New directions at Jumblies Theatre.

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@nikkishaff
New directions at Jumblies Theatre.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Reflections on intercultural artistic collaborations
For about a year now, Bruce Sinclair and I have been collaborating on a project through his entity miyotĂȘh performance that intentionally brings together some of the people I have been working with (in this case, artistic communities of people of colour) and some of the people he has been working with (communities of Metis and other indigenous artists), and also artists in general who we love and work with who are all over the place and carry all kinds of identities. We are trying to bring people together to talk about our convergences and divergences, to think about what we have been creating together and what could create together, and, often, to just piece together what we know about each other. So far weâve developed a few short performances and hosted talking circles in Edmonton, Ottawa, Montreal, and Toronto. Itâs a slow-cooking, sweet and savoury project, and weâre still figuring out what it is. Jumblies Theatre invited us to lead a workshop yesterday, as part of ArtFare Essentials, on intercultural artistic collaboration. We shared a short performance, talked a bit about our process, and then generated with the group the following lists based on our and their experiences of intercultural artistic collaboration. Weâre not experts - no one is, course - but we learned a lot from reflecting on past successes and challenges.Â
The things I do that minimize my experience of intercultural artistic collaborations - When I do not trust others - When I do not accept unexpected contributions to the work/discussion - When I assume that others are there to teach me and not doing my own research - When I am not being grounded in where I come from - When I overlook power dynamics and appropriate cultures in my work - When I speaking for others, and universalizing particular experiences and knowledge
The things I do that maximize my experience of intercultural artistic collaborations - When I allow myself to go off on tangents with my collaborator - great things happen when we are off topic - When I listen to everything that my collaborator is saying, and not assuming they are off-track - When I value the experience of my collaborator - When I Â recognize the resourcefulness of my collaborator - When, if I have an underdeveloped idea or invitation that I am not ready to share with my collaborator, I choose talk through the underdeveloped-ness of the idea with them, rather than not sharing it with them at all - When I own my own feelings and opinions - When I am grounded in where I come from - When I do my own research and asking thoughtful questions - When I take the time to identify and to communicate, what exactly are my interests and passions in learning about another culture, and thinking about how this relates to my culture(s) - When I am willing to step into the unknown
APPEL à PROPOSITIONS//CALL OUT FOR ARTISTS: The Self-Love Cabaret: l'amour se conjugue à la premiÚre personne, édition 2016!
/*/*/*/ [ENGLISH VERSION BELOW] /*/*/*/ Maintenant dans sa 4Ăšme annĂ©e, organisĂ© par l'artiste et commissaire, Kama La Mackerel, âLe Self-Love Cabaret: l'amour se conjugue Ă la premiĂšre personneâ est une soirĂ©e de performance annuelle qui a lieu de 14 fĂ©vrier, avec sur scĂšne, des artistes autochtones et racisĂ©es. Alors quâapproche encore un autre 14 fĂ©vrier, que les images du couple domine notre quotidien et notre imaginaire, quâon se prĂ©cipite dâaller chercher une nouvelle âdateâ en ligne question de nous rĂ©chauffer dans le froid de la mi-fĂ©vrier, alors quâon est assailli par des images de-couples.de-couples.de-couples, et quâon ressent la pression des chocolats, des soupers Ă la bougie, et roses rouges.rouges.rouges et du vin rouge.rouge.rouge pour cĂ©lĂ©brer lâautre, toujours lâautre, âThe Self-Love Cabaret : lâamour se conjugue Ă la premiĂšre personne,â est la soirĂ©e MontrĂ©alaise pour se cĂ©lĂ©brer soi-mĂȘme avec des artistes autochtones et racisĂ©es.
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The best idea for a Feb 14 show. @kama-la-mackerel being brilliant as always.Â
Call for Applications: Editor in chief of alt.theatre
After a few years of working with a great team + wonderful contributors, and having the privilege of getting to read and write about my favourite topics, I will in a few months be leaving the position of editor-in-chief of alt.theatre magazine to explore new opportunities. I really believe that alt.theatre is an essential part of Canadian theatre and theatre discourse, and look forward to staying involved as a member of the editorial board. But we need a new EIC! Here's our call for applications for the position; please circulate widely. If you are thinking of applying and want to chat about it, don't hesitate to get in touch.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Deriving all your self-worth from institutionally validated output, amirite?
SO BOMB
I'm en route to TO from Montreal feeling completely energized by Culture Shock. Spent yesterday with an amazing workshop group creating other-worldly theatrical adaptations of old cultural stories (as part of my workshop series the Old Stories Project), and on Saturday I got to share the stage with the hilarious, nerdy, BRILLIANT Walidah Imarisha as part of her Octavia's Brood keynote, talking about our shared love of science fiction, art, social justice,and LeVar Burton. So inspiring and reeeeaaaally fun. Thanks so much for having me, QPIRG!Â
Performance photos by Katie Cutting Yesterday was Queer Hallowâs Eve! This was Queer Royaleâs second annual cabaret. I had the honour of emceeing the nigh - reprising the role from last summerâs QueerSummer Nightâs Dream. Last time I emceed in character as Puck - this time I was in an attempted phoenix costume, but when my last minute DIY wings didnât work out, I just rocked a red dress and said I was the Dancing Lady Emoji. I also performed a short piece with my dear friend Sahana! This was our first time performing together with our lil BollyClown duo, âHaute Curryâ. It involved Basement Jaxx, a dream machine, and some brown femme clown magic.Â