Sign Oβ The Times, 1987 - I Could Never Take the Place of Your ManΒ

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Sign Oβ The Times, 1987 - I Could Never Take the Place of Your ManΒ

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Sign βoβ the Times (1987), dir. Prince
People who work within a system: okay so studies show that the normal system works 90% of the time, but because itβs very bad when it doesnβt work, weβve set up a process to manage those outliers. We need six well-trained workers to run the system 100% of the time without any serious incidents.
CEOs and politicians, every time: Well i just saw it go right twice in a row which means the normal system which you say works 90% of the time actually works 100% of the time. Weβre cutting the team down to one person pulling 18 hour shifts without breaks
No one's getting through my barrier βοΈ

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Cartoon by John O'Brien for NEW YORKER magazine, 1991.
Lowland tapir Tapirus terrestris
Observed by anacampioto, CC BY-NC
am i allowed to say kill all trillionaires or is that too specific of a threat
patreon sketch of Denise Bryson π³οΈββ§οΈ happy pride!
i need to gush about how incredibly seamless her compositing is in these. Compositing is incredibly hard and time consuming work on a crisp clean digital image. But compositing into what seems to be a scanned photograph that was shot on film? Insane work. The film grain + photo paper texture is matched perfectly as well as the varying softness from being slightly out of focus in different amounts in each image. Each film stock has its own specific tone too some are warmer, others are more purply, or green and they all handle contrast with light and shadow completely differently. There was so much to take into account doing this and i really dont know how she did it other than maybe finding those locations again and shooting with the same film stock on a day with similar lighting. I cannot stress enough that for professional photographers doing complex compositing is mostly relegated to having a fully locked down camera set up in studio under controlled repeatable lighting. Super impressive and a really fantastic photo series truly.

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Peephole People
Jake and I met up for a few hours earlier to work on mixes for the several-years-in-progress Pellet album, and it's coming along nicely. It's the first time I've put any thought into mixing (or frankly anything related to making music) in a looong time and it felt good!
The beast in his lair
Me when I am playing toys

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Likely one of the funniest things we will get from the extremely late-to-the-party among us show
ponder the fig