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The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet (1855) Frederick Leighton

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Ian Curtis, 1979

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Masahisa Fukase (Japanese,1934-2012)

From “Sasuke!! My Dear Cat”, 1977-1978

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Masahisa Fukase: Sasuke!! Dear Cat (1979)

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Vivienne Westwood | Portrait, A/W90

The corset was first revived by Westwood in 1987, named by her the ‘Stature of Liberty’ because of its effect on the posture. Its conical shape, rounded front and heaving embonpoint spilling slightly over a low-cut décolletage are all reminiscent of the 1700; its shape directly derived from original 18th-century stays. The style was updated physically, with the addition of lycra sides and a zip up the back; and ideologically, in that it was worn as outerwear, often with very little else. What was once a symbol of patriarchal control over women’s bodies became a third-wave feminist symbol of a re-embracing and recontextualising of previously eschewed overt female sexuality.

Alexander Fury, “Bust, Boucher and Black Monday: Vivienne Westwood’s Contrary Corset”, AnOther Magazine, Aug. 1 2018

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Vivienne Westwood - portrait corsets 90s 🎀

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Eye Miniatures, late 1700s

Various unknown artists, England

PMA

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Oleg Mikhailovich Gurenkov — The Bewitched (oil on canvas, 2019)

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Vladimir Kush (Russian, b. 1965),"Stealthy Night"

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I love it when an artist puts out a concept album and the concept is that they had a mental breakdown

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interested in this genre of picture

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Trish Keenan on the cover of Broadcast's America's Boy 2005 single

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Ana Mendieta, Alma Silueta en Fuego (Silueta de Cenizas), 1975 Super-8 color, silent film transferred to DVD

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Volcano Eruptions seen from Space photos: NASA

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