I love early seasons supernatural aesthetics so much. The isolated highways, funky motel rooms, neon signs, shiny guns and shiny cars, leather jackets, old books, through a film camera lens in seasons one and two, makes for such a specific atmosphere. It transfers the isolation Sam and Dean experience so well, cramped into the seats of a 67’ Chevy impala, claustrophobically un-alone while individually lonely. The nasty, sometimes created with horrible special effects, monsters really do look monstrous, unsettling more than outright terrifying. With yellow eyes, in dirty clothes, glitching and pale. The whole colour palette is grey-ish and cold, you almost feel the contrasted darkness, the distrust, the nagging belief that something wicked may be hiding behind every corner, behind every corner of your own self as well. Idk. The blood looks dark, the sulfur looks sickeningly yellow, the skin looks unnaturally pale. It’s all so horror-coded, and gives such an atmosphere of instability in your own existence in the world, which aligns with the themes of the seasons. This atmosphere, to me, makes it a better horror show than if it had had better special effects and scarier monsters. Because the horrifying is in the daily existence, in how you are, rather than what you face.
jacobvanloon
gummygunk
titsay
izzy806
vaporwave
turnnoffyourmind
