Poster for “Dead Man” - 1995 by Jim Jarmusch
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Poster for “Dead Man” - 1995 by Jim Jarmusch

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“Some are born to sweet delight; some are born to endless night.”
DEAD MAN 1995, Jim Jarmusch
Lucrecia Martel on why she wont shoot scenes of sexual violence against women:
“La saqué aunque a muchos compañeros les parecía buena. Pero si vivís en un país en el que cada día matan a una mujer y filmás una escena de violencia contra una mujer, aunque puedas dar muchos matices sobre las circunstancias, es intolerable. Me parecía imposible que no remitiese a una idea errada: que la violencia sobre una mujer tiene razones poéticas para ser cometida. Para una mujer, cuyo cuerpo es la escenografía de esa situación, es muy difícil tener ganas de hacer lecturas sobre eso”.
Martel se adelanta a los cuestionamientos: “Dirán que con esa posición políticamente correcta se terminaron las situaciones de violencia de género en mi cine. Hasta que esto mejore, sí. No podemos avalar con discursos públicos escenas que abonan la fantasía violatoria de los hombres. No he visto una sola película, por más que el resultado sea el desprecio por la persona que abusa de su poder, que en el fondo no esté realizando una fantasía violatoria. Es lo que sucede con Irreversible: la elaboración que hace Gaspar Noé de la violencia me parece una porquería”.
Lana Del Rey on set of a photoshoot for ‘Vogue China’, back in 2012.
Jan Zimmerman

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Grands écrivains français avec des chats. (Great French writers with cats.) Pictured from top to bottom, Colette, Jean Cocteau, Michel Foucault, Celine, Francoise Sagan, Georges Perec, Marguerite Duras.
“You can give up, let yourself go… or grit your teeth and hang on like stupid people do.”
Biutiful (2010), dir. Alejandro González Iñárritu
Biutiful (2010) dir. Alejandro González Iñárritu
La Dolce Vita (1960)

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El frontispicio del castillo advertía: “Ya estabas aquí antes de entrar y cuando salgas no sabrás que te quedas.”
-Jorge Luis Borges
Les amours imaginaires (2010) dir. Xavier Dolan
Ulysses and the Sirens (1891) - John William Waterhouse
EL DOLIENTE⠀⠀ ⠀⠀ Pasarán estos días como pasan⠀⠀ todos los días malos de la vida⠀⠀ Amainarán los vientos que te arrasan⠀⠀ Se estancará la sangre de tu herida⠀⠀ ⠀⠀ El alma errante volverá a su nido⠀⠀ Lo que ayer se perdió será encontrado⠀⠀ El sol será sin mancha concebido⠀⠀ y saldrá nuevamente en tu costado⠀⠀ ⠀⠀ Y dirás frente al mar: ¿Cómo he podido⠀⠀ anegado sin brújula y perdido⠀⠀ llegar a puerto con las velas rotas?⠀⠀ ⠀⠀ Y una voz te dirá: ¿Que no lo sabes?⠀⠀ El mismo viento que rompió tus naves⠀⠀ es el que hace volar a las gaviotas⠀⠀ ⠀⠀ THE MOURNER⠀⠀ ⠀⠀ They will spend these days as they pass⠀⠀ every bad day of life⠀⠀ The winds that sweep you will blow⠀⠀ The blood of your wound will stagnate⠀⠀ ⠀⠀ The wandering soul will return to its nest⠀⠀ What was lost yesterday will be found⠀⠀ The sun will be without blemish conceived⠀⠀ and it will come back on your side⠀⠀ ⠀⠀ And say in front of the sea: How could I⠀⠀ flooded without a compass and lost⠀⠀ get to port with broken candles?⠀⠀ ⠀⠀ And a voice will tell you: What do you not know?⠀⠀ The same wind that broke your ships⠀⠀ is the one that makes seagulls fly⠀⠀ ⠀⠀ Óscar Hahn⠀⠀ Apariciones profanas / Profane apparitions⠀ & Katrien de Blauwer @katriendeblauwer (artist)⠀⠀ ⠀ ⠀ #analogcollage #analogcollagecommune #collageart #collage_art #collageartist #collageartwork #collagework #collagecollectiveco #c_expo #collagemaker #contemporarycollage #collage_guild #collagetash #collagelife #collagecollective #handcut #handcutcollage #cutandpaste #handmadecollage #papercut #collageonpaper #papercollage #gluepaperscissors #faceless #collages #collage_expo #vagabondwho #marcopolorules #faceless #katriendeblauwer https://www.instagram.com/p/B_fZw1MqraL/?igshid=1caq285y7868x

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Pierrot le Fou (1965)
Directed by Jean-Luc Godard Cinematography by Raoul Coutard
“Film is like a battleground. There’s love, hate, action, violence, death… in one word: emotion.”
Cinema without people: Pierrot le Fou (1965, Jean-Luc Godard, dir.)