9/26 weeks; endless journeyers. âThe end is where we start from.â - Eliot (Little Gidding). Â
Alisa U Zemlji Chuda

Misplaced Lens Cap
RMH

çĽćĽ / Permanent Vacation

Andulka
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
we're not kids anymore.
Sweet Seals For You, Always

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Keni

Kaledo Art
NASA

pixel skylines

romaâ
trying on a metaphor
will byers stan first human second

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@ocean-blind
9/26 weeks; endless journeyers. âThe end is where we start from.â - Eliot (Little Gidding). Â

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11/26 weeks; in the event of its coming. Let the record show that I never claimed to be a good writer-person.
3/26 weeks; goodbye, in human years.
Natalie Wee, from âLeast of Allâ, Our Bodies & Other Fine Machines
Meet Miss Sherlock and Miss Wato:
Created by Hulu Japan and HBO Asia, âMiss Sherlockâ will have 8 parts and is set in modern-day Tokyo, Japan. Sherlock / Sara Shelly Futaba will be played by Yuko Takeuchi while Dr Watson / Dr Wato Tachibana is played by Shihori Kanjiya.
http://www.yomyomf.com/the-reboot-of-sherlock-will-see-women-leads-and-they-are-both-asian/

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God does not live / in church. She made you her kingdom. Of course / she lives in you
Natalie Wee, from âJesus Takes Me to Bedâ, Our Bodies & Other Fine Machines (via natalieweepoetry)
I no longer chase sleep. Iâll have another night out on the town. Ankles shipwrecked, upsetting stars, brain etching pale whites. I catch a glimpse of your shoulder blade on the water, but it always dries up before I can muster a sip. When the sun scabs, Iâll pilfer the skin that falls away, and youâll cut the moon out of your stomach. Weâll call it a Tuesday evening and I wonât forgetâliving is terror. We bathe in it. The church sounds. Breath. Holy, uneven. The metallic shadow of the city: cold rain and hands that find the places where we deposit our mouths. Extract the blood, the honeysuckle. Your knuckles against my jaw like a second pair of teeth. I'm gone, partially. Tonight weâll be dangerous and fluorescent. The serrated lilt of a butcher knife. The light at the bottom of the stairwell with no traceable source. Wings burned into spines. Half a hidden planet, (your body) under flame. Somewhere. Plainly as this, I will admit, my lover is still asleep on the kitchen floor.
do you think weâre the victims of this story? || j.r (via jupiterreed)
oh, grant me the vision. envision me on my knees begging for what i already have. blind as night, i follow roads that have been walked. ignore the footsteps. find solace in waywardness. at least i am lost and have nothing. at least i am lost but cannot lose. now rain, rendering dirt road mud. and i am kneeling in water, well-worn. weary, worried, wanting. at the crossroads, wanted. at the crossroads, haunted by what was always waiting. sweet stream, wash the dust from my eyes. i have not seen, but i have known enough to stand up again.
â magpiedreams
you want love but not enough to die for it. you want the hand in yours but not the tug. you want the promises but not the sacrifice. you want the beauty but not the disadvantage. you want the movement but not the blind spots.Â
to be unbound. exiled from the produce aisle, untethered from the city limits, chasing light and headaches. to run until your white canvas payless shoes are worn through and the road is aching from it.Â
something beyond symmetrical streets and faded billboards and a small sun that sets early and rises in muted red. something terrifying, so that bravery is handed to you harshly.Â
this, your declaration. this, your selfish articulation. this, a list gathering dust somewhere where desire can be ordered differently. this, a confession that may not be true after all.
i always sink faster than u
fifth grade summer & the fields are hazy with rain & you donât tell your friends that we hangout but itâs ok because Christina says that when we graduateânone of this will matter at all & everything good is happening to someone else anyway. so ok, maybe it doesnât mean anything when the pretty girls tell me nobody will ever ask me out & i spend another lunch break in a bathroom stall sharing daffodil tears with an imaginary acquaintance. i still dunno if itâs normal, feeling this dying flame interference, victim to the wind. and Christina & i will be in seperate classes next year, & youâre moving town. shifting to someplace with a bay & the star-trimmed impression of a city. seems like everyoneâs got somewhere to go but me. i miss the shelter of shoulders, having the privilege of hands that do not tremble at the mere mundanity of touch. the cutting crewâs singing about dying in someoneâs arms again & i think about how, i wanna feel that way too. someday, maybe. hopelessly. tremendously. the music turns a corner & rips the hem of my t-shirt & i fall asleep to radio gloom. (again, angel-head. pounding stethoscope-brain. the autopsies of eyes parceled like salt clinging to the rim of a cocktail glass)Â
j.r

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Will things be okay? (Question/poem game)
If we lined up all our nightmares      (the insidious the cold - the wranglers)Well, would they spell out      A curse?
Iâve been doing this a while, not long enough      (a couple weeks, a month, and then some)Time may keep different accounts. In ourFinal days, maybe she will swallow our lungsGive them to a child. Sweep us up. Let us sleep.
I would like to know the answer, myself. Â Â Â Â Â (who has it, who knows?)Needles are sharp; I canât sew but I guessI can learn. A man and a dog tracked theHimalayas, all the way to godâs heaven. Â Â Â Â Â (they had their faults.)
Perhaps you and I could do it, if we tried      (not tonight, Iâm tired, tonight.)Iâve swallowed smoke before, Iâve taken needlesInto my flesh.I donât know the way to heaven, butNeither did they. The sun carries a thousand legends,But would rise without a single one.
I do not believe that all things mayFall into place. Not all roads leadTo heaven. Take a curse, and twist itSwallow it like smoke. Some days itâs all A nightmare, some nights I thinkWe could smoke the world out. Build a roadFrom the ashes. It may not lead to heaven, butAhead, ahead, ahead. Â Â Â Â Â Not tonight, weâre tired, tonight. Tomorrow, thereâll be sun. Let us goAnd Time will keep our bodiesFor a while. For a while. Itâs long enough. Ask me a question, Iâll write you a poem
2/26 weeks; countdown.
Check me out at CUPSI 2017!!! My poem âAperture,â recorded by my teammate Jasmine Bell & nominated for Best of the Rest.Â
O-B Prompts
04/01/16
A wind that bites
Yellow courage
Woman as Ghost as God
Lachesism
2. This is a kind of irony: the glint of light off your upper teeth. The permanent wetness of the sky. Never understanding the heat of your body. So I am thankful for small things, like the way the right tongue can unlatch language from sound. Sometimes I forget I have a tongue. I swallow without taste, I burn without heat. Itâs a miracle, this rain. It gleams like a bellyache, like going to bed in taipei and waking up somewhere else. Iâll admit Iâm afraid of analogies: whoâs the prodding tongue, whoâs the sore tooth. Iâll admit I donât know what irony is. I watched us perform the weather: you as white umbrella/wet shirt, me as backwards rain, the want to return. To another city, another honesty. Â Later, I followed you up two flights of stairs & forgot all plural words. What is the plural of rain? of blood? Maybe itâs true, what canât be held canât be known. Maybe itâs true, you pretended to know my name. I can pretend too, that there are things that canât be repaid. Like being flooded or remembered. I can pretend your bed was white as sainthood, that the light came from somewhere else but our mouths. What you could give me, what I wanted. I will never know.Â
Dear Ming, Think of us as an act. Of survival. Think of survival as their best lie. We used to believe all the old lies: close your eyes & nobody can see you. Our grandfathers fought in three wars each & that means we are safe. Etc. Have you ever stood at the mouth of a river? Saltwater shredding itself against your stomach, limbs tossed aside, the only way out & in. Out & in. Thatâs the way politicians describe your body, a beckoning. Words ashing in your mouth before you can spit them. Tongue heavy as a stillbirth. Still, these days we canât stop watching TV. Like the moon, we can only play at withdrawal. We follow & unfollow our own bodies like prey. We have coffee breath & stopped caring about it. In between the men, there are commercials where mothers read the script off their palms, say they did something bad to deserve us. In a past life, they fell in love with their shadows. In a past life, they converted their homes into natural history museums, dug up their bones & charged 5 cents to cop a feel. On stage, a politician reenacts natural history, the light falling in coins, his white hands groping for purchase.
dear ming (V), kristin chang (via moonflock)

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the dog festival, kristin chang (published in issue 3 of witch craft mag)
call me friendly    fire, fatal pitch of light through    the jaw, you are too late to this scene:    my dress already wrecked on the riverbed, the river    kneeling in my throat. a woman    once sank her children in this river. now    it gives up its dead, spits bones    in the mud like rumors of a body,    no nation is ever big    enough for everything it wants, snip me    from my scenery & bob my limbs    down the river like infants what is ruin    if not the body becoming aware of itself?    letâs say a thing birthed in water    can become water. letâs say it is easy    to raise a daughter from the dead: the first step    is to slit a strangerâs throat, release its crows.    the second is to write a poem that leaves space for a    body. when ICE took my grandmother, she folded    inward like a fist, blood pouring through her ribs    like light through a forest of sap-mouthed trees. a stopped    heart is nothing like a slain dragon. two wars    taught us that a gun can deliver the body &    nothing more. what to do when your country    ignores all its best disasters. can a birth in    blood be rendered in light. can a girl outlive    her myth, bullet hole her song    & give every space a mouth
war song, kristin chang (published in two peach)