Moved.
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h

Kiana Khansmith
AnasAbdin
we're not kids anymore.
he wasn't even looking at me and he found me
d e v o n
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

@theartofmadeline
Keni

⣠Chile in a Photography âŁ
Alisa U Zemlji Chuda
wallacepolsom
ojovivo
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
Claire Keane
RMH

seen from United States
seen from Indonesia
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@ollyjsmith
Moved.
Posting here is temporarily (maybe permanently) suspended. New structure here: notes.oliversmith.cc

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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 (toward the end of the programme)
Computational Rube Goldberg Encoder
I'm running with a workshop tomorrow at the RCA School of Communications Work in Progress show, with fellow IED student Francesco Tacchini (@RuffNuff). We're going to be setting up some interesting loops, systems and technologies of transformation and then messing with them in playful ways. Should be fun - it's open to anyone and everyone.
Here's the official blurb:
Computational Rube Goldberg Encoder
Sat 25 Jan 1-3pm in the Work in Progress show.
Part workshop and part performance this is an exercise in creating (and disrupting) a sensor â signal loop.
Drawing from the idea of feedback loop and Rube Goldberg machine, we will be transcoding data from one platform to another, in a journey from digital signal to physical outputand vice versa. There is no beginning or end but rather different platforms through which data can be input in the form of sound, colour, materials, lights, physical movements and so forthâŚ
Anybody can and should intervene at any point to disrupt thetranscoding of the signal and foster new serendipitous outcomes. Feel free to bring images, photos, instruments or just yourself.
Beautiful process, from Studio Glithero.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Ben Hooker
Designer and Educator Ben Hooker gave a talk about his work last night. He focussed on two pieces of unfinished work, each of which he referred to as âa project to find a projectâ, an interesting way of producing work that seems to create worthwhile, iterative outcomes. He did, however, express a desire for a project such as âdesigning a shopping bagâ to have a concrete outcome for his work, outlining the facets of his working process as taking this form:
Conceptual <--> Experimental <--> Applied
Whereby each type of work could spin work of one of the other types.
You can see his work on his website.
Three-Dimensional Mid-Air Acoustic Manipulation
A team from the University of Tokyo and Nagoya Institute of Technology have developed the technique of using a standing ultrasound wave to levitate and manipulate small objects in three dimensions. From the write up:
In the present study, we considered extended acoustic manipulation whereby millimetre-sized particles were levitated and moved three-dimensionally by localised ultrasonic standing waves, which were generated by ultrasonic phased arrays. Our manipulation system has two original features. One is the direction of the ultrasound beam, which is arbitrary because the force acting toward its centre is also utilised. The other is the manipulation principle by which a localised standing wave is generated at an arbitrary position and moved three-dimensionally by opposed and ultrasonic phased arrays. We experimentally confirmed that various materials could be manipulated by our proposed method.
The video shows a fairly large range of objects being moved around, the most impressive being the water droplets & bubbles held suspended in the wave.
Three-Dimensional Mid-Air Acoustic Manipulation (2013-)
[via: Creative Applications]
RFC 2550 â Y10K and Beyond
From 1999, a proposal for the far-future Year 10000 Problem. How to deal with the storage and encoding of dates with 5+ digit years.
It proposes a solution, but identifies a few potential problems with that including:
3) Continued existence of Earth-centric time periods (year, day, etc.) are problematical past the up-coming destruction of the solar system (5-10 billion years or so). The use of atomic-time helps some since leap seconds are no longer an issue.
4) Future standards and methods of synchronization for inter-planetary and inter-galactic time have not been agreed to.
5) Survivability of dates past the end of the universe is uncertain.
http://ift.tt/KkEUcq
You canât presume to possess or lay claim to a city. We are only guests.
âI have no sympathy,â says Wentworth, âfor people who say âTheyâre going to spoil Kingâs Cross.â Not long ago, before the railway marched into London, there were sheep grazing here! Preservation culture is a serious English disease. When Norman Foster revealed his intention to site the new station between Kingâs Cross and St Pancras, the Victorian Society rushed to prevent it by putting a preservation order on the Great Northern Hotel. Change is relentless, thereâs no way of stopping it; but I think in terms of mutability and exchange â transmogrification â rather than of loss. You canât presume to possess or lay claim to a city. We are only guests.ââ (Sarah Kent)
Talking about âAn Area of Outstanding Unnatural Beautyâ
[From: Artangel Press]
The harp looked beautiful intersecting with the steel cables of the bridge across the Manhattan skyline. Dancer Hollie told us that she felt an intuitive connection to the harp straight away and instantly got lost in exploration of strings and movement
From: humanharp.org/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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GĂźnter Seyfriedâs Polycinease is a novel foray in hybridising digital file formats and the alterations to information that environmental stress evinces upon DNA. Seyfriedâs team have built a system to read the binary data into DNA, which is then implanted into a bacterial genome. Seyfried subsequently plays God with his GIF-ed up bacteria, cranking up the evolutionary stress on his colonies. He then extracts the DNA and converts it back to a GIF. The result? Data-moshed biomedia and an exploratory prototype for bio-cinema. Read about GĂźnter's ongoing forays into moving image and DNA information at www.polycinease.com/
there is a severe lack of debate about how the tech community participates in our socio economic context. Because for all the excitement around the new powers of technology, the tech community became one of the most powerful practitioners of the neo liberal agenda, with only some of us noticing.
from: They may have the money, but we have the tools of technology.
(via Projects - Laurens van Schijndel)
Amazing gallery of airship photos.
[via Kottke]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The promise of the Internet was that it would liberate people and bolster democracy, but it has become a tool for suppression and control. In fact, it is one of the most powerful instruments of control ever invented. The most essential challenge we face today is related to the real effect of the Internet. Will it impart power to people and liberate them, or will it impart more strength to the centers of power and help them oversee, control and suppress the population? That is the struggle of our generation, and it has yet to be decided.
Mother Jones (via new-aesthetic)
"Object-oriented ontology (OOO) is a metaphysical movement that rejects the privileging of human existence over the existence of nonhuman objects. Specifically, object-oriented ontology opposes the anthropocentrism of Immanuel Kant's Copernican Revolution, whereby objects are said to conform to the mind of the subject and, in turn, become products of human cognition. In contrast to Kant's view, object-oriented philosophers maintain that objects exist independently of human perception and are not ontologically exhausted by their relations with humans or other objects. Thus, for object-oriented ontologists, all relations, including those between nonhumans distort their relata in the same basic manner as human consciousness and exist on an equal footing with one another."