hi lovely, hope you're well! i was wondering if you could write a young! haymitch x reader inspired by "halloween" by phoebe bridgers?
like he's arrived home after the games, ma and sid have died, and so in an attempt to keep her safe from snow, he isolates her and keeps her away. she's distraught and keeps trying to see him, she confronts him (not knowing why he doesnt love her anymore) and he lets slip why he's doing it. you can decide whether they make up or not <3
i also quietly love the symbolism of the victors village being the 'hospital' in the song
halloween; haymitch abernathy
a/n: ohhh you cooked with this one, i love phoebe DOWN i love this album and i love angst!! i had sm fun writing this and i hope you enjoy!! <33 also tried to proofread but like i didn't i'm sorry
pairing: haymitch abernathy x reader (rare/no use of y/n, 99% sure it's gender neutral)
word count: 9.5k
warnings: the usual hunger games warnings, angst, bittersweet ending, alcoholism (...)
When you think of home, you think of the Seam.Â
You think of a tiny house, of a bed you share with your younger sister. With the walls worn down from years of heavy winter snow and simmering summer heat, of the creaks and squeaks of the floorboards and doors.
Your mother and father were probably home by now after another grueling day in the mines, breaking their backs to carry heavy buckets of water to the tub, or bundles of firewood to light the stove for dinner and a bath.Â
A dreary place to call your home, but it was yours, even if it was in the most undesirable part of the most undesirable District. Itâs nothing like the monstrosity before you. It feels insulting to call this place a home.
The lawn is meticulously maintained, with freshly mowed grass and uniform shrubs that line the paved pathway to the front door.
Your hand looks dirty and out of place as you grip the shiny brass knocker in the shape of the lion and knock. It sits on dark, polished wood of heavy double doors that are several feet taller than you; itâs all so heavy and imposing you shudder.
Itâs lifeless, too. Thereâs no rumble of conversation around the table or light laughter from the neighboring houses like there is in the Seam around this time, when the workday has ended and workers have trekked home.
There are no flickers of light from the fires in peopleâs homes as the sun sets and they prepare dinner. Thereâs not even the song of a fiddle or two to break the eerie silence.
When you donât get any response after your second knock, you just decide to push against the doors and hope they open.Â
To your luck, they creak open, letting what little sun is left from dusk scatter in a bit of light inside. You have no desire to be intruding here, but your mind keeps flashing images of last night, the funeral where six bodies descended into five graves. You think of the pure devastation and agony on Haymitchâs face, how heâd looked right through you, his eyes so familiar in color and shape but so foreign in their emptiness. He hadnât even said a word to you since the day his family died.
Youâd known him your whole life, and aside from the Games themselves, this was the longest youâd gone without talking. His father had worked with yours in the mines, his mother had once chatted with yours on walks into town, and his brother Sid had even played with your own little sister with the other Seam kids during recess.
âHaymitch?â You called out quietly, making your way through the house. âMy mom made some soup for you, I brought it here.â
You nearly leap out of your own skin in surprise and drop the pot in your hands as youâre met with a response that is definitely not Haymitch, âHeâs out cold, Asterid said heâd be up soon, though.â You whirl around to see Burdock sitting on one of the couches in the living room, eyes groggy and hair mussed from sleep.Â
Blair is fast asleep on the other couch, light snores echoing throughout the room. You realize with a pang of guilt that they mustâve been here all night, while youâve been tucked into your own bed in the comfort of your familyâs home.Â
âIâm sorry,â you blurted out. âI didnât mean to sleep so late, I meant to come here earlier, and I didnât mean to wake you, I ââ
Burdock waves your apology away with his hand. âYou havenât missed much. Heâs been knocked out the whole time, ever sinceâŚâ
Ever since the funeral, where heâd been near hysterical and had to be dragged off by Burdock and Blair to this beautiful, sterile prison heâs meant to call home.
âHas he talked to you?â You ask, worrying your bottom lip between your teeth. Burdock shakes his head, and you canât help but feel even more anxious at this news. It would be simpler for him to be mad at you for some abstract reason, than admitting he was mute from the sheer shock and trauma of it all.
All of a sudden thereâs a stab of pain in your chest so powerful it knocks the breath out of you. Haymitch is your friend, youâve known him since you were both in diapers, and despite everything, thereâs nothing you can do to make him feel better.
âAll we can do is be there for him,â Burdock says gently, as if your thoughts are loud enough for him to hear. âHe should be waking up soon. I was going to find Asterid to get some more sleep syrup, if you want to check on him. Upstairs, third door to the left.âÂ
You nod and step out of the way as he moves towards the door, grabbing his leather jacket and shoving on his boots.
Now the house is back to being eerily silent, save for the snores coming from Blair as he continues to sleep peacefully on the couch.
Deciding to make yourself a little useful, you place the pot of bean and ham hock stew your mother made on the stove to warm it up, stirring occasionally. You marvel at the luxury of how quick the whole process takes. At home, it would require gathering wood or affording coal for a fire, but here, itâs a simple turn of a knob and the pot instantly begins to warm.
Ladling enough for a hearty meal into a bowl, you take a deep breath to steady yourself. When youâre sure you wonât cry in front of him, you grab the bowl and slowly make your way up the grand, spiraling staircase to Haymitchâs room.
Your knuckles rap quietly against the door, and you hear him begin to stir into wakefulness.
âHaymitch?â You called out, ever so softly. Itâs cruel to tear him away from a drugged sleep, knowing itâs the only respite he has, but he needs to eat, and the medicine will be wearing off soon anyways. âHaymitch,â you repeat, a little louder, âIâm coming in, I have food.â
When the door creaks open, Haymitch is sitting up, back leaning against the headboard, looking out the window. His head doesnât even turn when you step inside. He looks dreadful.
Physically, you think heâs still as handsome as you remember him, despite what the Capitol has put him through. His hair falls against his forehead in soft blonde curls, and his blue eyes as bright as the afternoon sky. But the signs of his dishevelment are hard to ignore. His lips are dry and cracked. The sheen of sweat makes his hair stick to his forehead and stick out in all directions. His eyes are empty as they stare into the distance, glazed and unfocused. The dark circles underneath are confusing, because heâs been sleeping nonstop for the past two days.
You remember running your fingers through those same curls in grade school, begging him to let you braid them. You remember those eyes that would light up with mischief when he suggested ideas that would surely give both your mothers a heart attack. You remember how it felt to have those piercing eyes on you, to have his pure, undivided attention, and how giddy it made you feel.
You try to stop the memories there, to save yourself the heartache of remembering things any further, but itâs too late. Now youâre thinking of the first time heâd kissed you, the winter right before that fateful Reaping.
It was all red noses, flushed cheeks, and snowflakes stuck to eyelashes. Nervous giggling and the puffs of your breaths that were visible in the frigid air.
His lips had been warm, and so easy to get lost in. The way his hand had come up to your face, gloved thumb ghosting over your cheekbone. How, when youâd leaned back, the cold, red tip of his nose brushing against yours, you felt hot all over when he looked at you.
You especially tried not to compare it to his lips against yours two days ago, hours before the house fire. Soft and sweet, but with an underlying need and desperation. How his hand had squeezed your waist and drawn you closer, impatient after being apart for so long. Thatâs as far as you let yourself remember, because if you think about it for much longer, and compare his expression now to how you remember, youâll lose it.
Itâs hard to forget, though, how nothing was said. How you still donât know where you stand with him, and how none of that matters now, because his whole world has collapsed. His Ma. Sid. Any questions or feelings you might have will remain buried for a long, long time. However long it takes him.
He looks as if the Capitol had killed him and an imposter was using his skin â he looked the same on the outside, but itâs like heâs still missing.
You walk towards him slowly, placing the bowl on the nightstand, and gently wave your hand in front of him. It takes everything in you not to grab his hand, which is still fisting the sheets in a tight grip, and hold it in your own.Â
Your mouth opens and your jaw hangs loose in the air before you shut it, because really, what can you say to him? You canât ask if heâs okay, because you know heâs not. You canât ask if he needs anything more, because all you can offer him is soup and perhaps some company. But anything he really, truly desires â like his family â you cannot give him.Â
âPlease eat something,â you begin quietly, holding out a spoonful of the soup up and hoping its familiar scent will coax him out of this catatonic state. Desperation creeps into your tone for any sort of acknowledgment that you exist. âBurdock will be back soon with more sleep syrup, but you need to eat before they give you more. Asterid says itâs hard on your stomach.â
Although itâs not violent or forceful, itâs not gentle either the way he shoves the spoon away from his face. You yelp as the hot liquid spills on your arm and burns, and that finally seems to get a reaction out of him.
For a split second, you catch a glimpse of him as he glances at you, a flash of worry on his features before it disappears so quickly you thought youâd imagined it.Â
When he returns to the same blank expression as before, you want to yell at him. âJust eat, please, Haymitch. And then Iâll leave you alone, I promise.âÂ
âGo away,â he mumbles, shoving his head back down into his pillow. Short of trying to grab him by the shoulders and shake him â which youâre tempted to do â thereâs nothing else you can do.
The look in his eye haunts you on your entire walk home. It was scarier than the hysteria from last night, or even the pure defeat as he was carried off by Blair and Burdock.Â
The emptiness was worse than uncontrollable sobs, or yelling and screaming, because at least you knew he was still him, he was still feeling something. This? This was terrifying.
Days turned into weeks, which turned to months, and the people around Haymitch start dropping like flies; thereâs only so much hatred people can handle getting thrown their way before they give up.
You donât remember the last time youâd seen Haymitch sober. Every time you came to his house he was either passed out, incoherent, or yelling at you to leave.Â
Burdock and Blair had stuck around, too. It was comforting to know you werenât alone in dealing with him, that there were still others who cared if he lived or died. Not that Haymitch himself seemed to care.
Until they didnât. Blair had hugged his final goodbye a couple months in, telling you and Burdock there really was nothing more any of you all could do. Since heâd left, you found yourself at Haymitchâs more often to pick up the slack. Someone had to make sure he was eating, and with Burdock off somewhere with Asterid, that duty had fallen upon your shoulders today.
His room was a nightmare. Bottles that reeked of liquor clutter his nightstand, and the room is beginning to smell. You wrinkle your nose and set the plate of eggs down on the edge of the bed before opening a window.
âI brought you something,â you said tentatively. There was no response, so you continued. âEveryone's worried about you.â
Maybe if you started to name names, he would look at you. âMy mom and dad, of course⌠and so are the Everdeens and Hattie, andââ you take a deep breath. âIâm worried about you, Haymitch.â
When he looks at you, a wave of relief washes over your body because heâs ablaze, but staring straight at you.
âAre you deaf? Or just stupid?â His tone surprises you with how much venom there is. When you donât move, stunned into silence, he raises his voice ever so slightly. âDid you hear me? Get out of here!â
âHaymitch,â you finally began, a little panicky, âI know things havenât been easy, but can you please just talkââ
âI said, get out of here.â Heâs practically yelling now, throwing back the covers and frantically getting out of bed, searching for a way to get you out of his room. âI donât want to see you.â
âOkay,â you breathe out, taking a step back. âIâll come back laterââ
âNo,â he spits harshly. This canât be the same Haymitch. While heâs always been a bit spirited, itâs never been directed towards you and heâs never been mean. âI donât need a couple days. Donât come back. Not now, not next week, ever. I hate you, I wish Iâd never met you. You wonât leave me alone and itâs pathetic.âÂ
âThereâs nothing you can say to any of us to make us abandon you, Haymitch!â You practically shriek, fighting back tears at his words. You donât want to cry, you will not cry right now. Heâs drunk, and heartbroken, and he doesnât mean it. âDonât you get it? We love you, I loveââÂ
A scream cuts off the end of your sentence, and you barely have enough time to duck as he chucks the plate on his nightstand against the wall. The ceramic shatters everywhere, and all you can do is remain frozen, staring at the plate on the floor. As you turn your head back to look at him, he chucks another bottle of beer in your direction. This time, when it shatters, you feel the sharp sting of pain on your cheek that completely stuns you.
âWhatâs going on?â You hear Burdockâs voice, and two sets of footsteps. The sound of his voice sends Haymitch into another rage.Â
âTell them they can get lost, too,â Haymitch snarls. His hands are shaking so badly but you canât if itâs from rage or panic or something else entirely. âI hate all of you, why wonât you just leave me alone?â
Itâs the sound of more footsteps in the hallway that snap you out of this. Pushing past both Asterid and Burdock, who both are asking what happened, you run. Down the hallway, the stairs, until youâre outside and gasping for breath. This isnât the Haymitch you know â your Haymitch is sweet and charming, and so gentle with you. Even traumatized and grieving, you didnât know him to be capable of this.
The sobs wracking your body are so violent and consuming you donât even hear Asterid come up behind you until she sits down next to you on the porch and wraps her arm around your shoulders.Â
âHe didnât mean it,â she tries to soothe, rubbing her hand up and down your arm, âHeâs just⌠going through a lot. He loves you, we all know it. Heâs been crazy about you for years.â
In an alternate world, where none of this had happened, her words would make you giggle and deny bashfully as a blush crept over your cheeks. Now, you donât even believe them.
You shake your head vigorously and wipe the tears from your eyes. âI donât care, Iâm done. Let him kill himself for all I care.â You sniff, your words coming out in short gasps. âWhich I donât.âÂ
That night, your brain wants to torture you, because you dream of that magical winter. Where you and Haymitch would sneak out into the woods after school and make angels in the snow, kissing until both your lips and his were swollen. Where youâd sit and talk for hours, shivering in the snow, but it was worth it because you were both truly free â as free as anyone from Twelve could be, anyways.
Heâd notice you shivering and wrap his arms around you, trailing kisses down your neck and insisting you were so cold because you refused to wear a scarf. Heâd always insist on wrapping his own around your neck, a pretty blue handmade by his mother, and intertwining your fingers within his. Youâd marvel at the warmth and the scent of him as it surrounded you.
When you wake up the next morning, youâre reminded of reality, and itâs odd. Youâve never grieved someone whoâs still alive.
Itâd been months since youâd seen Haymitch, and youâd all but forgotten about him. At least, that was the lie you told yourself.
Burdock stuck around a while longer, but after Haymitch had thrown a rock at Asteridâs head, his visits had ceased, too. You try not to think about him all alone, boarded up in that awful house, drinking day in and day out.
That sticky summer of misery had cooled into autumn, the vibrant greens fading into pretty shades of orange and yellow and red. As the days got cooler and the sun set earlier, you still tried not to think of Haymitch.Â
What he was doing. How he was doing. If he was even alive.Â
Those thoughts kept the days flying, and before you knew it, it was like that perfect winter all over again. Before everything had gone wrong.
The trees, barren of the once colorful leaves, glisten with icicles, and a powdery blanket of snow has settled on every surface in Twelve.
The Victory Tour dampens the natural beauty of winter with the arrival of the Capitol. Every mention of it sent a stab of pain that buried itself deep within your chest, knocking the wind out of you and leaving you struggling to breathe.
At least it will all be over tomorrow. Haymitch would return to solitary confinement far away from you in the Victorâs Village. He was poisonous, he burned everything he touched; it would be better this way.Â
A sharp knock at your door startles you out of your thoughts. Your heart begins to speed up, palms becoming slick with sweat, because youâre not expecting any visitors. Though you havenât done anything wrong, itâs nearly one in the morning and the Capitol has a heavy presence over the District tonight.
âIâm coming,â you grumble, hoping your family will remain asleep as the knocking becomes more incessant.
The moment you open the door, confusion strikes you. Youâve never seen this man before, though he reeks of liquor and smoke in such a way that can only mean heâs from the Hob.Â
He asks your name, and when you give it, the man nods, like heâs sure heâs in the right place.
âHe can barely stand. Wonât listen to anyone,â the man begins gruffly. Then, seeing your confusion grow, adds, âHaymitch. Wonât stop mumbling your name, heâs near blackout. Hattie said you lived around here.â
âIâm sorry, I donât⌠I canât help you.â Because thatâs the truth, you have long since given up trying to help Haymitch. Heâs made it clear heâs content right where he wants to be, alone and miserable.
The man shrugs, turning on his heels in the direction of town. âJust figured youâd want to deal with it before the Peacekeepers do.â
That sends a shiver of unease up your spine at the idea of the Peacekeepers dealing with Haymitch, and your heart splits in two. None of this is fair to you.Â
Your mind wants to reiterate to this man that you canât help him. You donât speak to Haymitch anymore, you donât think of him. The logical part of your brain is screaming at you to hold your ground, that this will only hinder your progress in forgetting him, but your heart wins over.
âWait!â You call out frantically, shoving your arms into the winter jacket that was once your motherâs, thin with patches sewn on all over.
Deep down, you suppose, thereâs a part of you that will always care about him, even if heâs hurt you, because you know how deeply hurt he is himself.Â
He looks worse than the last time you saw him, slumped over a counter with a bottle in his hand. His suit, although a fine specimen from the Capitol, is wrinkled and stained and gives him an overall disheveled appearance.Â
His hair, you can tell, had been styled earlier in the night, but the products had seemed to have given up a couple hours ago and it now falls over his eyes.
âGet up, Haymitch.â Youâre surprised by how bitter you sound, each word sounding like youâd forced yourself to spit them out in between profanities.
His head jolts up at the sound of your voice, breaking into a wide grin thatâs inappropriate given the circumstances. He calls out your name with glee, but when he leans in for an embrace, all you can focus on is trying not to gag at the stench of white liquor on his breath.Â
He looks confused, rejected, sadâ you canât quite put a finger on how exactly heâs feeling when you shove him away. He stumbles back, nearly losing his footing and crashing down on the floor in front of you.Â
âMy girl isnât happy to see me?â Haymitchâs eyes are bearing into yours with such ferocity you have to look away. His eyes are red rimmed and glassy, and his speech is so slurred you can hardly make out what he was trying to say.
My girl. The way he says it so casually, like heâs always meant to have said it, like thereâs nothing out of the ordinary of you being his and he being yours.
âIâm here to take you home,â you tug at his arm, to get this over with as quickly as possible. This whole night has reminded you so much of every painful detail about you and Haymitch. When he doesnât make any moves to follow you, you ask, âCan you walk?â
ââCourse I can. Iâm not an invalid,â he grumbles, though when he tries to take a step forward, he nearly falls flat on his face.
You suppress a sigh that works its way towards your lips, shoving your arm under his own to steady him on his feet. His body weight makes your knees buckle as he immediately leans into you, but all you can do is grimace and grit your teeth. It takes about twenty minutes for a person not severely inebriated to cross town from the Hob to the Victorâs Village. In Haymitchâs state, and given the weather, youâre guessing itâll be closer to thirty.Â
Your home in the Seam, on the other hand, was quite close and tempting.
âLetâs go to mine. We canât walk all the way back to yours like this,â you grunted as he swayed on his feet. Immediately, youâre met with resistance; he digs his heels into his shoes and yanks his arm out of your grasp, untangling himself from you.
âNo,â he says vehemently, and youâre taken aback by how forceful he is, like youâve just asked him to kill a puppy. âIâll walk back myââ he hiccups, ââmyself.âÂ
Thatâs clearly never going to happen, but heâs so much bigger and stronger than you that trying to force him in the direction of your home isnât happening. Why did he always have to make everything so difficult? Did he want to torture you with his presence? To keep you trapped with him for a whole half hour, pressed against him, just to torture you? If that was the goal, he was already succeeding.Â
âLetâs just go,â you mumble quietly, pulling your jacket tighter around your shoulders before you brave the elements. You would never admit it but itâs nice to feel his hand on your waist, or your cheek against his chest, despite the context. Itâs like your body aches for this contact so strongly it overrides your common sense.Â
Haymitch stumbles alongside you, one hand settling on your hip bone and squeezing occasionally. You hate it, hate how good it feels to see him, to be acknowledged by him; it makes every day in the past six months that much more agonizing. To know youâve missed out on this every single day, and itâs not even your fault.Â
He mumbles incoherently, his tone ranging from sing-songy to near teary in the span of a sentence. This cycle repeats itself nearly the whole walk home and youâre not sure whether this is a blessing or a curse.
You try not to pay him any mind, not when youâre so busy with your own thoughts, but the sound of your name rips you away back to the present moment.Â
âHmm?â You finally glance at him, hating how warm you felt when he flashed you a smile. You scowl. âWhat?âÂ
His smile disappears instantly, replaced by a look of pure anguish that seems more fitting given his circumstances. âMissed you,â he sighed simply, though it seems to be a thought said out loud rather than a statement directed at you.
Still, these words make your blood run cold and you stop dead in your tracks, because how dare he?
âThereâs your house,â you shrug his arm off your shoulders and take a step back, hoping he doesnât see your chest heaving at his words. You want to scream at him how horrible he is, how cruel it is to say that to you when heâs the reason for this distance in the first place. Youâre so furious youâre nearly trembling, and you donât care if heâs piss drunk because itâs just not fair.
You stand at the edge of the paved walkway as he stumbles up the long path, at least making sure your work wasnât in vain and he didnât get swept away in this snow storm before he made it to the porch.
He fumbles with the key for a good five, ten, fifteen seconds before groaning in frustration and collapsing on the stoop.Â
The only thing that soothes you is the thought of skinning him alive as you make your way up the path to his door and snatch the keys from his hand.Â
He slurs a thank you that you donât acknowledge, slowly rising unsteadily to his feet. His speech is getting worse and you realize, in dismay, that the peak of his drunkenness hasnât even hit. It unfortunately makes sense, given how he mustâve been drinking since the Capitol dinner and never stopped. Heâll probably wake up several times tonight in a cold sweat, hurling up the buckets worth of white liquor heâd drunk. Maybe that would be punishment enough; youâve never seen him in such a state. Heâd never been much of a drinker, though you supposed after everything heâd gone through he deserved to get drunk every once in a while. Maybe the Victory Tour had done a number on him.
Whatever the reason, you didnât care. Youâve made it this far, all you need to do is see it through and then you can go back to how things were. Painful, but manageable if you didnât think about anything but the task at hand. He would go back to being out of your sight, a mere wisp of a memory at best. But you were here now, and you could at least pretend for a moment things were different.
At least thatâs what you told yourself as you shucked his shoes off and coaxed him up the stairs, out of his clothes that were now wet from snow. Running your fingers through his hair as he retched into the toilet, shaking and shivering in his undergarments. Pretending not to notice the tears staining his cheeks as he sat hunched over the bowl. From emotion or the physical strain of throwing up so much, you didnât ask.Â
Almost done, you willed yourself to go forward. Applied a warm washcloth to his face, wiping away the remnants of the night. Helped him into clean pajamas so he would stop rattling from the coldness of this vast, empty house.
As he slid under the heavy quilts of his bed, heâs already fighting sleep. You dare hope that he wonât remember any of your kindness in the morning when he wakes up sober and violently hungover. Because how pathetic is it, to chase after a boy who made it clear heâs disgusted by you, that he wants nothing to do with you.Â
A squeeze of your hand around his is the only goodbye you let yourself have. But as you make a move to pull away, he tightens his grip on your wrist.
âYou have to leave.âÂ
Youâre immediately taken aback by his words, and a mix of shock and anger and betrayal hit you all over again. You move to yank your hand away but he maintains his grip, and thatâs when you look into his eyes. Theyâre not malicious, the way they were the last time you saw them. This expression reminds you more of the look he had at his familyâs funeral: borderline hysteria.Â
âIf President Snow knew you did this, if he knew you were hereââ his knuckles are turning white and youâre beginning to lose circulation in your hand, ââhe canât.â He shakes his head furiously, nearly yelling at himself. âNot like Ma, not like Sid. I canât, I canât.â
âHaymitch,â you finally wring yourself free of his grasp. âYouâre scaring me, go to bed! Nobodyâs out to get me. Iâll leave right now.â But you donât believe your words.Â
On the frigid walk back to the Seam, his thoughts echo in your mind, pieces of a puzzle that donât seem to fit anywhere. What does he mean? Why would you be of any importance to President Snow? You were a nobody, but the look on his face frightened you.
If President Snow knew you did this, if he knew you were hereâŚ
The next time you see Haymitch, itâs a year and a from that. In that time, youâd slowly started to move on, and the tightness in your chest had begun to loosen.Â
Your thoughts werenât plagued every day with thoughts of him anymore, and he rarely visited you in his dreams. Your heart begins to ache a little less every day, and you keep yourself busy so it stays that way. Itâs easy to do, because survival is the only thing on your mind. Desperate to avoid the fate of being a coal miner like your parents, youâd taken up cleaning homes of the merchant class after school. And when youâd turned eighteen, itâd gone from after school to dawn until dusk.Â
Itâs back-breaking work with unreliable hours, and the money you receive is less than enough to survive on your own, but you manage. You just have to get through one more Reaping, and then youâll be free and able to breathe a little lighter.Â
Sometimes, though, there are reminders. Like that time you walked past the beautifully iced cakes in the bakery window, and nearly stopped breathing at the sight of a painted blue cupcake, the exact shade of the old scarf Haymitch used to give you.Â
Or when you passed by someone on your walk to work, and caught a trace of cheap laundry soap Willamae used for washing from a passerby. The scent had filled your lungs and set them on fire, burning and crushing your insides.
And now, here he sits a few feet away from you at the stall that sells liquor, looking worn down and unkempt with a bottle already in his hand.Â
In your attempt to forget about him, youâd forgotten how much he would have to frequent the Hob to maintain his alcohol consumption, though now you want to pinch yourself for being so stupid. Heâs a drunk, liquor is illegal, of course he spends his days here.Â
This was a bad idea. Youâve clearly not thought this through. All you wanted was to buy something nice for your little sisterâs birthday, a wild turkey or a few crayons, that youâd spent months saving up for with your cleaning job.Â
At first, your instinct is to pretend like you havenât seen him, but itâs too late, his eyes are burning into you so intensely you nearly flinch. You donât know where you stand with him, not sure if he wants nothing to do with you, or if he misses you like he said that winter night you dragged him home.Â
Then, your shoulders relax, because you notice heâs wasted. Heâs just returned from the Capitol after both District 12 tributes had died, neither of them making it past the bloodbath. You knew some people blamed him for it, because the same thing happened last year, and once is a mistake but twice is a habit. It didnât take a genius to realize he was probably drinking to cope with those events and the whispers about what he couldâve done better or the sour expressions shot his way at every turn.
Itâs not really fair to put the blame all on him, but you add it to the list of things to be angry with him about anyways.Â
You wonder if he was allowed to be drunk if he was a mentor, if heâd been forced to abstain in the Capitol and wasnât used to how strong the home-brewed stuff was, and thatâs why he was the drunkest youâve ever seen him.
Or maybe thatâs just been his progression since the last time you saw him, when he also happened to be near blacking out.
Either way, I donât care, you remind yourself. Even if you know itâs a lie.
He stands up, calls out your name, and your heart sinks into your stomach at the sound of his voice, which is more of a garbled rasp. Biting your lip, you make your way over to him, knowing him well enough that if you were to ignore him, heâd follow you and cause a scene.
âYes?â Itâs difficult to muster a tone of neutrality, but it works well enough that he looks taken aback by the lack of emotion.Â
âIâve missed you, my pretty girl,â he slurred, reaching his arms to throw them around you. You back up so quickly your back hits the counter of the alcohol stall behind you, ducking to avoid his embrace.
âWhat do you want, Haymitch?â A hint of frustration seeps into your question and you hope youâll be able to hold it together, at least in front of all these people.Â
âWhyâre you being soooo mean?â He sighs, taking a large swig from the bottle in his hand. âI wantââ he hiccups loudly, ââyou. Obviously. But that canât happen,â he lowers his voice and leans in, and you can smell the alcohol on his breath but canât help but inching towards him, "because of Snow.â
You recoil immediately, trying to create as much distance as possible. Your head is spinning so much you feel dizzy, and a bile is rising in your throat at his words. It wouldâve been so much easier if heâd slapped you in the face, so much better if heâd told you how much he hated you.Â
âIââ What are you even supposed to say? Truly, you were at a loss for words. âGo home, Haymitch.â With a firm shoved that lacked the conviction you wish it did, you stepped past him and tried to think about what you were going to get your father.
Over dinner, your mother comments on how distracted you seem, how youâve barely touched the food on your plate, and you can barely entertain her comments because youâre too busy thinking about what Haymitch had said.
Your mind is itching to know what he meant by that, though. Was Haymitch given orders by Snow to avoid you? But that wouldnât make sense, why would Snow care about you of all people? You were a nobody, just another half-starved kid from the Seam whoâd survived by the skin of their teeth.
A memory floats to the front of your mind, of the last time Haymitch was piss drunk. Of what heâd said when heâd all but shoved you out the door: if President Snow knew you did this, if he knew you were here. The terror in his eyes. The choke of emotion that cut him off.
You have to find out what he meant.
Itâs the last thing you think of before drifting off into a fitful slumber.
When you wake, the sun hasnât risen yet. Hopefully Haymitch is still sleeping off his intoxication, and wonât have time to start drinking before you get there. You need him to be sober when you interrogate him.
Part of you hates him for reigniting the feelings youâd tried so hard to ignore in the past year. Part of you hates him for how heâs treated you. But thereâs another feeling, buried deep down inside, that still yearned for him so intensely it achedâdesire.
A desire for him in so many ways it was overwhelming. A desire to feel his arms wrapped around yours, sturdy and grounding. To hear the sweetness of his laughter tinkle in your ears, to see his whole face light up when he smiled. For his lips to caress yours with a tenderness youâd never felt but longed for.Â
The cool breeze is a welcome sensation on your skin as you make the journey to the Victorâs Village, the sticky July heat already settling over the day, despite the sun just peeking over the horizon.
And here you are, in this horrible, empty, lifeless house you know Haymitch will never call home. His home is in the Seam, in the small, poorly built house thatâs filled to the brim with love from his Ma and Sid.Â
You hate it here.
The roaring of blood in your ears is so loud you barely hear the first knock on Haymitchâs door. Your hands are sweaty and you know itâs not from the weather. When he doesnât answer, you knock again, and again and again until the door swings open and he snarls âWhat?â
You donât answer right away, pushing past him until youâre blasted with the icy chill of his air conditioned home. You whirl around to face him, squinting to observe the level of sobriety heâs at; if you had to guess, heâs sober, but nursing an extreme hangover.
âWhat does President Snow have to do with me?â You stand in front of him, arms crossed, demanding an answer.Â
He rolls his eyes and gives a little scoff. âGet out of my house.â He starts walking back towards the kitchen and you immediately follow, knowing heâs in search of another bottle.Â
âHaymitch,â you gritted your teeth and willed yourself not to cry, hating how your tone bordered on pleading. Whether the tears were spurred by frustration or sadness you couldnât tell. âAnswer me!â
When he doesnât, you grab his forearm and yank him towards you, which only lights up his temper. âYou canât get the hint, can you? Get out.â He jerks his arm away, the force sending you stumbling backwards a bit.
âStop being such a hypocrite!â He looks surprised by the shrillness of your voice, your words coming out in a full on yell. âYou donât get to be all happy and smiley to me and call me all those nice names when youâre piss drunk, and then turn around and behave like this when I want answers.âÂ
Heâs stopped cold in his tracks and stares at you. Never in your life have you ever seen Haymitch Abernathy speechless. If the circumstances were different, youâd make a lighthearted comment about it to ease the tension, but youâre both past that.
Taking his silence as permission, you continue. âWhy have you driven everyone in your life away? You had so many people looking out for you.â You think of him, all alone of his own volition, when it didnât have to be like this. âYou had Hattie. You had me and Blair and Burdock. You know my parents wouldâve checked in on you. Why did you do this?âÂ
Your voice has dropped into a whisper, your last sentence bordering on desperation.
âStop asking questions you wonât like the answer to,â he says gruffly, and you almost let out a high pitched scream of frustration.Â
âNo, Haymitch. Please, tell me what we did that was so horrible you had to shut us out? What did I do?â Your voice rises in pitch with every word. When he doesnât respond, you press further. âWhy do you keep bringing up Snow whenever you see me?â At the mention of Snow, his features darken and he snarls, âGet out of here, I donât want to see you! I never want to see you, not then, not now, not ever.âÂ
The loathing, the hatred in his tone makes you take a step back. You blink, the words hitting you like a ton of bricks square in the chest. He hates you. He well and truly despises you, for no other reason than the words themselves.
âAnswer my questions and Iâll leave,â you say after a moment, voice hoarse from yelling. âAnswer all of them, and Iâll turn around and never come back. I promise. And you can hate me for the rest of your life,â your voice trembles at that, but you push forward, âbut you have to answer me. Why?âÂ
âNo,â he says, though this time heâs much quieter, with less conviction.
âWhat did Snow do?â You take a step forward, and he takes one back. âWhat did I do?â Another step. Another one back. âWhy wonât you answer me?â Step. Thereâs a thud as Haymitch hits the counter behind him and is effectively trapped.Â
He says your name like a warning, but you press on. Youâre so close to him you have to tilt your head back to look into his eyes.Â
âWhy did you push everyone away?â Though your voice is shrill, itâs still a frantic plea for some â for any explanation to the heartache youâve endured throughout the past year.
âBecause heâd kill everyone until thereâs no one left!â He finally bursts out, then immediately clamps his lips shut, but itâs too late. His eyes are wild with panic at the mistake heâs made, at letting too much information slip.
Silence. Nothing but the sounds of both of you breathing hard. Itâs in this moment you realize how close the two of you have become, chests brushing together with every inhalation. Every moment of contact sends a jolt through your body, from the top of your head to the tips of your toes.Â
Your mind wonât stop whirling at the revelation. Snow would kill everyone Haymitch cared about? But why?
âWhat?â Youâre shocked at how calm you sound. The pieces of the puzzle are beginning to fall into place, but your brain is still scrambling to put them together.
âJust forget about it. Forget I said anything.â He tries to brush it off and take a step back, before being reminded heâs trapped between you and the counter.
âNo, I will not let this go, Haymitch, please. Just tell me whatâs going on.â
Thereâs a beat, a moment where you think heâs going to shove you away and tell you to get lost, or even throw a plate at you like he did in the first few months of his return, but he doesnât. Instead, his hand finds your arm and he twists you around until itâs you whoâs against the counter, the edge digging into your lower back and blocked in by his frame.
You have no time to react before his lips crash onto yours and youâre consumed by him completely.
The hands on your arms that trail upwards to your cheeks, goosebumps trailing in his wake. The softness of his skin as they settle on your cheeks so he can cup your face and pull you closer. The smell of that familiar cheap laundry soap, the intensity of the kiss that makes you dizzy.Â
Immediately you reciprocate, your hands finding your way into his blonde curls, entangling your fingers in them until your nails are scraping at his scalp. The sound of a small sigh of contentment escapes his lips for a moment before itâs swallowed by you.Â
It reminds you of that last kiss before the Reaping, all needy and desperate, his lips working in fervor to convey what words cannot. He deepens the kiss, his hands sliding down from your face, back to your arms, before settling on your hips. His fingers curl around the meat of your hipbone as he tries to tug you even closer like he wants to consume you completely.Â
It feels so good, so right, you almost forget the circumstances. Why were you here in the first place, the situation thatâs brought you here. With a reluctance that causes near physical pain, you pull away, instantly missing the warmth of his lips that felt just like that first one in the woods that winter long ago. He lets out something between a sigh and a whine at the loss of contact, leaning forward to chase his lips with his own, that weakens both your knees and resolve.Â
You allow yourself to melt into another kiss, indulge yourself just this once, and relish in the ways this one differs from the first. Less desperate, with that tenderness youâd always craved but never felt. When his tongue parts your lips and you open your mouth, you realize youâre just as desperate as he is to be closer, impossibly closer. You wrap your arms around his neck and feel his hands move from your hips to the backs of your thighs, lifting you slightly until youâre sitting on the counter.
âHaymitch,â you finally breathe out, splaying your hands against his firm chest to stop him as he instinctively tries yet again to close the gap. His hands have returned to your hips and he squeezes them in near frustration, but he must know you have to talk about it. Still, he says nothing.
The silence, the stillness, lets you take in his appearance. At his breaths, which are bordering on pants; at his lips, which are red and swollen and slick with spit. And his eyes, the clearest youâd seen since the Reaping.
âNot here.â His voice is rough with emotion. He shakes his head as he speaks, little ringlets falling against his forehead in the process, and you have the sudden urge to brush them away with your fingers with a suppressed desire of affection thatâs fought its way back to the surface.Â
And so you follow him blindly, out the doors and past the walls of the Victorâs Village, through the town and the Seam, until youâve reached the woods. Haymitch hesitates for one, two moments, before sliding through the wire of the fence. The two of you walked and walked until the forest grew dense with trees and your feet began to hurt.
Walked until heâs sure nobody has followed you.
When heâs sure the both of you are safe â which you know because he halts at a small clearing, warmed with the buttery afternoon sun â he finally speaks.
âTheyâre watching me. And listening. Everything I do in that⌠place,â you know heâs referring to his home in the Victorâs Village, âItâs not safe.â
This doesnât surprise you because thatâs the Capitolâs nature. A ruthless, iron fist on all its citizens thatâs designed to suck the soul out of every single district person.
Your hand sits on his lap, your fingers are still interlaced with his own, like youâre going to slip through them if he dared let go.
Your shoulders brush. You suck in a breath and peer at him. When he doesnât shy away, when he holds your gaze, he finally continues.
âI tried to do something, in the arena. Not just to win, but⌠to stop all of this. The Capitol. The Games. Iââ Haymitch sighs, heavy and weary, âBut they were stronger. Smarter than me.â You lift your head up to look at him curiously. âAnd thatâs why they punished you.âÂ
He doesnât tell you everything â itâs clear heâs holding some moments to himself, memories too painful to say out loud or even remember in his own mind. But Haymitch tells you enough that paints a picture so horrid itâs nauseating.
âWhy couldnât you just say this when you came back?âÂ
He swallows hard once, twice. âI was trying to protect you. You wouldnât stay away if you knew.â And he was right.
âThatâs why weâre here.â In the middle of the woods. After two years of misunderstanding and separation. Of constant heartache that could only be dulled, never cured. And yetâŚ
âI love you.â It slips out so naturally you donât even have time to regret what youâve said, because itâs the truth.
The look he gives you splinters your heart into a thousand tiny shards that cut up your insides and makes them sting and bleed. A sad smile ghosts over his face, his lips curved upwards but his eyes are glassy with tears.
You know the answer before he speaks, but itâs still a knife to your gut.
âPretty girl,â he whispers. âI canât let you do that.â
âI know.â Is all you can manage to say without your voice cracking.Â
A tear of your own escapes your eyes and slips down your cheek. Immediately you move to wipe it away, burning with embarrassment at how easily heâs made you cry when heâs been through so much worse and has yet to shed a tear.
You say it because you do know what he means. He canât let you pine after him for the rest of yourself, to damn yourself to a lifetime of loving him, knowing it could never be expressed the way either of you deserved. Knowing that if the Capitol found out, you would be killed and his blood would be on your hands.
You didnât care, you would throw everything away if it gave you a life, no matter how horrible, with him. He would never let you, not after what heâd witnessed with his family, or in the Capitol. Your death mattered little to yourself; youâd narrowly escaped it through the Reaping and were rewarded by the suffering existence that is being from District 12. For Haymitch, your death would be world ending, and you would not be the one to torture him any further.Â
He catches your arm before you can wipe away your own tears, and gently sets it back down so it rests in your lap.Â
With a hand of his own that trembles ever so slightly, he smooths his thumb over your cheek and gently brushes the tears away. His touch is featherlight, and the gesture is so intimate it only sends a whole flood of tears down your cheeks.
Your hands find his on your face and you grip onto him, knowing that whatever is said next will be the beginning of a goodbye â even if it takes all night. When you press a small, featherlight kiss to the corner of his hand that still rests against your face, you know from the feeling you get and the expression on his face it will take all night.Â
The soft yellow hues of the sun have already begun to set, drenching the small clearing in a light of deep apricot that will eventually fade into blackened starlight. Despite wanting to, you know neither of you can stay here forever, and the invisible clock has already started.Â
When morning comes, you will have to return. When morning comes, you will have to say your final goodbyes to not only Haymitch but the deep stirring you feel in your chest when youâre near him, the love that is crippling and all consuming. When morning comes, Haymitch will return to his home, the pristine prison the Capitol had built for him. He will pick up a bottle and drown out his thoughts with alcohol until he can no longer think of the atrocities of his arena, until he can no longer hear the voices of his Ma and Sid as they whisper to him in the cold wind that sweeps through that awful, empty house.
For a while, thereâs nothing but silence. You try to soak in the last of light and heat as the sun casts its final rays before it dips below the horizon. Try to soak in the smells and sounds of the forest, trying to commit this moment in time to memory. The scent of pine and flowers and the dirt beneath your feet. The whistles of the birds, the rustle of the leaves, the rhythmic beat of Haymitchâs heart against your ear, strong and steady.Â
Though you can tell by the light dusk thatâs settled over the District that it hasnât been that long, it seems like eons before Haymitch speaks.
âThereâll be someone after me.â
This causes you to frown and lift your head from the warmth of his chest. âWhat do you mean? Who?âÂ
âSomeone who does what I tried to do,â he explains, and you know he means what he did in the arena. You donât know what he did â and assumed he didnât tell you because the less you knew, the better. Still, you know he tried to fight back. Resist the carefully crafted game the Capitol tortured everyone with for nearly half a century.Â
âI hope it happens in our lifetime.â You hope that happens so badly it hurts.Â
You allow yourselves to talk about what that would look like, a world without the Capitol or the Games. The two of you debate the philosophy and politics of this better, brighter future for hours before you ease into something lighter. You tell him about irrelevant, childish things that donât matter anymore, but are a welcome distraction. Updates about their old classmates, drama about who dated who or where they were now.
For a moment, you can almost believe youâre sitting at lunch with him during school, chattering away with Blair and Burdock and several of your own friends around the table. Â
The two of you remain in the forest until the first echoes of dawn start to seep their way into the sky. Neither of you have slept; not that you couldâve, given the circumstances.
Your heart seems to weigh down your limbs when you finally rise to your feet, for your legs are heavy and sluggish and you struggle to move quickly back to the District. Itâs like your mindâs reluctance to return has manifested physically onto your body so now it too, resists.
Haymitch isnât much better; you know him to be strong and in good shape, yet his pace matches yours and he makes no effort to speed up.
âItâll happen one day,â you whisper, squeezing his hand as the wire of the border fence comes into view. It being the last Reaping, the world youâd discussed with him all night.
He nods and pulls you towards him for another long, lingering kiss neither of you are willing to end in a hurry. You try to commit everything to memory: the taste of him on your lips, the scent of him surrounding you, the feeling of his hands roaming your body.Â
When you finally, finally pull apart, you know itâs the end. He presses one kiss on your nose, two on your cheeks, a small trail of them down your neck. When his lips finally make their way back to your own, you know this will truly be the last one. The grip you have on his shirt is so tight he has to physically work the fabric out of your fingers.Â
âGoodbye,â you whispered, not ashamed anymore by the tears that streamed down your face. You love him, and he knows it now.
You know he loves you too, even if he canât dare say it out loud. For him, love is synonymous with loss, with devastation.
Only when the sun has set on the last Reaping would he dare say it back.







