Heiko Hellwig: Silicon Cities (2017)
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Heiko Hellwig: Silicon Cities (2017)

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retiring to your chambers >>>>>>
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“And please forgive the silence for you know, of course, the love is there.”
— Anne Sexton, from ‘A Self-Portrait in Letters’ — W. D. Snodgrass, May 1963
– Robert Bly

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Oscar Wilde, The Picture of Dorian Grey
Some stars from my journals
Woodworking at the End of the World, Ocean Vuong
I was wondering if you could recommend some critical essays about Virginia Woolf (about her writing in general or analysis of specific books). Thanks in advance and of course feel free to ignore this if it's too much trouble
oooh, love another reason to procrastinate!
okay i know you said essays, but i'm going to start with books (many of which contain essays!):
[these first ones are a bit outdated (to say the least), but i think it's also important to have a sense of the history of woolf criticism (if you're doing a deep dive)]
nancy topping bazin's virginia woolf and androgynous vision
elizabeth abel's virginia woolf and the fictions of psychoanalysis
virginia woolf's mrs. dalloway, ed. harold bloom
ellen tremper's "who lived at alfoxton?"
rachel bowlby's virginia woolf: feminist destinations
jane marcus's virginia woolf and the languages of patriarchy
and some more recent(-ish) stuff (in no particular order):
from virginia woolf: writing the world, ed. pamela l. caughie and diana swanson:
joyce e. kelley's "stretching our antennae': converging worlds of the seen and the unseen in 'kew gardens'"
elsa högberg's "virginia woolf's object-oriented ecology"
elisa kay sparks's "'whose woods these are': virginia woolf and the primeval forests of the mind"
gillian beer's virginia woolf: the common ground
jane goldman's the cambridge introduction to virginia woolf
naomi black's virginia woolf as feminist
trespassing boundaries: virginia woolf's short fiction, ed. kathryn n. benzel and ruth hoberman
emily blair's virginia woolf and the nineteenth-century domestic novel
palgrave advances in virginia woolf studies, ed. anna snaith
anna snaith's virginia woolf: public and private negotiations
and then some of my favorites:
judith allen's virginia woolf and the politics of language (esp. the chapter "interrogating 'wildness'")
bonnie kime scott's in the hollow of the wave: virginia woolf and modernist uses of nature
christina alt's virginia woolf and the study of nature
savina stevanato's visuality and spatiality in virginia woolf's fiction
justyna kostkowska's ecocriticism and women writers: environmentalist poetics of virginia woolf, jeanette winterson, and ali smith
virginia woolf and the natural world, ed. kristin czarneck and carrie rohman
nuala hancock's charleston and monk's house: the intimate house museums of virginia woolf and vanessa bell
lisbeth larson's walking virginia woolf's london: an investigation in literary geography
suzana zink's virginia woolf's rooms and spaces of modernity
maxwell bennett's virginia woolf and neuropsychiatry
reina van der wiel's literary aesthetics of trauma: virginia woolf and jeanette winterson
patricia moran's virgnia woolf, jean rhys, and the aesthetics of trauma
okay and for articles/essays/chapters:
stefanie heine's "forces of unworking in virginia woolf's 'time passes'" in textual cultures. vol. 12, no. 1 (spring 2019)
allison hild's "community/communication in woolf's 'the waves': the language of motion" in the journal of narrative technique. vol. 24, no. 1 (winter, 1994)
johanna x. k. garvey's "difference and continuity: the voices of mrs. dalloway" in college english. vol. 53, no. 1 (jan., 1991)
roberta rubenstein's "'i meant nothing by the lighthouse': virginia woolf's poetics of negation" in journal of modern literature. vol. 31, no. 4 (summer, 2008)
jack stewart's "a 'need of distance and blue': space, color, and creativity in to the lighthouse" in twentieth century literature. vol. 46, no. 1 (spring, 2000)
john lurz's "the binding of the waves" in the death of the book: modernist novels and the time of reading
christie purifoy's "melancholic patriotism and the waves" in twentieth century literature. vol. 56, no. 1 (spring 2010)
elicia clement's "transforming musical sounds into words: narrative method in virginia woolf's the waves" in narrative. vol. 13, no. 2 (may, 2005)
nuala hancock's "virginia woolf and gardens" in the edinburgh companion to virginia woolf and the arts
ewa płonowska ziarek's "woolf's aesthetics of potentiality" in feminist aesthetics and the politics of modernism
sam wiseman's "all boundaries are lost: travel, fragmentation and interconnection in virginia woolf" in the reimagining of place in english modernism
from virginia woolf and her female contemporaries:
jeffrey brown's "'a verbal life on the lips of the living': virginia woolf, ellen terry, and the victorian contemporary"
elisa kay spark's "twists of the lily: floral ambivalence in the work of virginia woolf and georgia o’keeffe"
patrizia a. muscogiuri's "reconfiguring the mermaid: H.D., virginia woolf, and the radical ethics of writing as marine practice"
kimberly engdahl coates's "mad women: dance, female sexuality, and surveillance in the work of virginia woolf and emily holmes coleman"
emily rials's "the weight of 'formal obstructions' and punctuation in mrs. dalloway and pointed roofs"
susan david bernstein's "reading woolf's roomscapes" in roomscape: women writers in the british museum from george eliot to virginia woolf
and these are so recent that i haven't even browsed yet, but i'm looking forward to them:
merve emre's the annotated mrs. dalloway
the oxford handbook of virgina woolf, ed. anne e. fernald
I fucking love repetitive lines that change meaning over a piece of writing yes slay

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MK Čiurlionis: a Lithuanian artist that did nothing but paint and compose music for 6 years straight. Most paintings rarely leave Lithuania because they’re incredibly fragile (he couldn’t afford the durability of oil paints or large canvas) so I feel blessed to have seen his mythological cities, anthropomorphic mountains and clouds in a glorious array of colours in person.
for the low low price of reading a single poem you too can feel entirely alienated from everyone within your physical reach & yet completely connected to the unchangable truth of shared human experience
so fond of characters who haunt their stories, who exist without actually existing at all. when a character is long gone, but persists in the actions and words of all the characters they have left behind. when everything to come unfolds because of them. when they are both dead and the beating heart at the very center of the narrative... that’s the stuff 💗__💗
it’s like... all of this happened because of you, and you weren’t even around to see it

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andrew garfield for gq, 2022
love is so insane, it makes me want to build things. someone i love could say they're tired & wanna sit & my first thought would be "ill learn woodworking so i can build them a chair"