anonymous requested: Â everytime we see the red flower in the show

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anonymous requested: Â everytime we see the red flower in the show

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i genuinely cannot get over amber wacking eva with a bouquet
iâm workinâ on a song⌠it isnât finished yet, but when itâs done, and when i sing it, spring will come again.
oh, heâs crazy
withalyreâ:
& â To return to the deepest reaches of solitude, the lonely light shining its narrow beams against an isolated land, a room with no exit in sight; this was no way to live, and certainly so for a girl with such kindness embedded within herself (buried beneath years of neglect, perhaps, but a gem still shone even despite its grime and she, too, would reveal such plentiful beauty, even in the most unsuspecting hour). She seems so hesitant to face this for what it truly was: a change, possibly for the better (though he is ever wary of declaring such a valorous thing, lest he stake claim to this progression of clean light that washes over her; he is nothing more than a boy in love. He carries no cleansing news on winged shoes, he brings not springtime once the cold winter has drawn its final breath). His foot stalls its fevered tapping, pressed now firm and flat against the tiled floor beneath him, and the confusion that previously painted his expression begins to easily slip away, revealing a tender underbelly; this has never happened to her, and he wants to ask her this: what has not happened? Has no other man given to her the love she so obviously deserves? How could the world be so cruel, so as to preserve from her the glowing radiance of love, in all its multi-faceted wonder? Oh, the world was a cold and dark place; Eurydice deserved much more than just an unfinished vow of dedication. She deserved more than a melody, strung by fire and fear; ay, she deserved the world (though, he knows all too well, providing her this will prove itself a never-ending task, one he is entirely willing to dive into, never again to bring his head above water).
âIâm not going anywhere,â he promises her, a truth he believes, in the moment, to be the most honest thing he has ever spoken (and lo, doesnât every promise start this way? With love, with dedication â then, with doubt). A hand nervously goes to the back of his neck, resting there as his nerves get the best of him; he, too, doesnât possess a very long list of past relationships. A few, with women who opted to go elsewhere, with friends turned lovers turned âthis isnât working out, I need to go find something that willâ. He blames them not for their endless search for a suitable end; he has now found his, even if he can count their meetings only on one hand. Love judged not based on frequency, but by depth, and oh, he is choking on this emotion (he will drown in it, deeper and deeper, keeping his head lower and lower beneath the surface of this blind following). He looks to her softly, though not condescendingly, as he continues. âEurydice, I promise you. I wonât leave you.â and oh, he wishes to hold his hand out, to take hers into his and call it an anchor (to call her light the beacon; to call her smile the stars). Instead, he just looks to her, anxious, anticipating. âIâŚif thereâs anything you ever need, if you ever need to just be with someoneâŚlet me know. Iâm always free for you, okay?âÂ
(   *  & . She wonât deny ever hearing of promises like these before. Even so, in this moment she believes him more than she believes the world turns. Eurydice ponders his own world, the way he sees things. Sheâs been to his home; only once, and knows the world has been unkind to him just as well. Perhaps they were more similar than she originally assumed. Giving kindness, love, too, is something that seldom happens for her. It used to pour out of her, only to have passerbyâs cup it in their hands and throw it back into her face. She grew tired of it, sticking around for empty promises and keeping arms open for those who would never hold onto her as tightly. The reflection is clearer now, and deep within Eurydiceâs being is determination to stay put for him, come what may.
âThank you.â The two words are genuine, though she still feels on edge for the sake of the future. Eyes follow his hand moving to the back of his neck. The nerves are electrifying between the two, and, with a shaky hand, she reaches out for him. Or, for something. The feeling is the same of heels over the edge of a cliff, ready to fall back into the unknown. âThe same goes to you. Say the word and Iâm there. I.. promise.â Itâs a foreign statement, something she hasnât spoken for a long time. But she feels it to be the perfect time to speak it into the world.

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withalyreâ:
& â Alas, as she speaks he, too, regresses to nervous tendencies, foot tapping inaudibly âgainst the speckled tiled flooring; her words (âyou confuse meâ), they echo through his mind like a chord sounding of dissonance, like two notes just a half-step from harmonization â was it cruel, then, to wish for things to change? To wish his actions were more distinct, to wish his intentions to be more transparent; he never dreamt of being difficult to read. He never imagined a girl would sit before him and present him with this evidence to a deaf jury, these footnotes to a tale barely written; how he wishes clarification could acquit him of this foul injustice, how his mind begins to turn with sentences upon sentences upon sentences, syllables into words into what would soon become but a flimsy defense. She wants to know where this is going, and confusion itself paints an explicit reaction âcross the young manâs face; had his actions been more clear, more definitive, then she would know all too clearly of the pangs of admiration that ring throughout his mind (to divulge this would be to speak the truth, yes, though foresight reminds him of this: she is not accustomed to stagnancy. She is not accustomed to burying roots.) His gaze falls to the table, with its condensation and light falling victim to wood that decelerates its path, and he wonders if she anticipates rejection. He wonders if she is expecting him to back down, to lay claim to ignorance and go about his evening as if meeting her changed nothing; he digresses. Stay in the moment, dear Orpheus, lest she slip from your grasp.
âI do like you,â he begins, this proclamation that of irrefutable verity; had he not liked her â platonically, romantically, or otherwise â then why all of this effort? Why would he actively jettison from the hopes of others (that dream of writing a song to change the world, or of fixing the wrongs this land has wrought), if he did not believe it to be worthwhile? How foolish a thought, he would later consider, that of him spending time with her for any reason other than love. He frowns a bit to himself, corners of the once-bright smile now down-turned, and he steals a hesitant glance towards her; she looks so unsure, almost frightened in a way, and he acknowledges his guilt like a weight in the bottom of his chest (like a shell left to rot in the pit of his lungs; he breathes, and with each breath, he is reminded that this is his fault, that her pain is his fault). He continues. âIâm sorry IâmâŚnot very good at showing it, but I do really like you. IâŚâ his mind repeats the once prominent mantra: Orpheus, donât come on too strong; he ignores it. âI donât have much to offer you, butâŚIâd like to see where this goes, too. Even if the wind changes on us, even if the world getsâŚwell, a lot darker than it already is. Iâd like to be there with you for it, if you would let me.â
(   *  & . His reaction only makes things a bit worse. Her gut tells her to backtrack and tell him to forget it, only for her to runaway from the bar, perhaps the city. But, in spite of herself, she stays glued to her seat, knowing full well that sheâs in too deep to change her mind. He confirms her curosities, but it doesnât loosen her chest, nor straighten her spine. The look of guilt spread across his face in turn feels like itâs pointing out her own insecurities. Being desired was something that Eurydice never felt she could be. Forgotten, as good as dead, is what she was. âItâs not your fault,â She counters, not knowing if that would be enough for the moment. And itâs true. Maybe the signs were obvious enough, but Eurydice didnât know what a sign like that would be if it landed in her lap.
âThis hasnât happened to me before. Ever, actually.â Teeth tug the inside of her cheek, staring downward at the table for a brief moment before they flit back up to meet blue hues. âIâve been alone for a really long time. And I was okay with that. But then, I came here and I met friends.. met you..â Once again, she feels herself losing grasp on the task at hand, which is now getting her thoughts out in the open. The young girl shakes her head, arms leaning onto the table, before quickly continuing, âI donât know if I could ever go back to the way things were before all of this. And thatâs scary.â Itâs a lot, Eurydice feels, and it isnât fair for her to tell him all of this. He deserves better, deserves more than just her. Despite this, sheâll still lean into her feelings for the first time in years. âI donât need anything from you. Just.. a steady hand, or just being nearby would be more than enough.â
withalyreâ:
& â The reassurance that she hasnât been waiting long brings comfort to his heart, a warmth that spreads like an epidemic through his vitals (and somehow, despite it all, it still feels cold; oh, how kindness aches, like the cold that surrounds them, like love being blinded). He nods a bit at this, faint yet acknowledging; the sound of his name being spoken is like a tune heâs known all along, an old song the gods mustâve sung long ago (when the world was simpler, when times were easy and camaraderie lived not synonymous with ill-intent); he notices her fidgeting, but opts not to mention it â at least not yet, anyway. Calling attention to a quirk such as this could prove unfitting, bordering upon unjust; he can assume it is a nervous habit, and he has many of his own to bear, lest he imply hers are more daunting than his own  a wicked sort of thought, one he hesitates to speak aloud. This sagacious boy, with winding melodies lilting in his mind (most sung by the voice in front of him, like honey, or a lullaby), he is briefly concerned with her comment regarding his appearance not entirely being necessary; truly, he couldâve easily postponed. He had prior obligations, after all, but what is a man, if he curls into doubt? What is the use of a backbone, if he never stands upright? Lo, he knows abandonment to be a word made of velveteen: soft, yet sturdy, and he ought not build a noose of this, he thinks, though he knows demise due to love to be the worthiest of deaths a man can endure.
âNo, IâŚI wanted to,â he assures her, with no clear doubt in his voice; though hesitant at times, this stems more from uncertainty of how to structure statements, and less from doubt bred from fear. His smile begins to dissipate, if only to support the gravity of the lofty conversation. âIâm here for as long as you need me to be. OrâŚwant me to be.â the two, he is all too aware, carrying different connotations in a relationship such as this; is this even to be called a relationship, he would later wonder, if no real title has been applied to it? Is love still love, if it hasnât been put from mind to paper? Is sorrow still sorrow, if it hasnât yet been expressed?Â
(   *  & . Her head is clouded with confusion. Once blunt, straightforward, and a rigid byproduct of her experiences, sheâs a bit warmer now, despite the temperature outside. The rumor mill of New York City being a âsink or swimâ place to live is nothing more than a rumor, it seemed. Eurydice tries so hard not to get her hopes up but she canât seem to help it. At least, not right now. Orpheus tells her that he wanted to be here, and it relieves some of the tension on her back she didnât realize she was carrying. Being with her for as long as he can brings the double-edged sword of comfort and nausea. The desire to ask why burns at the back of her throat, but she keeps her mouth shut. Thereâs nothing special about her. At the end of it all, sheâs a hungry young runaway who doesnât even know if she has a purpose in this world. So why does he look at her like she gave him his?
âI know you are.â Eurydice confirms this. And she does, despite not knowing him for long. How could someone break down the walls she managed to fortify after years in a matter of weeks? The delicate dance around words and feelings is maddening for her. âYou confuse me.â Her voice is blunt, but itâs a sharp contrast of her softened gaze, âI..you.. I guess I just want to see where this is going.â Words, as usual, are failing her in her mind, and she almost desperately tries to explain where she herself was going with this, âYou know.. dinner at your place, hanging out around the city, texting each other. âI like you. And I think you like me, but itâs also really fucking hard to tell, and..â Another breeze moves through her bones and she pulls at her coat, a bit tighter this time, despite being indoors.
withalyreâ:
& â To claim that Orpheus was naive to the world would be to place innocence upon the stoop of his urgency (which is to say: perhaps, but what good does this implication provide itself if no one looks to see it?). He is currently holding down a part-time job at a local establishment, serving partially as a server and partially as a bartender (though the former is his preference; it is easier to place blame elsewhere in that aspect, as doubt creeps in like a steady wind too insistent to ignore); he is scheduled to work tonight, well into the late evening hours, but chance is a fickle thing. He knows this just as well as anyone, and who is he to deny the request of a woman who holds such honor, such untapped eloquence, such undeniable beauty? Perhaps this is where the descriptor ânaiveâ should fall into play; perhaps, too, this is where the young boy should stop to reconsider. This girl, one he barely knows anything more than a name of, could pose a threat; she could be a poor girl with darker tendencies, with connections in the underworld (that which houses beauty, yes, but even in its neon glow, contains an infinite darkness paralleled only by that can be found in the hearts of soulless men). He should decline the sudden invitation, sure, but he has waited so long now to find a purpose in this life; trusting the gods will provide will only get you so far, as his mentor so oft reminds him. And so, he quickly goes to his manager at the small pub, insists that an engagement has come up â all too abrupt, yet all too urgent â and he has to leave, he has to abandon these earnings he works for so feverishly. Is it selfless? Perhaps, but he is all too aware, also, of this undeniable fact: he would do anything for this girl who, even before they met, he felt he has known all his life.
He arrives to the bar, stains on his jeans, denim jacket pulled tightly âround his shoulders; it is cold tonight â the winter seems unbearable, as if it came on too soon â but he will persevere, nonetheless. He scans the establishment, spotting those he assumes regulars, and those he assumes have begun to lean too strongly into a recurring habit; a shame, he thinks, though he has no room to object (for isnât he, too, leaning on a habit? Music is a habit, just as revolution and love are habits; good, yes, but self-destructive, even despite themselves). He spots her nearly immediately, smiling timidly as he approaches her table in the corner. With a small wave, he greets her.
âEurydice,â he says, the name falling from his tongue like a melody heâs always known. He slides into the seat her opposite, eyes gleaming in the dimly lit space; even in these mahogany auras that surround her, she is just as beautiful as when they first met (too, when she came to his cramped apartment, furnishings scarce but admiration plentiful). He smiles at her, nervous and awkward, as he continues. âSorry if Iâm late. I kind of, uhmâŚâ pray tell, should he admit he has abandoned his pay for this girl he barely knows? Shall he profess dedication so early on; the words of his mentor echo in his mind (Orpheus, donât come on too strong); he digresses. ââŚI got here as soon as I could.âÂ
(   *  & . Upon seeing what she assumes to be Orpheus ( brown hair, blue eyes, and a red bandana wrapped around his neck ), she sits up a bit taller. He sticks out of the crowd with ease. Despite being close in age, it seems as though he hasnât seen the way the world was, and how cruel it could be. Eurydice decides against being the bearer of bad news and opts for the smile to match his, a hand gesturing to the seat in front of her. The weatherâs wicked out there, but itâs how itâs always been, no matter where she goes. At least, until someone comes along to bring the world back into tune. For now, though, sheâs grateful that Orpheus showed up, even in the bitter cold. Thereâs the feeling of guilt in the back of her mind before itâs squared away at the sound of him calling her name. Itâs strange, being cared for.
âOrpheus, â Eurydice shoots the greeting right back, leaning forward in her seats. He apologizes, for what exactly.. sheâs not sure. Itâs kind of her fault for asking him to hang out so last minute. âDonât worry about it.â The girl assures him, quick to add, âI havenât been waiting long, anyways.â A moment passes and Eurydice finds herself hesitating on words. Fingers fidget on her nail polish once more, this time in her lap. âThanks.. by the way. You didnât have to come out tonight.â I just didnât want to be alone, she wants to tell him, which is completely out of character. Opening up to anyone was difficult for her, let alone someone sheâs only known for less than two weeks. Heâs different, she tells herself. Whatever it may be that she canât seem to put a finger on, Eurydice almost wants to fall back into it, like a soft place to land. âI just wanted to.. talk.â Thatâs an understatement.
@withalyre
( Â Â * Â & . Picking at already chipped nail polish, mahogany hues flit around the rather cramped space. She opted for a table in the corner this time around, foot tapping impatiently on the tile floor. It was getting more difficult. What was, you may ask? Even she didnât know. The longer she stuck around, the closer she got to people.. it felt weird being alone. She feels a breeze press against her back, hands clutching her half-empty glass before looking over her shoulder to see-- nothing.
First impressions donât mean anything, apparently. To Eurydice, he was just some guy with a guitar looking to make anyone who would listen swoon. But it turns out that Orpheus was different. Someone who cared about people, about the world. It reminded her of how things were when they were good. Sheâs not sure what she wants to gain from tonightâs outing. Reassurance? Comfort? Eurydice figures she may as well just wing it. Itâs all sheâs ever known.
Eurydice was a hungry young girl. A runaway from everywhere sheâd ever been. She was no stranger to the world⌠no stranger to the wind.

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HADESTOWN. so⌠just how far would you go for her?