She/her. 33. You can call me Lily. :) Writer, overthinker and yapper | Requests: closed (temporarily). Asks are welcome. :) Multifandom but mostly HSR and Genshin at the moment. | Not caught up with HSR at the moment: No spoilers please!! | #mirrorwritings
REQUESTS: temporarily CLOSED while I catch up on existing ones. Iâll update the status here when they reopen. đ
Asks, thoughts, brainrot and yapping are always welcome. I write on a whim whenever inspiration hits, and I love to yap in general, so feel free to hop into my inbox. :)
Navigation: This masterlist is structured by character and then by work type (drabbles/shortfics, oneshots, headcanons). I included separate character masterlists for the characters I write a lot for and will expand those over time.
What He Sees In You (Phainon. Anaxa. Mydei. Dan Heng. Boothill. Separate) (Reader feels insecure about their looks because of past bullying. Comfort. Protection) (Wc: 1721, about 340 per guy)
When You Go E6S5 For Him (And He Realizes It) (Self Aware Characters, F2P Reader, extreme dedication) (Wc: 1084, about 270 per guy)
Bookmark Behavior Under Novel Conditions (Family Fluff. Dad Ratio. Rainy Day Vibes. Established Relationship. Soft Dr Ratio. Dr Ratio Being Dr Ratio. Children. Slice of Life. Bedtime Stories) (Wc: 842)
â ⊠â
Headcanons:
Which Body Features He Notices When He Stops Pretending Not To (Headcanons + Snippet) (Slightly suggestive. SFW) (Wc: 647)
When You Pat Him On the Head and Tell Him Youâre Proud of Him (Anaxa. Dan Heng. Aventurine. Blade. Dr. Ratio. Separate) (Wc: 1089 in total)
For Once, Nowhere To Run (Female Reader. Soft Intimacy. Established Relationship. Tenderness, Vulnerability. MDNI. Smut (Slow and Sweet Lovemaking). NSFW. Emotional Connection. (Wc: 1450)
The Right Kind of Warmth (Fluff. Hurt/Comfort. Established Relationship. Exhaustion. Soft Jiaoqiu. Gentle Care. Cooking As Love Language. Touch As Comfort. Massage) (Wc: 791)
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Shirtless Phainon truly is too powerful. Imagine him and Reader sleeping in bed together like they often do, but when Phainon starts sleeping without a shirt, Reader turns away from him. And Phainon is confused! And maybe a little hurt, too! His Dawnlight would always be in his arms and always face him while they slept! So why the change? Did he do something to offend them? Did he return home too late for their liking? This went one for a few nights before Phainon started to notice the tips of Readerâs ears would be red. Heâd realize Reader was simply too flustered by his shirtlessness to face him! Which he found all too amusing and couldnât help but nibble on the tip of Readerâs red ear to tease them đ€
-đ§anon
Hi again đ§ anon! :) I have to say this again: I really like your energy. :D And this ask in particular affected me personally. đ
This has gotten long, so Iâll put my thoughts under the cut:
First of all, the way you described the whole thing is so fitting for Phainon.
I do think that eventually Reader would get somewhat used to seeing him shirtless. Then again⊠can you ever really get used to that view? Because I certainly wouldnât. :D
But the first time? Oh no. Because suddenly all the usual cuddling feels different. Reader is trying very hard to be normal about it and failing miserably. Their thoughts are running wild.
Theyâre imagining what it would feel like to be wrapped up in those strong arms, or pressed against that very unfairly muscular chest, or being spooned by him while simultaneously trying not to think about any of those things.
Which, of course, only makes them think about those things more.
Meanwhile, Phainon is having a completely different crisis. Because he loves cuddling. We all know this. He has gotten used to falling asleep with Reader in his arms and now suddenly theyâre turning away from him.
Phainon would absolutely overthink it. Did he say something wrong? Did he do something? Are they upset? Should he give them space?
And because he is Phainon, he would somehow manage to both analyze the situation and spiral about it at the same time. Mostly spiral.
But also, what absolutely took me out while reading this ask is that I immediately started thinking about the logistics of the whole thing. đ
Because okay. We are talking about Reader being flustered. Fair enough. But what about the moment Phainon decides to sleep without a shirt in the first place??
How did we get here?
Because I can think of multiple possibilities.
Maybe he just got back from training and is tired. Maybe he bathed, his hair is still damp, and he simply decides that finding another shirt is too much effort. Maybe he is already half asleep and just goes: âMm. Iâll put one on tomorrow.â
Or maybe Reader made the mistake of complimenting him. Something harmless.
Reader: âI think the training is paying off.â
And Phainon immediately lights up because he values their opinion.
âReally?â
And now he is proudly explaining things and showing Reader exactly what he means while Reader realizes they have made a terrible mistake.
Because Phainon is being completely genuine.
Meanwhile Reader is trying very hard not to look too closely.
And I donât think Phainon would even realize what heâs doing at first.
Heâd just be comfortable. Happy. Why wouldnât he be? Heâs at home. Heâs with Reader.
The shirtlessness itself wouldnât even occur to him as noteworthy. Which somehow makes it worse.
And what also affected me a lot is imagining Phainon before he realizes whatâs actually going on.
Because Reader turning away wouldnât just confuse him because of the cuddling itself. It would also confuse him because suddenly he canât see them anymore.
Phainon absolutely strikes me as the type who would love those quiet moments before sleep. Looking at Reader. Talking softly. Seeing their expression when theyâre getting sleepy. Maybe brushing their cheek. Just enjoying their presence before both of them drift off.
So when Reader suddenly starts facing the opposite direction every night, heâd notice immediately. The first night he would probably ask if theyâre alright. And Reader would mumble something about being tired.
Which only makes Phainon more affectionate.
So now heâs rubbing slow circles against their back. Pressing little kisses to their shoulder. Maybe tucking the blanket around them because they seem sleepy. Meanwhile Reader is having feelings.
Then the second night happens. And now Phainon is confused. Because surely it wasnât a coincidence.
So he starts thinking. Maybe theyâre stressed. Maybe theyâre tired. Maybe something happened. And because he cares, he keeps trying to comfort them.
He might rest a hand on their waist and nuzzle closer. He might talk quietly about his day and tell them something sweet before bed.
And Reader is just lying there thinking: âOh no.â
Because now the shirtlessness is no longer the only problem. Now itâs shirtless Phainon being even more affectionate.
But then the turning point.
I had to laugh so much at his realization. I just love the contrasts in Phainon. He can be very humbled and all that in one moment (with the puppy eyes and all soft and eager, you get the idea), but he also has this confidence, you know? And once he has leverageâŠ
Well. It would absolutely return.
And I mentioned many times that I am WEAK for teasing/cheeky Phainon. I would not be able to stay normal about this. đ
His gaze alone. He would look at Reader, and Reader would literally see the realization happen.
And then he would be both amused and relieved. Maybe heâd chuckle softly. Maybe heâd just stare for a moment with that delighted look on his face.
Because oh. Oh! Everything is still fine, actually. There is nothing to worry about. Reader is just flustered by him.
And Phainon would be so ridiculously relieved. I think he would feel it in his whole body. All the tension from the last few days would finally leave him and all those emotions would come flooding back at once.
And then he becomes a menace. Because once he feels secure in a situation, that playful side of him comes right back out.
And unlike Reader, he can actually function while flustered (well in that scenario, at least⊠I have also scenarios in mind where he canât think properly anymore). :D
So he would start talking.
Something like:
âOh, Dawnlight⊠if only I had known.â
Or:
âI would have made sure you got properly used to this.â
And then heâd have the audacity to say it in that sweet voice of his, as if he isnât actively making the situation worse.
And then: âOh, I see. So thatâs how it is.â
Cue the soft chuckle. The delighted expression. The realization that he now has information. Dangerous information.
And if Reader gets even more flustered after that? Oh, he would thrive.
I can imagine him tilting his head and going: âHm. I wonder if I can make the red wander elsewhere.â đ€
Or something equally unfair.
And then the nibbling. Yeah. He would be very thorough about that.
And the fact that Reader would now be painfully aware of the shirtless upper body in question. Reader never stood a chance.
And after all of that? Phainon would absolutely decide that sleeping shirtless is an excellent idea and continue doing it FOREVER. :D
Thank you for this! It really cheered me up in the middle of a stressful period once again.
I will never get tired of Phainon thoughts, so please keep them coming.
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okay lily lock in with me about a very simple yet sweet fluff idea Im thinking about lately because of my lack of sleep:
Phainon and/or Mydei as essentially human weighted blankets, like when youâre super tired and just wanna not think anymore Phainon speed towards you and will just flop on top of you and snuggle against you like a dog would hehe
Mydei would definitely be more slow and careful about it as a means to not be TOO overwhelming and would run his hands back and forth against your back while pressing sweet kisses on your face and wraps his legs around you so you have no choice BUT to relax with him (I mean I wouldnât say no but ykwim), and if you fell asleep in that position heâd carefully carry you to bed and continue cuddling with you until he also fell asleep.
(If you couldnât tell Mydei is slowly becoming more relevant in my brain than Phainon LMAO)
Anyways thatâs all I got as a fun thing to think about, imma go take a nap and definitely think about those two :3
- đȘ»
Hi againđȘ» anon! :) Heh, first of all, I love that you keep sending me your thoughts. They always make me smile and think. And it seems you often have late-night thoughts (or thoughts fueled by tiredness) just like me, so I completely get it.
Now. I will happily lock in with you, especially if itâs about something wholesome like this. :D
Haha, omg, the Phainon description made me snort. đ I can definitely see that happening, especially in a situation where you explicitly tell him youâre tired and just want to rest and cuddle. In that case? Yes. I think heâd be very eager and very much all over you. :D
That being said, I also think thereâs a good chance he simply notices youâre tired before you even say anything. Then heâd probably take your hand, ask whatâs wrong, press a kiss to your knuckles, and gently lead you toward bed. Or he would just pick you up and carry you there himself. :D
And he would be very vocal about it too. Pressing kisses to your shoulder, your hair, your forehead, wherever he can reach, while mumbling things like, âI hope you can rest now,â or âLet me take care of you for a bit.â And once youâre actually settled, heâd absolutely end up cuddled far closer than necessary because he canât get enough of it himself. :) (Considering he doesnât exactly have the healthiest relationship with sleep either, I think it would be good for him too.)
As for Mydei: ahhh, Iâm not going to lie, that part made me feel all tingly and I giggled a lot. đ
I do think heâd be careful, yes, but also very concerned in his own way. In fact, Iâm pretty convinced that the moment you either tell him youâre tired or he notices it himself, he immediately starts reminding you that proper rest is important and that a lack of sleep is bad for your health.
The thing is⊠even while saying all of that, heâd already be pulling you into his arms. Just enough that you know heâs there.
And then heâd mumble some things into your hair while holding you close, because underneath all the practical advice heâs really just worried about you and wants you to feel better.
Now. He would absolutely keep in mind that youâre tired. Even if he enjoys the cuddling himself, your comfort would come first. But yes. The kisses. That part actually made me squeal because I can see him doing that.
And the leg thing completely took me out because of course he wants to be closer to you, but I can also imagine him justifying it as practical. đ Like, no, no, this isnât because I want to hold you closer. This is simply the most efficient cuddling position.
Resting with Mydei feels like it would be proper rest. The kind where your brain finally stops running for a while.
Also, the part about Mydei slowly becoming more relevant in your brain made me laugh out loud. I think Phainon would be very jealous about that. :D
But I do understand the Mydei intrigue. I still remember how bad I had it for him, especially during early Amphoreus. Not just because of the looks (although, yes, that too :D), but because of his personality. And while I usually spiral less about him than certain other characters (ahem), I love him very dearly and have many thoughts. :)
So after your recent Phainon/Mydei ask(s), I can only hopeâfor our poor Phainonâs sakeâthat there is still a little place left in your heart for him. :D (Imagine the puppy eyes. Imagine him mumbling sweet things.)
Ahh, thank you for this, really! I slept pretty poorly this week myself (to be fair, I often do), and I think both of them would make excellent sleep aids. :)
I hope you managed to get some rest by now.
And Iâm looking forward to hearing from you again, whether itâs thoughts about those two or anything else youâd like to share. :)
Iâve been thinking about something lately. (This is mostly Phainon-related.) âïž
One of the reasons I havenât progressed through Planarcadia as quickly as I originally planned isnât actually the story itself (which Iâm enjoying whenever I sit down to play), but rather the fact that real life has been very loud lately.
Too much stress. Worries. Migraines. Allergies.
(But also: missing hours. Writing. Witch Hat Atelier. Staring into wheat fields and accidentally developing ten new thoughts. The usual. :D)
And I think sometimes life just becomes so overwhelming that there isnât enough mental space left for the things I enjoy in the way I would like.
Just because my brain is busy surviving everything else.
And then somehow the exact opposite happened. I revisited old drafts. I got emotional over old scenes again. I got super giddy over other fics I wrote or want(ed) to write. People kept sending me increasingly delightful Phainon thoughts (which I absolutely love).
And somehow I ended up right back where I started. Actually, thatâs not true. I ended up even deeper. :D Because the truly ridiculous thing is that after almost a year and a half, the Phainon brainrot is somehow getting worse.
I donât know how that happened.
And I still have plenty of other character thoughts. There are many characters I love dearly. There are stories Iâm excited about.
But somehow, every single time, I end up back here.
Because Phainon exists in a category entirely his own. This has never happened to me before when it comes to a fictional character.
A lovely person recently described the atmosphere in my inbox as a âPhainon Yapper Book Clubâ and I havenât stopped thinking about that since.
Because somehow it feels so accurate. Every time I open Tumblr, someone hands me a new discussion topic, a fresh emotional crisis, and occasionally a shovel. And somehow we all just keep digging. :D
And I think part of the problem is that he somehow does everything.
Because yes, thereâs the emotional stuff. The catharsis. The comfort. The courage. The processing. The parts of him that make me cry or make me feel understood when life gets particularly loud.
But then thereâs also the exact opposite.
The fact that sometimes this fictional man just makes me ridiculously happy.
I am usually a very composed and responsible adult.
And then someone sends me a song and suddenly Iâm either having very specific scenarios in mind or analyzing him all over again. Someone sends me a silly or wholesome scenario and I end up giggling at my phone. Someone mentions one specific expression, voice line, or scene and somehow my entire day improves. Sometimes I sit down intending to think about something completely different and instead spend half an hour dissecting some dialogue.
Which feels unfair. Because most characters tend to occupy one lane in my brain.
Phainon somehow keeps occupying all of them at once.
He can devastate me emotionally and then, five minutes later, have me kicking my feet over something completely ridiculous.
I really donât know what they put into this man.
E.g. the other day someone sent me a song and told me to imagine dancing with Phainon. Which I then did. And, as expected, that opened approximately thirty-three additional lines of thought.
This is what I mean. Sometimes it isnât even a full scenario anymore. Sometimes itâs literally just: âHey, imagine this.â And then my thoughts run wild.
And now his rerun arrived earlier than I expected. Which has led to me staring at my Stellar Jade count and asking increasingly philosophical questions.
Do I need more Phainon Eidolons? Technically not.
Am I currently using him all the time? Yes. (well Anaxa too but I might ramble about Anaxa some other time.)
Do I want more Eidolons? Yes. Because itâs Phainon...
Did I somehow convince myself he might rerun later this summer and now he arrives even earlier? Also yes.
And then, because the universe enjoys being funny, the banner ends on my birthday.
Which is probably completely meaningless.
However.
Last year I pulled him the day after my birthday. This year his banner leaves on my birthday.
I am aware these things are coincidences. Unfortunately my brain has chosen not to cooperate with that information. :D
Anyway.
So: I am making slow progress through Planarcadia, trying not to get emotionally ambushed by fictional characters, and generally existing somewhere between âproductive adultâ and âperson who keeps ending up in a wheat field thinking about Phainon.â
nyallooo Lily :DDDD i am back with another Varka artwork đđ this is also a part of my ych commision services, but that's not the point,, overall i rlly love how it turns out, and there's also the other version without Varka's shirt (mainly for me to practice drawing body and do this hunk of a man justice) but im not sure if you wanna see it ;; anyways, i hope you have a good day and your writing ideas will be pouringgg <3333
Hi again Simba! :) Ah, whenever I see you in the comments or my inbox, I smile because you always have such lovely thoughts⊠and then there is of course the fact that you seem to make it a habit to send me art, which I LOVE. :) So first of all: thank you for this!!
And omg, it is actually very good that youâre practicing drawing Varka without a shirt. I fully support this artistic endeavor. đ
But seriously, I really love this art. The way he holds her with his arms wrapped around her from behind. The soft kiss against the back of her head. The fact that they both look so completely absorbed in each other. And the BLUSHING. Ahhh. đ
It just feels so warm and domestic and comforting. Like two people who are completely at ease with each other and very, very in love. There is something so gentle about it.
So yes, you should absolutely be proud of this.
And it makes me so happy that it was inspired by some of my more domestic Varka fics and moments. I mentioned before that I always love writing domestic scenes, and they fit Varka so well. Not only because theyâre comforting for me personally, but because there is something about him that makes those quiet moments feel especially meaningful.
So thank you! :)
Itâs always lovely hearing from you, and I hope youâre continuing to have fun with your new tablet and all your drawing practice! And I still remember you mentioning your Varka fever. The kind where you just want to DRAW DRAW DRAW him all the time. :)
Trust me, I completely understand. Thatâs basically what writing feels like when a character takes over my brain.
I hope that spark of inspiration stays with you for a long time. :)
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hi lily its me mika your old friend, that same girl who would yap about her self aware anaxa stories etc (idk if you remember me) anyway how have you been? sorry for being away for ages I had some personal affairs to take care of hopefully youâre doing well. đ
Ahh, hi Mika! :) Welcome back! :) Your ask made me smile. Of course I still remember you! How could I forget the self-aware Anaxa stories and all our yapping? :D
Iâve been doing okay overall. Unfortunately Iâve had some health issues and quite a bit of stress to deal with recently, but Iâm doing my best. :)
I hope youâve been doing better too and that everything worked out alright on your end. Personal affairs can be exhausting, so please take care of yourself.
I kinda crashed out again after posting the Varka fic. (This is partly an update, partly chaos, and partly just random thoughts.)
I mean, itâs no news that I often feel a bit empty and emotional after those writing hazes. Maybe because longer fics in particular give me all the emotions and feel more personal in some ways. Iâm not entirely sure how to explain it. They just take a lot out of me⊠and I mean that in a good way.
Then there is of course the fact that I didnât sleep particularly well this week and also got ridiculously giddy over the whole thing. I was giggling and kicking my feet at multiple points while writing this fic. Which was wonderful.
The weekend itself has been pretty nice so far. I went swimming, spent time with my family, baked muffinsâŠ
And then there was an incident with the fridge.
Specifically, the freezer compartment had frozen itself shut and somehow developed several alarming ice blocks. Which then made me think about ice magic.
Which then made me think about Genshin.
Which then made me wonder what kind of Vision Iâd get. (This is actually a very interesting topic.)
As you can see, my brain remains a perfectly normal place.
Right now my energy is a bit lower than before. I just notice that my brain tends to need different things afterwards.
So Iâm planning to continue HSR. Iâve already made some progress, but I think I still have quite a way to go in the 4.1 quest. At this point Iâm not sure whether Iâm just very slow or whether I simply need to process everything as I go.
Either way: I already have Thoughts.
I also started writing two more Phainon things, including one of the clingy reader concepts I mentioned, and⊠I still might write all three ideas I got. Weâll see. :D
Maybe my brain just needs something familiar to unwind with.
And Phainon is just Phainon.
I might get back to that in a separate post because I refuse to make every rambling about Phainon. (Which is admittedly harder than it sounds.)
Apart from that, I want to continue reading. I havenât touched the Witch Hat Atelier manga in a few days.
Genshin is also sitting in the corner reminding me that it exists. đ
And then there is Part 5 of the Wishbearer series. I really want to finish that one soon. No, it will probably not turn into another 18k-word situation. At least thatâs what Iâm telling myself right now.
I already mentioned that it is an emotional rollercoaster in many ways. Soo⊠it is already giving me all the emotions and a lot of my own feelings ended up in it too, because thatâs just how writing works for me.
So after the long Varka fic I think Iâll focus on some shorter pieces for a bit. Probably. Weâll see how successful that plan is.
And then, of course, Iâll continue replying to asks. They really are delightful in their own ways, and answering them is its own form of relaxation at this point. :)
I hope your weekend has been good so far, too, and thank you for continuing to keep up with my chaos. :)
Could you do famous pirate captain!varka x siren!reader?
For more context, reader is a mermaid that lives in a very dangerous part of the sea so no humans can go and bother her, but lately it got so dangerous not even small fishes (reader's main food) are appearing in the area so she's starting to get desesperated, until she hears a pirate ship and thanks to the hunger she decides to go against her morals of not eating humans because now she has to survive, so she starts singing and instead of a totally brainwashed pirate she finds a (totally lucid) snak of a man aka varka
The Captain and the Siren (Varka x Reader)
Synopsis: The death-waters have always been dangerous. For weeks, you survive alone among the black rocks and shipwrecks, until a passing ship offers you something far more dangerous than food: kindness.
Captain Varka is searching for a lost family sword hidden somewhere beneath the sea. You know the waters better than any map ever could.
What begins as a simple bargain slowly becomes something neither of you expected: shared stories, dangerous waters, old wounds, impossible hopes... and a reason to keep coming back.
A/N: Hi again Medea! :) First of all: thank you again for sending me this idea all those months ago. đ And second: I am sorry this took me so long. I already told you this before, but I absolutely adore this concept for Varka. So naturally this became much longer than originally intended. :D I hope you enjoy what it turned into and that it was worth the wait.
And to everyone else: If you enjoy adventure stories, pirates, mermaids, slow burn tension, sea legends, emotional conversations, and Varka being entirely too Varka for his own good, then I hope youâll enjoy this little journey as well. đ
You donât notice it at first: the slow narrowing of the world down to a single, screaming need. The waters that once teemed with silver have gone empty. The currents that brought you food have shifted, turned strange and cold, driven away by something deeper in the dark that even you donât want to think about.
Youâve stopped counting in days and started counting in absences. No fish. No food. Nothing but the ache hollowing you out from the inside, sharpening every instinct into something feral.
You live here precisely because no one comes. The waters around the black rocks are death to ships. Jagged stone beneath the surface, currents that drag vessels down, a reputation steeped in centuries of wreckage.
You chose this place for its emptiness. Its safety. You never thought it might starve you. So when you hear the ship, you donât think. You sing.
You havenât done this in years. Decades, maybe.
You swore you wouldnât. Swore that whatever you are, you wouldnât be that. Wouldnât lure sailors to the rocks, wouldnât feast on the drowned, wouldnât become the monster the stories warned about.
But the hunger doesnât care about your morals. The hunger only knows that the ship means food, and the song means the ship will come to you.
So you sing. And the song that pours out of you is everything you areâloss and loneliness and the desperate need to simply surviveâand you feel it land, feel the ship begin to turn toward the rocks.
You rise from the water, ready, and find a man at the railing looking directly at you. Awake.
That stops you cold.
He should be entranced. They all are. You can see the rest of them behind him, swaying, glassy-eyed, caught in the current of your voice. The song doesnât fail. It canât fail. It reaches into the deepest part of a person and pulls.
But this man is watching you with clear blue eyes and an expression of frank, unhurried interest, like youâre a curiosity heâs decided to examine rather than a horror dragging him to his death.
And you find yourself looking back.
Heâs tall. Broad through the shoulders in a way that speaks of someone who works, who fights, who doesnât simply give orders from behind a desk. Blond hair, longer than a soldierâs, pulled back from his face but loose enough that the sea wind tugs strands of it free.
A dark coat hangs open over a white shirt left carelessly half-unbuttoned, sleeves pushed up corded forearms. He is wearing black trousers, worn leather belt, boots built for decks and danger. Thereâs teal in the trim of the coat, deep as the deeper water, and a wide-brimmed hat that shadows his eyes without hiding them.
He looks like the sea itself decided to put on a manâs shape. And he looks entirely unbothered.
You should be the dangerous one here. Youâre the one who lures. Who drowns. Who sends the silver bones of ships to rest in the dark.
So why is it your pulse thatâs racing?
He leans his forearms on the railing, entirely too comfortable for a man who should be drowning. âThatâs quite a voice,â he says.
You bare your teeth.
His eyebrows rise. Not in fear, in something closer to delight.
âEasy,â he says. âIâm not steering toward your rocks. Though Iâll admit you nearly had my whole crew doing it for me.â He glances back at his men, frowns, then raises his voice into something that cracks like a whip. âWake up. All of you. Now.â
Something in the command cuts clean through the song. His men shake themselves, blink, look around in dawning horror at how close theyâve drifted to the black stone.
âHard to port,â he says, calm as anything. âBring us about.â
They scramble to obey. And they obey fast, the way men move for someone they trust with their lives.
And he turns back to you like none of it was urgent at all.
You stare at him, chest heaving, song dying in your throat.
Heâs still affectedâyou can see it now that youâre looking. There is a tension in his jaw. A faint roughness to his breathing. The song touched him. He simply refused to let it take him, the way a man might plant his feet against a current strong enough to drown him.
That should be impossible.
âHow,â you demand. Your voice cracks, unused for anything but the song. âThe song should haveâyou should beââ
âDrowning?â He says it mildly. âMm. I felt it. Donât mistake meââ His gaze sharpens, and for half a second something flickers there, something that says the song reached him more than heâll admit. âItâs a beautiful thing, what you do. I just happen to be very difficult to move once Iâve decided where Iâm standing.â A faint smile. âStubbornness has its uses.â
You donât know what to do with any of this. Youâve never been seen before. Only obeyed, or feared, or fled.
This man is doing none of those things.
Heâs just looking at you with those clear blue eyes. And you, traitorously, canât stop looking back.
His expression shifts. The amusement doesnât leave entirely, but something else moves underneath it. âYouâre starving,â he says.
It isnât a question.
You hiss at him, pride flaring even now. âI donât needââ
âWhen did you last eat?â
âThatâs notââ
âItâs a simple question.â
You donât answer. Canât. The shame is worse than the hunger, somehow. Being seen like this, reduced to this, by a human who should be afraid of you and instead is looking at you like youâre a problem he intends to solve.
He straightens, then turns to one of his crew. âThe catch from this morning. Bring it up.â
You go very still. You expect a trick. You watch, wary and coiled, as a crew member hauls up a netted bundle. Fish, fresh, silver-bright and gleaming in the morning light. More than youâve seen in weeks. The smell of it hits you and your whole body shudders with want.
The captain takes the net and crosses to the railing. âCome closer,â he says.
âSo you can spear me?â Your voice is venom. âIâm not a fool.â
âIf I wanted you dead, Iâd have let you keep singing and put an arrow through your throat while you worked.â He says it without heat, a simple fact. âI donât. So.â He holds out the net over the water. âCome and eat.â
You hesitate. Every instinct screams that this is wrong, that humans donât help, that kindness is a hook with bait on it, but the hunger wins.
You dart forward, fast and ready to flee, and snatch the net from his hand. He lets it go easily. He doesnât strike. He just watches as you tear into the fish with a desperation you canât be ashamed of, canât do anything about except eat.
He says nothing while you do.
When you finally surface again, heâs still there. He is leaning on the railing. âBetter?â he asks.
You stare at him. âWhy,â you manage.
âWhy what?â
âWhy would you do that?â Your voice shakes despite yourself. âYou should have killed me. Or run. Humans alwaysââ
âIâm not most humans.â He says it simply. âAnd I donât kill starving things that sing like the whole ocean is grieving.â Something gentler settles in his face. âThat wasnât a hunting song. Not really. That was something else.â
You donât have words. No one has ever heard it.
His name is Varka. He gives it freely, which surprises you.
âYouâre not afraid Iâll use it?â you ask.
âShould I be?â
âNames matter. To things like me.â
âMm.â He considers this, head tilting. âThen it seems only fair Iâve given you mine.â He nods at you. âAnd yours?â
You almost donât tell him. Then you do.
He repeats it once, and something about the way he says it, like itâs worth saying correctly, makes your chest ache in a way the hunger never did.
âSuits you,â he says.
âYou donât even know me.â
âNo,â he agrees easily. âBut I know what itâs like to hear a name and feel it fits. Yours does.â He says it without weight, like it costs him nothing, and then moves on before you can decide whether to be flustered or furious. âYouâve been out here a long time, I think. Alone.â
âHow would you know that?â
âThe song.â His eyes are steady. âIt wasnât a hunting song. Not really. Hunger drove it, maybe, but underneathââ He pauses, choosing words. âThat was the sound of something thatâs been alone too long. Iâve heard grief before. I know its shape.â
You go very still. No one has ever heard it. You change the subject because you have to. âWhat are you, then? You sail under no banner I recognize.â
âA privateer.â A wry tilt of his mouth. âSanctioned. Papers and all. Which makes me a pirate the way a sword is a letter-openerâtechnically accurate and entirely beside the point.â He gestures at the death-waters around you, the black rocks, the wreck-strewn deep. âI sail where honest men wonât. Through places like this.â
âAnd what is it youâre looking for? No one comes to the death-waters for nothing.â
Something flickers across his face. âA sword,â Varka says.
You blink. âA sword.â
âAn old one. Lost a long time ago, in a wreck somewhere in these waters.â He says it lightly, but you hear the weight underneath, the thing heâs not saying. âA family blade. My father carried it. His father before him.â A pause. âIt went down with a ship I wasnât on. Iâve spent longer than Iâd like to admit chasing where it fell.â
âIt matters to you,â you say slowly. âMore than a sword should.â
He looks at you. A little startled, like he didnât expect to be read so easily. âMm,â he admits. âMore than I tend to say out loud.â
The honesty sits between you, unexpected and warm.
You find yourself studying him: the longer hair tugged loose by the wind, the open collar, the way he holds himself even at rest like something coiled and ready.
Thereâs the easy confidence of a man used to being followed. But underneath it, in the way he spoke about the sword, something quieter. Something that grieves.
You understand grief. âThere are many wrecks here,â you say, before you can think better of it. âThe rocks take ships. Always have. I know where most of them lieâwhich deeps hold what, which currents guard which bones.â You lift your chin. âBetter than any map youâll find.â
His whole attention sharpens onto you. âYouâd know where my fatherâs ship went down.â
âIâd know where to start looking.â You hold his gaze. âThese are my waters. I know them the way you know your own hands.â
For a long moment he simply looks at you, weighing something. âWhy would you help me?â
Itâs a fair question. You donât entirely have an answer.
Because you fed me when you could have killed me. Because you said my name like it mattered. Because youâre the first thing in years thatâs looked at me and seen something other than a monster.
âBecause I want something in return,â you say instead, which is also true. âA deal.â
A slow smile. âGo on.â
âIâll help you find your wrecks. Tell you which waters hide what.â You hold his gaze. âAnd in return you keep bringing the catch. Until the fish return to these waters.â
âAnd the singing?â he asks. âThe luring sailors to their deaths?â
You lift your chin. âI havenât done it in many years. Today wasââ The shame again. âI was desperate. I wonât, if I donât have to. I never wanted to be that.â
Varka studies you for a long moment, then nods. âThen we have a deal.â
He extends his hand down toward the water. You look at it. At him. At the strange impossible warmth of a human offering his hand to a thing the stories call a monster.
You reach up. His grip is warm and careful, and when your hand meets his, something passes between you that has nothing to do with sirens or captains or swords.
â ⊠â
The first days are not easy.
The deal is struck, but a deal is just words, and your body doesnât trust words. It trusts the hunger, which has ruled you for weeks, which doesnât simply vanish because a stubborn captain promised to feed you.
And the death-waters donât make it simple. Storms roll through, days of them, churning the sea so violently that the ship has to run before the wind, leaving the stretch of water you know.
You lose them. You spend two days, three, fighting currents and searching, the hunger creeping back with every hour, sharpening you down again into that feral, narrow thing you hate being.
When you finally find the ship, youâre past thinking. Youâre not reaching for the song, not eyeing the crew, nothing like that. Itâs simpler and worse than that: youâre on edge, every nerve scraped raw, the desperation back in your blood like a fever.
And then you see Varka at the railing. And something in you goes wild. You donât decide to move. You surge up out of the water fast and high, almost onto the deck itself, close enough that the nearest crewman shouts and stumbles back.
âWhoa.â Varkaâs hand comes up, palm out. âEasy.â
You snarl at him, teeth bared, the sound tearing out of you before you can stop it, and then you catch yourself. Catch the wild thing by the throat and drag it back down, chest heaving, horrified at yourself, sinking back toward the water with your pulse roaring.
âIââ Your voice is wrecked. âThe storms. I couldnât find you. I havenâtââ You canât finish.
Varka doesnât flinch. Thatâs the thing that undoes you.
A creature of the death-waters just came at his deck with bared teeth, and he hasnât reached for a blade, hasnât done anything but watch you with those clear blue eyes and that infuriating, impossible calm.
âThe catch is already up,â Varka says, like nothing happened. He nods to the net waiting at the rail. âFigured youâd be hungry, wherever youâd got to. Eat.â
You donât have the pride left to refuse. You take the fish and you eat with a desperation you canât hide and canât be ashamed of, and the whole time youâre aware of him watching with a kind of intent, arrested fascination.
When the worst of it passes, you finally meet his eyes.
Heâs still watching.
âYou shouldnât stare like that,â you say roughly. âI nearly attacked you a moment ago.â
âMm.â He doesnât look away. âYou didnât, though. You stopped.â A pause, something thoughtful in it. âThat canât have been easy. Hungry as you were.â
You donât know what to say to that. No one has ever given you credit for the stopping. âYouâre a reasonable man,â you manage. âBy all accounts. Reasonable men donât lean closer to the thing that just bared its teeth at them.â
A faint, wry curve of his mouth, aimed more at himself than you.
âNo,â Varka agrees. âThey donât.â He still doesnât move back. âIâve been told my judgment occasionally takes the night off.â
And there is that current under everything again, that thing neither of you will name, pulling at you both even now, even like this, even with your hands still trembling and your pride in tatters.
You make yourself look away first.
The silence stretches. Varka is still watching you with that arrested, against-his-better-judgment intentness, and you can't stand it.
âWhy are you still helping me?â you ask. It comes out sharper than you mean. Still half-feral, still raw. âYouâve fed me for days. You donât have to. The deal would hold without the kindness.â
âThe dealâs the deal." He says it easily enough. âYou guide my charts, I keep your belly full. Fair trade.â
âThatâs not what I asked.â
Something flickers behind his eyes. âI help people who need it,â he says. âAlways have. Doesnât much matter to me whether they walk on two legs orââ a glance at the water ââdonât. Someoneâs starving in front of me, I feed them. Thatâs not complicated.â
You bristle, the wild thing rising again. âI donât need your charity.â
âGood thing it isnât charity, then.â
That stops you. âIt isnât?â
âNo.â Heâs blunt, and thereâs an edge to his voice you donât yet have a name for. âCharity is something you give and might forget. I havenât forgotten a single conversation weâve had. I think about the things you tell me. I look forward toââ He stops himself. âIt isnât charity. Donât insult us both by calling it that.â
You donât know what to do with the honesty. So you do what you always do. You go prickly. âYou shouldnât get attached to a thing like me,â you mutter. âIt never ends well. For the human.â
Varka doesnât reply. Instead, he looks at you with an expression you canât decipher.
Itâs getting dark. You hadnât noticed until now. The sun has gone down behind the rocks, the water turning to ink, the first stars surfacing overhead.
And in the dimness something shifts in the way Varka is looking at you. âYou glow a little,â he says quietly. âIn the dark. Did you know that?â
You go still. No one has ever told you that. No one has ever been close enough, or unafraid enough, to notice.
For a moment you just look at each other across the dark water, and the silence is so charged itâs hard to breathe.
âStill,â he says, leaning back, âyouâre remarkably aversive for someone who keeps coming back.â
You hiss before you can help it. âCan you blame me?â
âMm.â He tilts his head. âCan you blame humans? For being careful? The stories about your kind arenât gentle.â
âYes,â you snap. âExactly. The stories.â The bitterness surprises even you. âEveryone knows the stories. Everyoneâs so sure they know what we are. Drowners. Devourers. Monsters with pretty voices.â You bare your teeth. âNo one ever wonders if the stories are wrong. No one ever asks. They just decide, and reach for the harpoon.â You look away. âMost of my kind never touched a human in their lives. But itâs easier to believe the song than the silence.â
Varka is quiet a moment. âThat,â he says, âis the most human complaint Iâve ever heard.â
You glare at him.
He studies you a moment longer. Something thoughtful working behind his eyes. âIâll admit,â he says slowly, âI didnât expect it. Your kind. Theââ he gestures, searching for the word ââthe feeling. The bitterness, just now. The way you talk about being misjudged like it actually wounds you.â He pauses. âItâs almost human.â
You go still.
âI wouldnât know,â you say, quieter than before. âI have no comparison. I donât know what humans feel. I only know what I feel.â You look away. âMaybe itâs the same. Maybe it isnât. No oneâs ever asked me before, so Iâve never had to wonder.â
Varka is quiet. Then, almost in passing, offhand, like heâs only just realized it himself, he says: âMm. Maybe theyâre not so different. The core of it.â
He turns the thought over. âHunger. Loneliness. Wanting to be more than what people decided you are. Wantingââ he stops, then continues ââwanting to survive, and not be hated for it.â His eyes flick to you. âThatâs why I keep feeding you, if you must know. It isnât pity. I just donât see much difference between a starving siren and a starving anything else. A thing that wants to live isnât a monster for wanting it.â
The honesty unspools something in your chest youâd rather keep wound tight. So you reach for the old armor. Dry. Defensive.
âYou should be careful with that thought,â you say. âThere are stories about us too, you know. Our own kind tells them.â
You trail your fingers through the dark water. âThat the first sirens werenât born in the sea at all. That we were human, onceâcenturies ago. Cursed. Drowned and remade into something that sings instead of speaks, that hungers instead of loves.â
A bitter little laugh escapes you. âIf the stories are true, then everything I feel is just a human heart that never stopped beating. Twisted up. Made sharper. Moreââ you search for it ââmore. We feel too much and too hard, the old songs say. Itâs why weâre dangerous. Why getting close to us is a bad idea.â You meet his eyes, daring him.
For a moment Varka doesnât answer. Heâs processing it, filing it away somewhere, the way he files the shape of a coastline or the set of a sail.
âNoted,â is all he says. âDangerous creature. Feels too much.â The corner of his mouth lifts. âIâll add it to the list.â
You hiss at him, and the moment passes, but the words sit in the water between you, planted, waiting.
Human once. We could be again, some small buried part of you doesnât quite let itself say. You bury it with the rest.
And then Varka moves. Fast and sudden. Not a real strike, you realize that even as it happens, but your body doesnât know the difference. The wild thing surges up, instinct screaming threat, and the old memories claw at the edges of your mind.
You hiss, recoiling, teeth bared, every nerve alight, and then he stops. Hands up. Calm. âEasy,â he says. âJust showing you something.â
âWhat,â you spit, âcould you possiblyââ
âThatâs a feint.â He says it like an instructor. âYou read the motion, not the intent. You committed to the dodge before you knew if it was real. A clever opponent wouldâve used that. Wouldâve drawn the reaction, struck where you werenât.â He nods at you. âYouâre fast. But youâre all instinct. No reading. Same thing I told my crew this morning.â A beat. âIf you ever do have to defend yourself against something with hands and a bladeâyouâll want to know that.â
You stare at him. The fury drains, replaced by grudging interest. Because heâs right. And no one has ever bothered to teach you anything but fear.
âI donât need lessons from a human,â you say. But thereâs no venom in it now.
âNo?â
âNo.â And then, because the prickly pride demands it, because you want, fiercely, for him to understand that you are not the helpless starving thing he keeps feeding: âWatch.â
You lift a hand from the water. And you call, just a little. The sea answers: a current curling up at your command, lifting a rope of water into the air, coiling it around your wrist like a living thing before you let it fall back with a slap against the hull. The ship rocks, gentle, at your whim.
Varkaâs eyebrows climb.
âThe sea listens to me,â you tell him, and you canât quite keep the satisfaction out of it. âThatâs what your stories never mention. We donât drown sailors with our hands. When the sea listensââ you let the water curl once more, then still it ââwe donât need to.â
Heâs gone very quiet, looking at you with something new now. Something closer to awe. â...Remind me,â he says slowly, ânever to make an enemy of you.â
âTry your best,â you say, a smile creeping up on your face.
It startles a laugh out of him. And just like that, something between you has changed. The wild thing has settled. The wariness, on both sides, has cracked a little further open. You showed him a piece of what you are, and he didnât reach for a weapon. He marveled.
You find that you want to tell him things, now. So you do.
âI heard something,â you say, the prickliness gone soft at the edges. âWhile I was lost in the storms. Passed close to a trade route, a fishing village. Sailors talk.â
You drag the conversation back to something safe, something transactional, something that isnât the way heâs looking at you right now. âThereâs word of a wreck off the northern shoals. Old. Carried something valuable down with it, they say. Might be nothing. Might be worth your charts.â
It works. Mostly. His attention sharpens onto the information, the captain surfacing over the man.
But not entirely. Because even as he asks his questionsâwhere, how old, what the sailors claimedâthereâs a part of his gaze that hasnât left you. Thatâs still turning something over. Still, against all his better judgment, interested.
You tell yourself you donât notice.
â ⊠â
The days that follow settle into something you donât have a name for.
The deal holds. Each morning the catch comes over the railing. Fish, fresh and silver and plentiful, more than enough to dull the screaming hunger down to something youâd almost forgotten existed: an ordinary appetite, easily fed.
Your strength returns. The hollow in your cheeks fills. You stop counting time in absences.
Sometimes itâs Varka who brings the catch.
Sometimes it isnât. Thereâs a sharp-eyed first mate too. Heâs blue-haired, perpetually amused, and calls you the captainâs mermaid in a tone that makes you want to drag him under purely on principle. He hands the net down with a grin and a comment you donât dignify with a response.
You decide you donât like him. You decide this several times, mostly because he keeps looking like he knows something you donât.
And sometimes there are no words at all. The fish come down, you take them, the ship moves on to chart another stretch of wreck-strewn water youâve marked for them. A transaction. Nothing more.
Except it never stays nothing more for long. Because Varka talks to you. Not always but often enough that you start, traitorously, to look for it.
You also learn the shipâs name. The Dandelionâs Flight.
Itâs a strange name for a pirateâs vessel. The flag that snaps above her mast is a single dandelion seed-head scattering on the wind, white against deep teal. But the longer you know Varka, the more it makes sense.
Varka is never quite the same twice.
Some days heâs easy, almost teasing, leaning on the railing with that open-collared confidence, drawing the wild out of you just to watch it spark. âCareful,â heâll say when you snap at him. âBare your teeth at me like that and Iâll start thinking you like the company.â
And youâll hiss something cutting back, and heâll laugh brightly like your sharpness is a gift rather than a threat.
One morning you arrive to find the deck in motion. Sparring. The crew paired off across the boards, blades flashing in the early light. Varka is in the middle of it with his coat discarded and his sleeves shoved up, drilling them the way youâd drill anything you intended to keep alive.
You stay low in the water and watch. You canât help it.
Because this is different from the captain who leans on railings and teases. This is the man underneath the ease. He moves through his crew correcting a grip here, a stance there, then takes on two of them at once just to prove a point, and disarms them both without ever quite seeming to hurry.
Thereâs no glory-seeking in it. No showing off. Just a man who has decided his people will come home alive, and intends to make sure of it.
The white shirt clings to him with sweat by the end. You become aware that youâve been staring for some time. That your tail has gone still in the water. That something warm and inconvenient has settled low in your chest.
Varka catches you looking. âEnjoying the view?â he calls, not even winded.
You sink immediately to your eyes, glaring over the waterline. His laugh follows you down.
Other days heâs serious, stern, even, the weight of command settling over him, the privateer-captain whoâs responsible for every life on his deck. On those days he asks careful questions about the waters ahead, the currents, the hidden rocks, and listens to your answers with a focus so complete it makes your scales prickle.
And some days heâs simply wondering and quiet, watching the water like it holds answers. Asking you things no human has ever asked. What itâs like beneath the waves. Whether you remember being anything other than what you are. Whether youâre lonely.
(You never answer that last one. Varka never pushes. But he asks again, another day, gentle as the tide.)
Youâre meant to be the dangerous one. Instead you find yourself surfacing earlier each morning. Youâre lingering longer each evening, memorizing the different shapes of him and being unable to decide which unsettles you most.
âYouâre staring,â Varka says one evening, not looking up from the rope heâs coiling.
âIâm assessing a threat.â
âMm. And?â
âThe threat is irritating.â
That earns you the laugh again. You tell yourself you donât swim a little higher in the water to hear it better.
(Youâre a liar.)
â ⊠â
The ship is not your whole world. It only feels that way, lately.
When youâre not trailing Varkaâs hull, you do what youâve always done. What you did for all the long years before a stubborn captain sailed into your waters and refused to drown. You roam.
You drift along shorelines at dusk, close enough to watch the lights come on in distant windows.
You explore the caves that honeycomb the black rocks, cool and dark and full of the small glowing things that live where the light canât reach. You follow the great slow currents out past the death-waters and back again, mapping the sea the way youâve always mapped it.
And you visit the wrecks. There are so many. Centuries of them, scattered across the deep. Ships the rocks took, ships the storms took, ships that simply vanished and came to rest here in the dark. You know them the way you know your own scales.
You drift through their broken hulls, past the coral thatâs reclaimed them, and sometimes you find things. A name carved into a beam. Cargo that survived the drowning. Charts gone soft with seawater but not yet illegible. The small persistent evidence of who a ship was before the sea unmade it.
You never used to care what any of it meant. Now you find yourself lingering. Youâre reading names, noting which wrecks are old enough, deep enough, the right shape to maybe be the one a certain captain is looking for. You catch yourself memorizing details to bring back to him, as if his quest has somehow become a thing you carry too.
In one of the deeper wrecksâan old merchant vessel, half-swallowed by coralâyou find a strongbox that the sea hasnât quite managed to ruin.
Inside you find jewelry. Tarnished but fine. Rings, a chain, a brooch worked in silver. And a belt, the leather somehow preserved, the buckle heavy and well-made.
You tell yourself itâs practical. The sea will only ruin them, given time, and a pirateâa privateerâsurely has use for such things. Itâs nothing. A scrap of the deal, perhaps. Repayment for all the fish.
You very carefully do not think about the fact that you noticed, days ago, that Varkaâs own belt is worn nearly through at the buckle. That you found yourself looking at this one and thinking of him.
You donât usually take things. You take these. You donât examine why.
â ⊠â
You are not the only one of your kind in these seas. There are others. Scattered and rare. Sirens donât gather. You donât build, donât share, donât keep each other company the way humans crowd their warm little ports.
You drift through the vast dark alone and cross paths so seldom that years can pass between sightings. Itâs simply what you are. What youâve always been.
You tell yourself you prefer it.
You meet one of them while roaming the cold currents north of the death-waters. Another like you, rising pale and luminous out of the deep, regarding you with eyes that hold nothing you recognize.
You greet her, in the old wordless way your kind speak.
She answers strangely. Distant. As though something in you reads wrong to her. She looks at you the way you imagine humans look at you: warily, like youâre not quite the thing youâre supposed to be.
When you find yourself asking after the warmer waters, the inhabited places, the shipsâshe recoils, faintly. As if the question itself is a kind of sickness.
You linger near them, she seems to say, without saying. Why?
You donât have an answer sheâd understand.
The exchange leaves you unsettled, lost in a way you canât name. A sense that youâve drifted somewhere your own kind canât follow, and that the distance is in you, not the water. That youâve become a stranger to the only beings who share your shape.
You shake it off. You keep roaming. But the feeling lingers, cold at your edges: the dawning suspicion that you donât quite belong anywhere. Not among humans, who fear you. Not among your own kind, who find you wrong.
You bury that, too. (Youâre getting good at burying things.)
You donât understand it. Thatâs the part that unsettles you most. It would be easier if you could explain it. If you could tell yourself itâs only the deal: fish for information, a fair trade, nothing more.
But the deal doesnât explain why you swim a little faster on your way back to the ship. Why you find yourself wanting Varka to find his sword. Why the thought of him sailing north and not coming back sits in your chest like a stone.
Humans have never been kind to you. You remember that much. Short, sharp memories that surface unbidden in the dark. Nets and spears and faces twisted with fear and hatred. A harpoon that grazed your side once and left a scar that aches in cold water still. The certainty, learned early and learned hard, that to them you are only ever a monster, a danger, a thing to be killed before it kills.
Thatâs why you came to the death-waters. To be left alone. To stop being hunted.
And then a captain fed you when he could have killed you, and said your name like it mattered, and leaned closer when you bared your teeth instead of reaching for a blade. And something youâd sealed away a very long time ago has started, quietly, to crack open.
Thereâs an older memory, too. Vaguer. From so long ago you canât be sure itâs real and not something you dreamed. Warmth. A shore. A voice that wasnât afraid. Hands that didnât reach to hurt. A feeling you donât have a word for anymore because youâve gone so long without it.
You donât know what it was. A kindness, maybe, before the world taught you to expect cruelty. A memory from before you understood what you were and what that meant.
Youâd buried it. It was easier not to remember that humans could be gentle, easier to believe they were all nets and spears, because then the loneliness of the death-waters felt like safety instead of exile.
But Varka keeps cracking the seal. And the old memory keeps drifting up through the dark, insistent, like something rising toward light. And this memory is turning into this new feeling you have no proper explanation for.
You tell yourself it changes nothing. Youâre a siren. Heâs a human captain. Heâll find his sword and sail away and the death-waters will close over the strange interlude like water closing over a stone.
Thatâs how it has to be. You tell yourself this, alone in the cool dark of a drowned ship, running your fingers over a name carved into salt-soft wood.
Then you memorize the nameâjust in case itâs useful to himâand turn back toward the surface. Toward the ship. Toward him.
â ⊠â
The next time you reach the ship, you wait until the deck is empty. Then you rise just enough to set them on the boards near the railâthe jewelry in a small bright heap, the belt coiled beside itâand you sink back down before anyone can see.
You donât mean to be there when he finds them. You are anyway, lurking in the dark water, telling yourself youâre only passing by.
Varka comes up at dawn. He stops, looks down at the small pile of salvage on his deck. He picks up the chain, turns it in the early light, then scans the water, and finds you immediately. âYours?â he asks.
You bristle on instinct. âI found them. In a wreck. Theyâd only rot down there.â Your reply is defensive, too fast. âYouâre a pirate. I assumed youâd want them. Treasure. Isnât that the whole point of your kind?â
Something crosses his face.
âThatâs not what we do,â he says. Mild, but firm. âNot really. We run cargo the honest ships wonât risk. Clear waters of the things that prey on themâyouâve seen that part. Carry word between ports that donât trust anyone official.â
He sets the chain down. âTreasureâs nice when we find it. I wonât pretend otherwise. But weâre not the story, either. We donât sink ships for baubles. Most of what the songs say about pirates is about as true as what they say about sirens.â
The parallel lands. You hadnât expected it.
âStill.â His voice softens. âItâs a kind thing. Thank you.â
Youâre already retreating, oddly stung. Because he glanced at the jewelry when he said treasureâs nice, set it aside, and you read it as I donât need your gesture. The wild prickly part of you decides heâs humoring you.
âItâs nothing,â you say, distant now. âDo what you like with it.â
And you slip beneath the surface before he can answer.
â ⊠â
Itâs an ordinary morning when you notice. Varkaâs at the rail, sleeves shoved up, going over charts, and around his waist, holding everything in place, is a belt with a heavy, well-made buckle. Not his old one, worn through at the clasp. Yours. The one you left.
Heâs wearing it. Has been, you realize, for who knows how long because itâs already softening to the shape of him, already his.
Something turns over in your chest. Warm and entirely unwelcome.
Varka catches you staring. He glances down at the belt, then back at you.
âMine gave out,â he says. âThis oneâs better made. Seemed a waste to leave it in a box on my deck.â And then, quieter, with the ghost of a smile: âThe jewelry I gave to the crew to trade at the next port. Didnât think you carved it up out of a wreck for me to hang baubles off myself.â His eyes hold yours. âBut the belt I kept. Use something every day, you donât forget where it came from.â
You donât have a single thing to say. Varka goes back to his charts like he hasnât just undone you completely.
You sink lower in the water, watching the way the buckle catches the light at his hip, and feel the odd warm thing settle deeper. The understanding, unwanted and undeniable, that he chose to keep the piece of you heâd use. The practical one. The one that stays close.
You tell yourself it means nothing. (You really are getting tired of lying to yourself.)
â ⊠â
The rhythm changes, as rhythms do.
You range wider now. The storms have passed and the silver has begun creeping back into the death-waters. Small schools at first, then larger, the sea slowly remembering how to feed you.
You find new grounds, too: a cold trench to the east thick with fish, a kelp forest where the currents herd them into easy reach. You donât go hungry the way you did.
Which means, some mornings, you simply drop the dayâs findings on the deck and go. A wordless transaction, the deal humming along in the background of two lives that have their own business to attend to.
Varka has his charts, his lead to chase, his crew to drill. You have your wrecks, your wandering, the wide dark sea thatâs always been yours.
Youâre each doing your own thing. Itâs only that your own things keep, somehow, bringing you back to the same stretch of water.
â ⊠â
You donât always follow the ship. But youâve started swimming closer to the inhabited places than you used to. The harbors, the trade-islands, the lantern-lit docks where humans gather.
You tell yourself itâs for intel. Sailors talk, and talk is currency now, something to bring back to a certain captain. But the truth is murkier than that. Some part of you has started to like it. The warmth of it. The music that drifts out over the water. The strange, bright, fragile life of people who donât know a siren is listening from the dark.
You donât examine that feeling too closely.
So when the Dandelionâs Flight puts in at a trade-island to restock, you drift in after her, keeping to the deep water beyond the docks, watching the lights.
Itâs a rough place. Privateers and honest sailors and the occasional overdressed nobleman, all crammed into taverns that spill noise and lamplight onto the water.
You hear a brawl break out in one of them: shouting, breaking glass, the ordinary violence of too much drink and too little sense. Nothing remarkable. The crew of the Dandelionâs Flight drifts to a quieter tavern down the quay, and you settle in to wait and listen.
Itâs much later when you see him.
Varka. Alone. He is moving fast down the dock. Not the easy, unhurried stride you know, but something tight and furious, shoulders rigid, a bottle hanging forgotten from one hand.
He is not drunk. You can tell that much even from the water. But he is not steady, either. Tipped just enough that whateverâs burning in him has slipped the leash he keeps it on.
Youâve never seen him like this.
He reaches the end of the dock and stops. He stands there breathing hard, staring out at the black water like itâs done him a personal wrong. And then he grabs an empty barrel from the dockside and hurls it into the sea.
Youâre so startled you nearly give yourself away.
Because this is Varka. The man who didnât flinch when you bared your teeth, who is, by every account youâve gathered, the most maddeningly composed person to ever sail these waters. And here he is, on an empty dock at night, throwing barrels into the ocean like a furious boy.
Youâre fascinated. Youâre a little shocked. You call out before you can think better of it. "You know, most people just yell. The barrel seems excessive.â
He whirls toward your voice. For a moment he just stares at you. And thereâs no warmth in it, none of the easy interest youâve grown used to. Just raw, unguarded anger, looking for somewhere to land.
âWhat,â he says, low and sharp, âis it to you?â
You bristle. âI happen to live in the thing youâre throwing your tantrum into.â
âThen move.â He turns away. âIâm not in the mood.â
âClearly.â You surge closer, stung. âWhatâs wrong with you? Youâre notâyouâre never like this."
âYou donât know what Iâm like.â His voice is cold. âWeâve known each other a couple of weeks. Donât pretend youâve got me figured out.â
That lands harder than it should.
âFine.â You bare your teeth at him, the wild thing rising. "Throw your barrels. Drown your bottle. Sulk on a dock like the whole sea owes you something. I donât care.â
âThen why are you still here?â
âBecauseââ You donât have an answer, and that infuriates you more. "Because youâre being an idiot, and someone should tell you!â
âYouâre infuriating.â Varka rounds on you fully now, and thereâs something almost desperate under the anger. âYou know that? You appear out of nowhere, you nearly capsize my ship, you save it again, you sing like the whole ocean is grieving, and now you wonât even let a man be angry in peaceââ
âYou sound like youâve got plenty of practice not being angry!â you snap back. "Maybe thatâs the problem!â
The words hang there. And just like that you both stop.
Varka drags in a breath and lets it out slow. You watch him visibly take hold of the fury and force it back down.
âYouâre right,â he says finally, rough. âThat wasnât fair. None of that was about you.â
Youâre still coiled, still stung, but the calm in him pulls the wild out of you too. âNo,â you agree, quieter. âIt wasnât.â
A long silence folllows. The water laps at the dock. And thenâbecause the moment is too heavy and you donât know what else to do with itâyou tilt your head and say, dry as you can manage:
"Well. If you intend to pollute the ocean, you should know I might have a say in the matter. Territorial rights. The barrelâs an act of war.â
Varka blinks. For a heartbeat he just looks at you, thrown completely off his stride. Then something in his face breaks. A startled, helpless huff of something thatâs almost a laugh. âAn act of war,â he repeats.
âIâm prepared to escalate.â
He sits down heavily on the edge of the dock, then scrubs a hand over his face. And for the first time since you spotted him, the rigid set of his shoulders eases. âYou,â he says, âare unbelievable.â
âYouâve mentioned.â You drift closer, settling in the water below where he sits. âWhat happened in there?â
Heâs quiet for a long moment.
You think he wonât answer.
âThere was a man in the first tavern. Someone I knew, a long time agoâback when my father was still alive.â He turns the bottle slowly in his hands, not drinking. âHe had something that belonged to my family. An old piece. The family sigilâs on itâa wolf.â A flash of bitterness. âDonât know how he came by it. Stole it, most likely. Picked it up cheap when the household was broken up and sold off, after.â He doesnât say after what. âEither way. He had no right to it. So I took it back.â
âThatâs what angered you? Getting it back?â
âNo.â His jaw tightens. âWhat angered me was what he said. About my father. Casual. Like he had any right to the manâs name.â He stops. âI donât lose my temper. Not like that. Havenât in years. But he said it so carelessly, and I justââ
He doesnât finish.
You understand more than he knows. The way an old grief can sit quiet for years and then surface all at once, wild and ungovernable, at the smallest careless word.
Varka talks, after that. Not easily. But the night is dark and the anger has burned down to embers and maybe thereâs something about a creature who lives outside the human world that makes it easier to say things heâs never said on his own deck.
He tells you about his father. The wolf sigil, generations old. The sword, the one heâs chasing through the death-waters, that his father carried and his grandfather before him. How it went down with a ship Varka wasnât on, and how some part of him has never stopped trying to bring it back up.
He tells you about the household that was broken and sold. The pieces of his family scattered to careless hands like the one in the tavern. How the Dandelionâs Flight and her freedom-flag are the life he built after and how the sword is the one piece of before he refuses to let the sea keep.
âItâs not really about the sword,â Varka admits, somewhere near the end. Itâs the most honest thing heâs said all night. âItâs about not letting them take everything. Keeping one thing that was his. That was ours.â A pause. âStubbornness has its uses.â
The words strike something in you. He said that once before, standing at the rail of his ship while your song tried to drag him toward the rocks.
Back then youâd thought it arrogance. Confidence, perhaps. The sort of easy certainty that seemed woven into him. Now you hear something else in it. Devotion.
You think of the names youâve read carved into salt-soft wood. The wrecks youâve started searching with new eyes.
The angerâs burned all the way down now. Whatâs left is quieter. Looser. Varka turns the bottle in his hands, looks at you, sidelong. âCan I ask you something?â
âYou will regardless.â
âMm. True.â A pause. âThat anger. The kind that makes you bare your teethâthe way you did on my deck.â Heâs watching you carefully now. âThatâs not all instinct. There really is something under it. A person, feeling something. Same as I was, in that tavern.â
You tense. âWeâve already talked about this.â
âEasy.â He lifts a hand, softer than usual. âIâm only trying to figure something out. No need to go defensive on me again.â
And then Varka goes quiet. But itâs not the angry quiet from before.
Itâs something else. Something you can feel, even through the dark water. An aura coming off him that isnât fury, thatâs rawer than fury, almost wild at the edges. The same untamed thing that lives in you, surfacing in him.
He doesnât say anything. He just shifts and leans forward where he sits on the edge of the dock. Closer.
Close enough that if you rose even a little, youâd be near enough to feel the warmth of him, to count the new salt-dried strands of hair against his jaw.
Close enough that something in the air goes taut and humming and dangerous.
And then his hand comes up. The backs of his fingers brush along your cheek, warm and impossibly gentle for a man who hurls barrels into the sea.
You go utterly still.
Varka is not looking at your eyes anymore. Heâs looking at where heâs touching you, with an expression youâve never seen on him. Unguarded and almost lost.
His hand lingers. The whole world narrows to the warmth of it.
You donât know what breaks it. A shout from a distant tavern. The slap of a wave against the pilings. Something. But you feel the moment he comes back to himself, feel his hand still against your cheek as he realizes heâs doing it.
You break first. Youâre sinking back, sending yourself gliding off through the dark water along the line of the dock. Retreating. Your heart is pounding for reasons that have nothing to do with hunger or fear.
Behind you, Varka laughs, warm and amused at your escape. âHey,â he calls after you, and thereâs a tipsy ease in it, an unguarded fondness heâd never let slip sober. âCome back here.â
You slow and glance over your shoulder.
Heâs still sitting at the dockâs edge, lit by the harbor lanterns, watching you with that raw open look he hasnât bothered to put away. âYou should never leave good company behind,â he says.
Itâs a small thing. A throwaway line. The kind of thing a man says when heâs had a little too much and forgotten to be careful.
But you hear whatâs underneath it.
I like having you here.
I donât want you to go.
Youâyou specificallyâare good company.
Iâd rather sit on a cold dock with a siren than be anywhere else tonight.
He doesnât say any of that.
He thinks about something else, too. You can see it move across his face, there and gone, the thought he doesnât voice and wonât act on. His eyes drop, just once, to your mouth. Then back up.
He doesnât move. Heâs too disciplined, even now, even tipsy. Even with the wild thing loose in him.
But you felt it. The almost.
And the worst part, the part you carry back into the deep water that night, turning it over, is that you wanted him to do it. Whatever it was. You wanted it so much it frightened you.
Cursed things feel too much, the old songs say.
Youâre beginning to understand what they meant.
You drift back toward Varka anyway, closer than before. Because good company goes both ways, and youâre done pretending otherwise tonight.
âYouâre maudlin when you drink,â you inform him.
âIâm more direct when I drink.â He settles back, the moment banked but not gone. âThereâs a difference.â
âIâll find it,â you say then. And you mean it. âYour sword. I know these waters. If itâs down there, Iâll find where it fell.â
He looks at you for a long moment. âWhy?â he asks. âWhy would you care about a dead manâs sword?â
You donât have an answer. Or you have one, and youâre not ready to say it. âTerritorial rights,â you settle on. âCanât have you cluttering my sea with your unfinished business.â
He huffs that almost-laugh again. âRight,â he says. âTerritorial rights.â
You continue talking after that. And above the dock, the dandelion flag stirs in the night wind while you and Varka sit in the dark and let one more wall come quietly down.
â ⊠â
One evening you surface to find the crew gathered on the deck. They are just sitting. A lantern is lit between them, the dayâs labor is done, the ship rest at gentle anchor in waters youâve assured them are safe.
And theyâre trading stories. The first mate is in the middle of one that has half the crew groaning and the other half laughing, and Varka is leaning back against the mast with the loose ease of a man entirely at home.
You hover at the edge of the lantern-light, uncertain.
He sees you and lifts a hand. An invitation.
You drift closer. For a while you only listen. They tell stories of ports youâve never seen, storms theyâve survived, a tavern brawl that grows more impossible with each retelling. Itâs strange and warm and utterly human, this circle of light on the dark water, and you find yourself aching at the edge of it in a way that has nothing to do with hunger.
âYouâre quiet,â Varka observes eventually. The crew has drifted off in twos and threes. Itâs only the two of you now, the lantern burning low. âSirens donât tell stories?â
âSirens donât usually have an audience that wants to stay near them.â
He huffs a laugh. âFair.â
You hesitate. Then, because the night is soft and the warmth has loosened something in you: âWe did once. Long ago. Before the stories made us monsters.â
You look out at the dark water. âIâve seen things, you know. It isnât all hunger and drowning men. Iâve watched whales sing to each other across an entire ocean. Swum beneath ice so clear the moon shone straight through it. Found a city, once, sunk so long ago the coral had made it beautiful again.â
You sigh softly. âMy life hasnât only been this. This empty place. The fear I put in peopleâs faces. There was wonder, too. I have to remind myself of that, sometimes.â
Varka has gone very still, listening. âTell me,â he says.
So you do. You tell him about the whales and the ice and the drowned coral city, and he listens completely like thereâs nowhere else heâd rather be.
âAre they all like you?â Varka asks, somewhere in the warm lantern-lit quiet. âYour kind. Do they all see the things youâve seen? Sing the way you do?â
Youâre quiet a moment. âNo,â you say finally. âWeâre not alike. Not really.â You think of the pale stranger in the cold current, the wrongness in her eyes. âWe donât gather. We donât talk, much. And the ones Iâve metâthey donâtââ
You search for it. âThey donât wonder. About any of it. The ships. The shores. The lives up here in the light.â You look away. âI met one not long ago. She looked at me like I was something broken. Because I linger near the human places. Because Iâm curious.â Your voice wavers. âI donât think Iâm like the rest of them. I never have been. I just didnât have a word for it until she looked at me that way.â
Varka is watching you across the low flame. And he doesnât say Iâm sorry, or thatâs sad, or any of the soft useless things a person might. He just looks at you and says: âWell. I knew that from the start.â
You blink. âKnew what?â
âThat you werenât like the stories. Like anything Iâd heard.â The corner of his mouth lifts. âFirst time I saw you, the whole crew was halfway over the rail and you were singing the saddest thing Iâd ever heard, and I thoughtâthatâs not a monsterâs song.â He pauses. âYou were something else. Something I hadnât met before.â His voice goes quieter. âUnique. I knew it before I knew your name.â
The fire pops. The water laps the hull. And you sit there in the dark, the creature who belongs nowhere, looking at the one person in any world whoâs ever made you feel like not belonging might be the same thing as being special.
You donât have a word for that, either. But for once, you donât want to bury it. So you keep talking.
At some point, Varka tells you stories too. And your conversation carries on naturally. Quieter than all the other times, and yet charged with something that makes your skin tingle.
Somewhere in the middle of it you both seem to realize, at the same moment, whatâs actually happening.
You stop mid-sentence. He notices the same instant.
âThis is strange,â you say slowly.
âMm.â He scrubs a hand over his jaw. âI was just thinking that.â
âYouâre a human captain trading stories with a creature youâre supposed to fear.â
âAnd youâre a siren who saved a ship instead of sinking it.â He shakes his head, something rueful and warm in his expression. âIâve sailed a long time. Seen most of what these seas have to offer. I never once imagined Iâd spend my evenings talking to one of the death-watersâ own like she wasââ He reconsiders the word. âLike an old friend. Or, actually, likeââ He stops.
Your heart does the painful, bright thing again.
âEvery day out here brings something I didnât expect,â he goes on, quieter, looking at you and not the water. âI thought I was past being surprised by the sea.â He pauses. âApparently not.â
He doesnât say you. You both hear it anyway, sitting there in the lantern-light, neither of you willing to name the thing thatâs so plainly settling between you.
âDonât make it strange,â you finally manage.
His mouth curves. âWouldnât dream of it.â But heâs still looking at you like youâre the most unexpected and fascinating thing heâs found in all his years at sea.
And youâre still letting him.
â ⊠â
The shift happens quietly. You find a wreck off the northern shoals. The one the sailors whispered about. The one you went looking for after that night on the dock.
An old warship, deep and broken, its hold long since claimed by the dark. And in it, half-buried in silt and the bones of the sea, a chest bearing a sigil youâve come to know better than youâd like to admit.
A wolf.
You donât open it. You know what it means.
You bring Varka the location the next morning, and you watch his face change as he understands what youâre telling him.
âThatâs it,â he says quietly. âThatâs where she went down. My fatherâs ship.â His hand tightens on the rail. âYou found it.â
âI found where,â you correct. âThe recoveryâs yours. Itâs deep, and the currents are bad, and youâll need divers and time and a great deal of luck.â You pause. âBut yes. I found it.â
He looks at you for a long moment.
And you both feel the thing settling between you, unspoken.
The deal is complete.
You guided his charts. You found his sword, or near enough. He fed you through the lean weeks until the sea remembered how to feed you itself. Both halves fulfilled.
Both of you free, now, to go your separate waysâhim north to raise a dead manâs blade from the deep, you back to the wide dark solitude that was your whole world before a dandelion flag sailed into it.
Thatâs how a deal ends. Thatâs how itâs supposed to end. Neither of you says a word about it.
Instead, you keep coming back.
The reasons get thinner. You donât need the fish. You tell him about the eastern trench, the kelp forest, and Varka stops sending the catch up as often, and it changes nothing. You come anyway.
Varka doesnât need your chartsâhe has his bearings now, his crew already preparing for the long haul northâand still he lingers at the rail when you surface. Still he saves the dayâs small stories to tell you, still his eyes find you in the dark water before youâve even called out.
Youâre both pretending not to notice that the thing holding you together has quietly dissolved. That whatever keeps bringing you back now isnât a bargain. Itâs just want.
â ⊠â
The wind is wild the day you almost donât stop. Youâre only swimming a wide arc through the choppy water on your way somewhere else, the sea restless and white-capped, the Dandelionâs Flight riding hard at anchor with most of her crew below decks, sheltering from the gusts.
Most of her crew. Not her captain.
Varkaâs up near the wheel.
You slow without deciding to.
Heâs training. Alone. Heâs just moving, for himself, the way youâd almost forgotten a body could move when no oneâs watching it. A slow, deliberate sequence of strikes and turns against nothing but the wind, sleeves gone, shirt half-open and snapping around him, the muscle of his back and shoulders working as he flows from one form to the next.
The deck pitches under him. The gale tears at his hair. And he moves with it, using the roll of the ship, letting the wind be part of the dance instead of an enemy.
You forget, entirely, where you were going. You watch far too long before you find your voice. And when you do, it comes out sharper than you mean, because being caught staring makes you defensive even with yourself.
âYou do know the windâs wild today?â you call up. âOr are you too absorbed in whatever that is to notice the seaâs trying to throw you off your own deck?â
Varka doesnât stop mid-form, exactly. He just turns and looks back at you over his shoulder, hair whipping, a grin breaking across his face. âIâm a captain on a ship,â he says, âwho, once in a while, helps out sirens, as it seems.â The grin sharpens. âI can assure youâI thrive in the wild.â
And he holds your gaze when he says it.
You are, for one humiliating moment, completely stunned. Because of the way he tosses those words at you, daring and bright. No one has ever spoken to you so freely.
It does something to you. Something unraveling.
Before the prickly part can stop you, you say: âCareful, Captain. The seaâs thrown wilder things than you off their feet.â You pause. âIâd know. Iâve been most of them.â
Varka blinks. Then he makes a delighted sound. âDid you just make a joke?â
Heat rushes up your neck. âThe wind mustâve been whispering things to you.â
âNo. No, that was definitelyââ heâs grinning so wide now itâs infuriating ââthat was a joke. From the fearsome siren of the death-waters. Iâm honored.â
âDonât get used to it.â
âOf course not.â
And then, because you canât let him have the last word, you give your tail a single sharp flick beneath the surface and throw a sheet of water up the hull, a wild glittering arc of it that catches Varka square across the chest.
He staggers back a step, soaked, laughing, head thrown back, the sound of it ringing out over the wind.
âThatâs for the harpoon comment Iâm sure you were thinking,â you inform him primly.
âI wasnât!â
âYou were.â
âIââ He wipes water from his face, still grinning. âMm. I mightâve been.â
Youâre both laughing now like neither of you has ever been dangerous a day in your lives.
It doesnât fit. Thatâs the thought that surfaces through the laughter, sudden and unsettling. This doesnât fit. None of this fits. Youâre a creature of the deep and heâs a man of the surface and the world has spent centuries insisting youâre meant to drown each other.
And here you are, soaking him through on a wild bright afternoon, more at ease than youâve been in longer than you remember, possibly your entire existence.
You catch the same realization moving across his face, the laughter fading into something more careful. Both of you are suddenly aware of how natural this was. How little either of you reached for it. How neither of you is remotely prepared for whateverâs happening here.
âI should go,â you say.
âProbably,â he says although his voice suggests otherwise.
Neither of you moves.
The wind howls. The waves crash. And you stay a moment longer than you should, two wild things blinking at each other across the rail, apparently equally confused and equally unwilling to be the first to leave. Then you slip under, finally, your heart doing the inconvenient thing again.
Behind you, faint over the gale, you hear him say to no one in particular: âHuh.â
You understand the feeling completely.
â ⊠â
In the spaces between, alone in the deep, youâve started looking for something of your own.
You tell yourself itâs idle curiosity. Youâre a liar. You admitted this to yourself by now.
You seek out the old places. The drowned shrines, the ancient wrecks, the rare cold currents where the eldest things drift. Youâre chasing the lore you threw at Varka that night like armor: human once. Cursed. Drowned and remade.
You want to know if itâs true. You want to know if the old songs say anything about the curse running the other way.
You even seek out the pale stranger again who looked at you like you were broken. You ask her, in the wordless way, whether the stories are real. Whether a siren can become what she was before.
She recoils from the question like it burns.
Why, she seems to say, horror and something like pity in it, would you ever want to be something so small? So mortal? So easily drowned?
You donât have an answer sheâd understand. But you have one.
You just keep it to yourself, the way you keep the buckle-light at his hip and the almost on the dock and the sound of him saying good company. A small, fierce, impossible hope, gathered in the dark and guarded like a pearl.
Human once, you think, drifting back toward a ship you have no practical reason left to visit. Maybe human again.
You donât know if itâs possible. Youâve decided to find out.
â ⊠â
You should have known the death-waters wouldnât let it stay so simple. They never give anything freely.
The storm comes from the south, faster than any storm should.
You feel the pressure dropping, the currents turning frantic, the deep going cold and wrong in a way that prickles every instinct you have. The sea youâve lived in your whole life suddenly feels like a stranger.
Youâve felt this before, only once, a long time ago, when you first came to these waters and learned why even other monsters avoid them.
âVarka.â You surge up against the hull, voice cutting through the rising wind. âVarka!â
Heâs at the railing in an instant, reading your face. âWhat is it?â
âYou have to get out of these waters. Now. Whateverâs comingââ
The sea answers before you can finish. The water erupts.
A tentacle the width of a mast breaks the surface fifty yards out, streaming black water, suckers the size of shields catching the storm-light. Then another. Then another. Rising and rising until they blot out the horizon, until the thing beneath them lifts a bulk so vast the swells it pushes nearly capsize the ship on their own.
A kraken.
Old. Enormous. Woken from the deep by the storm, or by hunger, or by nothing at all but the ancient cruelty of the death-waters.
The crew doesnât panic.
Thatâs the first thing that strikes you, even through your own terror. They donât panic, because he doesnât. Varkaâs voice rises over the storm, hard and clear and absolutely steady, and his men move, fast and certain, because their captain has not for one instant looked like a man who expects to die.
âHard to starboard! Get us out of its reach! Loose the deck cannonsâaim for the eyes, nothing else will matter!â
He fights.
And now you understand the legend of him, the famous captain who sails where others wonât. Heâs everywhere at once, hauling a man back from a sweeping tentacle, putting his own blade through a limb thick as a tree, shouting orders that turn chaos into something almost like a dance.
The cannons roar. The kraken shrieksâa sound that shakes the water in your bones.
For a moment, you almost believe heâll win.
Heâs that good. That fearless. That impossibly, brilliantly alive in the middle of something that should be his death.
But the kraken is the seaâs own child, and the sea does not lose in its own house.
A tentacle catches the mainmast and pulls. Timber screams. The ship lists hard, taking on water, and you see Varka go down, just long enough for your heart to stop, before heâs up again, blood at his temple, dragging a half-conscious crewman toward the rail.
And you realize, with terrible clarity, that fearless is not the same as invincible.
That he is going to die here. That all of them are.
Unless.
You promised yourself you wouldnât sing again. Not the luring song. Not anything that used what you are as a weapon. But this is something older.
You dive into the heart of the churning dark where the krakenâs bulk hangs vast and ancient and you open your throat and you sing.
To the sea itself.
You sing the death-waters the way youâve never let yourself sing them. Every rock and current and bone youâve memorized in your long loneliness.
Every secret of this drowned and dangerous place, pouring it all into a song that isnât a lure or a threat but a command, because these are your waters, this terrible empty place that starved you and sheltered you, and it will listen.
The currents answer. The sea turns.
You feel the krakenâs confusion as the water itself seems to push against it, as the storm bends, as the deep that birthed the creature now seems to call it home.
You sing of darkness and depth and the cold quiet far below where ancient things belong. You make it a lullaby, you make it a tide, you make it irresistible.
The kraken stills. Then, slowly, it sinks. Down. And down. And gone. The storm breaks apart above you like it was never there.
You surface, gasping, spent, the song having taken more than you knew you had to give.
The sea is calm.
Varka is staring at you like heâs never seen you before. âOut there,â he says, and his voice isnât quite steady, âthat was not luring.â
âNo.â
âYou commanded the sea.â
âI told you. It listens to me sometimes.â You hold his gaze. âWhen it matters enough.â
Heâs quiet for a long moment, taking you inâthe exhaustion, the way the song has hollowed you out again, the fact that you spent yourself completely to save a ship of humans you have every reason to fear.
âYou saved us,â he says quietly.
âIâm aware.â
âYou could have let the sea take us and gone back to your peace.â
âIâm aware of that too.â
The look on his face is anything but strange. Itâs wonder. Heâs quiet for a moment. âThank you,â he says.
You only find gratitude, plain and warm. You donât know what to do with it.
The Dandelionâs Flight is hurt. Badly but not dead.
The kraken took the mainmast halfway down. The rigging hangs in ruin and thereâs a breach below the waterline where a tentacle caved the hull. Sheâs taking water. Under any other circumstances sheâd be following the kraken down into the dark.
But the sea is glass now. Still as a held breath, because youâre holding it. Youâre keeping the currents gentle, the swells low, the water that should be flooding her hold pressing in slow instead of fast. You bought them the calm. The calm is the only reason she floats.
âSheâll sink if we stay out here,â Varka says, bloodied and soaked, already doing the grim arithmetic of a captain counting his losses. âWe need land. Somewhere to beach her, patch the hullââ
âEast,â you say. âThereâs an island. Half a day, no more, if you run with the current.â Youâre already moving, already certain. âSheltered cove on the leeward side. Shallow enough to beach her, calm enough to work. Iâll guide you through the rocks.â You smile. âAnd Iâll keep the sea quiet the whole way. She wonât go down. Not while Iâm under her.â
He looks at you. âThen lead,â he says.
So you do.
Itâs slow, careful work: a wounded ship limping east through waters you smooth ahead of her like a hand pressing wrinkles from cloth.
You swim beneath her keel the whole way, singing the currents soft, easing her over the worst of the shoals. When the hull groans and the water gains, you press the sea back and buy them another mile.
By the time the island rises green out of the haze, youâre exhausted in a way the kraken-song alone didnât manage. But she floats.
You bring them into the sheltered cove as the light goes gold, and the crew runs her gently aground on the pale sand, and the Dandelionâs Flight settles at last. Broken but whole enough.
Alive. Like her captain. Like you.
They make camp on the crescent of beach.
The repairs will take days. You hear them tallying it that first evening, around the fire: timber to cut, the hull to patch, a jury-rig for the mast until they can make a proper port. Days of work before the Dandelionâs Flight can sail again.
You tell yourself youâre only staying to be sure the cove stays calm.
Youâre still a liar. But the lie buys you days, and youâve learned to be grateful for what the sea gives.
â ⊠â
You shouldnât come back. You know this.
You should slip back into the deep and let Varka sail away and forget the strange days when a starving siren and a stubborn captain made a deal in death-waters.
That would be the sensible thing. Youâve never been good at sensible.
So you come back. The night before heâs meant to leave, you swim to the little island and find him already there, sitting on the sand, looking out at the water, as if heâd been waiting. As if he knew.
âYou came,â he says.
âApparently.â
His mouth quirks. âIâm glad.â
You settle in the shallows near him, close enough now that closeness has stopped being frightening. The moon lays a silver road across the water. The fish have started coming backâyou noticed it days ago, the silver returning to the dark, the hunger finally easing.
Varka notices you noticing. âThe waters are recovering,â he says.
âThey are.â
âSo youâll be alright. After Iâm gone.â
You donât answer right away. Because alright isnât the same as unchanged, and you donât know how to explain that the empty dark felt different before it had a stubborn human leaning over a railing in it.
âThere are stories,â you say instead. âOld ones. About my kind. That under the right circumstancesârare onesâwe can become something else. Walk on land. Lose the song. Trade the sea forââ You stop.
Heâs watching you very closely now. âFor?â he prompts.
âI donât know if theyâre true.â You look away. âProbably not. Just stories sailors tell.â
âMm.â Heâs quiet for a long moment. âIâve found that stories sailors tell are wrong about as often as theyâre right.â He looks back at the water. âWhich is to sayânot always wrong.â
Your heart does something painful. âYou have a sword to find,â you say.
âI do.â
âNorth, then. Past the rocks,â you say. âOnce she sails again. To raise your fatherâs sword from the deep.â
âNorth.â He nods, watching the firelight on the water. âItâll take time. A proper crew, a proper port to refit. But yes. Iâll have it. Finally.â
âAnd after?â The question lands softer than you mean it.
He goes quiet. For long enough that you think he wonât answer. When he does, thereâs something in his voice you havenât heard before. Not the captain. Not even the man who opened up on the dock. Something younger. More uncertain.
âI donât know,â Varka admits. âIâve never let myself think past it.â A rueful breath. âThatâs the truth of it. Thereâs always been a next thingâa next mission, a next stretch of water, a next piece of my family to pull back from wherever it scattered to. The sword was always the end of the road. I never bothered imagining whatâs beyond it, because the road never ran out before.â He turns the thought over. âItâs about to. And I find I donât know what I want.â
âYou must want something.â
âMm.â A long pause. Then, quietly, like a confession, he adds: âThereâs a place. I read about it once, years agoâan old account, half legend. An island, far past the charted waters. They say the wind there never stops singing and the whole sky goes green with light at night, and that no flag has ever flown over it because no oneâs ever stayed long enough to plant one.â
His mouth curves, almost embarrassed. âA free place. Beholden to no one. I used to think about sailing there just to see it. To stand somewhere no oneâs ever told me what Iâm supposed to be.â He shakes his head. âFoolish. A captainâs daydream.â
âItâs not foolish,â you say.
He glances at you.
âIt sounds like the most honest thing youâve ever wanted,â you go on. âMore than the sword. The sword is for himâyour father. The blood. The past.â You hold his gaze. âBut that island. Thatâs for you.â
Something moves across his face. Like youâve named a thing he didnât have words for himself.
âMaybe it is,â he says slowly. âMaybe thatâs where the sea leads us, after. Find the sword. Settle the past.â His eyes find yours in the dark. âAnd then go looking for a place thatâs only mine. That I chose.â Quieter. âI think Iâd like that. Having something I chose, for once. Sailing toward something instead of back to something.â
The fire crackles. The unspoken thing sits between you, warm and enormous.
Would you come, Varka doesnât ask. Would you be part of the something I choose.
I donât know if I can, you donât answer. But Iâm trying to find out. Iâm trying to make myself into something that could.
Neither of you says it. But the dream is out in the open now, and it hangs there like a horizon you might both, someday, sail toward.
âWhen you find it,â you say instead, âthe singing-wind island. Youâll have to tell me if itâs real.â
âYou could come and see for yourself,â Varka says lightly.
âMaybe,â you whisper. âMaybe I will.â
It feels like a door.
The horizon suddenly feels less distant than it did a moment ago. And for the first time in longer than you can remember, you want to give something freely. âSit,â you tell him. âAnd listen.â
Varka raises an eyebrow but obeys, settling back on the wet sand.
You take a breath. And you sing. Something you havenât let yourself sing in years, something with no purpose at all except its own beauty. Just a song.
The kind your kind sang once, long ago, before the stories made monsters of you. When sirens sang simply because the world was vast and strange and worth singing to.
You sing the moon on the water and the silver returning to the deep. You sing a stubborn man at a railing who refused to drown. You sing the small impossible warmth of being seen.
Itâs not a weapon. Itâs a gift.
When you finish, the night is very quiet.
Varka hasnât moved. Heâs watching you with an expression youâve never seen on him. Something raw.
âThat,â he says softly, âwas the most beautiful thing Iâve ever heard.â
âIt wasnât meant to do anything.â Your voice is unsteady. âI just wanted you to hear it. Before you go. The way itâs supposed to sound. When it isnât trying to hurt anyone.â
âI know.â He hasnât looked away. âThatâs what makes it beautiful.â
The space between you has gone very small.
âYouâll forget it,â you say. âOut there. Chasing your sword. Looking for that island. The seaâs a big place and Iâm justââ
âI wonât forget it.â Quiet. Certain. The same voice that turned chaos into order on a dying deck. âIâve spent my whole life sailing toward things. Glory. Duty. A blade at the bottom of the sea.â He pauses. âI donât think Iâve ever wanted to sail back to something before.â
Your heart does something painful and bright. âThat could take a long time,â you whisper.
âIt could.â
âYouâd come back anyway.â
âIâd come back anyway.â No hesitation. âIâm told Iâm difficult to move once Iâve made up my mind.â
Varka reaches out, slow, giving you every chance to pull away. You donât.
His hand finds yours in the shallows. Warm and careful, the way it was the first time. But this time his fingers close around yours, and he pulls gently, leaving you all the room in the world to refuse.
You donât.
You let him draw you up out of the water, up the slope of wet sand to where he sits, until youâre tucked against him, your back to his chest.
His arms come around you, and he holds you there, in the place where the sea meets the land, where neither of you quite belongs and both of you somehow fit.
The water laps around you both. You feel the sea wicking up through his shirt where youâre pressed against him, the cold of it, the wet.
Varka doesnât shift away. He doesnât try to keep some dry part of himself clear of you. He just holds you, and lets the sea soak him through.
You nuzzle closer and press your cheek against his chest, over the steady drum of his heart, and feel his arms tighten in answer. His chin comes to rest atop your head. And you stay like that, both of you looking out at the silver road the moon lays across the dark water.
The waves come and go. And the sea holds the two of you gently in its shallows, patient as the tide, for as long as the moment can last.
Heâs warm against the cold water. Youâre cool against his warmth.
And in the place where you meet, something settles that neither of you has the words for.
It isnât a promise spoken aloud. But then, the sea carries some things farther than words ever could. And for now thatâs enough.
â ⊠â
A/N: Thanks for reading. :) I had entirely too many ideas for this concept, which is probably obvious by now. Somewhere along the way this stopped being âthe pirate Varka ficâ and turned into a story about loneliness, belonging, sea legends, impossible hopes, and two stubborn people who kept finding reasons to come back.
There are still a lot of unexplored waters out there for them (and for me). For now, though, I wanted to leave them here. :) Thank you for sailing with me. I hope you enjoyed the fic.đ
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Okay, I think Iâm finally done with the Pirate AU. :D Or at least Iâve reached the point where I need to physically remove this document from my hands before it gains another 3k words. đ
I actually made some progress in HSR this week too (I will get back to that), but the moment I decided the original draft needed âjust a few additionsâ I immediately disappeared into one of my writing hazes again.
It was wonderful.
The kind of writing haze where you keep opening the document âfor thirty minutesâ and suddenly three hours have passed. The kind where scenes start connecting to each other. Where characters surprise you. Where you sit there grinning at your screen because a line landed exactly the way you wanted it to.
I adore that feeling.
What started as a short Pirate Varka AU somehow turned into one of the most enjoyable things Iâve written in a while.
(I crossed the 10k words threshold again. Currently 13k+. At this point I think this is just a Varka phenomenon. đ)
And somehow every addition made the story feel more like itself.
I kept thinking I was finished. Then I would remember one more conversation. One more piece of lore. One more moment of tension. And suddenly I was back in the document.
Again. And again. And again. Ahem.
In any case: I had so much fun.
This story reminded me why I fell in love with adventure stories in the first place.
Why I loved mermaids. Why I loved pirates. Why I loved impossible journeys, old legends, dangerous seas, and characters who keep finding reasons to come back to each other.
I am ridiculously excited about this story right now.
Thatâs a lovely feeling.
Anyway.
Iâm going back into the writing cave to finish this before I can no longer be trusted with this story. :D
Your qifrey posting has me kinda liking him a little bit and I was wondering if you have any fics (or shorts) planned for him đ„ș
Hi anon! :) Thank you for your interest. :) First of all: I feel a little self-conscious about the Qifrey posting. đ Although I should probably admit that Iâm actively restraining myself from reblogging every single Qifrey-related thing I come across because that man is definitely doing things to me.
Safe to say Iâm hyperfixating a little bit. (Heh.) Now, Iâm currently not caught up with the manga yet (Iâm still somewhere in the middle), and Iâm very much in the phase where Iâm trying to understand him better.
Heâs exactly the kind of character that makes me want to stare at a wall for several hours and analyze every line of dialogue, every expression, every action, and every emotional contradiction. :D
So to answer your question: Right now I donât have anything planned.
And actually⊠this ask is the first indication Iâve received that there might be a demand for Qifrey fics at all. :D
(Iâm assuming you mean reader inserts, although the dynamic between Qifrey and Olruggio is also incredibly fascinating from a writing perspective.)
That being said: You guys know me by now. I could have one moment of inspiration, disappear into a writing haze, and emerge several thousand words later wondering what happened.
So while I donât currently have any plans, Iâm certainly not opposed to the possibility.
Especially if people start sending me thoughts, ideas, or character observations. Because I love talking about him.
And I love talking about Witch Hat Atelier in general.
I am also slightly terrified of writing him. Not because I donât want to, but because Iâd want to do him justice. He has so many layers that Iâd want to capture them properly.
But I am definitely intrigued. Very intrigued.
So perhaps there will be developments eventually. Who knows? :D
Thank you for stopping by! And feel free to visit my inbox again anytime. :)