the romanticism of undressing someone and seeing their curves and edges and birthmarks and scars and moles and freckles and kissing every single one of them

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shark vs the universe

Origami Around
will byers stan first human second
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"

Andulka
Noah Kahan
occasionally subtle
TVSTRANGERTHINGS
KIROKAZE
tumblr dot com
PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
Cosimo Galluzzi
Game of Thrones Daily
he wasn't even looking at me and he found me
seen from Myanmar (Burma)

seen from Russia
seen from Congo - Brazzaville

seen from South Africa
seen from Syria

seen from Poland

seen from Switzerland
seen from Pakistan

seen from Pakistan
seen from Morocco

seen from Germany
seen from Canada
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seen from Malaysia

seen from Malaysia

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seen from Poland

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seen from United States
@ohmelinoe
the romanticism of undressing someone and seeing their curves and edges and birthmarks and scars and moles and freckles and kissing every single one of them

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mimì metallurgico ferito nell'onore (Lina Wertmüller, 1972)
i don’t want something anyone can have
H o w C o u l d I E v e r F o r g e t ? 2012
The heroic child who continues to struggle to make sense out of the world and the people in it, however, is developing a powerful source of strength, no matter what the anguish or bewilderment experienced along the way. Caught in a particularly cruel, frustrating, and irrational environment, he or she will doubtless feel alienated from many of the people in the immediately surrounding world, and legitimately so. But the child will not feel alienated from reality, will not feel, at the deepest level, incompetent to live—or at least he or she has a decent chance to avoid that fate. To persevere with the will to understand in the face of obstacles is the heroism of consciousness.
Often children who survive extremely adverse childhoods have learned a particular survival strategy. I call it “strategic detachment. ” This is not the withdrawal from reality that leads to psychological disturbance, but an intuitively calibrated disengagement from noxious aspects of their family life or other aspects of their world. They somehow know, This is not all there is. They hold the belief that a better alternative exists somewhere and that someday they will find their way to it. They persevere in that idea. They somehow know Mother is not all women, Father is not all men, this family does not exhaust the possibilities of human relationships—there is life beyond this neighborhood. This does not spare them suffering in the present, but it allows them not to be destroyed by it. Their strategic detachment does not guarantee that they will never know feelings of powerlessness, but it helps them not to be stuck there.
Nathaniel Branden, The Six Pillars of Self-Esteem

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anaïs Nin, from a diary entry featured in Trapeze: The Unexpurgated Diary of Anais Nin, 1947-1955
A horror so deep only ritual can contain it,
Sarah Kane, Complete Plays; from ‘Crave’
Breathless (1960), dir. Jean-Luc Godard
Nowra NSW, 2026 website / instagram / blog
Derek Dunn principal dancer at Boston Ballet photographed by Gerardo Vizmanos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My holy place is [him]. And it is an abomination.
Iris Murdoch, The Philosopher's Pupil
Gegen Die Wand (2004) dir. Fatih Akin
“I want to talk about everything with at least one person the way I talk about things with myself.”
- Fyodor Dostoevsky
The Young Martyr (detail, 1856) Paul Delaroche
© Christian Navarro

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A little of the cold air that blows over graveyards always goes with him…
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Erl-King’
Natalia Motuzko - The Voice of Grass (1992)