Aemond Targaryen
Art Collab with my dearest friend @torturexprince

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Aemond Targaryen
Art Collab with my dearest friend @torturexprince

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rhaenyra placed a blockade over the city, starved it's entire population to turn them against the greens , sent food under her banner to make the people love her, took the throne, realized she has to feed the people she starved, stole food from nobles, was called out for her bs and had the nerve to act shocked.
lovely. lovely.
it also mirrors her argument with corlys. rhaenyra had the strongs, her dad and corlys never said anything. she married daemon two minutes after corlys's children's death, he never said anything. she used his fleet. his wife died, his castle burned, his children dead. his granddaughter no longer the prince's future queen, nor the next lady of the tides. his brother murdered by daemon. he has lost everything and everyone. and she refuses to recognize his sons after ALL he has done for her. so finally, after years of covering up and defending her secrets in her time of need, he just calls her out for her bs. it's really so simple. "how dare you not recognize my sons when i defended your bastards for 16 years." it's out. the truth is out. he said it.
rhaenyra is forced to confront with harsh truths. she's a hypocrite for pretending to be the people's champion when she herself starved them in the first place. and she is a hypocrite to refuse corlys's request when her own sons are bastards. truths. lies. pretending. and all she has to cling to is her father's words, who no longer carry any power. not with her people, and not even with the faith.
HOUSE OF THE DRAGON S03E02 - “Queen’s Landing”

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Aemond One Eye
you turned yourself into a mausoleum 
heart wrenching commission concept
iii / vi / vii / ix

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you ever think about how canaan house is probably the most life gideon’s ever seen?
this has been sitting in my wips forever, so i decided it’d be better to post some version of it than let it languish in procreate forever.
edit: due to popular request, this piece is now available on my shop!
I love love love the moment in Gideon the Ninth where the Third challenges the Sixth in a clearly unfair move, and Gideon, half-on-instinct, still faking a vow of silence, simply unsheathes her sword, at which Harrow doesn't miss a beat and says her "The Ninth House will represent the Sixth House" line, while Gideon just smiles.
In Gideon's head this is "I am not standing for this shit anymore. For the love of God, Harrow, please understand what I'm doing and back me up here. Oh thank fuck you've got it. I'm so happy I could kiss you."
In Harrow's head this appears to be "For fuck's sakes, Nav, what do you think you're doing. Ok, think. Can't give anything away. Have to project unity, but fuck you, Griddle, for making me do this."
But for everyone else this is the legendary, mysterious, terrifying, bone magicians of the Ninth House, with no warning, stepping between the Sixth and the Third. The skull-faced cavalier who hasn't said a single word simply drawing her sword. The shockingly powerful and inscrutable necromancer matter-of-factly declaring an alliance that no-one, even the supposed allies, knew about. The sinister smirk on the cavalier's face. And the line from Harrowhark: "Death first to vultures and scavengers."
I love it so much and I love additionally the moment that this sets up in the climax, which is essentially the same emotional beat, the key changes being 1) both Harrow and Gideon have become open and vocal with each other; 2) both Harrow and Gideon are working together consciously as well as instinctively; 3) their opponents don't back down so they follow through. "Nav, show them what the Ninth House does." "We do bones, motherfucker."
Something I never got about Strangers is how some people interpreted it to be entirely about cannibalism and Isaiah? On my first listen, when I didn't know the story behind it, I always thought it was about ethel's mother, Willoughby, and the town she grew up in over anything. She feels like a disappointment, like she made it out of town but never truly left. When she asks 'am I feeling you sick' I believe it is a broader sentiment. Does her situation make her mother feel sick? Does the way she turned out make Willoughby, where ever he is, feel sick? Does her story, the haunting nature of it, make the town sick? Are they disgusted by her? Does she keep them from sleeping? Of course cannibalism is a huge part of strangers, but there's also so much more to it that's hidden beneath the surface. Isaiah is not the only aspect of ethel's story. She is more than Isaiah.
The Queen of all dragons and the Red Queen

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et tu brute?
tried to imitate their handwritings 😼