Guillermo Arias

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Guillermo Arias

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i dreamt of a house with too many rooms, which sounds lyrical and all except most of them were just full of different kinds of couch
frat house piranesi :(
"the hall with the beer-stained microsuede sectional"
"the year i found a squirrel eating pretzel sticks under the cream-colored faux-leather love seat"
the problem with movie remakes is that they always remake something that was already good, meaning at worst you ruin it and at best your remake is largely redundant. to make a truly good remake you need to start with source material that is absolute dogwater. ignore the pull of nostalgia. redeem the sins of moviemaking past.
It’s so nice to tell people I don’t care I have double standards for women. Yes I’m not going to be “fair” boohoo wah wah

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SMOKED SALMON IS THE ONLY THING THAT NUMBS THE PAIN
decrim for prostitution is not a socialist standpoint, is not a communist standpoint, is not a marxist standpoint, you are making a fool of yourself trying to pass gross liberalism when it comes to human rights violations, sexual slavery and extreme misogyny as revolutionary, progressive or anticapitalist like you are directly contradicting everything written by marxists (and marxist women in particular) on the matter and every policy passed by marxists, socialists and communists on the matter but i shouldnt have expected less from us americans who call themselves "leftist"
Cosign.
Class of 1921 Smith College graduates greets 1971 graduates
I don't know how to tell you this but your body isn't separate from your "true self"
as a Christian i gotta tell you, it very much is separate
Your religion is made up, and your opinions stupid.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”
#me @ quentin tarantino fans
Mad Max: Fury Road and practically every film JJ Abrams has ever made including The Force Awakens.
Mad Max: Fury Road was edited by Margaret Sixel, who is married to George Miller and who he begged to edit the film because he said that if a man edited it, would be a totally different movie and not one he wanted to make.
Maryann Brandon and Mary Jo Markey edited The Force Awakens. Maryann Brandon has worked on almost all of the shows and films Abrams has worked on and Mary Jo Markey is also a frequent collaborator.
Thelma Colbert Schoonmaker has edited all of Martin Scorcese’s films since Raging Bull and worked with him for around 40 years.
Sally Menke edited all of Quentin Tarantino’s films until her tragic death in 2010.
Julia Bloch is an editor gaining attention for her work on Blue Ruin and Green Room.
about 40% of Hollywood editors are women. when discussing how these women are underrepresented, you need to give their names.
Marcia Lucas (George Lucas’ now ex-wife) was one of the co-editors of A New Hope (and the rest of the trilogy) and is a huge part of the reason Star Wars actually worked in the first place. George’s original cut of the first film was a mess and she edited the shit out it to fix all the pacing and narrative issues, which earned her an Oscar, something George Lucas has never received.
Finally got a clear shot of noonoo carrying her spring, it's her favourite toy
noonoo….
mondays are for slacking off cause I just got back from the weekend. tuesdays are also for slacking off cause I have to recover from monday.
wednesdays? brother that's for slacking off
Kief it’s Thursday what about today
slacking off. because you need to treat yourself sometimes
Thank you, I was feeling out of touch and needed a treat
at least the colour green exists

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gaguin is pure evil but im afraid his art bangs 😭
i knowwww his work is beautiful and it pisses me off because he was just such a fundamentally abhorrent person. one of my favourite paintings of all time is amrita sher-gil's self portrait as tahitian (1934) which is a critique of gaugin's depictions of tahitian women and girls (and it was known in europe in his time that he had a pattern of sexually assaulting and abusing women both in europe and in the americas) that acknowledges his artistic influence on her work but is critical of his racism and misogyny as she depicts herself as a brown woman in the self-portrait like the tahitian women gaugin painted, identifying herself with them and turning the colonial white male gaze (nonwhite women's bodies as things to be bought and consumed and traded like cultural objects) back upon itself in the european man's shadow behind her and the east asian panel she stands in front of (chinoiserie and japonisme being popular fads in france in this era)
it reminds me of faith ringgold's later commentary on picasso and his appropriation of african masks in his work isolated from their cultural context / putting black people and their bodies back into the work and placing the masks back into their contexts while acknowledging his influence on her as an artist
the paintings for reference:
two tahitian women by gaugin (1899) and self portrait as tahitian by amrita sher-gil (1934)
les demoiselles d'avignon by picasso (1907) and picasso's studio by faith ringgold (1991)
TT post by @ crafty.lad (he/him).