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@nightsofcabiria
Amy Adams for So It Goes Magazine (2018)Â Â

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M is for Making Waves
Françoise Hardy, style icon and one of the headliners of the YĂŠ-YĂŠ movement. Learn more about the YĂŠ-YĂŠs hereâŚÂ
Françoise Hardy, 1964, photographed by Steve Schapiro/Corbis
Maybe because I donât really believe that itâs gonna work. And then I make sure it doesnât work.
Itâs not âclever lonelyâ (like Morrissey) or âinteresting lonelyâ (like Radiohead); itâs âlonely lonely,â like the way it feels when youâre being hugged by someone and it somehow makes you sadder.
Chuck Klosterman (via loveyourchaos)

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Just between us, do you remember it all too well?
Nowhere was I at home; the house in which I lived had never been a home to me: it was an encampment. This century was not my century, and this life of mine which was so relentlessly prolonged was not my life.
Simone de Beauvoir, All Men are Mortal (via depressionparty)
La jalousie (2013), dir. Philippe Garrel
With wonderful widescreen cinematography by Willy Kurant (Masculin FÊminin, Trans-Europ-Express, Pootie Tang*)
*this is NOT A JOKE.
5 years from now: *wakes up from a dead sleep* âWHY DID YOUSEF GO TO TURKEY!â
4 years have passed and...
WHAT WAS THE REASON?

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âI wrote a song about you. Itâs called âBitch in a Uniformâ. I wrote it when I was pissed off with you. But I still like you, Georgia. Even though you are mad.â
Angus, Thongs and Perfect Snogging (2008) dir. Gurinder Chadha
La belle personne (2008)
âSometimes I really believe it, that I am going to save my life a little.â
â Mary Oliver, from section 4 of âThe Return,â What Do We Know: Poems and Prose Poems (Da Capo Press, 2002)
ANYA TAYLOR-JOY 1883 Magazine | Š Pip

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20th century women, dir. Mike Mills
LâAvenir (2016) dir. Mia Hansen-Løve