19 • He/It/They • I reblog a lot so anything I post is under #ntls-24722 I mutate all that i love and all that I touch beyond recognition. enjoy my hideous homunculi • my love for DJ Music Man from Five Nights at Freddy's: Security Breach has plagued my soul and world for 4 years. • I am a bird • enjoyer of wesley nestle from clone high
EDIT: If you can dm me a screenshot of your donation to a Palestinian gofundme verified by 90-ghost, nabulsi, ibitisams, fairuzfan or el-shab-hussein OR any donation post I've reblogged from, I will give you an art piece according to your donation, outlined above.
I can do:
Landscape bgs (complex bgs with full shading other than just being a blur or a picture is +10$)
Mecha/Androids (as long as the ref provides enough details)
Furries (Feral or Anthro)
Gore
Body horror
Semi-cartoony portraits
Selfship/any shipart really (though i have my limits, case by case basis)
Fanart
I cannot do:
NSFW
Racist/Ableist/LGBTQ+phobic imagery
Realism/realistic portraits
EXAMPLES BELOW THE CUT!
Examples of sketches (p much just lineart with a diff, softer brush)
Examples of lineart + flats:
( + examples of shading)
Examples of paintings:
And also, newly, Sketch pages!
40$ for 10 sketches with 5$ per extra sketch afterwards. 2$ for any sketch to have color, and 1$ for any sketch with shading.
Please DM me for more details on here!
I'd like to be paid upfront but I'll give full refunds if I don't finish your commission in time! (10 days) I'll send you every step (sketch, coloring, rendering) and you can ask for as many changes to things as you want!
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Hannah Montana is fucked up because its entire POINT as a show is that children should be protected from fame and exploitation, but it stars a REAL little girl that's being exploited. Nearly every episode carries the looming threat of Miley being outed as Hannah and losing her peaceful teenage life to the ravages of fame. Her father in the show (played by her own father in real life) wisely protected her from the trauma of fame by making her wear a disguise and live a rather quiet, interview-free life. Meanwhile the REAL Billy Ray Cyrus sold his daughter to Disney Channel when she was 11 and forced her to read dialogue about how terrible it would be to face the public eye. Like... Jesus, dude. The fictional Robby Ray is 10x the father, and it's not even close. (It's also IMMENSELY funny that her dad doesn't use his real name in the show, while she does. Almost like he wanted a bit of a disconnect between his identity and his character. Something Miley didn't get.)
Bobole shown in natural patterns, with a kula and a sloman silhouette for reference.
The second most widespread domesticated predator the slomen have would be the rounder than round big-maw.
They come from temperate climates, where they roam the forests, eating animals of many sizes (usually based on pack size). Most often, they are seen in pairs (commonly of siblings), but this rule isn't unbreakable. Sometimes, packs reach over 6 members that stay together for a long period of time before they eventually separate into smaller groups. This adaptability might be why their domestication came quite naturally. From the bobole's point of view, slomen might have been great hunting buddies.
Bobole are intelligent hunters that rely on visualizing the path of their prey more than on communication between members. This makes them both adaptable and stubborn when working in bigger groups or with slomen. The usual strategy is for one individual to stay low, watching the target, while others chase it in the other's direction. The unmoving bobola waits for the moment the target is close enough to strike it. In case it fails, the one chasing will still be available on the other side to mayhaps save the hunt.
With smaller prey, they can be useful chasing the target for slomen too. But with their stubborn attitude toward their technique, it's more common for them to help keep the watch on prey and track it.
In an active hunt, the slomen direct the bigger prey to the usually-larger-breed bobola to deal the first hit, keeping the animal in grasp for a person to kill it with a weapon.
Some breeds are very territorial. For this, you will rarely see them in Ciwa, where you could consider them outlawed. Not because they could hurt a person, but because a kula could be at risk. The sacred feral population must live on.
Unlike a dog, bobolas are not as flexible to train. Little funny tricks are meant for a kula. These orbs are loyal and follow direction, but they take a lot of time to do their natural behaviors in ways most useful for people.
The easiest is for them to protect family members from threats, which is why many cultures have at least one devoted to the household kids and follow them on their mischievous journeys even when they sneak around the adults. Of course, one must establish what a threat is early on. Nobody wants an anxious bobola who bites their aunt.
In some regions, if you were to visit a village, chances are you would see them sitting by every third settlement, either sleeping or watching you. Sellers might even take them to the markets to keep thieves away.
Now, you might find these orbicular animals somewhat similar to the put-tut, but they are hardly related. Bobola are actually genetically closer to the 'slomland' bird than to slomen themselves. Just like with the raptorial shape before the mammal overtaking on earth, the upright biped is popular with convergent evolution. However, since vertebrates of the continent don't have true tails to balance them horizontally, most bipedal animals here keep their head high.
This creature has been pretty much designed for a looong time now, but I never got to actually rendering it.
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Trying to give myself some more challenging animations to tackle SO a continuous walk cycle with some character acting. The music is there mainly to have something to time the pace of the walk and the acting to (and I think it just makes it feel more engaging than silence).
Was working on this back in January and thought I'd get back to it sooner than later but it's sat on my computer as roughs this whole time lmao. I DO want to get back to this and clean/color/comp it, there are just some technical things I gotta figure out with marrying the 2D and 3D that I haven't had a minute to investigate yet.
song is "ooh la la" by Run the Jewels (Mexican Institute of Sound Remix)
a few more preview images i've been sitting on for my entry in the NEWEST ALMOST REAL VOLUME, COMING TO KICKSTARTER IIIIN JUNE !!!
there's a lot of really good shit coming in here, not just my vamps. but like, especially my vamps. you should come see them. you should donate to almost real. you should get almost real. oooo
Yes!!! Pan I love your grubby creepy vamps and I'm delighted we got to invite you for the pop culture issue!!! Everybody check out the kickstarter page and click the button to get notified on the day the campaign drops!
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I identify the most with the woman who has a green velvet ribbon around her neck and keeps being like "DONT untie my neck ribbon or something really bad will happen" and then her husband unties the ribbon and her head falls off. this is extremely real to me. spent my whole life like "please don't do this thing to me or really bad stuff will happen" and everyone around me being like "that sounds fake" and doing it anyway. and then my head fell off!
So, I have a new Fiona Lives AU where instead of being bought by Fazbear, Big Top remains an MCM character and keeps the Big Top Carnival and what not. Since Music Man and those that came after were probably based on Big Top or related to him in some way, that would mean Fazbear (and Afton!) wouldn't have ever had a Music Man.
I'm thinking as I'm having Fiona kind of take a step back away from new animatronics and animatronic characters, that Stan, a very close and trusted friend of hers and also the guy that turned her characters into the Mediocre Melodies in canon, could end up running his own sub-company kind of thing to cover all the robotics related MCM stuff. He and his tech team would get to continue developing animatronics and stuff without Edwin, with Fiona still overseeing it but more from a distance.
And uhh this would mean all the Music Men would be free of Fazbear forever. They could be doing literally anything now. I have a few ideas for that, but I was wondering if maybe you would have any thoughts on that? Like, what kind of stuff do you think any of the Music Men would do if they were Murray's animatronics? Do you think they'd have their own attractions and branding and stuff or do you think they might prefer to have smaller attractions in other company's locations alongside other animatronics? Something more behind the scenes and less public maybe? Something else?
What do you think? Any thoughts?
~@monty-glasses-roxy
I'm thinking as I'm having Fiona kind of take a step back away from new animatronics and animatronic characters,
And you know what, good for her. Good for her health and the general public's health because oh my god the consequences of her death and the robots that caused it.
My ideas for how the Music men would be, had they not been Fazbear'd, is really underwhelming compared to how they were in canon in my head though. The Music Men are already sidepieces, and I think they'd stay that way.
If we're extrapolating from how the Music Man line would've gone had they not been Fazbear Entertainment'ed with only Big Top as a representative, Big Top is a ticket booth with a face and arms that hold up signs. The arms are multipurpose and he can be turned into a ride in a pinch, but he's primarily a ticket booth. Because of that, I think they'd be either machines that happen to have faces like Big Top or like, Candy Cadet style machines with an entertaining gimmick. Murray's creations, if they're not explicitly for entertainment, seem to fall into these categories.
Something that comes to mind (and definitely not at least partially ripped off from @/wakebymoonsleepbysun's ideas for the cymbal crash bar nooo noo i would never) is Music Man being a jukebox who can listen in and identify vocal portions of the music he's been instructed to play and lipsync/gesture along to it. He'd be an animatronic in the original, non-FNAF sense but he wouldn't be a rockstar on the stage, he's just stationed at a restaurant and you pay 5 dollars to watch him sing Pink Pony Club. Expensive and decorative jukebox.
DJMM is such an unreasonable animatronic. I don't know what he could be for. Why you would make a robot the size of a house for the sake of making music is beyond me. Maybe he's a construction/maintenance bot who helps set up carnival rides, booths, seating, who happens to just play music as he does it? Like, I could lean more on his main ability ingame which is, yknow, making beats, but while Fazbear Entertainment has the cash to burn to make a robot that does that the size of a house for no reason other than aura I do not think Murray is going to do all that for a soundcloud artist. Yeah yeah, dream about being a famous DJ or musician all you want, now go do manual labor
Weirdly enough I think the mini music men would stay the exact same. They're hex bugs but more complex. They're kinda perfect. Maybe they might look a little different to fit more him and Fiona's artstyle and design styles but they'd be cymbal-crashing spider wind up toys all the same.
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