iraqi funds, nor did it assign a location for the DFI headquarters or account. In fact, the resolution specifically states directed that the DFI should “be held by the Central Bank of Iraq.” It was the CPA, led by Paul Bremer, that decided unilaterally to house the account at the Federal Reserve Bank of New York.
This decision allowed the US government to maintain tight control over Iraq’s oil revenues. From that point until today, the Iraqi Ministry of Finance has had to submit requests for funds to the US Treasury, which then approves or denies these requests based on its own criteria.
This monthly transfer of US dollars – which are literally flown into Baghdad in pallets of hard cash – determines Iraq and its 40-million-population’s ability to pay for basic needs like salaries, food, and medicine.
Whenever Washington feels that Iraq is not compliant with US regional goals, these fund transfers can be delayed or reduced. In January 2020, for instance, after the Iraqi Parliament voted to expel US troops following the assassination of Iranian Quds Force General Qasem Soleimani and Iraqi Popular Mobilization Units (PMU) Deputy Commander Abu Mahdi al-Muhandis, the Trump administration threatened to freeze Iraq’s access to its oil revenues.
Today, Iraq’s financial situation remains dire. Despite having oil revenues piling up in the Federal Reserve Bank of New York – estimated today at around $120 billion – Iraq is burdened with a growing debt that matches this amount.
source
part of the new contracts is the restoring of an Iraq-Syria oil pipeline to bypass Hormuz
If we think of romance as a genre of action film, in which an intensity of the need to survive is played out by a series of dramatic pursuits, actions, and pacifications, then the romance plot’s setting for fantasy can be seen as less merely conventional and more about the plotting of intensities that hold up a world that the unconscious deems worth living in.
Lauren Berlant, Desire/Love
sorry i just do not respect people who expect content warnings to be given to them in general but especially by strangers they're not even talking to

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Hello my friend cris
Do you have any recs for south korean movies that aren't park chan wook
memento mori, the housemaid, suddenly in the dark, king and the clown, anarchist from colony (better if you’re familiar with pak yol and kaneko fumiko)
Something I absolutely love is not caving into the pressure of "you HAVE to watch popular gay show the writing is actually competent and they won't ruin it this time" and being like "hmmm I don't know... I watched popular gay show before and it turned bad..." only to much later get your door knocked on and it's your mutuals crestfallen and you get to be like "let me guess. it turned bad."
The energy on the dash... Let me guess
anonymously tell me your honest opinion about me
if you unfollow me can you let me know what the last straw was I won't improve I just wanna know
In the fragrant flowers and bright greenery of delightful May // part 1

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oh which kind of "cringe" is this, fixing a signifier of inferiority onto someone else or shame about your desires?
If we start from the principle of denying others posited by de Sade it is strange to observe that at the very peak of unlimited denial of others is a denial of oneself. Theoretically, denial of others should be an affirmation of oneself, but it is soon obvious that if it is unlimited and pushed as far as it can go, beyond personal enjoyment, it becomes a quest for inflexible sovereignty. Concern for power renders real, historical sovereignty flexible. Real sovereignty is not what it claims to be; it is never more than an effort aimed at freeing human existence from the bonds of necessity. Among others, the sovereign of history evaded the injunctions of necessity. He evaded it to a high degree with the help of the power given him by faithful subjects. The reciprocal loyalty between the sovereign and his subjects rested on the subordination of the latter and on their vicarious participation in his sovereignty. But de Sade’s sovereign man has no actual sovereignty; he is a fictitious personage whose power is limited by no obligations. There is no loyalty expected from this sovereign man towards those who confer his power upon him. Free in the eyes of other people, he is no less the victim of his own sovereignty. He is not free to accept a servitude in the form of a quest for wretched pleasure, he is not free to stoop to that !
- bataille, eroticism