I bought a pack of your cigarettes today. I do not know whether I wanted the smoke or simply another way to feel you. I found myself craving a cigarette because I longed for something about you. I know smoking cannot heal me, yet I light one because I need to imagine that somewhere the same smoke was passing through your breath as it passed through mine, or perhaps to feel the same bitterness you take after a long day, and for one fleeting breath I allow myself the illusion that we are still touching the same world. It is not your cigarette I crave, I know it is you. I only wanted to borrow a sensation that might still remember your mouth.
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Thereās a day I could totally breathe and continue my life. And then thereās one random morning where I just sit and cry for hours.
I still canāt imagine how you offered me dreams and future, then suddenly you discarded me like I was nothing, like those happy years were not real. I am so tired of you, but I love you. I am so sick of you, but I love you. I can realize youāre heartless, but I love you. I can realize youāre a coward, but I love you. You are a liar, but I love you. I donāt know whatās worse, loving you is so painful, but not loving you is killing me. I hate you and I love you. You really donāt deserve my love, but I love you. I wasted my time thinking about you, because I love you.
I hate you i hate you i hate you
Youāre so mean to me. You made me like Iām the bad one, the crazy one, while youāre the one who promised me everything. I donāt know when will this stop. I might carry this wounds forever.
And for me, I have reached the point where I begged and prayed to my ancestors, the sun, the sky, the blood running through my veins, the universe, and every cosmic force or divine power I could think of, hoping that somehow they would help you see the love I have for you.
I have reached the point where loving you hurts me, but not loving you feels like it would kill me.
I have reached the point where I even thought about visiting your family one last time to tell them how much they meant to me, to thank them for making me feel like I had already found the family I had always wished for, and to say goodbye. I thought maybe saying farewell to them would give me the closure you never gave me.
I have reached the point where I still think about giving you the guitar we once talked about for your birthday, because I promised you I would.
But none of it matters anymore.
You had already emotionally checked out of what we once called love⦠long before I ever realized it. I never saw your departure coming. I never noticed the moment you quietly started closing the door on us.
I wish I had seen it sooner. I wish I had known the day before you left me, so I could have held you a little longer and told you just how deeply I loved you, how you had become half of my soul, so you wouldnāt leave me alone the next day.
Maybe then I would have known what to do with all the love I still carry for you.
But now, I have reached the point where I will simply let this love remain in my heart. Untouched, unspoken, and carefully preserved, because I no longer know where else to put it.
And Iām tired⦠My body aches⦠I really need to rest.
I have cried until I had no tears left, prayed until I had no words left, and loved you until I no longer recognize myself. I donāt know how much more of me there is to give.
Just finished Lisa Tuttleās My Death, this book is just sooo⦠omg how can i explain??? Itās sooo good. Itās a rare feeling that i got both this kind of feeling: BIG confusion and also I GET IT at the same time. You are not sure whether is this a literal identity swap event??? or is this just metaphor? Or is this a fictional construct within the narratorās mind??? ALL OF THEM ARE CONVINCING ENOUGH to do the crazy work out of your mind. Crazy enough to make you believe all of them. This book left me so speechless which i think is some of the highest praise i could give a book. Very uncanny. Match my weird girl lit fic interest.
My brain just made a connection between this book and Persona (1966 film by Ingmar Bergman), both are about two females, having some kind of āidentity blendā, the difference is Persona feels like identities are merged into one, while this one feels like āiāll never dead, because iām looping my life, my existence, in another body (whether itās just happened inside my mind, or literally and physicallyā. But both have this distinct vibe of eerie feeling when you watch/read them, and the idea of losing the boundary of self is portrayed in both works. This book gives you chills.
If you have watched Persona 1966 (which Iām a big fan forever of it), the core concept you got when you finished Persona is probably ādo their souls merged into one soul?ā And in Lisa Tuttleās My Death, your got the core idea of āif you look closely to someone else, learn them, study them, eager to know this someoneās life, could you become this someone? Could you stuck there? Could you stop being yourself?ā
Oh Iād love to discuss about this book with someone who has read it, SO EAGERLY!!! This work of fiction truly touched something in me. Iām aware of the feminist side, and i am agree to all Goodreadsā opinions about this matter, which I noticed too when reading. That adds a layer of complexity for me. Imagine how crazy it is that a short, one-sitting, 100s pages of book can make you grasp the creeps, the horror, the bizarre, and also touch the very woman in you.
CONCLUSION:
I FINISHED THE BOOK ā THE BOOK FINISHED ME ā
The meme I could only think of is this one:
(Crazy book, crazy art cover, crazy characters btw)
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this book hurt more than it shocked me, The Appointment by Katharina Volckmer (2020)
This is the kind of short book that actually gets you out of a reading slump. I finished The Appointment in ±3 hours, tandemly with the audiobook narrated by the author and the e-book around 144 pages (thank you Libby for this combo). Itās unsettling, ironic, eerie, but also⦠very, very sad in that quiet way that stays with you after you close the book.
To make it clear to all of you who read this post, basically the hook plot is something that made me so interested, I didn't even need a pause at all. So, this book is about the unnamed narrator, a German-born person assigned female at birth, is sitting in a psychiatric appointment with Dr. Seligman, a Jewish doctor, right before undergoing a gender-affirming procedure. And instead of a normal conversation, she just⦠talks. Non-stop. About her body, her past, her fantasies, history, everything. In The Appointment, Dr. Seligman is present the whole time, but we never hear his actual dialogue, everything we know about him comes through the narratorās reactions and assumptions (and that's why this book is categorized as a monologue book).
Sheās there partly because of a workplace incident where she threatened to staple a coworkerās ear to their desk (she's not actually did it, which she insists makes it ānot violenceā), and instead of charges, she was sent to therapy. So this whole monologue feels like something between a confession, a performance, and a breakdown, and from the very first lines, you can already tell this isnāt going to be an easy read. You will be as interested as me if you're planning to read this book, trust me!
Then, I think the first thing that struck me is how the narrator begins with that Hitler dream (yeah you're not reading this wrong, a German-born woman fetishizes Hitler in a perverted, twisted, dirty way), and those grotesque sexual references. It immediately collapses two things weāre trained to keep separate: historical atrocity and private, taboo interiority. And it kind of forces you into her psychological terrain, where history isnāt distant, itās embodied, distorted, and personal. Sheās a German, a descendant of perpetrators, and she canāt access that history in a ācleanā moral way, so it comes out in corrupted, inappropriate forms.
Those opening lines feel like a test. Like the book is asking: can you stay with this woman in the book? Or will you shut down? (I almost shut down, but I can't because of how much I want to know about her) Because if you do feel repelled and stop engaging, youāre basically doing exactly what she expects from people. She pushes people away on purpose. Itās a defense. But if you donāt shut down, something shifts. She stops feeling just shocking and starts feeling painfully human. All those extreme thoughts start to read as defense mechanisms for shame, loneliness, inherited guilt for her nation's dark history, and confusion about her body and identity.
The way she talks about love also hurts. She builds this idealized, almost theatrical version of love in her head, and reality just canāt match it. So itās not that she canāt love, itās that her version of love is too intense, too imagined. She lives more comfortably in her fantasies than in reality, but those same fantasies are what stop her from actually connecting with people, with her body, and even with herself.
Her meeting with Dr. Seligman is another moment that stayed with me. As a German, she grew up with Jewish people as symbols of history, memory, mourning, and guilt. So when she meets him, an actual person, alive and ordinary, it feels like a āmiracleā to her. But even then, she still turns him into something symbolic, just in a different way. It shows how hard it is for her to see people as they are, without turning them into ideas. And that mirrors her own journey too, trying to move from abstraction into something more real.
Her relationship with her body is probably the most painful part. She doesnāt feel at home in it, so intimacy becomes complicated. How can someone be close to you when you donāt feel like you fully belong to yourself? Her fantasies become a way to control something that feels unstable. And slowly, you realize that this āappointmentā isnāt just symbolic, itās literal, itās about transformation, about trying to align her body with her identity.
Family-wise, her isolation feels both inherited and self-imposed. Her father is distant, tied to silence and history. Her mother is present but critical and insecure, especially about the body. So she grows up in this environment where connection is already fractured, and then she continues that pattern by pushing people away herself. Itās like she learned distance early, and then perfected it.
Thereās also this moment with a random pregnant woman she calls Helen, and it says a lot. She questions why she canāt accept that some women find happiness in their femininity. But underneath that question is envy. Helen represents this ātemplate lifeā: marriage, pregnancy, stability. And the narrator both rejects it and feels excluded from it at the same time.
Her relationship with K is probably the most intense one. For context, K is a married man, their relationship is an affair, K is a man the narrator has an intense, sexual, and emotionally charged relationship with. Theyāre drawn to each other through performance, imagination, and shared intensity. But thatās also why it doesnāt last. Itās built on fantasy more than reality. She even says he split her into two versions of herself, the performative one and the vulnerable one. And she canāt fully reconcile those two yet.
And then thereās Emil, her stillborn brother. That part really stayed with me. The way she says she wants to be him, not just like him. It turns into this idea of an āalternative life,ā the boy who should have lived versus the self she feels trapped in. It ties into everything: gender, absence, family silence. And when she talks about freeing him from his box, it feels like sheās also talking about freeing herself.
By the end, all the shock kind of burns off. Whatās left is just⦠hurt. And vulnerability. And a quiet kind of sadness. It stops feeling like provocation and starts feeling like someone trying, maybe for the first time, to be understood.
And I think thatās why it works so well as a āreading slumpā book. It pulls you in with how unsettling it is, but it keeps you there because itās actually deeply human underneath all that discomfort.
4 / 5 āļø
The Appointment (2020), by Katharina Volckmer
Avid Reader Press/Simon & Schuster
Borrowed, E-Book & Audiobook
Finished so fast, ±3 hours
on loving, and the people we fail to become: Madonna in a Fur Coat by Sabahattin Ali
this is my first time reading a turkish classic, and i didnāt expect madonna in a fur coat to feel this⦠intimate.
the story follows raif efendi, a man who moves through life almost like a ghost, present but never fully there. as someone who loves solitude, i wouldnāt even call what he has āsolitude.ā solitude, to me, is something you choose, something that can feel full, even comforting. what raif has feels closer to emotional exile(?), like he has quietly stepped out of life and decided to watch it from a distance.
and maybe thatās why it unsettled me. it reminded me of my early adulthood phase, when i deliberately made myself small, stayed in my own little box, avoided connection like it was something dangerous. back then it felt safe. but looking back, it also felt empty, like i was there but not really living.
as the story unfolds, we start to understand why raif became like this. and yet, even with that understanding, i couldnāt fully agree with him. his view of people often felt unfair, almost like he had already decided the world would disappoint him, so he stopped giving it a chance. heās deeply cynical, and at times it irritated me. but at the same time, thatās exactly what made him feel real. heās not written to be liked, heās written to be human.
and then thereās maria puder. i think what i loved most about this book is that their relationship doesnāt follow the usual script. itās not love at first sight, not overwhelming passion, not even something you can easily label. if anything, it feels like the author is quietly separating limerence from love without ever explicitly saying it.
what raif and maria have is something slower, deeper. itās built through conversations, through honesty, through moments of disagreement that donāt threaten the connection but instead make it more real. they donāt try to possess each other, donāt try to fit into roles. and because of that, their connection feels rare, like a kind of intimacy that doesnāt come from intensity, but from recognition.
two people seeing each other clearly, and choosing to stay. and yet, despite how deeply raif feels, thereās always this frustrating passivity in him. i kept wishing he would just act, speak louder, fight harder, choose more boldly. itās almost tragic how someone can feel so much and still do so little with it. like his inner world is vast, but his outer life remains painfully small.
i think thatās what makes the story hurt in a very specific way. because itās not just about lost love. itās about the quiet consequences of not fully showing up in your own life.
a lot of people talk about how melancholic this book is, and it is, but i think what stayed with me more is how reflective it becomes toward the end. especially in those final pages. i remember just staring at them, not because i didnāt understand, but because i did. and i needed a moment to sit with that.
it leaves me with this uncomfortable, lingering question: what does it actually mean to live? is it enough to feel deeply, to love once, to carry that memory forever? or is living something else entirely, something that requires action, risk, presence?
raif efendi feels like someone who lived a whole life internally, but only a fraction of it externally. and that thought lingers in a way thatās hard to shake off. maybe thatās why this book doesnāt just feel like a story. it feels like a mirror.
4.5 / 5 āļø
Madonna in a Fur Coat (1943), by Sabahattin Ali
Penguin Classics
Owned, Paperback
Finished slowly, over one quiet week
Just watched a woman's reel on instagram, SHE'S SO PRETTY!!! She made a video to reply to a person who accused her of being an AI, then she's explaining and spilling how she actually adjusted her camera quality, and how she adjusted the video that made it look so clear and good. I gagged because I once being told the same. Idk man, why tf me and other girls are getting accusation of being an AI?! It's almost like modern-day witch hunt for meš
People should really start to exercise their eyes fr because why u guys can't tell? No matter how tech bros promoted it by saying "super realistic", trust me it won't. There's some 'hollowness' in it. Editing or adjusting a photo or video is not equal for using AI or being an AI man idkš
And I'm rejecting the idea to take it as a compliment when someone said it to me or to other people who actually took pictures and videos of ourselves. Our beauty is not equal with that crap bffr. Why don't u guys say oldschool stuff like "you're so unreal", "you're a goddess", "you're so beautiful", "you're out of this world", "you look like a dream", "you're breathtaking" anymore? I'd prefer that!!!
Also guys don't compliment ur women by saying "you're so beautiful you look like AI" BECAUSE EWH GO AWAY DON'T JUST DON'T. It's not the same thing, nobody wants it too, they might get upset instead (I'm upset).
tumblr is a website full of funny posts and great art and also people being wrong about things that you never thought you'd see someone be wrong about and people finding new and creative ways to be misogynistic in such a way that it appears woke to the untrained eye
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freak4freak is always so awesome but another character dynamic that i think is really great is freak vs freak. you're the only person who understands me and i'm the only person who understands you. unfortunately this also does not stop either of us from hating each other and in fact it might even make everything significantly worse for everyone involved
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