Cosmic Funnies
Lint Roller? I Barely Know Her
sheepfilms
Stranger Things
d e v o n
$LAYYYTER
TVSTRANGERTHINGS
NASA
Three Goblin Art
i don't do bad sauce passes

pixel skylines

Kiana Khansmith

shark vs the universe
Peter Solarz
h

Misplaced Lens Cap
2025 on Tumblr: Trends That Defined the Year

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oozey mess
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@onihcinimkcin

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this gif is like... almost biblical. as if hes experiencing a pharaohs curse...
wtf were you gonna say
Please respect my privacy
my deepest apologies
I forgive you
Anyway me when I suck that pharaoh good and hard through his scaramphigousus
Does anyone have this picture
But it’s a parody of Master and Commander’s opening title
I swear I have seen this before and I cannot for the life of me find it
This image?
YES
PNG'D! (i didn't know the font so this is taken directly from the image)
+ bonus italian navy vessel

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Mission Impossible 1 is good actually because a milf chucks Tom Cruise under the chin and calls him a good boy, and then they make him scurry around in a network of tunnels like the little rodent he is 🐀
Mission Impossible 2 is good actually because Tom Cruise has scientifically perfect hair and has to angrily watch his new girlfriend honeytrapping another man via his pervert satellite video feed 🤨
“Circling”
Gerda Wegener, 1920
Journalist: It might be inconvenient to interrupt our profound discussion and change the subject slightly, but I would like to know whether extraneous, abstract thoughts ever enter your head while playing a game?
Tal: Yes. For example, I will never forget my game with GM Vasiukov on a USSR Championship. We reached a very complicated position where I was intending to sacrifice a knight. The sacrifice was not obvious; there was a large number of possible variations; but when I began to study hard and work through them, I found to my horror that nothing would come of it. Ideas piled up one after another. I would transport a subtle reply by my opponent, which worked in one case, to another situation where it would naturally prove to be quite useless. As a result my head became filled with a completely chaotic pile of all sorts of moves, and the infamous "tree of variations", from which the chess trainers recommend that you cut off the small branches, in this case spread with unbelievable rapidity.
And then suddenly, for some reason, I remembered the classic couplet by Korney Ivanović Chukovsky: "Oh, what a difficult job it was. To drag out of the marsh the hippopotamus".
I do not know from what associations the hippopotamus got into the chess board, but although the spectators were convinced that I was continuing to study the position, I, despite my humanitarian education, was trying at this time to work out: just how WOULD you drag a hippopotamus out of the marsh? I remember how jacks figured in my thoughts, as well as levers, helicopters, and even a rope ladder.
After a lengthy consideration I admitted defeat as an engineer, and thought spitefully to myself: "Well, just let it drown!" And suddenly the hippopotamus disappeared. Went right off the chessboard just as he had come on ... of his own accord! And straightaway the position did not appear to be so complicated. Now I somehow realized that it was not possible to calculate all the variations, and that the knight sacrifice was, by its very nature, purely intuitive. And since it promised an interesting game, I could not refrain from making it.
And the following day, it was with pleasure that I read in the paper how Mikhail Tal, after carefully thinking over the position for 40 minutes, made an accurately calculated piece sacrifice.
— Mikhail Tal, The Life and Games of Mikhail Tal.

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Various K/S pins, 1970s-80s
Art on bottom right is by Pat Stall. -- Click here to see the full version! --
"I've always turned down a lot of scripts. I turned down Wild Rovers. It sounded like Blake Edwards wrote it as a compilation of old Street and Smith western magazines ... I turned down The Wild Bunch, too. What do i need out of crazy Sam Peckinpah? I was down in Durango the same time he was. I was doing Five Card Stud with Dean Martin and we lived much better. Peckinpah's company was living in tents in the desert, with reptiles and spiders and cheap whores crawling around. Who needs that? I turned down Patton, too ... They get very offended when you turn down their scripts. 'What do you mean, you don't want to do it?' they ask. 'Get somebody else,' I say. 'Who do you suggest?' What the hell do i care ..."
Robert Mitchum on script selection to George Anderson in the Pittsburgh Post-Gazette, 1971
St. Jerome
german emotions

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when you're in a carrie coon lover competition but a woman who can quote her interviews and remembers exactly when they were released walks in