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GoldenEye 007 Live (Dam) by Cor64

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'Swing for Six' by Gino Conte
From the motion picture soundtrack to Nell'anno della luna (1969)
'Something's Coming' by Kate Kortum Quartet
Kate Kortum, vocals Tyler Henderson, piano Jared Beckstead Craan, bass Max Marsillo, drums October 18th, 2025 Philadelphia, PA
Bernstein with swing tempos and virtuosic piano solos 🎶
via Chris' Jazz Cafe
'水' by Macroblank
Featured on the new LP 記憶ONLINE. Available now.
'Index Fund' by Macroblank
Featured on the new LP 記憶ONLINE. Available now.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'Moody’s Mood For Love (Live at Monks)' by Kate Kortum
via
'Bewitched, Bothered, and Bewildered' by Emmet Cohen ft. Kate Kortum
Pre-order/pre-save the new Emmet Cohen album, Universal Truth, now: https://lnk.to/emmetcohenYT
via Emmet Cohen
'Powerless' by Emma Ruth Rundle
The first single from the new album ' These Killing Times' which will be out September 18th 2026. pre-save and preorder These Killing Times here https://emmaruthrundle.ffm.to/these-killing-times
'listen...' by John Williams
A new score from the greatest composer of my lifetime. I am a child again, bathed in the cool static glow of a television beaming images of an extra-terrestrial saying goodbye to his only friend. The past dwells, fades out. The present reemerges with a slow dissolve. The soundtrack, somehow, remains the same. Featured on the original motion picture soundtrack to Disclosure Day (2026)
Note the coda which is reminiscent of his mentor Bernstein's "Somewhere", used at the end of West Side Story. Listen to the moment of harmonic uncertainty, the slight atonal hesitation at 3:36. Bernstein used this extensively to convey the idea that the utopian ideal remains unresolved and unstable, almost there but not-quite, fleeting yet within reach. Wiiliams, an eternal optimist perhaps, resolves the harmony then reinforces it, cares for it, until it becomes unquestionable.
La mujer sin cabeza a.k.a. The Headless Woman, 2008. dir. Lucrecia Martel Nuestra tierra, 2025. dir. Lucrecia Martel

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nuestra tierra, 2025. dir. Lucrecia Martel
'Eladio Martinez: Pacholi' by Yamandu Costa & Facundo Rodriguez
'On My Own' by Bedouine
Official music video for "Always on Time" from Bedouine's new album, 'Neon Summer Skin' out June 5th Pre-order / pre-save the album here - https://30tgrs.ffm.to/neonsummerskin
'Estrada Longa' performed by Yamandu Costa & Antoine Boyer
via Yamandu Costa
Official Trailer to the new 4K restoration of Mary Harron's I Shot Andy Warhol (1996)
The scintillating feature debut of Mary Harron (American Psycho) and one of the most controversial independent films of the 1990s, I Shot Andy Warhol stars an electric Lili Taylor as Valerie Solanas, a militant feminist whose attempted murder of Andy Warhol brought instant fame to her radically anti-male SCUM Manifesto. Dropping out of grad school in the midsixties, the brilliant yet volatile Solanas survived in New York City as a destitute artist, sex worker, and panhandler, soon striking up a friendship with Warhol superstar Candy Darling that brought her briefly into the orbit of the world’s premier pop artist. With vivid, hallucinatory attention to historical detail, Harron captures the explosive cross-pollination of New York’s political and artistic countercultures as well as the creativity, snobbery, and decadence at the heart of the legendary Factory.
In theaters June 12th. via JANUS

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'Brutalist' by Kim Petras
"First, I have to take you back to 12-year-old me in a little town in Germany. Pretty much every weekend, my dad used to take me on trips to get my transition going. We would go on road trips basically to every major (and not major)city in Germany lol. Since my dad is an architect, he used to always take pride in showing me buildings that were either architecturally significant or just buildings he liked. There was one building in particular which was a brutalist post office that we both agreed was really good. Next time we went to that same city, a few years later, the building had been knocked down and there were plans for a pretty run-of-the-mill apartment building that was gonna get built in the spot. My dad and I both agreed they ruined something perfect and beautiful for something very agreeable. We both felt like this had ruined the city, while people who live in that new apartment building probably think it’s the best thing. One thing that has always circled around me since I was a child is this opinion that transition is ruining something perfect and natural and sacred… and to be honest, I still struggle with this every now and then. It really gets to me, no matter how much I work on myself and my self-confidence and my self-worth lol. No matter how you flip it, me and my dad were also guilty of saying ‘they ruined it’ just like my grandma telling my dad that we are going on these drives to ruin my life (love you, grandma!). [...] Anyways, no matter how much people think they know better than you on what your life should be… if ruining it feels right… you gotta do it."
'Holy Escrow' by idialedyournumber
Emo with aggressively square wave/chiptune-y synths releases so much serotonin in my brain and Jessie Everill's solo project has it in spades. A welcome throwback to anyone who still remembers Zolof the Rock & Roll Destroyer
via idialedyournumber