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#ONIFREED: an independent multimuse for eiichiro oda's one piece, affiliated with willofd and treasureofthesea, permanent low activity, written by lumiya ( 28, they / she )
h
Mike Driver
untitled
Lint Roller? I Barely Know Her
$LAYYYTER
EXPECTATIONS

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Fai_Ryy
The Stonewall Inn
Jules of Nature

#extradirty
todays bird

Love Begins

Product Placement

Origami Around
cherry valley forever
Stranger Things
The Bowery Presents


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@onifreed
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#ONIFREED: an independent multimuse for eiichiro oda's one piece, affiliated with willofd and treasureofthesea, permanent low activity, written by lumiya ( 28, they / she )

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i know i shouldn’t, but god, i have some ideas floating around for a yokai connected to shadow puppetry and other parts of japanese theater
i still have to figure out what yokai i want for the main oc in question, but they run a theater in wano that focuses on shadow puppetry and noh theater performances. some of their “workers” / closest confidants consist of kage onna, ao andon, and other lesser yokai
i know i shouldn’t, but god, i have some ideas floating around for a yokai connected to shadow puppetry and other parts of japanese theater
hi everyone! i just got back from a con. borsalino’s english va, ray hurd, is so kind and gives amazing hugs
even without kisuke's devil fruit, sora is able to escape the shop unnoticed, footsteps light and silent as she slips down the nearby alley and into the shadows; over the last twenty years, urahara shōten was never a terribly busy shop, yet that didn't mean the shōgun or his men didn't have eyes on it : in fact, sora was certain of that fact. it's with a practiced ease, not only of having tread these paths many times before, but a history of going on the run—it mattered not how long it had been, they still remembered well the first time they dashed through time with … [ twenty years, and it still hurt. ]
as she drew closer to the agreed upon meeting spot, sora checked her surroundings once more, to ensure not only had she not been followed, but none were around to watch as she touched her left hand to the wall of the seeming ruins of the building she approached; the surface of the broken beams rippled, before shifting into that of a pair of hanging curtains. stepping through, they lifted the hem of their kimono as they crossed the threshold, the curtains vanishing and leaving naught but the downed beams in their wake.
" … 小太陽、小太陽、遊びにおいでよ〜! " to any who may hear it, it would sound like little more than a children's song : kotaiyō, kotaiyō, asobi ni oideyo—little sun, little sun, come out and play! but, for the one it was meant for, it was a meant to be a signal that it was safe to come out. upon finally seeing @onifreed, sora steps close, fingers reaching up to gently touch the young woman's face, carefully turning it left and right to ensure even from a cursory glance she was unharmed. " jitsugetsu-sama—it is good to see you again … how are you faring? "
Hiyori's going to have to thank Denjirō ( again ) for his efforts in making this happen. He's shielded her through the streets, remaining ever vigilant as he guides her through the rougher edges of the Flower Capital. Moving about as herself is a risky move, especially with the shōgun keeping a close eye on his most beloved Komurasaki. Even with a cloak hiding her bright hair and face, the threat of exposure and ruining everything they've been building over the last twenty years remains... but she trusts Sora, and she trusts Denjirō. And so, she waits within these crumbled walls.
An all too familiar song beckons the young woman out of the nook in the abandoned building, hand leaving her protector's arm to greet her long awaited guest. As soon as the handmaiden appears, the oiran smiles. ❝ Sora-san... ❞ One hand picks up the hem of her kimono as she all but runs with girlish delight to their side.
❝ It has been far too long since we met last. I am... ❞ There's a moment of hesitancy where her pride clashes with the agony lingering in her heart. This always happens, regardless of the months that have passed without seeing each other. Without them even trying, Hiyori all but crumbles in their presence. A single tear falls down her cheek, even as her smile remains. ❝ I am doing as well as I can, despite our circumstances. How are you, Sora-san? ...and where is Urahara-san? Did he not accompany you? ❞

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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she's so talented
believer, you'll leave her in leaving them all. like anything you do, as anyone you are
Been drawin’ these 2 a lot lately lol
DASH GAME : list 5-10 quick fun facts about your muse, and tag mutuals you want to list fun facts about their muses!
while there's a lot from her human days that kureha doesn't miss, having to wear a jūnihitoe every day is at the top. the style is gorgeous, yes, but a nightmare in terms of practicality. they were heavy and a pain to walk and move in. she's been grateful for the existence of the kimono for a few centuries now
she's the smallest of her family unit at a whopping 5'2! tsubasa is over a foot taller than her ( 6'5 ), and hanamizuki and kaede are nearly there themselves ( 6'2 and 5'10 respectively )
she loves to play the koto. she learned how to play from her father and she made many friends during her human days as a result of playing. she doesn't own one currently, but she wishes she did
kureha's favorite kind of tea is hōjicha
although i associate her with red, orange, and yellow ( autumn colors ), her favorite color is blue. it reminds her of the sea and the port she grew up near
tagging : whoever would like to do this! consider yourself tagged by me!
the brilliance of the dawn

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KUREHA: ABOUT
you know... there's something so poetic and sad about modern day inhabitants of wano who grew up hearing the legend of sarashinahime, but never noticing that the hime, the demoness of the tale walks among them and has been for centuries
idk why this hit me as hard as it did, but i've been thinking about my female muses and how much i crave seeing women in media with layers of complexity ( that both rejects and embraces womanhood and traditional gender roles )
Pierre Niney as Edmond Dantès & Anaïs Demoustier as Mercédès Herrera The Count of Monte-Cristo / Le Comte de Monte-Cristo (2024) dir. Matthieu Delaporte & Alexandre de La Patellière
#SEAPPHAIRE an indie. & sel. sapphaire hai, a op oc. adored by cody. follows back from @clanofd promo by @senaedits

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Doodle
Come if you dare with your guns and dagger Come if you dare with your shield and armor Come if you dare, I'll be right here waiting I don't need a gun to rip your heart out Because I've got tides with the universe And I strike hard like a thunder I'm surrounded by ancestors So are you ready now to surrender now