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Like idk. I think the whole "digging up dirt on someone you slightly dislike to justify why you're correct rather than annoyed" and "they should have done xyz to make up for it. No not like that" and the rush to distance yourself from even the slightest unsavory facet about a person you have never met IRL is damaging actually.
MORE than in the sense of "you shouldn't do that." I think most rational adults can agree that being parasocial is bad and obsessing over mistakes and poor taste and botched interactions is detrimental. Callout posts and anon hate and so on are bad. That's a given.
But I think the prevalence of that culture is negatively impacting even people that don't participate in it. Knowing there's a subset of people out there who WILL skewer you for the slightest infraction, or WILL hold an unforgivable grudge against you if they find out what you did years ago, has to make it REALLY FUCKING HARD to afford yourself any grace, right? Because there's that looming implication that you're damaged forever if you step a toe out of line.
And I think that's what leads to people having a panic attack about being wrong about something. Or being called out for bigotry. And maybe also contributes to the whole hyper-aggressive protectiveness of characters and media you identify with. Like, ideally, you admit you were wrong, you grow up, you move on. But how do you do that if you've got this deep-seated fear that if the people you cared about found out, they might be part of that unforgivable-grudge-holding subset?
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Let's be real, Grace would've used literally any excuse to turn around and go after Rocky, even if the taumoeba containment issue had never occurred.
Grace: omg, Rocky forgot his Savior of the Universe hat that I made for him! Guess I have to pursue him across the cosmos to give it to him and in doing so abandon all hope of ever returning to my native planet. Ain't that just the way the cookie crumbles? It just can't be helped though! HEY MARY, TIME TO CHANGE COURSE!
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem âintimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.â Crucially, he added that this is ânot a matter of laziness on the part of the studentsâ but of underlying skills they were never given a chance to build.
The Chronicle of Higher Educationâs 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of âmeet your students where they areâ for so long that she has begun to feel âlike a cruise director organizing games of shuffleboard.â
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessmentâs own language, they likely âcannot draw general conclusions based on concepts presented explicitly in a text.â And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austinâs McCombs School of Business showed that the mere presence of a participantâs smartphone â whether that be face down, powered off, untouched, or across the desk out of vision â measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japanâs Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they âkept losing trackâ of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled âYour Brain on ChatGPT.â They divided 54 participants into three groups writing SAT-style essays â one using ChatGPT, the second group using a search engine, the last group using nothing â and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and âconsistently underperformed at neural, linguistic, and behavioral levels.â Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term âcognitive debtâ for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brainâs engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the studentâs mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not âfree students up for higher-order work.â It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their Kâ12 schooling. Whatever the standardsâ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling âevidenceâ from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on âfinding the main ideaâ in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as âsevere or very severe.â
In July 2025, the journalist Mary Harrington argued in The New York Times that âthinking is becoming a luxury good.â The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a âdeep workâ lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a sourceâs claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into âthis is goodâ and âmaybe add more detailsâ the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
Iâm afraid I donât have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? Kâ12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that âstudents will adapt.â They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish studentsâ sentences before theyâve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
â Tyler Jagt, 1 June 2026, "My Students Canât Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
[ENG SUB] Joker Out on Swedish-speaking Yle X3M radio (09.07.2026)
The original interview aired on Finnish YLE's Swedish-speaking X3M radio, on the 9th of July 2026. The interview was originally recorded before Joker Out's Tavastia show on the 24th of May 2026.
Translation by @fullmoonsnstars, proofread by IG shauychan , subtitles by @kurooscoffee and @vesdagrem.
Check below the cut for full transcript đ
Host: So, I was approached by a record label that represents Joker Out here in Finland. On, like, a Thursday. "Hi, do you want to meet Joker Out at the end of the week?" I was like, "I'm not in the city". I already had plans, I knew I wouldn't be in the city at the end of that week. "Is there any chance I can meet them on Sunday when I'm back in the city again?"
And then it happened, I came back from LapptrÀsk at the end of the week. I rented a car and quickly returned it. Rushed to my apartment to feed my cats and then quickly headed into the city centre. And I walked past Club Tavastia where Joker Out were going to be playing. And I notice a line of people twisting around the entire Tavastia building. And I realise that, wow, they're truly popular.
And I meet the whole band, all of them, all the members of the Slovenian band Joker Out. And they've been in the headlines a lot in Finland because they have become best friends with our very own Jere, also KÀÀrijÀ. And such lovely people they were, extremely pleasant people they were.
We're going to be hearing an interview with all of Joker Out in a little bit. I'm noticing the fans are awake here, both in the arena chat and on the WhatsApp, that's nice. Tervetuloa, like I said, welcome to all the Finnish-speaking Joker Out fans. And also a warm welcome to everyone that speaks English that are fans of Joker Out. We have an interview coming up in a couple of minutes.
I would like to ask you all a question, I would like to talk a bit about the fandom. Because the band we'll be talking to in a bit, Joker Out, have created a huge movement. They've been a huge band home in Slovenia already, they're probably one of the biggest bands there right now. They had their 10-year anniversary concert in Ljubljana a few weeks ago where there were 10,000 people in the audience. KÀÀrijÀ was also there, of course, because KÀÀrijÀ and Joker Out became good friends during Eurovision a few years ago, they competed together. And they became great friends, such good friends that they visit each other's homes. We're going to hear a bit of the story from Joker Out in a little bit.
But there's apparently a group that, in several countries, including Finland, have created a huge fan movement. Besides opening for KÀÀrijÀ in his massive arena show in Helsinki Arena, they had their own sold out Tavastia show in Helsinki. I walked past Tavastia, and there was a queue stretching hundreds of metres full of fans. And they have a good fan community. Their fans have reached out to me on both Instagram and WhatsApp today and I think it's very nice, fun with new people, and nice that you're supporting your favourite band.
Today I have an interview with Joker Out. The whole band. I sat with them in a hotel lobby and you'll get to hear that whole discussion in just a moment.
I had a wonderful Sunday afternoon with the Slovenian band Joker Out. The whole band met me in a hotel lobby in Helsinki. We had Bojan, Nace, Kris, Jure and Jan. And yeah, we had a good time.
---
This is a nice company to spend a Sunday with. With some guys from Slovenia. How are you guys?
Kris: Very well, thank you. Thanks for coming. And likewise, I am hoping it's a good interview.
Yes. Let's see. Of course, I can't talk with you without, of course, mentioning the fellow whose name is on your shirt. KÀÀrijÀ, of course. It's been, like, recognised a lot in Finnish media also. Your bond, your brotherhood, Jere and you guys. That, I guess, started in Eurovision. And, like, what kind of... what was, like, the connection? How did you find each other?
Bojan: Well, we were at the pre-party in Madrid. And during lunchtime, Jere was completely alone. And he kind of seemed a little, like, lost or intimidated. And we were a group of five, so it was much easier for us to, you know, find our place because we can always be with each other and it's already a group. So we kind of invited Jere to come eat with us and he was very happy to join. And from then on, it just, like, started clicking very naturally.
I was like, since, of course, there was a lot of focus because it was this, like, gigantic show, the Eurovision, the songs and the entertainment and everything. But after that, like, you stayed in touch? After that you, like, you have hung out also after that, I guess?
Bojan: Yeah, we hung out a bunch. I came back to Finland, like, I think, maybe four weeks max after Eurovision, so we already hung out here. And then it just started. Like, whenever we had time, we visited each other or we would see each other maybe somewhere else. So yeah, Jere has been to Slovenia. We've been to Finland now a couple of times. He even went on tour with us.
Kris: I was just going to say that was a big moment, I think, in the development of all of our friendships. The first time we actually came to tour Finland, we had two Tavastia shows, one in Turku and one in Tampere. And we asked Jere if he wanted to come play with us in Tavastia, and he was like, you know what, I'm just going to join for the whole tour. I'm blowing off everything else that I had. And so he got with us and he rode with the bus with us through the whole of Finland.
Okay.
Kris: Yeah.
Tell me about last night.
Bojan: It was a really, really spectacular show. It was fantastic to see Jere finally kind of wrap aroundâunwrap, actuallyâthe gift that he has been making himself for the past, like, 14 years since he started doing music. But since Eurovision, of course, everything blew up. And I think that he has had so much work to do in Finland, in Europe, doing new music, doing new concerts, thinking about a tour, thinking about how to do a show. And then after all of that time, coming back to a full arena with a spectacular show. I think he didn't realise what was going on around him, for sure, as we saw in the end. But the whole team and Jere did an amazing job, and I hope they will be able to do that show or replicate that show in as many arenas as possible in the future.
It was absolutely a joy to be part of it. We had the opportunity to open the show for him, and the crowd was incredible. It was beautiful to see and hear people actually knowing our songs as well. So, yeah, it was just like a very, very special night that we're definitely never going to forget. And I know that I'll forever have in mind Jere singing 'Niin HyvÀÀ Puutaa' in the end. It's like a core memory, because we've been to a couple of travels together, and wherever we go, we go to karaoke. And I have a lot of videos of him singing 'Niin HyvÀÀ Puutaa' in karaoke bars, and then him singing it in his own arena is quite special.
---
Host: I will of course be playing their Eurovision song in a bit, but there have been many song requests. I won't be able to play them all, I apologise, but there is one song that has been requested over and over, and thanks to my colleague Joey who conjured it in about zero seconds, I will be playing a song that I will mispronounce. I apologise. This is Joker Out and it's pronounced something like "Odsevi sonca"... Reflections of the Sun.
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Host: Yes, he said "Odsevi sonca", "Reflections of the Sun". I had the whole band Joker Out from SloveniaâBojan, Nace, Kris, Jure and Janâhere and we talked a lot about their relationship with Finland because it seems like a very special relationship, and they're gonna get to tell us more about it now.
---
Kris: I think we're still asking ourselves what exactly is that special connection that we have with the Finns, because every time we come, it seems like we've known each other for years, like they've been with us for the whole 10 years of our existence. And, like, it even seems like they speak our language at the shows because they sing our lyrics perfectly. Sometimes you can even forget that you're in a different country than your own. I don't really know, like... I definitely think the Finns are the most relaxed of all the Nordic nations, like they're...
I would agree.
Kris: And I think that's kind of where we gel, because in Southern Europe, or, like, where we come from, it's a lot more... In the Balkans it's a lot more familial, let's say. Everybody is open to meeting each other, and I think that's kind of where the magic happens. But in regards to, like, gifts, there is something special that the Finns always give us, or give me and Jure especially. It's the TV Mix candy.
Oh?
Kris: You know, in the blue bag.
And they know we like it so much that now I come to Finland and I get it myself from the store.
Right!
Kris: And I'm probably getting a couple of bags when we get to Tavastia later.
What's it like, is there something, since you've been here now a couple of times, you became familiar with the place and some people. And you have fans here, you become familiar with the country. Is there something, have you already developed like your own Finland traditions? Is there something that you want to eat or drink, or a place where you want to go to when you come here, for instance? Do you have your own Finland favourites already? Let's hear!
Jan: Well, both a place and a drink. The place is like the most obvious one, it's sauna. Like, when we come to Finland, like the first place we go to is probably a sauna.
You like sauna?
Jan: We love sauna! Especially, like, in some venues when you come off stage, in the backstage they have a sauna.
Bojan: But I would just like to add the salmon soup as well.
The salmon soup?
Bojan: Yes, but usually, for some reason, we only get to eat it in the airport, when we go back home.
Oh?
Bojan: Yeah!
Kris: So it's super expensive.
Bojan: Yeah.
But you said you had the sauna and a drink, so what was the drink?
Jan: Oh yeah, the drink is Ananas Lonkero.
Ananas Lonkero?
Jan: Yeah!
Jure: Well, when you're drunk there's a great kebab pizza with ananas.
Kris: I think the only other place I would mention, that I remember very fondly, is Jere's parents' house. They invited us over for dinner one time when we were here, and it was a lovely dinner, they're lovely people. And the thing that was most interesting was that, like five minutes after we got into their house, we met everybody, we were already naked in their sauna. And it was... a weird experience, but very nice.
I mean, the Finns are the most naked people in the world. Which is weird because we also live in one of the coldest countries in the world, but, like, nobody is as comfortable with being naked as the Finns.
Bojan: I noticed that yesterday, to be honest, because when we were, like, at the beginning of the afterparty, like still downstairs, but in a different room, we, with Jere's band, we went to the sauna. And, like, there were still a couple of guys in the main room, who were, like, from the team and everything else. But, like, the band, everyone, was just getting naked, like no problem whatsoever. It was like, okay, it was easy to fall into the vibe.
---
Host: There's a message in the chat here: "So funny, this is pre-recorded when Bojan actually is in Helsinki right now."
That's right, the singer Bojan, who we heard quite a lot there, I'm checking his Instagram and he is indeed in Finland right now. He has been in a studio with the previously mentioned KÀÀrijÀ, and posted photos of the nightless night and such. Would you look at that, thanks for the tip, and thanks to the Joker Out fans who have been very active today on WhatsApp and in the chat, and on my own Instagram where some people have reached out. Thank you very much!
I had personal contact with the band, I was emailing members of the band, I kind of coordinated this whole thing on my own. It was a Finnish record label that got us in touch and after that it was mostly me and the band communicating, and we talked after the interview about how I would invite them here again, possibly live in the studio.
So I have to check when they are in Finland, because they seem to be here regularly. But yeah, Finland and Joker Out have a close relationship. They have fans all over the world, and of course they are huge back home, probably biggest there, but Finland and Joker Out have their own close relationship. And they said so themselves that out of all the Nordic countries, they think the Finns are the most relaxed.
The Finns are also such dedicated fans that they've learned Slovenian and all the lyrics in Slovenian.
So it seems to me that there are two options. Either:
a) Bojan borrowed a pre-existing Disko Balls back up dancer costume and struck gold that it fit so well (more likely, especially as he was owed good costume karma after Karneval).
Or:
b) Jere has had this costume ready and waiting for him just for a moment like this where the stars align and he can get Bojan back on stage with him (much more entertaining).
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