Art degails from Allegory of Vanity, 1632-6 - oil on canvas, by Antonio de Pereda (Spanish, 1611-1678).
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Art degails from Allegory of Vanity, 1632-6 - oil on canvas, by Antonio de Pereda (Spanish, 1611-1678).

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"Mother Mourning the Death of her Child" (1845) by Giuseppe Molteni
Georgian key to my heart brooch featuring a heart pierced by an arrow with fine chain drop suspending a tiny key. There is a glazed panel to the centre of the heart containing woven hair surround by seed pearls. care of @antiquegemsnjewels IG
Daguerreotypes, popular from the 1840s to the early 1860s, offer a fascinating glimpse into the lives of women and girls during the early Victorian era. As the first commercially successful photographic process, they democratized portraiture, making it accessible to the middle classes, whereas previously only the wealthy could afford painted likenesses.
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Brooch
c. 1840
silver, human hair, glass, pearls, gold thread
Albany Institute of History & Art
“Vanitas Still Life”
Dutch school, oil on canvas, c. 1630–40
Fun fact that I learned while looking for phantom-esque stationery:
Stationery with black edges was traditionally used in the Victorian era as MOURNING STATIONERY. And the width of the black edge communicated the depth of the mourning - wide black band = deep mourning, moderated band = normal mourning, etc.

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antique georgian mourning ring, c. 1805
american mourning veils throughout time, 1850s - 1950s
Details of mourning dress, silk
c. 1902-04
The Met
Mourning Locket
c.1794
Artist: unknown, possibly Ezra Ames (1768-1836)

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Georgian Memento Mori Ring of 18k Gold
19th Century German School. 'The Grim Reaper',