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The Palace of Arts, (now: Cinema Alisher Navoi/Panorama) Tashkent, Uzbekistan, built in 1964, Architect: Vladimir Berezin, Sergo Sutyagin, Yury Khaldeyev, Dmitry Shuvayev. © BACU https://www.instagram.com/p/CbtK-rljXf5/?igshid=NGJjMDIxMWI=
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‘Sequenzen’: Wolfram Erber – Lenz Geiger, Galerie Friedrich + Dahlem, München, April 21 – May 21, 1966 [MoMA, New York, NY]
Art & Language Uncompleted. The Philippe Méaille Collection
Publisher: MACBA, Barcelona Eng/Sp Softcover with belly-band 264 pp. 288 x 200 mm ISBN: 978–84–92505–52–4
(via Projects | Filiep Tacq)
Harsh Patel
Lawrence Weiner: If in Fact There is A Context 100 Notes, 100 Thoughts: Documenta Series 008 HATJE CANTZ Pbk, 4.25 x 5.75 in. / 24 pgs.
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Marcel Breuer's chair (1928) reflects the universal appeal movement through its lack of 'decoration' and timeless appeal.
(via IntCom-2.jpg (2362×3543))
Experimental Jetset Interne Correspondentie 1 September 2018
(via Donald Judd Furniture)
(via Judd | MoMA)
Janet Malcolm, Abyss (from The Emily Dickinson Series), 2013 [Bookstein Projects, New York, NY]
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(via 08_ATOMAA_Casa_Piola_2019.jpg (4480×6720))
Simply droog: 10+1 years of creating innovation and discussion ドローグ・デザイン
John Baldessari (1931-2020)
♥
(image: John Baldessari, I Will Not Make Any More Boring Art, 1971, Nova Scotia College of Art and Design, Halifax, Nova Scotia, Edition of 50 (via @artistsbooksandmultiples))
Skeleton Typogram and Muscular Typogram Aaron Kuehn https://aaronkuehn.com/
Portrait for the exhibition catalogue ‘Wim Crouwel: Architectures Typographiques 1956–1976′, Galerie Anatome, Paris. Design Experimental Jetset. 2007, photo by Johannes Schwartz
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Gerhard Richter, Waldstück (Woods), 1965
Selected works by Do Ho Suh
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