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André Varela :: The Rising Tide, date unknown. / source

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Masaya Nakamura, from Ema Nude in Africa (photobook), 1978.

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Konstantin Kofta

pedraqueandou-deactivated202008

fevereiro, 2017 - diluiu-se em - des -

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Josette Day & Jean Marais on the set of Jean Cocteau’s La Belle et la Bête

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Esther Teichmann | Untitled from Fractal Scars, Salt Water and Tears, 2012

vaticanrust

Debbie Harry airbrushed by H. R. Giger, 1981. Photo by Chris Stein.

poetryconcrete

Las Meninas, by Joel Peter Witkin, 1987.

musicktoplayinthedark

David Lynch

poloniumtherapy

Le train train quotidien

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PH - Frank Horvat - Rita Renoir. 1962

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Zygmunt Magner

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Moving Mixed Media made with a Corinna Rosteck photo of me dancing at Teufelsberg - Berlin, and one of my GENTLE MONSTER (automatic drawing)

les-sources-du-nil

Jeff Charbonneau & Eliza French

Gemini, 2007 from The Body Electric

blueblackdream

Hiroshi Sugimoto, Fox Theatre, Detroit, Mich., 1978

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Neshat created the Women of Allah series between 1993 and 1997 upon returning from a trip to Iran after many years in exile during and following the 1979 Islamic Revolution. In this series, the veiled, gun-bearing women and the black-and-white photograph format suggest newspaper clippings showing Iranian women’s involvement in the Iran-Iraq War and Islamic Revolution. Handwritten verses over the body often act as an analogue to the spoken word and quote feminist poets and writers such as Furugh Farrukhzad and Tahira Saffarzada.

Shirin Neshat, Women of Allah

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Shirin Neshat, “All demons flee”, 1995.

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