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occasionally subtle

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@nightlyrequiem
Requiem's☆Masterlist
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i know i’ve said it before but your writing is absolutely amazing, thank you so much for everything you’ve written!!
You’re so kind thank you 🥹
It means a lot to me when I get comments like these, definitely improves my motivation and confidence ❤️❤️❤️
Someone correctly guessed a plot point for my new series down to a T, what do I do now 💔💔
Dogsbody
Ch.4) Janitorial Services (Etc)
AO3 Link Masterlist Next → Previous ←
W.C- 4.5k
Desperate times calls for desperate measures. You agree to sell drugs for your friend, not knowing that they were stolen from a ruthless drug baroness. And Valeria doesn't take kindly to thieves.
A/N- Period is more than a month late, take your bets guys, PCOS, Endo, Thyroid, or magical pregnancy?
Tags/Warnings- Femslash, Descriptions of Violence and Gore, Indentured Servitude, Power Imbalance, Drug Dealing, Valeria is mean and physically violent but not forever, Valeria is her own warning, Slow burn, more to be added
@theravens-things
🔪💉🔪💉🔪💉🔪💉🔪💉🔪💉
Bleach permeates throughout the room, making your eyes and nose burn. You pause your rough scrubbing to pluck a few strands of blond hair out from the wet pile of water, bleach, and blood, and toss it into the small trash bin you're pulling around with you.
"He wants to discuss the matter at a party," Valeria's scornful voice floats towards you from the hallway. Someone replies to her, but his voice is too muffled for you to make out the words. They're hidden from view, but not from hearing. You've been snatching snippets of their conversation the whole time you've been in this room. Something about a wolf, and a business associate wanting to meet. Something else about drugs. Her voice drips with derision when she speaks of this mysterious business associate and you can picture her annoyed little scowl as she speaks.
You have no choice but to listen to their discussion, and if they didn't want you to hear, well, they should have gone somewhere more private. You dip your bloody rag into the water bucket and squeeze out the excess liquid. You scrub at the red stain more but stop when a fresh red droplet splashes down right onto the rag. You lean back, wincing when your back aches, and look at the body slumped over in the chair you're trying to scrub around. You recognize him. Ryan, the American tourist you met at the club. You warned him about asking too many questions, but it looks like he didn't heed you.
You weren't in the room when he was being beaten and killed. You're grateful that you didn't have to witness that, but you aren't being spared from the aftermath. She's ordered you to clean the basement, including the freshly used torture room. It makes you shudder, imagining all the people who were dragged in here, all the people who died here, screaming and begging until the very end. It very well could have been you in that chair. Another droplet splashes down and soaks into the rag. It's a little difficult to do your job when the source of the mess keeps adding to it. You sigh and get to your feet, stretching out your cramped legs and walking over to the doorway.
You poke your head out at Valeria and the man she's talking to. It's Diego, a big, bald man with a goatee and beard. You've seen him hovering around Valeria and speaking to the other cartel lackeys. He seems to think pretty highly of himself, but despite his big ego you've witnessed him being pushed around by Valeria on numerous occasions.
"Ryan keeps bleeding and it's making it hard to clean," you say. Valeria looks at you from over her shoulder, looking very unimpressed and annoyed over being interrupted.
"Ryan?" She repeats.
"The guy in the chair," you clarify. Valeria's stare hardens, and you try not to shrink away.
"How do you know him?" She asks.
"I met him once. At the club." You decide it's for the best to keep the details of said meeting to yourself. The less you remind Valeria about your apparent transgression towards her, the better. Valeria watches you for an uncomfortably long amount of time and you start worrying that she's starting to think you were conspiring with him. But thankfully her expression shifts into boredom and she looks at Deigo.
He realizes she's no longer staring you down and looks at her. You can tell he's trying to look relaxed by keeping his hands in his pockets and his back slouched, but you can see it on his face that her eyes on him makes him nervous.
"Well?" She snaps, angry that he can't read her mind apparently. "Go move it." Diego spurs into action, striding past you into the room. Valeria crosses her arms and looks at you silently. You make brief eye contact before looking elsewhere. Before long, Deigo remerges, dragging Ryan out by his arms. You're displeased to see blood smearing after him, from where his legs must have touched the blood puddle.
"Bring him up to César," Valeria says. "He's leaving soon and can dump him in the creek later." Diego nods and awkwardly shuffles around Valeria with Ryan, dragging him towards the stairs. He'll have a fun time lugging the body up them, you bet.
You watch him leave sadly. Just dump him in the creek. What a callous thing to say. You think about Ryan's potential family and friends back in America, waiting for his return, and the pain they'll feel when they realize he's never coming home. They might not ever find out what happened to him and he'll forever be 'missing'. They'll never get the closure they seek.
"You can get back to work now," Valeria crossly butts into your thoughts. You glance at her then retreat back into the room silently. You readjust your gloves and lower yourself back down onto your knees to finish your scrubbing. Even with the gloves your fingers still burn, and you wonder if inhaling the bleach for this long without a mask is doing some internal damage to your lungs. But you're finally done. Though there are stains that stay fixed into the ground stubbornly no matter how hard you scrub. Stains that have existed for years, probably. You drop your dirty rag into the water bucket and jerk your hands back when some of the dirty water splashes back at you. You round up your supplies and head towards the doorway.
You step out of the room like a cautious animal, metaphorical ears pinned back and all. This basement is a little cleaner than the one Valeria beat you in. A lot more finished too. Without all the wires and pipes crisscrossing along the ceiling. It's louder too, alive with the sounds of people and machinery. But just like the other basement, this one is dirty and unwelcoming too. Dust and dirt coating the floor in thick layers, waiting for you to sweep it away. You walk down the hallway towards a utility closet that Valeria showed to you earlier. You pass by other people along the way, feeling wholly out of place. Acknowledging the janitor is beneath them though, and they push past you without even a single glance. Which suites you just fine. You're not eager to make friends with murderers and criminals, and you're not disappointed that they don't want anything to do with you either. You find the closet and step inside.
You set down the trash can and bleach, and dump the water bucket out into the stained little sink in the back. The drain is ringed by rust and water is slow to drain. You don't even want to think about all the little things that could be clogging those pipes. You discard your gloves and grab a broom. Slivers of wood splinter off into your palm and crumble to the ground, and some of the bristles are frayed and sticking out. You lean down and tug out a dustpan. It's small, obviously made for a hand broom. But you can't find one that would go with the broom you do have so you suck it up and resolve yourself to crouching painfully for the next hour.
You clear each room one by one. Sweeping dirt and debris away until each floor is pristine. Or as pristine as floors in a place like this can get. It's like all the bad and evil the building has seen has seeped into the very foundation, making it impossible for it to ever be clean again. You finish the last room in the basement and set the broom down against the wall. You feel a small glimmer of pride for making a difference. The basement truly does look noticeably cleaner, but after some time down here, you've noticed a lingering scent that smells a little like cat pee. That mixed with the stench of bleach that's soaked into your clothes, has you feeling a little ill. You go to sit down on the ground and grunt when you land a little too roughly on your ass. You rest your back against the wall and rub your face. Your hands are moist and smell like chemicals but you're beyond caring at this point. You feel dusty and sweaty, but you've accepted that being disheveled and filthy is just your new state of existence for now.
Your stomach rumbles quietly, reminding you that you haven't eaten since yesterday. Almost twenty-four hours ago. You're tired of eating canned beans, and you're not desperate enough to start eating the canned fish. You decide that when you get home, you'll scavenge around your house for some money. You think the ramen at the convenience store down the block from your house is only three dollars. Your mouth waters at the thought of sinking your teeth into the warm, hot noodles and tasting the mild burn of the hot sauce and seasoning. Your stomach rumbles a little louder this time. Perhaps it's best not to think about food right now.
"What are you doing on the floor?" Valeria asks, startling you. You look up at her in the doorway, lowering your hands from your face. You didn't hear her come in.
"Resting," you reply. You made the assumption that that was an okay thing to do, but Valeria clearly disagrees.
"I'm not paying you to rest," she says.
"You're not paying me at all," you reply, confused but getting to your feet.
"Exactly. You're not here to be paid. You're not here to rest. You're here to work off the two-million-dollar debt you owe," Valeria retorts. Your stomach replies for you, growling audibly enough for Valeria to glare at you.
You stare back as unapologetically as you can without coming off as rude. She acts like being hungry is a crime. It's not like you're any happier about your stomach growling up a storm, but you can't help it.
"Skip breakfast this morning?" She asks sarcastically, backing out of the room and gesturing for you to follow. With how often you're trailing at her heels, you're starting to feel like a dog. You wouldn't be surprised if she started whistling at you to sit and heel next.
"Breakfast is for rich people," you mutter under your breath. You didn't intend for her to hear that and startle when she replies.
"What was that?" She glares at you over her shoulder.
"Breakfast is for rich people," you repeat weakly. You lag behind her, ready to flee if she decides she wants to hit you for your insolence, but she actually laughs at you. Or you think she laughs. She makes some sort of sharp exhale of air that sounds like it could be a laugh. You better not make her laugh too often, or she'll make you her personal jester as your next job.
She leads you upstairs and through a maze of metal shelves stretching high up towards the ceiling and stuffed with crates and boxes. Valeria confidently slips around workers, and you stay fixed in her shadow. She brings you towards the entrance of the warehouse, but instead of continuing straight towards the front doors, she veers to the right, towards a single closed door. You enter what looks like an office. It's small and windowless. You wonder if it's a repurposed closet. There's some filing cabinets and a little desk, the top crowded with papers and a single lamp pushed to the very corner. She separates a thin stack of papers from the pile and shoves it into your hands.
"Bring these to the people loading the truck outback, then help them load up the crates." She grabs an empty mug and hands that to you as well, nearly dislodging the papers from your grip. "And get me more coffee. I take it black." She settles down behind the small desk and dismisses you by ignoring you in favor of one of the documents in front of her. You shuffle the items in your hands as to not drop anything.
When your back is turned you roll your eyes, and once you're safely out of sight you snoop through the papers, awkwardly juggling them and the mug. They're all official looking documents. ID's, passports, and certificates and legal papers for shipments of flour. Lots of flour. You figure the flour is just a way of washing all the blood money they get from drugs and all the other very illegal things they distribute. You find the back exit and step outside, squinting in the bright sunlight. White fluffy clouds hang weightlessly above you, drifting aimlessly with the breeze. You walk over to a large truck, surrounded by people doing their bests to haul up large wooden crates, each one stamped with the same little logo that was fading on the front of the warehouse. A single thorny rose intertwined with a stalk of wheat. An odd picture, since you don't know what a rose has to do with wheat or flour.
A breeze picks up and blows sand into your eyes, and you scowl and rub at them. You recognize one of the men from one of the ID's.
"Valeria told me to give these to you," you say, catching his attention. You think the ID said Eric. Eric turns around. Immediately you feel a lot more comfortable around him. He's older, with a round, plump face and white beard. He looks a little like Santa Claus. And when he speaks his voice is deep and booming, making you jump in surprise.
"Huh?" He says and glances at your hands. "Oh, that must be for us." He takes the papers and shuffles through them, nodding approvingly.
"I'm also supposed to help you with that." You eye the big crates unhappily. Valeria seems hellbent on making you do the most physically taxing labor possible. Your body is never going to get the chance to heal. You're starting to forget what it feels like to not be sore everywhere.
"Alright," Eric says. "You can go help Tori load them up on that dolly there." He points to a woman shoving the ramps of a dolly under the edge of a crate. The crate looks to be too big for the size of the dolly she's using, and she has to stop every couple of seconds to readjust it.
She's red and sweaty and has her hair tied up into a very loose, bedraggled bun. You walk over to her and wait nearby for her to finish pushing the dolly up the ramp into the back of the truck. A man grabs the edge of the crate and helps pull it inside. She comes back down and notices you, giving you a quick onceover.
"I don't think there's anything for you to clean out here," she says. You try not to frown in offence. Word of the new 'janitor' must have traveled.
You stifle a sigh. "I'm here to help you load up crates," you say. She looks at you, a little judgmentally. Eyeing your arms and body and clearly deeming you unfit for the task.
"They're heavy," she says. Yeah, you noticed by the way she was struggling with one. But you don't say that. Tori isn't as intimidating as Valeria, but you'd rather not provoke another beating. Not while you're still recovering from the last one, anyway.
"I can handle it," you say.
"Okay," Tori replies. She doesn't argue but you can tell she's skeptical of you.
She instructs you to go around and lift the crate onto the ramps and to hold it up, so it doesn't slip off. It's far heavier than you're expecting and you stumble back when Tori starts pushing forward. You almost drop the crate and use your shoulder to prop it up. Immediately something starts aching sharply. You know you're going to be struggling to lift that arm for the next few days. You awkwardly skedaddle backwards with the crate under your hands, helping Tori reach the ramp and quickly moving out of the way so she can easily push it up without you in the way. She disappears inside for a few moments, and you look behind you at the other crates you still have to help load. The thought of doing that seven more times makes you want to throw yourself under the truck and demand that the driver run you over.
Tori emerges and retreats down with the empty dolly, and you trail after her sulkily.
"So how do you smuggle the... stuff across the border?" You ask, struggling even more to lift this crate. The muscles in your arms burn and your bad shoulder throbs painfully.
"Like this." She gestures at the crates. "Not all of these are flour."
"I thought you had to swallow balloons or something," you say. Your foot catches on a rock, and you trip, almost falling and getting crushed under the crate when it jostles and starts sliding towards you. Tori helps you steady it.
"Careful!" Tori snaps. "Only little fish swallow balloons. Big fish like us get more privileges. Like paying off a few border pigs to look the other way when they let us cross." You reach the ramp and move out of the way so someone else can help pull the crate up.
Tori looks at you suspiciously.
"Why is a janitor asking about drug peddling?" She asks.
"I'm not really a janitor, my job is whatever Valeria wants it to be," you say tiredly, rubbing at your sore shoulder. You experimentally try to lift it and wince. It feels like something in your tendons is stuck. Like a rock between two cogwheels.
Tori gives you an amused look. "Pay's good at least, I hope?"
"I'm not getting paid," you inform her.
"Seriously?" Tori blinks at you with surprise. "I doubt you're here willingly then. What did you do? And how did you manage to talk yourself out of it? The Valeria I know would kill someone just for sneezing too loudly near her,"
"I owe a lot of money to the cartel, but I must've caught Valeria on a good day. She only almost shot me for it, but instead she just beat me, and very graciously let me off up my working services in exchange for living," you tell her wryly. For a couple of seconds, you feel good talking to Tori. But then that feeling melts into a mutt of anxiety and sadness. That sounded like something Julie would have said, but Julie isn't here. You don't know where she is.
"How generous of her," Tori says. "Let's get the rest of these crates in. I want to go home." You wipe your sweaty palms on your pants and follow her, trying your best to put Julie out of your mind.
You grunt as you lift yet another crate. A sliver catches in your palm, and you hiss in pain, dropping the crate with a dull thud. You reach down and pick it back up again, pain spiking in the spot on your palm each time the crate rubs against the sliver. You picture it getting driven deeper and deeper under your skin until it's unreachable. You help Tori load up the last of the crates and stand by, gingerly plucking at the tip of the little sliver, trying to pinch it between your nails so you can pull it out. Tori walks down and comes over to you, reaching into her pocket and pulling out a granola bar, holding it out to you.
"Here."
You take it, confused. "What's this for?" You ask.
"Oh, well if you unwrap it, there's food inside, and you can eat it," Tori tells you.
"Ha. Ha. I meant why are you giving it to me?" You say. You're definitely going to eat it later though. It's a step up from canned beans. Taste wise, anyway.
"Because I could hear your stomach the entire time," she retorts. "Consider it payment. Don't tell Valeria though. She probably doesn't want you getting anything out of your work."
"Thank you," you say. You pick up Valeria's empty mug and bid Tori farewell. You're glad to be back inside the air-conditioned building. You're not sure where to go to get Valeria coffee and have to stop and ask a man, who acts like you asking for simple directions is the biggest inconvenience in his life.
You find the little common room and brew her a cup. While waiting you try to ignore the minifridge in the corner, but it's humming lures you over like a siren's song. You're all alone in here. And with a quick check in the hallway, you decide that it's perfectly safe to poke around the fridge. There's beer, water, and a few pieces of food. Such as an opened pack of salami and one very withered looking apple. You're tempted to take the salami but ultimately decide to leave it as there's only a couple of old slices left. It's not worth the potential stomachache.
You grab Valeria's coffee and without giving it much consideration, spit it into it. It's a small, very useless get back. One that she won't ever know about. But you know. And that's all that matters. You leave the room, carrying the hot little mug all the way back to her office. You knock on her closed door politely and readjust your hold on the mug when it starts getting too hot and burning your fingers.
"Enter," Valeria calls out. You open the door and step inside. She glowers at you from behind her desk and you wonder what you did wrong this time.
"What took you so long?" Valeria snaps.
"What?" You look at her with bewilderment.
"My coffee?" She says slowly. "What took you so long to get it?"
"You told me to help load up crates outback," you say, hearing your own voice grow defensive. Did you misunderstand something?
"I meant after you got my coffee," Valeria scoffs. She beckons you over impatiently and points to where she wants you to set the mug down. "How do you mess up basic instructions like that, pendeja?" You keep your head down while she berates you for being stupid and incompetent and unable to follow basic instructions.
She finishes her tirade and leans back, sliding forward a small sticky note with an address and picture of a white collared button up and black slacks on it. You take it and look at her.
"Go there and buy that outfit. I have a job for you next week," she says. You look down at her desk for any money to buy the uniform but there's none. Your stomach pits at the thought of asking Valeria for money, especially when you already owe her more then you'll ever see in your entire life. But earlier you were thinking about scavenging pocket change just to afford some three-dollar noodles, you aren't going to be able to afford new clothes. Valeria notices your hesitation and scowls.
"What?" She asks sharply.
"I can't afford that," you say quietly. She glares at you.
"You don't have thirty bucks?" She asks dryly.
"No."
Valeria sneers at you but reaches into her pocket and pulls out her wallet. She takes out two twenties and tosses them at you. You try to catch them but miss and they flutter to the ground delicately.
You bend down and pick them up quickly like a starved animal darting for crumbs of food. Resentment boils deep inside you at what you've been reduced to.
"Keep the change," Valeria says airily, adding insult to injury. You don't dare retort back, but God, do you wish you could. You stuff the bills into your pocket, beside the granola bar.
"Is there anything else you want me to do today?" Your eyes lock onto her as she takes a tiny sip of her coffee. A sliver of satisfaction snakes through as she unknowingly digests a piece of your disrespect floating around in the drink.
She shakes her head, much to your relief.
"No, go away," she says, turning her attention back to her desk.
"Aren't you driving me?" You ask. So far Valeria has carted you to and from your jobs. But Valeria scoffs at you.
"Do I look like a taxi?" She says flatly. "You have two working legs. Walk." Walking all the way back to Las Almas is the last thing you want to do. It's not too far from here, but it's hot out and you're so tired. But you know better than to argue with Valeria. That little bit of satisfaction dies. At the end of the day, she holds all the power. Your measly little glob of spit in her coffee won't change that.
You're a sweaty, limping mess when you make it back to Las Almas. Each steps makes the back of your shoe rub against your heel painfully, and you can feel a large blister forming. The granola bar has long since been eaten, and it feels like eating it took more energy than it gave back. You feel even hungrier than before. You feel faint and hope you don't pass out right on the sidewalk. As chance would have it, the place Valeria wanted you to go to is right along the way home. Some little clothing store tucked between two other buildings. Small plant boxes attached to the front of the windows home clusters of cute little white flowers. A fat black, yellow, and orange bee dances between the petals, gathering pollen onto its furry little butt. You swing open the door and trudge instead. The air conditioning turns the sweat on your skin cold and it's probably the most pleasant feeling you've ever felt.
The workers look over at you and then at each other. You look down at your clothes, sweaty and a little disheveled after your long walk in the heat and a hard days' work. This isn't a place of luxury by any means, but you still don't look like someone that could afford to shop here. And they're right, you can't afford to shop here. You'll be using money given to you by Valeria. Money probably being added to your debt now. Two-million and forty dollars, now. Valeria's probably added a gas tax for each time she's driven you to and from home. She's probably charging you for each time you get on her nerves, which seems to be often.
Not eager to stand around being judged you don't linger in the store checking out everything you might want. What's the point when you can't have it? You locate the right articles of clothing. Grabbing a shirt and pants that match the ones in the little picture Valeria gave you. The cashier does her best to be polite, asking you if that's all, and how your day was. You engage in the useless polite small talk and grab your stuff to leave. The total came out to thirty-eight-fifty. So you've got a dollar and some change left. That's one less dollar you have to scavenge tonight at least. A small win for you. You might be able to get those noodles after all. Feeling a little more hopeful, you decide that tomorrow you will go job hunting, while the feeling lasts. Maybe you'll get lucky and score an interview.
For the first time in my entire life I tried ramen noodles and the experience was heavenly

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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who up nighting they requiem 🤑🤑
She up on my nightly till I requiem
I read all of the canary cage in one day I’m begging for another chapter 😭🙏
I’m flattered you like the series so much! It was one of my favourites when I was writing it. There’ll be another chapter some day
Just one problem, everytime I try to write the next chapter it always sucks and I lose all inspiration 💔 I’ll finish it someday I swear
Dogsbody
Ch.3) Six Feet Deep
AO3 Link Masterlist Next → Previous ←
W.C- 4.3k
Desperate times calls for desperate measures. You agree to sell drugs for your friend, not knowing that they were stolen from a ruthless drug baroness. And Valeria doesn't take kindly to thieves.
A/N- I went to the mall and tried on some super cute tops, only to realize I have the body of a prepubescent boy so I will be saving up for a boob job. Feel free to cashapp me
Tags/Warnings- Femslash, Descriptions of Violence and Gore, Indentured Servitude, Power Imbalance, Drug Dealing, Valeria is mean and physically violent but not forever, Valeria is her own warning, Slow burn, more to be added
@theravens-things
🔪💉🔪💉🔪💉🔪💉🔪💉🔪💉
You toss and turn in bed. Plagued by vague nightmares about Valeria and Julie. The fear and pain pushes and pulls you out of sleep like the ocean's tide before you wake up fully. You lay there for a long time, resisting against the wakefulness and trying to go back to sleep but after a while you give up. Dubbing it futile, you pull yourself out of bed. Your head pounds like there's a tiny person in your skull repeatedly hitting it with a hammer, and breathing is still a challenge. You slouch on the edge of your bed, trying to coax yourself into getting out of it. Your stomach joins in, howling its complaints over not being fed. With great effort, you get off your bed and limp out of your bedroom.
You walk into the hallway and then into the kitchen, searching for something suitable to eat. Your options are disappointing. Canned beans, canned corn, canned fish. Two moldy slices of bread. It's like your pantry is trying to cosplay the great depression. You were going to go on a small grocery run yesterday, after you had gotten that money from the drugs and after you spent the day searching for a more legitimate job. That was the plan, anyway. Too bad it never got to happen. You pluck the canned beans from their spot on the shelf and cut open the top. You have to use a knife because your ancient can opener broke and you never bought a new one. You almost cut yourself a few times before getting it open. You drain out the bean liquid, plop the beans into a big bowl, and then pop them into the microwave.
You watch the bowl spin inside. Wishing you were eating something else. A big juicy burger, roasted chicken, an omelet, cake. Your stomach growls. After a couple of minutes, the microwave beeps and you grab the hot bowl.
"Ouch!" You exclaim, hurrying to place it down on the table. You blow on your fingers and grab a spoon and sit down at the table, steadying yourself when your chair rocks back. You forgot this was the chair with the broken leg. But you're too lazy to move. You spend the next ten minutes awkwardly scarfing down the beans. Blowing on each spoonful but still burning your mouth with each bite.
You eat the last spoonful of beans, leaving the bowl empty aside from bean juice residue stuck to the sides. Now that you're fed and watered, you think about Julie again. Guilt coils around your shoulders like a serpent. Hissing into your ear that it's your fault if anything happened to her. You're feeling a little stronger now, maybe you should head over to the motel. What if you find her and she's dead? What if you don't find her at all? You wish you had your phone. Tired of being anxious over not knowing you stand up and start putting on your shoes. Your chest still aches and your knee still throbs, but you can push through it. You need to know if Julie is okay. Valeria said she was alive.
It's cloudier today. Less scorching. It's the only kindness life seems willing to give you lately. Sometimes people stare at you as you pass them, and you look down, trying to hide your bruised face. You walk past your old job, and almost trip when your legs work faster than your brain and suddenly stop. You can't help but take a little look. It's dark and empty inside, and there's a big 'sold' sticker on the window. It leaves a bitter taste in your mouth. You spent years of your life in that building. Booking appointments and taking calls. Things were so different back then. How did you go from a 9 to 5, to worried that the cartel killed your friend because they caught you selling their stolen drugs? The thought is so absurd that you almost laugh. But you don't, because nothing about your life is funny right now. You stare at the sticker sadly. That part of your life is over, and there's no point in reminiscing. You turn away and resume your quest to find Julie.
The clouds gradually grow darker and heavier, and the sky growls lowly, promising a storm. Great. Just what you need. To get pissed on even more. You round the corner and flinch at the sight of a group of men loitering by the corner. You recognize one of them immediately as the same guy who punched you and brought you to Valeria. You make eye contact and your heart pounds. You're worried he's going to stop you any moment now. You're so paranoid that you might have some cocaine on you, even though you know that wouldn't be possible. You wonder if you should just turn around and go home, but he's already seen you and that would make you look more suspicious. He stares at you and says nothing, letting you pass him without issue. But it still takes a while for your heart to slow down and for you to stop looking over your shoulder.
The rain breaks just as you reach the motel. Starting as a gentle, unsure patter before the clouds open up and unleash watery hell on you. You attempt to jog the last way but quickly stop when your knee and chest start to hurt. You get under the overhang above the rooms, but you're already soaked to the skin. You go up to Julie's door, so pumped up on adrenaline that you wonder if this is what it's like to do meth.
"Julie?" You call out.
Silence answers you. You knock and call out again. You even try to look in through the window, but Julie always has the blinds drawn. You knock again, starting to grow frantic.
"Julie!" You try the doorknob, uneasy when it turns and you open the door. You creep inside her room and feel along the wall for the light switch.
You flick it on and light floods the room. Your stomach churns. The bed is crooked and the lamp has been knocked onto the floor, cord snaking out behind it like a tail. Julie's blankets are strewn across the floor, and you picture her being dragged off the bed, trying to hold onto them like they'd anchor her somehow. You step over them and look around. The drawers to the dresser are pulled open so far that some of them have been pulled out completely. Clothes spill out of it and trail over to the closet, looking just as ransacked with belongings and clothes pulled loose and left all over the floor. Dread threatens to overwhelm you. You check out the bathroom on the small hope that she's hiding there but she's not there. Thoroughly spooked by the state of the abandoned room, you flee back outside.
You put your face into your hands and focus on steadying your breathing. You're so worried about Julie that you hardly notice the pain in your chest now. If Julie was really alive like Valeria said, then why isn't she at her room? You stare at the rainy distance blankly. She could be at the hospital, you decide. If she were injured that's where she'd go. You renew your resolve and step out into the rain, keeping your head low to keep the rain out of your eyes. You feel like needles are stabbing into your knee with every step, but you don't stop or slow down.
You push on, despite the rain drumming down on you, despite the pain, despite how tired and cold you are. The goal of finding Julie shines like a light at the end of a long, dark tunnel, encouraging you to keep going. The rain eases when you reach the hospital. While it's not a torrential downpour it's still steadily falling. You walk inside, relieved to be out of it. Even just the check in and waiting area smells of antiseptic and you try not to feel sick. There are a few people sitting in chairs or standing around. A couple of them glance up at you when you enter but quickly look away again. You walk over to the receptionist, who is currently on the phone, and wait impatiently for her to acknowledge you. It feels like hours before she finally hangs up.
"Hi there, how can I help you?" She asks. You can see her eyeing the bruises on your face. You regret not wearing a pair of sunglasses.
"Hi, I was wondering if you had a patient come in...?"
She nods and turns to her computer. "What's their name, please?"
"Julie Bonilla."
You wait tensely while the receptionist types. Your hope dies when she shakes her head.
"There's no Julie Bonilla registered here, I'm sorry," she says.
"Oh, okay. Thank you anyway," you reply, turning away quickly so she doesn't see the fear on your face.
The rain beating down on you and the pain in your body feels like a distant problem. You hardly remember your walk back home. All your thoughts are preoccupied by your missing friend. You're growing surer by the second that she must be dead. But your brain refuses to let go of the small sliver of hope that she's still alive. Maybe she is. Maybe she's being kept in a dark, dingy basement and being beaten and starved, just like you were. But unlike you, she's just not lucky enough to get out. You think the uncertainty might kill you.
You walk into your house, sopping wet and tired. You meander around, drying off and changing before crashing onto your couch and not getting up again. Your thoughts swarm around each other loudly. You think about Julie, and Valeria and the cartel, and your financial situation which is getting more dire every second. You're getting so desperate that you might just walk into establishments and start shamelessly begging on your knees for work. And once you save up enough, you're going to get the hell out of Las Almas. Maybe you'll flee over the border into the United States. Maybe, just to be safe, you'll go as far as Canada. Valeria would never find you in Canada. You let yourself be pulled into the fantasy. Picturing yourself living somewhere else, safe and free from all your worries. You'd be free.
At some point you fall asleep. You don't even realize it until you're being woken up by loud knocking on your front door. The light of day has faded, leaving your living room dark. You fly off the couch, getting the absurdly hopeful idea that it's Julie. You stumble around in the dark and stub your toe on the wall. Cursing, you hop over to the front door and pull it open.
"I have a job for you," Valeria says as soon as it's open. No waiting, no greeting. Your disappointment must be visible on your face because she raises a judgmental brow at you. "Not happy to see me?" She asks sarcastically.
"What job?" You ask, ignoring the jibe.
"You'll see," she says, turning around and stalking off towards her car. You grab your house keys and quickly follow her outside.
You stop by the car and glance at her warily, worried that she's going to make you ride in the trunk again. Valeria notices your hesitation and scowls.
"Get in! I don't have all night," she says waspishly. You quickly open the passenger's side door and get in. The seats are plush and sink under you comfortably. The rest of the interior is sleek and modern. Tan in colour and clean. You almost feel bad for sullying it with your broke presence.
Valeria starts driving and you sit next to her stiffly while you try to guess what she wants you to do. Make drugs? Sell drugs? Smuggle drugs across the border? All kinds of possibilities run through your mind. She must enjoy your endless anxiety, that's why she chooses to keep you in the dark. It even crosses your mind that there's no job at all and she's just going to kill you. You don't really believe that one, because she probably would've killed you yesterday when she had the chance to. But you still keep it on the back burner.
Your anxiety only heightens when the buildings start becoming sparser and sparser, until she's driving through the desert on a dirt road. Guided by the moon and her headlights. You look out the window at the blurry shadows passing by. You think at one point you see an animal's eyes glinting at you from the dark.
"What were you doing earlier?" She asks, startling you.
"What?"
"What were you doing earlier?" she repeats sharply. "A little birdy told me you were wandering pretty far from home."
You scowl at the window. Is this going to be your life now? Having to answer to Valeria whenever you step foot outside your home? You're allowed to come and go as you please. You're not a child that needs permission.
"I went to the motel," you tell her.
"Looking for your friend," she guesses. You feel the urge to ask her if Julie really is alive and where she is, but you keep quiet because you know Valeria would never tell you.
Like a beacon of light, a white glow appears in the distance. A house with the lights on. Since there's nothing else out here besides miles and miles of desert, you assume that's where you're going. You're proven right when she slows down and pulls into the long gravel driveway. You get a better look at the house up close. It's a little two-story brick box with a slatted roof made up of pale orange clay tiles. Clothes hung up on clothes lines gently flutter in the breeze and a few old cars sit on the lawn. A few scraggly shrubs pop up from the ground all over the ground and against the side of the house. Valeria parks beside some newer looking cars and kills the engine.
You step out of the car and follow her up to the house. When you get closer to the door you can hear the sound of men's voices inside discussing something quietly enough that you can't make out the words. Valeria opens the creaky screen door and doesn't hold it for you, letting it swing back shut in your face. You scowl and yank it open, stepping inside. You stop abruptly, cringing at the rank metallic scent in the air and freezing at the sight in front of you. Blood has pooled on the ground in thick puddles and smeared where it looked like something was dragged through it, and the walls are covered in red spatters. On the ground lay two, unmoving bodies facedown. A couple of flies have already started buzzing over them greedily. Valeria casually steps over them like they're nothing more than rocks and joins the three men on the other side of the room.
You're too distracted to hear anything they're saying. All you can focus on are the corpses. You don't even notice when a sixth person enters the room until he speaks.
"Where do you want them buried?"
You look over at him. He's smaller and younger than the other three. More boy than man.
"Out back, Andres" Valeria answers him. Then she turns her gaze onto you. "She'll help you dig."
You clench your fist, digging your nails into your palm to ground yourself and to stop yourself from throwing up. You glance at the bodies again. Equal parts sorry and repulsed at the thought of touching them.
"We should get started," Andres tells you. "There's some shovels in the shed out back." He beckons you and turns around, disappearing around the corner. You hear a door open then close, but you stay rooted to the spot, eyes glued to the bodies.
"You act like you've never seen a dead body before," Valeria says.
"I haven't," you retort, tearing your eyes away.
"Well now you have, congratulations," Valeria snipes unsympathetically. "Now go help Andres dig. It's going to take awhile, better make a good start while you still have the energy."
You're not sure what energy she's referring to, but you silently limp out of the room. You wish you could tell the bodies that you're sorry and you don't want to disrespect them further, but you have no choice. Not having a choice seems like the latest trend for you.
Andres is waiting for you by the side of the house. He straightens when he sees you, and you don't know if you're imagining him trying to widen his shoulders too.
"Okay," he says. Is he trying to deepen his voice? "Let's get those shovels and start digging. I want this done before dawn,"
"You mean Valeria wants this done before dawn," you correct him, unamused by his attempts at being authoritative. You may have to take orders from Valeria, but you certainly don't have to take orders from someone you assume is pretty low on the cartel pecking order.
"... Well I also want it done before dawn," he says.
"Whatever." You roll your eyes. "Let's go, then." You march off towards the shed and Andres jogs to catch up to you.
"So how long have you been working for the cartel?" He asks. You glare at him.
"I don't work for the cartel," you say firmly. Your skin crawls with the implication that this is something you'd choose to be doing.
He looks at you weirdly.
"Why're you here then?" He asks. You continue walking, reaching the shed and pulling it open. You squint, trying to make out anything in the darkness.
"Because I did something stupid," you say, reaching up and grasping a string. You tug down and hear a click but no light comes on.
"Is that why you look so terrible?" He asks. You give up on trying to see and feel around for something that feels like a shovel.
"Yes." You find one and drag it out. The effort makes your chest hurt and you wonder how you're ever going to dig a hole like this.
"What did you do?" He asks, not helping you at all. "Did you screw them over? Did you get to meet El Sin Nombre?" You stop and look at him.
"I unknowingly sold drugs stolen from the cartel, no I didn't meet El Sin Nombre. Valeria was going to kill me, so I told her I'd work for free to pay off my debt. Does that answer all your questions? Now, are you going to help me or not?" You snap at him. Andres hesitates, looking like he has another question on the tip of his tongue. But he smartly keeps quiet and grabs the shovel from you.
You angrily fish out the other shovel. It catches on something and you yank it free, stumbling back. Something crawls onto your hand, and you scream and slap it off. It hits the ground and scurries out of the shed, and you make out the little segmented body of a scorpion. You shudder and hurry out of there and follow Andres back towards the house.
"We should do it here," he says.
"Okay," you reply. He shuffles away from you and stabs the shovel into the ground, grunting as he hauls out a chunk of dirt and tosses it to the side. You copy him, straining with effort. Each jab into the earth reverberates back into your chest painfully. "How deep do we have to make these holes?" You ask.
"Like six feet," Andres answers. You look at your own little hole, not even a foot deep. This is going to be a long night.
You dig, and dig, and dig. Your technique becomes sloppier the longer you go on. You take frequent breaks when the pain in your chest starts becoming unbearable and your heart jumps every time one of the men inside laughs too boisterously, or when a coyote howls in the dark. The sky starts getting lighter and you finally finish your hole just as the sun starts peaking over the edge of a cliff in the distance. You shovel out the last mound of dirt and toss the shovel up onto the ground. You lean against the dirt wall and pant. Every muscle in your body hurts, but it's a different kind of pain then when Valeria beat you. Like you spent hours in the gym.
You hear the backdoor open and someone walks out.
"You finished?" Valeria asks. Andres replies, always eager to please like the little asskisser he is.
"Yeah. I am at least, I don't know about her." There's a pause before Valeria speaks again.
"Where is she?" She asks.
"I'm in the hole," you croak out tiredly. Valeria steps closer and peers over the edge of the hole at you, looking like little more than a shadow. You grasp the lip of the hole and try to pull yourself up, but your arms are so weak from digging that you just flop back down and hiss in pain. You try again with the same result.
"I'm stuck," you say. Someone snorts but you can't see who. Valeria rolls her eyes and leans down, reaching out. You reluctantly grab her hands. They're cool against your hot, filthy ones. With a grunt she slowly pulls you up and out of the hole, letting you fall to the ground.
Your dignity is as dead as the people inside, so you don't bother trying to get up right away. You sit there and catch your breath before you push yourself to your feet and stumble out of the way when one of the men almost knock into you. He's carrying one of the bodies and tosses it into the hole you dug. It lands face up and you recoil. It's a woman, and her skin is losing its colour and starting to gray. Her mouth is open and blood stains the small gaps between each tooth and fills the cracks in her pale lips with red. Her eyes are open too, staring off into the sky with a blank expression. Blood from the bullet wound in her forehead leaked into one, turning it crimson. The red eye almost seems to stare at you, with much accusation in it.
You back up, afraid to look at her. The second body is carried out soon after. You don't get as good of a look at it as you did the dead woman, but you catch a glimpse of it. There's not much left of its face besides a red mass of flesh. Little chunks of meat fall off and drop to the ground, leaving a demented trail of breadcrumbs to the hole from the house. It gets tossed into the ground and thuds heavily. Valeria glances in each hole then commands Andres to fill them in. She steps back and looks at you.
"We're done here, let's go," she says.
"Okay," you reply tiredly. You trail after her slowly, on the verge of collapsing and never getting up again.
You join Valeria at her car and she stares at you, her nose wrinkling. She doesn't speak and you rub your face tiredly.
"What?" You ask.
"You're filthy," she says. Of course you're filthy. You spent hours knee deep in dirt, digging her a six-foot-deep hole. You're not going to come out of this experience squeaky clean and smelling extra fresh.
"I should make you walk," she mutters, getting in and starting the car. You shoot her an alarmed look, worried that she'd actually make you walk all the way back to Las Almas. You wouldn't put it past her. But she doesn't. She snaps at you to hurry up and get in when you hesitate for a second longer than her patience can handle.
On the drive back Valeria has the windows rolled down and she grumbles about you getting her seats dirty the entire way. You shiver lightly from the cold air but don't ask her to roll them up. Valeria would probably turn on the AC if she knew you were cold just to spite you. You watch the blurry, passing landscape with slitted eyes. The rumble of the engine lulls you into a sleepy trance but every time your eyes close you see the dead woman, with her accusatory red eye. Sometimes, her face morphs into Julie's, and you're jolting awake again.
Valeria is at least nice enough to drop you off in front of your house. The sun is high in the sky, and you guess that it could be almost noon. Your vision is blurry and you nearly stumble when you get out of her car. You shuffle up your front steps like a zombie and drop your keys. It takes you a few tries to open the door, but you eventually get it open. Once you step inside and shut the door behind you, you stop and just stand there in the empty quiet stillness of your home. The image of that woman's face haunts your thoughts and without any warning you start crying. You're not sobbing and gasping for breath, just standing there and letting the tears run down your cheeks softly, drying out your skin in their wake.
You hide your face in your hands, ashamed of yourself even though no one is watching. You thought you could handle whatever Valeria decide to throw at you, but you realize that you're way in over your head. Everything hurts, each breath, each tiny movement you make, you don't know where your friend is, and you still owe the cartel two million dollars when you can't even scrounge up the funds to feed yourself properly. The worst part is, you're not even at rock bottom yet. You're sure it can still get worse from here.
Tried to conquer my fear of driving and some asshole in a truck tailgates me then nearly runs me off the road 💔
Chat, is this a sign?
busy right now. nightlyrequiem notification. i am sitting my ass down to finish the rest of the first chapter and immediately moving to the next. nightlyrequiem maxxing.
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Dogsbody
Ch.2) Consequences
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W.C- 3.8k
Desperate times calls for desperate measures. You agree to sell drugs for your friend, not knowing that they were stolen from a ruthless drug baroness. And Valeria doesn't take kindly to thieves.
A/N- A lot of you guys seemed so excited to see me posting again, made me feel all warm and fuzzy inside. Thank you 🥹I'm really excited for this series. I want to try and upload a chapter each week, but no promises! Also, just a heads up, Valeria is pretty nasty to you in this one. As in, she kind of beats you up, but it's okay.
Tags/Warnings- Femslash, Descriptions of Violence and Gore, Indentured Servitude, Power Imbalance, Drug Dealing, Valeria is mean and physically violent but not forever, Valeria is her own warning, Slow burn, more to be added
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Pain explodes in your temple and runs down the entire side of your face hotly, and the impact sends you crashing to the floor. You open your eyes and immediately regret it when everything starts spinning.
"You have the audacity to steal from us," the woman - what did that man say her name was again? Victoria? Veronica? No, it was Valeria - Valeria says. "And then sell it?" The gun she just hit you with is clutched in her hand, her knuckles paling with how tight her grip is.
She delivers her point home with a hard kick to your ribs. You yelp and curl up on yourself like a dead bug, sucking in shuddering breaths. Your face lays on the cold ground and grits against the little particles of dirt. From your position you can see the dark rusty stains that have seeped into the concrete, becoming one with the floor.
You knew it was too good to be true. Just like you knew nobody would abandon two million dollars' worth of cocaine. You replay the moment you stepped out of Julie's motel room, original duffel bag slung over your shoulder. That was foolish of you, hindsight being 20/20. But you were tired and eager to get home, and you did almost make it. Almost. Until a man you didn't know came up to you, unusually interested in the duffel bag. He managed to pull the answers he was looking for from you and only needed to punch you once to knock you out.
Valeria leans down and grabs you, roughly pulling you to your unsteady feet and leaning in close. The one single lightbulb above you deepens the shadows on her face and harshens the lines. She looks like a caricature of anger, and you look into the shark-like blackness of her eyes and see nothing. Not a hint of humanity or empathy. With her teeth bared she looks more like an animal than a person, and you tremble in her hold.
"No me jodas, pendeja," she growls at you. "You must be pretty fucking arrogant to think you could get away with stealing from us. Like El Sin Nombre doesn't have eyes and ears everywhere. And-" she sneers, glancing over to the side where the cursed duffel bag sits. "You couldn't even be bothered to use a different bag. Do you think we're idiots?" When you don't answer she shakes you, rattling your already scrambled brains. "Well? Answer me! Do you think we're fucking stupid?"
"No!" Your voice shakes. She shoves you back down to the ground and kicks you yet again. Your breath is driven from your lungs, and you struggle against the newfound pain in your ribs to get it back. You writhe, mouth gaping as every breath you try to take sends the same pain shooting through your chest each time. Valeria doesn't let up, kicking you repeatedly in the chest, stomach, back, wherever she can, really. Each kick only seems to fuel her rage, making her kick you harder and harder until you're tasting metal and feeling nothing but pain all over.
The flurry of kicks suddenly stops, and the air is filled with your harsh wheezing as you still struggle to breathe. On the floor, you make direct eye contact with the man that approached you, the one that asked if you were selling, and then promptly punched you in the face. He's staring at you indifferently, like watching someone getting beaten to a pulp is just another Monday for him. Your blood freezes at the 'click' coming from above you. You roll over and flinch when you come face to face with the barrel of a gun.
You feebly raise your hands to protect your face, even though you know your hands won't stop a bullet. "Wait! Wait! Wait!" You shut your eyes tightly and scream - or try to. "Please! I didn't know it was stolen please don't shoot me!"
"What do you mean you didn't know it was stolen?" Valeria asks indignantly.
"I got it from my friend, she said she found it in a creek! I didn't steal it I promise!" You ramble, tripping over your own words.
Silence greets you instead of a gunshot and you crack open your eyes. Valeria still has her pistol pointed at you, but at least she didn't pull the trigger. You'll take the win, however small it is. Her eyes are narrowed into hateful slits as she glares at you.
"Who?" She barks.
"What?"
She hisses impatiently, jabbing her gun at you. "Who is your friend?" She snaps. You realize that by trying to save your life, you just endangered Julie's. Your mouth stays clamped shut while your thoughts war with each other.
"She didn't steal it from you either I swear," you say. "She really did find it in a creak; this is just a big misunderstanding. No one needs-"
"Shut up!" Valeria snaps, kicking your leg. "Who is she?" She leans down and the cool metal of the gun kisses your forehead.
"Julie!" You yelp, trying to squirm away from her. "Her name is Julie,"
"There we go, that wasn't so hard now, was it?" She coos mockingly. "Where does Julie live?"
You're sentencing Julie to death, just to save yourself. But you're just doing what you have to do to survive. Isn't that what Julie said?
"... The motel," you whisper hoarsely, picturing Julie sitting on her bed and eating takeout, unaware that she's in terrible danger from the cartel. "Please don't hurt her, I swear she didn't steal it from you. I swear on my life that she got it from the creek!"
"On your life, huh?" Valeria replies, cocking back the hammer. "That can be arranged." Your eyes widen as her fingers tighten on the trigger. You sold out your friend, and she's going to kill you anyway.
You thrash like a caught fish under her heavy weight.
"I can be useful! I can work for free!" You scream. Tears prick at your eyes and blur your vision. Valeria pauses and silently stares at you. Sensing an opening you quickly continue. "I can work for free, anything you want me to do, I can do it. And you don't even have to pay me! Literally whatever you want, it's done! I'll even do it with a smile! I'll literally lick the dirt from your boots just please don't shoot me!" You stare at her, trying to gauge her reaction to your begging, but her face remains frustratingly unreadable. Finally, she pulls back her gun. You relax, not realizing how tense your body was until your shoulders touch the floor. Valeria looks at you thoughtfully. It reminds you of the way a person looks at a newly acquired tool, and they're wondering what they're going to use it for first.
She breaks the prolonged eye contact to look at someone behind her.
"Take this one to the boiler room. I'm going to pay a little visit to Julie." She whips around and you watch helplessly as she leaves the room. You wish you could warn Julie, but you can do nothing but struggle to your feet when two men grab you by the arms and start shoving you towards the door. You struggle to keep up with their pace, your legs half drag on the ground painfully while they carry you out of that dank, dark room right into a dank dark hallway. The walls are cement and lit by bare lightbulbs on the ceiling. Exposed wires running to and from each one, twisting around iron pipes from where they jut out and disappear into the walls.
You try to take in as much as you can, each door and turn. But you're so dizzy and your chest hurts so bad that you quickly lose track of where you are. Even if you did manage to get free, you'd never make it through this little labyrinth of doors and rooms before they caught you again. They stop outside of a door and drag you into the room. It's hot and as unfinished and intimidating as the rest of the place. The ground is just as hard and dirty, and the ceiling is just as exposed. More pipes rise up from the ground, going all the way to the ceiling. In the corner sits a large metal furnace humming quietly.
The men bring you to one of the pipes and tie your wrists around it with a thick rope. They tighten it and the fibers dig into the thin skin on your wrists, chafing and burning no matter which way you shift. They leave you sitting in the dark with your back against the pipe and to the door so that if you want to look you have to crane your neck to the side painfully.
You slump over, as much as you can, anyway. Your ribs ache with protest at the action and you try to find any other position. But nothing seems to lessen the pain in your chest. Tentatively, you slowly breathe in as deeply as you can. You're only able to get a quarter way through a breath before a sharp pain stops you. Briefly, you wonder if your ribs are broken. But for as much pain as you're in, you don't think it hurts enough to be the case. You don't think anything's broken at all. There's nothing much for you to do in this dark room besides sit and think. You are such an idiot. You suspected, knew, that those drugs weren't abandoned. Even if Julie was telling the truth about where she found them, you should've known that someone would be keeping an eye out for them. Julie should've known too.
Julie. As soon as her name crosses your mind panic shoots through you, chilling you to your core. You told Valeria where to find her, and you don't think Julie will be able to talk herself out of this like you did. And she doesn't have a friend to shift the blame to, a nasty voice pipes up inside your mind. You lower your head. You had no choice. Valeria was going to kill you because she thought you stole them. Though now that you don't have a gun pointed at your head and you can think a little clearer, you could have lied about finding them in the creek yourself. Valeria didn't have to know about Julie at all.
"Please, please, please don't hurt her," you whisper to yourself, closing your eyes. You're not sure if you'll ever forgive yourself if Valeria kills Julie. But didn't you try to warn her that this wasn't a good idea? Didn't you try to voice your concerns about the drugs? Not hard enough, you decide.
Without any windows or clocks, time quickly liquidizes until it leaks away from you entirely. You sleep in short bursts, unable to stay asleep for long when your chest starts aching even more with the change in posture. You grow increasingly thirsty and hungry, and you wonder if anyone's coming to bring you food and water, or if they forgot about you completely and you're doomed to die here in this room. You don't know if it's been hours or a day when the door finally opens and bathes the room in light. Footsteps approach you and they stop just behind you. You keep your head forward, too nervous to turn and look.
"I met your friend," Valeria says, spiking your heart rate.
"Did you kill her?" You whisper, picturing all the gory things that could've happened to Julie in the time that Valeria's been gone.
"I didn't kill her," Valeria replies. She sounds amused and you scowl at the ground.
"But someone else did?" Your voice catches. Your mind replays all the good times you had with Julie. You met her the last week of high school, and she's been a steady figure in your life since. Always lifting you up, always ready to include you.
Valeria walks around to face you, but you're too scared to look her in the eyes. You stare at her dirty combat boots and the cuffs of her jeans instead.
"She was alive the last time I saw her," she says. Your shoulders slump from relief. But if Valeria didn't kill her, then what did she do to her? She was going to kill you when she thought you were the one who stole it. Hell, she was going to kill you just for selling it. Julie could be in worse condition then you are right now, perhaps even dying at this very moment. "But I'm not here to talk about her." Valeria slowly crouches down in front of you.
"What now?" You ask.
"For now? You go home," she says calmly. Your head shoots up and you wince, your vision swimming. You finally register the dull ache in your temple from when she pistol whipped you.
"... You're letting me go?" You ask disbelievingly. You thought she'd just kill you anyway, or keep you in this room forever. You never expected her to just let you leave.
Her lips curve upwards. "No, pendeja. You belong to us now, until your debt is paid off."
You nod carefully. "... I could probably pay you off," you say hopefully. "Instead of working. You got the drugs back, and I only managed to sell sixty-five grams. I can get you a thousand dollars no problem," you tell her. "Maybe even two thousand, as a sign of good will,"
Though you're not sure where you'll get a grand from, let alone two. After being kidnapped, beaten, and locked in a dark room you forgot about your original problem: unemployment. But to your confusion Valeria just laughs.
"Eres tan tonto," she bares her teeth in the approximation of a smile. "No, you promised to work for me. What was it you said? You'd lick the dirt of my boots with a smile and no pay? Besides, you don't owe a thousand dollars. You owe two million."
Your jaw drops slightly, fresh panic washing over you. "But you got the drugs back! Why would I owe you two million?" You ask, becoming increasingly distressed. She stares back coldly.
"Because you took it in the first place." Her smile vanishes. "Because you had the audacity to start selling it right under our noses." She grabs your jaw harshly. "Because I said so." To emphasize her point she shakes your jaw. You don't have the heart to remind her that you're not the one who took them. Not really, anyway.
She drops your face and shuffles behind you. The ropes wiggle and you hiss in a pained breath when it digs into your skin again. It loosens and falls to the ground with a quiet thud, and you immediately start rubbing your wrists. They're circled by thick red lines and burn where the rope scraped skin away. You struggle to your feet, legs wobbly, stiff, and sore. Your left knee in particular throbs painfully and when you try to put pressure on it that throbbing sharpens into stabbing. You wince as you turn to face her.
You watch each other for a few seconds before she impatiently gestures for you to walk towards the door. You nervously pass her and she settles into a mild pace a few inches behind you. She guides you down the hallway and to a staircase that goes up. It confirms what you already knew, that you were in a basement. She jabs you in the back to climb and you start up the stairs. Your knee and legs especially hate this and punish you by hurting all at once. You ascend as fast as you can, which isn't very fast. You cling to the banister and use it to pull up most of your weight.
"Hurry up," Valeria snaps, jabbing you in the back again, right on the spine. She must have hit a bruise because it hurts more than you expect.
"I'm sorry," you reply. "I'm going as fast as I can," You try to speed up but that takes energy, and every labored breath makes your chest twinge.
By the time you make it to the top of the stairs you're aching everywhere, wheezing, and clutching your chest like you can just pull out the pain and discard it. You look around you and blink. You expected to come out into a dingy warehouse, maybe some kind of industrial building. But you've come out into a big kitchen. A big, fancy kitchen. Warm wooden toned cabinets carved with delicately winding details and golden knobs, shiny granite countertops and a kitchen island with bottles of expensive looking wines in the center. Above it, a dark gray candle chandelier.
"Is this your house?" You ask, unable to help the envious wonder from creeping into your voice.
"No," Valeria answers gruffly, pushing you along. You enter a living room just as fancy as the kitchen with the highest ceiling you've ever seen and an even grander chandelier. It keeps the same warm toned themes with classic looking furniture and renaissance era looking paintings.
Valeria doesn't give you time to marvel at the luxury. She pushes you out the front door and towards a sleek black Mercedes Benz, glinting in the sunlight.
"Get in," she orders. When you move towards the passenger's side she stops you. "No. Not there." She looks at the trunk pointedly. You look at it despairingly, but you're too scared of Valeria to argue with her. With great reluctance you walk closer and she pops it open. Revealing an empty interior, aside from more rope.
"Are you actually taking me home, or are you taking me somewhere else to kill me?" You ask, picturing her driving you out to the desert and shooting you in the head, leaving your body where only the coyotes and vultures would find it.
"No, I'm not taking you somewhere else to kill you." She rolls her eyes, nudging you forward. "Now hurry up, I have places to be."
You climb in, ignoring the pain spiking in your knee when you curl your legs, and the sharp throbbing in your chest when you lay down. You try to slow your breathing to ease it, but it only makes you need to breathe more. Valeria stands over you, blocking out the sky. You desperately try to memorize the cerulean hues before she's slamming the trunk closed, locking you in darkness once more.
The ride is long and painful. No matter how much you shift and roll, which isn't much in the cramped space, you can't alleviate the pressure in your chest. and every time the car comes to a lurching stop you jolt, which only hurts you more. The car comes to a slow stop, but this time it stays stopped and you hear and feel the driver's side door closing. A few seconds later the trunk is opening, and you squint against the sudden light.
"Out."
With her order you clumsily unfurl yourself from the drunk and crawl out wheezing as you do. Valeria eyes you disdainfully.
"Do you have asthma or something why are you doing that?" She asks. You want to glare at her and snap at her and remind her that she kept kicking you in the ribs with the strength of a rhino, which would explain your inability to breathe normally. But you can't even bring yourself to look her in the eyes as you answer her.
"My ribs really hurt," you mutter, keeping your eyes fixed to the ground.
"Hm." Is all she says to that. You get the feeling that she doesn't really care all that much. You glance up, seeing the outside of your street and house. You wonder how she knew your address when you didn't tell her where you lived.
You start limping towards your door, eager to be inside and back home but she stops you.
"Just remember that we're not done with you," she says ominously. "And don't bother trying to go to the cops or leaving. We have eyes everywhere. And if you so much as utter a word to anyone, I'll kill you myself. Understand?"
You weren't planning on going to the cops anyway. They're practically cartel enforcers at this point.
"Understood," you mutter, turning away and going inside. You lean against it and wait until you hear her driving off before you're rushing away to find your phone. Valeria told you not to go to the cops, but she never said you couldn't check on Julie. Valeria said she was still alive.
But in the middle of your searching you stop when you realize that they took your purse when they kidnapped you, and they never gave it back. Your phone was in there, along with your wallet, your I.D, your money. You quietly curse and slump down, unsure of what to do now. You're still in your club attire too. You need a shower and a change of clothes so that's what you opt for first. You strip down in the bathroom and examine your battered body, gasping at the large, dark bruises all over you. Your legs, arms, and the biggest one on your chest. Blood has trickled down and dried on the side of your head where she initially hit you, and it crusted on your nose from when the man had punched you to knock you out. You tenderly reach up and prod at your nose, testing to see if it's broken. It's sore to the touch but ultimately okay. It's the side of your head and the large bruise on your chest that concerns you the most, though.
You do your best to wash off the blood and hop into the shower. The water feels heavenly on your skin, but you have to sit down to wash yourself. You spend longer than usual cleaning yourself, almost as though you were washing away the entire experience. You come out cleaner and calmer, and you put on something looser and more comfortable than your club outfit. Since you can't call Julie, you debate on walking to the motel to see if she's there. But just standing in the shower and cleaning yourself was hard enough. An hour and a half walk in the heat might kill you. Or more likely just be really, really unpleasant. You're not even sure if you could handle walking to the hospital, which is much closer. With no other options, you retire to your bed, crawling in and bundling yourself up under your blankets and closing your eyes to escape to the deepest sleep you'll probably ever have in your life. You've got some serious problems to tend to when you wake up, but for now you can pretend they don't exist.
Wait.. Valeria with a bush!! As someone who can’t shave because of sensitive skin, thank you!! Between that and your fic about the reader having small breasts, your writing is doing wonders for my insecurities 🥹🥹🥺🥺
Forever a Valeria bush believer. Bushes deserve love and attention!!! And so do small boobs. I’m glad my writing is helping you out a bit :) it definitely helps me sometimes too.
Sorry to hear about your sensitive skin though, sounds uncomfortable :( my legs are pretty sensitive and I’ve spent my fair share of nights trying to make them not hurt or itch
I hope driving gets easier bc I’ve only got like a year before not having my license becomes weird and inhibiting 🙏
I often fumble the first couple chapters of my story and need to restart, but there’s always that one line that’s so good I’m not sure if I wrote it or a ghost haunting my old house with poetic trauma and a knack for words possessed me.
Dogsbody
Ch.1) Unforeseen Circumstances
AO3 Link Masterlist Next →
W.C- 7.3k
Desperate times calls for desperate measures. You agree to sell drugs for your friend, not knowing that they were stolen from a ruthless drug baroness. And Valeria doesn't take kindly to thieves.
A/N- I'm BACKKKK! Since the trailer for MW4 came out my fyp on TikTok has been nothing but Cod and Valeria. I'm finally getting the energy to write for once. Also, it's SO HOT here, I'm starting to miss our -35 winters.... also, I applied to Mcdonald's for a third time and didn't get the job AGAIN! I'm gonna live in my parents' house like a chud 4ever
Tags/Warnings- Femslash, Descriptions of Violence and Gore, Indentured Servitude, Power Imbalance, Drug Dealing, Valeria is mean and physically violent but not forever, Valeria is her own warning, Slow burn, more to be added
🔪💉🔪💉🔪💉🔪💉🔪💉🔪💉
The muffled buzzing of dental equipment leaks into the waiting room. Only a few people are there sitting in chairs waiting to be called for their appointments. The air conditioning hums behind you, but you've grown so used to the sound that you're practically deaf to it now. You type away at your computer, working on updating a few patient files. The work is boring, but it's easy and it pays the bills.
The phone rings and you pick it up.
"South End Dental, what can I do for you?" You ask politely. One of the dental assistants pokes her head into the waiting room and calls for someone.
"I'd like to book an appointment, please," a man asks. You switch out of your email and open Google calendar.
"Okay, and what's the name of the dentist you wish to see?" You ask.
"Dr. Reyes," he replies. You click on Dr. Reyes' name and look through this month's bookings. You ask him for his name and health card, then look for a suitable opening for him.
"Alright, I have next Wednesday at three pm available, and Sunday of next week and eleven am available, and all of the week after that,"
You successfully book the man in for Sunday next week.
The day progresses by a crawl. There aren't many appointments lately, and even less walk-ins. Ever since they opened a new dental clinic on the other side of town, business has been slow and dwindling. You've heard rumors of layoffs passing between the lips of the staff, but never anything concrete. You continue to type away when the doors to the clinic burst open, startling you out of focus. Two men stumble inside, helping a third, roughed up looking man. You turn away from your computer, alarmed at the sight of them.
"Is he-"
The first man interrupts you. "He needs to see a dentist, he got the shit kicked out of him and some of his teeth are... not where they should be," he says. To prove his point, he reaches into his pocket and to your disgust, dumps four still-bloody teeth onto the counter. They land with a dull clatter, almost like dice. "You can put them back, right?" He asks.
You stare at him in stunned silence. You can't believe he just dumped teeth onto the counter and then asked if you could put them back in. How does he think that works? That the dentist can just put super glue into the empty gum and stick it in? Lara comes up beside you.
"Please remove the teeth from the counter sir," she says firmly. He quickly scoops the teeth back into his palm, pocketing them and having the sense to look faintly embarrassed.
"What happened?" You finally ask. The injured man's face is covered in blood, and you're confused as to why they brought him straight to the dentist instead of a hospital. By the looks of things, lost teeth aren't his only problem.
"He owed some people money," The second man explains to you, glancing at his barely conscious friend with worry. You can't help but think at least he wouldn't need much anesthetic.
"It's not possible for us to reattach teeth that have fallen out. We can certainly fix up any chipped or damaged teeth and make arrangements for dental implants, but we'll need to file paperwork and insurance first." She gives the injured man a once over and purses her lips. "But I suggest you take him to the hospital first," she tells them. The two uninjured men give each other a look, silently communicating.
"Okay. Thanks anyway," the first one says before helping the second drag the injured one out.
The commotion drew the attention of your boss, Gustavo, a stern man in his late forties. He appears from his office behind the receptionist desks to stand beside Lara with his arms crossed, watching the men disapprovingly.
"What was that about?" He asks gruffly.
Lara answers, "Said he owed someone some money. They wanted us to put them back into his mouth." She gestures to the small bloody spot where the man had dropped the teeth. He scowls and then looks down at you, and you try not to shrink away under his displeased gaze.
"Why haven't you cleaned that up yet?" He asks.
"Oh," you murmur, hurrying out of your chair and reaching into your drawer to grab a disinfectant wipe, quickly wiping away the small spot of blood on the counter and tossing it into the little garbage can under the desk.
"Damn idiots. Probably messing around with the cartel," he mutters before stalking off back to his office. During your time at the dental clinic, your boss has made his views on the cartel very clear, and you can't say you disagree. Las Almas used to be quiet and safe, but now it seems that the posterboards outside of shops are filled more by missing persons posters than by fresh deals and events.
You turn back to your computer, still feeling rattled but becoming engrossed in your work and you don't notice the woman standing in front of you until she knocks on the counter.
"Hello? Do I have to email you to get your attention?" She speaks.
You recognize the voice of your friend before you even look over.
"Hi, Julie," you say. "Here for your four o' clock?"
"Why else would I be here?" She replies. "Anyway, what's going on? I saw a guy leave here with blood all over his face. Did one of the dentists go rogue? Should I be worried?"
You shake your head. "No. He got beat up and his friends wanted to know if we could reattach his teeth."
"Can you?" Julie asks.
"No."
"Bummer."
Julie steps back from the counter and takes a seat, then pulls out her phone to entertain herself. Normally she'd stay and chat with you until she's called in, but Gustavo found out one time and reprimanded you for not working.
* * *
"I'll see you tomorrow, Lara," you say, shoving your water bottle into your bag and slinging it over your shoulder.
"Bye," Lara waves to you from her chair, not looking away from her monitor. You walk around the counter and exit the clinic. The sun hangs low in the sky and its beams cut in between the tall buildings across the street, blinding you as you step outside. You shield your eyes with your hand and find your car, climbing in and starting the engine and pulling out onto the road to go home. It's a short drive there and back and you get home in under fifteen minutes. You decide to sit out on your step for a few minutes to enjoy the end of the day.
People mill about in the streets, finishing up the last of their errands for the day. Off to the side, outside of a coffee shop you see a group of tweens hanging out at an outdoor table, backpacks on the ground beside them. You remember being that age yourself and doing the same with your own friends. However, when you were young, there wasn't a truck of men with large guns sitting out in the open a hundred feet away. You eye the truck warily and retreat inside.
The rest of your night is unremarkable. Like it is almost every night, spare the few times you go out with Julie to bars or clubs. Even though it's repetitive and uneventful, you like the routine of it. Coming home from a long, albeit easy, day of work to relax with a good book, or a movie, or a show, and then some dinner. Then a shower, and then bed. Your life is simple, just the way you like it.
It's another cool day. Curtesy of the chilly November weather that has you missing the warmth of summer. You're in the tiny back room that doesn't retain heat well at all, waiting for the old, outdated printer to finish spitting out a guy's post-appointment information. It stutters and whines, and you can do nothing more than sit on the cold plastic chair while you wait. Finally, it stops, and you grab the paper. You bring it back out to the man and set it down in front of him.
"Here you are," you say. "This is how many cavities Dr. Reyes did, and this is how many you still have. He'd like you to come back in three weeks for an hour to fill the rest of them in,"
"Okay." The man takes the paper and folds it in half.
"Let me just book you in and then we're all done here," you say, bending down to find an available day. "Okay..." You look through the dates and realize just how many open spots there are now. You list them off for him.
"Thursday at eleven works," The man says.
"Okay, I'll get you down for Thursday," you tell him.
There's not much work to be done today. Nobody calls to book an appointment and there are only a couple of emails for you to send out. With nothing to do you spend your time alternating between a book and your phone. You decide to take your lunch early and join Lara and one of the technicians in the breakroom.
"It was probably the worst I've ever seen a kid's teeth look," Sadie, the technician, tells you and Lara. "I asked Jay if we should file a report to CPS for the obvious neglect, but he told me not to bother. I just think he doesn't want to deal with the paperwork since he's leaving for that new clinic soon,"
"Jay's leaving?" You ask, surprised, and a little sad. Jay has been here for so long that he used to be your dentist when you were a child. "Why?"
Sadie shrugs. "Less and less people are coming here," she says. "We're so outdated, and with that new clinic opening with better technology, why would they? I don't think this place will be open for much longer."
"Oh, did you hear they're going to lay some people off today?" Lara chimes in. "I overheard Gus talking about it. He's going to let four people go today."
Your eyes widen. "Four?" You repeat. That's a lot of people for how little staff there is. Your stomach coils around itself with anxiety. Those rumors were true after all. You wonder if you'll be one of the four to lose their job.
"Yeah." Lara nods at you. "I don't know who though. I hope it's not me. I'm already behind on bills I can't afford to lose my job,"
"Me neither," Sadie says. "But I think I could get Jay to put in a good word for me at the new clinic if I got laid off."
You think about Sadie's words. You think about what you'll do if you get laid off. The idea of having to go out and find another job really, really doesn't appeal to you. But you could do it, if worst came to worst. Finding another job can't be that hard. You finish up your lunch and try not to worry too much about it.
***
"Sorry, we're not hiring at the moment," The manager you're speaking to gives you a pitying smile, which does nothing but make your temper flare. You've been in-person job hunting all day now. And all day yesterday. It's hot out, and so far, you've only managed to hand out a few resumes, which by now you're sure are already in a trash bin. You're covered in sweat, overheating, and for all your troubles, getting nowhere. Finding another job can't be that hard. If only you knew.
"Okay. Thanks anyway," you say, managing to keep yourself composed and offering a tight-lipped smile in return before turning around and doing the walk of shame out of the diner.
As soon as you step foot out the door your eyes start stinging. But you're in public, so you do your best to hold your frustrated tears back. You're not ready to break down in public just yet, but you're not sure what you're going to do. You've applied to nearly every place both online and in person and yet you've only had a couple call backs for interviews. Interviews, which went nowhere. Six months ago, your job laid you off. 'Budget cuts', they said. It wouldn't have mattered whether they kept you or not though, since the dental clinic shut down soon after. You tried applying to the new clinic but that was a fruitless endeavor, and you've been left running around all over Las Almas trying to get hired anywhere. At first, getting a job was more of a mild concern. You were fine at the moment but later on you knew you'd need one. You thought you had enough time to find work. You didn't think finding work would be such a challenge.
But later came, and you're still unemployed, and you're going to be evicted because you're four months late on rent. If you don't find a way to make some money fast, you're going to be homeless. And that's not a pit you think you could ever drag yourself back out of if you fell into it. It's a sick joke at this point. All it took to ruin your life was one bad thing not even in your control.
"Woah, who are you off to kill?"
You turn your head, spotting your friend Julie, smoke in hand, sat on a bench at a bus stop.
"Myself, if no one hires me," you reply grumpily, walking up and sitting down beside her. You wipe dampness away from your forehead as she hands you her cigarette, and you take a puff, grateful for the small distraction.
"Still no luck finding a job?" She asks sympathetically. As an act of solidarity to you, Julie never went back to the South End Dental Clinic after they fired you. She also hasn't been to the new clinic, stating that if they weren't going to hire you, then they weren't worth going to anyway. It was an act that flattered you for sure, but you're not sure her teeth appreciate it as much as you do.
"None." You roll your eyes. "I'm somehow the least employable person in all of Las Almas right now."
Julie takes back her cigarette.
"I mean... I have a few ideas, but you might need to get a little open minded,"
"Do your ideas include sleeping with strange men? Because I don't think I can pretend to enjoy sex with someone I'm not attracted to," you say, shuddering at the thought of a sweaty old guy on top of you.
"It's easy cash," Julie defends. "Besides, some of them are pretty cute,"
"Attractive people don't have to pay for sex."
"Some do," She pokes your arm. "But my other idea is a little less sexual, if you're open to it."
You're not sure any ideas coming from Julie will be very good, but you are getting desperate. And despite what you just said, even selling yourself isn't completely off the table. Though you think that might be a very last resort for you.
"Sure, what is it?" You humor her.
Julie takes a quick look around then leans closer, lowering her voice.
"I have this big duffel bag full of drugs at my house," she says.
"What the fuck, Julie."
"No listen," she insists, "There's got to be like, forty thousand dollars' worth of drugs in there." Whatever words of protest were about to come out of your mouth disappear at the mention of forty grand.
"Where'd you get a duffel bag full of drugs worth that much?" You ask her. Julie has always dabbled in the world of substances, but always on the user side. You don't know where she could have gotten forty thousand dollars' worth of drugs from. Unless, you realize with a sinking stomach, it was from the cartel.
"I found it floating in the creek," she says proudly, dispelling your cartel theory, but not dispelling your anxiety. "I couldn't believe my eyes when I pulled it out and looked inside. I've never seen that much coke! And obviously, if it's in the river, nobody will be coming to claim it."
"Are you sure?" You frown at her. That's a lot of cocaine that somebody would be very unhappy about losing. You can't imagine anybody just shrugging their shoulders and accepting that kind of loss.
"Of course I am," she replies. "If someone cared that much, they wouldn't have lost it in the first place. Besides, finder's keepers."
You're not very confident about Julie's logic. But if you weren't so desperate to make some money, you'd probably challenge her more. Instead, you go against your gut and ask her to show you.
Julie brings you to her motel room and lets you in. It's small and basic, with some of her few personal belongings and clothes here and there. The bed is unmade and full of blankets. You have to admit to yourself that it does look a little cozy in here. Or maybe you're just trying to romanticize it because a motel room is where you're going to end up soon.
"It's in here somewhere," she says, rummaging through the closet. "Aha! Found it," Julie drags out a big black duffel bag, setting it on the floor in front of you. You lean down and watch her unzip it, revealing big white bricks of cocaine. She takes one out and hands it to you, it's wrapped up neatly in plastic, with a simplified scorpion symbol right in the middle. Inside the duffel bag you can see that all the other bricks have one too.
"Are you sure you found this in the creek?" You ask uneasily. Something about the scorpion looks familiar but you can't remember where you would have seen it.
"Yeah, what, you don't believe me?" Julie asks, frowning at you. A part of you doesn't believe her. For as nice as Julie is, she has a habit of lying sometimes. But you've never known her to be a thief, and you like to think that she'd be smart enough not to steal from someone able to get this much coke. It almost looks professional, nothing like the small baggies produced by broke street dealers.
"You promise is was from the creek?" You ask.
"I swear on my life," she answers seriously. You look down at the scorpion again, wondering who cared enough to put it there.
You set down the cocaine.
"So, if I'm selling, why do you get some of the profit?" You ask her.
"Because I'm the one who found it? Obviously?" Julie scoffs. "I'd sell it myself, but I get stopped by pigs too often. I'd probably end up giving more to the cops paying customers. But no cop is going to look at you and think 'yeah, that one has drugs,' it'll be easier for you to do it," she says confidently.
"Right," you nod at her. "And how do I sell drugs in the first place?" That's certainly not a question you ever thought you'd ask, but you also never thought you'd ever be homeless. And if you don't sell some drugs, you sure will be.
"Just go to a nightclub," Julie suggests. "Coke isn't called a party drug for nothing,"
"But they check bags how do I get it in there?"
"Put in your pocket or your bra, or something. They're actually not that strict on safety checks." she tells you.
You look down at the single brick of cocaine in your lap.
"... Am I supposed to sell the whole brick?" You ask uncertainly. Julie looks at you like you're stupid and you notice her lips tugging upward as she suppresses a smile.
"No, you break it up into grams,"
"Oh."
You go to put it in your crossbody bag, but you realize the brick is too big to fit. The edge of it sticks out quite a bit.
"Where do I put it?" You as Julie. You're definitely not going to walk out of here carrying a whole brick of cocaine right in your hands, or with it sticking out of your bag like a big spotlight telling the cops: come arrest me!
"Uh... here," Julie says, twisting around to grab something else from her closet. She pulls out a gray plastic shopping bag and hands it to you.
"Julie," you say, "This is see-through."
"It's fine," Julie says dismissively. "It's barely see-through, nobody will be able to tell that it's cocaine you're carrying." If this is how Julie goes about transporting all her drugs, then it's no wonder she's getting stopped by the police so often.
You inspect the flimsy plastic bag.
"You're sure you don't have anything more discreet?" You ask. You check the bag out and notice that one of the straps is starting to tear. The last thing you want is to be strolling down the street and have it snap on you, spilling all your illegal drugs onto the sidewalk in front of everyone.
"Probably, but does it really matter?" Julie sighs.
"I can't help you sell drugs if I'm behind bars, Julie," you reply flatly. She seems pretty reckless. You're wondering yet again if this is a terrible idea. Of course it's a terrible idea, who are you kidding? You're going to sell drugs. Drugs that might kill someone. Drugs that will fuel someone's addiction and ruin their life. Drugs that might ruin your own life even more if you're not careful.
You do your best to push away the guilt before it can convince you to back out. Being a good, honest citizen isn't going to pay your rent or keep you off the streets. Right now, it's between you and your morals, and you have to put yourself first this time.
"Okay, let me look then, princess." Julie rolls her eyes and looks through her closet again. This time she pulls out an old dirty backpack. It looks exactly like the kind of backpack that would have drugs in it, but it's more discreet than the plastic bag. Beggers can't b choosers. "Here." She tosses it to you. You're pretty sure that when it lands in your lap you can see the dust and drug particles that were on it rising from the impact.
"Thanks." You hold it up with as few fingers as possible, checking it out. It will do the trick. You unzip the big zipper and dump the cocaine brick into it, then zip it back up.
You sling the bag over your back and readjust it so the weight balances better with your cross-body bag.
"So, I should go on Friday, and then come back here?" Your gut tightens at the thought of going out to sell drugs, but you ignore it.
"Yeah, that works." Julie nods, packing up the duffel bag and sliding it back into the closet.
You stand and wince at the strain in your legs. "Great, see you then."
"Bye!" Julie calls out to you. You start walking back home from the motel. A journey that will take you at least an hour and a half. Though in this heat, the walk will feel much, much longer. After only a few minutes, you're already craving an ice-cold glass of water and really missing your car. But you couldn't keep up with insurance, or gas.
Throughout the entire walk your body is full of tension. Convinced that every cop you pass knows you're carrying cocaine. When you finally reach home, you're lightheaded and drenched in sweat. You throw the backpack full of coke onto your rickety kitchen table, right beside the crumpled-up eviction notice you ripped off your door a few days prior. You slink off to the living room and plop down on your couch, splaying your arms out and closing your eyes. All you need to do is sell a few bricks of cocaine, just enough to pay the four grand you owe to your landlord, and maybe a little extra so he won't follow through with evicting you. The life of a drug dealer is unstable and dangerous, and you really don't want anything to do with it. But for the next little while, that's exactly what you'll be. Just for a little while.
You spend Thursday preparing everything. You didn't know how many grams were in just one brick, but it was a lot more than you thought. On the advice of Julie, you split it into grams of ten and threes, using a little scale generously provided by her. And you quickly realize that one brick on its own is a thousand grams. More than you need at the moment. And the next moment. And probably the moment after that. As of now, you have a thousand grams of cocaine right in your kitchen. You didn't fully split the first brick, mostly because you do not have enough baggies for that. Nor do you want a hundred little baggies of cocaine laying around. Ten will do for now. You're not confident you'll make any sales. When Julie told you how much to charge for each gram, you had protested, worried that nobody would ever pay such a high price for a little bit of cocaine. But she explained to you that because of how white the powder was, that meant it was really pure. And pure product is worth a pretty penny.
Friday comes quick, and night seems to come even quicker. Your heart races as you put on your best club outfit, almost as if you did a line yourself. Finding hiding spots outside of your bag for the coke is a little challenging. There's only so many places to put it. Some goes in your shoes, some goes in your bra. You even manage to pin a few baggies in the elastic of your underwear. Maybe you'll charge extra for those ones. That's probably someone's thing. With nothing but thirty dollars in your wallet you head out, hoping change that by the end of the night.
You're grateful for the coolness of the night. It's a gentle reprieve from the scorching heat of the day. Your old AC does its best to combat it, but sadly, it's a losing battle. Las Almas looks much different at night. The colourful architecture and decorations are washed out by the darkness and overwhelmed with orange hues by the streetlights. Even the people are different. During the day, the streets are filled with your average person, Children, shop vendors, people running errands. But once it gets dark those people are chased away and replaced by big men with guns strapped to their belts, and their women of choice who probably also have weapons of some kind on them too. Not that they don't exist during the day, but they seem to multiple in the dark.
Each time you have to pass a group of those men you tense up. Sometimes they catcall you, sometimes they just leer. But each time is as uncomfortable as the last. You can feel their eyes hungrily burning into you and it's almost like they're projecting their thoughts into your head about what they want to do to you, and carrying sixty-five grams of cocaine doesn't do anything to ease your nerves.
The club is located in the heart of downtown Las Almas. There are no windows and the entrance is located down an alley. A bright neon purple and pink sign proudly displaying the club's name; 'Night Market', stains the ground with colour. The bricks making up the exterior walls are grimy and covered in graffiti of varying artistic quality. Muffled music from inside quietly thumps in the air outside. You arrive at a time where the line is nonexistent, and the only people outside now are a small group of women standing together sharing a smoke and looking at one girl's phone. And of course, the bouncer standing guard by the door. Nervously, you approach him.
"Hi," you greet him politely, starting to sweat despite the fresh breeze.
"Hey." He nods at you. "I.D, please,"
Oh, right. You hastily scramble through your bag and wallet for your I.D and take it out, handing to him. He checks it out for a few moments before handing it back to you.
"I need to check your bag, then it's a fifteen-dollar entry fee," he says.
"Okay." You take off your purse and hand it to him, silently fretting that one of the cocaine baggies somehow magically found its way into it. He hands it back to you without incident and you take out fifteen dollars. He steps aside and lets you in.
The music becomes much louder, nearly deafening. You can feel the bass thumping in your bones and making your eyeballs vibrate. You pass through a dark hallway towards where it opens up into a bigger room. You follow the multicolored strobe lights like a moth, brushing against couples making out voraciously in the perceived privacy of the darkness. Neither you, nor them acknowledge it.
The club is packed tonight. Filled with bouncing, writhing, grinding bodies of all sizes and shapes. You hug the wall, observing the crowd and trying to discern who could be a client. It's been a while since you've gone out like this. On account of you being broke, most of your 'out' days are just going job hunting now. You're feeling very out of place here, and very overwhelmed. Your brain screams at you that you can't do this, you're uncomfortable, you want to go home. You walked in at the club's peak and that's too intimidating to you. You tell it to shut up and let you make some money. Just power through, you'll be back home before you know it.
Something brushes against your arm and you look, locking eyes with a man. He's around your height and looks around your age, and he's smiling at you. He says something that gets drowned out by the music.
"Huh?" You shout, leaning closer to hear.
"I said; you look lonely over here," he repeats. "Did you come here with anyone?
"No," you yell. Then regret it. Should you have lied? It's too late now.
"I came with friends," he yells back. "But I lost them. Can I buy you a drink?" You hesitate, one drink wouldn't hurt, would it? You could probably use a shot for some courage.
"Sure," you say, letting him lead you to the bar.
"What do you want?" He asks.
"Tequilla!" You shout.
"Good choice," he replies. He leans over the counter and shouts for two shots of tequila at the bartender, sliding over the cash.
She returns shortly with two small shot glasses and he hands one to you, offering a cheers. You raise your glass at him then tip back your head and shoot back the clear shot. Your mouth burns and tingles and you struggle not to cough. It's not the best tequila you've had, but it will do.
"Thanks," you say.
"You're welcome. What's your name?" He asks, setting down his empty shot glass. You give him your name and he tells you his.
"I'm Ryan, I'm here on vacation," he says. You think Las Almas is a weird place to vacation. There's nothing touristy here, and the high cartel presence makes it dangerous.
"Cool, I live here," you reply stupidly. Of course you live here. You mentally facepalm yourself for your dumbass response.
"Yeah? What's that like? I hear a cartel controls the town, is that true? I saw some pretty sketchy looking guys with guns around," he asks.
You frown at Ryan. "Be careful asking questions around here," you warn him. The cartel doesn't like when people start asking questions about them.
"Sorry," he replies. Then he immediately asks another question. "Are you a part of the cartel?"
You widen your eyes at him, almost impressed by his stupidity. "No," you say. "And don't ask anyone else that, or you'll become a permanent tourist."
Just for a brief moment Ryan looks disconcerted but then he smiles again.
"Noted, thanks for the warning. So... Do you have a boyfriend?" He looks at you hopefully. You try not to roll your eyes. He's interested in trying out some local tail. But he'll have to find someone else, you're here on business, not pleasure.
"Yeah," you say, your eyes swiftly scan the crowd, and you point to the biggest dude you can see. "That's him," He follows your finger and his face drops with disappointment and perhaps a little nervousness.
"I thought you said you came alone?" He replies.
You mentally kick yourself, you forgot you said that. But you manage to come up with an excuse quick enough.
"I did, but we're fighting right now so I came alone. I wanted to keep an eye on him, you know, make sure he's behaving!" You tell him. Ryan nods.
"... Yeah. Well, I'll see you around I guess." He backs off and pauses in the crowd, spotting a different lonely girl and immediately going towards her. Maybe he'll have better luck with her.
You circle the crowd like a vulture, having no luck finding someone to sell to. On top of that, your bladder feels like it's about to pop and shower piss down your legs. You bee-line to the bathroom, relieved that there's no line. The lighting inside isn't any brighter, in fact it's so dim and green that it hurts your eyes a little. You weave around girls until you find a free stall and squeeze inside. You sit down on the toilet and try not to think about how many germs must be on it.
"You got anything?" Someone asks from the next stall over.
"No, my dealer got busted, I couldn't get any this time," a girl answers. Your attention gets piqued and even after you finish your pee, you remain seated, listening.
"Damn." The first girl responds.
Nervously, you speak up. "What are you looking for?" The voices go quiet and you worry that you just scared off the only potential clients you've seen all night.
"Nothing," she finally responds, sounding a lot less friendly.
You clench your jaw nervously. "Really? Cause I have something you might be interested in,"
Again there's silence from them. Until something lightly smacks against the stall wall. A second later a blonde head is peaking over at you.
"Hey!" You exclaim, rushing to pull your underwear back up.
"Like what?" She asks, watching you unreadably. Her eyes lock onto the two baggies that fell onto the floor in your rush to pull your underwear up, and her expression brightens. "Wait, let me come in," She scrambles down and before you can even reply she's shimmying under wall into your stall. You stand up and try to back up but your side hits the wall. It's too crowded in here for two people, and you're glad she didn't invite her friend in too.
You awkwardly hold up a baggie.
"Uhh.. cocaine," you whisper-shout. "It's a hundred-sixty-five for an eight ball," Her eyes light up.
"Alright," she says, reaching into her bra and pulling out a little, compact wallet. She takes out some cash and counts it, handing you three fifties, one ten, and a five. You hand over the cocaine. You just made your first sale. "Thanks, oh, and I like the outfit by the way," she says before climbing back under the stall.
You realize that your best bet for making sales is to linger in the washroom. And it works. You find a few girls looking for a high and you successfully sell most of your three-gram baggies. And even a ten-gram baggie. You call it a night with one thousand forty-five dollars in your pocket. Though Julie insisted that because she's the one who found the coke and coached you on what to do that she should get twenty-five percent of your earnings. But still, seven hundred and eighty-four dollars for a night is pretty good.
You exit the club and try to reorient yourself to the stillness after being overpowered by the pounding music for the last four hours. Walking all the way to the motel this time of night doesn't much appeal to you. You're tempted to call a cab, now that you have money. But the last six months that you've had to spent strictly budgeting has stuck with you. And the idea of spending money on something you don't need doesn't sit well with you. So, you walk.
You stop outside of Julie's door and lean a palm against it, trying to rest. You're tired, and your legs hurt, and you still have to walk home after. You knock and wait for her to come to the door, impatiently shifting foot to foot. There's muffled noise behind the door and then a lock clicks and the door opens.
"How'd it go? Did you sell anything?" Julie asks and invites you in.
"I did," you say happily, taking a seat on her springy bed. "I made us a grand!" You reach into your purse to pull out her share. "And as promised..." you hand her some of the money.
Julie grins and takes it, counting it eagerly. "Wow, that's a lot for one night. Your first night, too. Maybe the reason you can't get a job is because this is your true calling," she teases you.
"Yeah, well, this is just a temporary gig," you smile back. "I just need some quick cash and then I'm back to doing things the legal way." As the last words leave your mouth it dawns on you that you really did just sell people cocaine tonight. You broke the law, and not just in a minor, 'stealing lip gloss from a store' kind of way. Intent to sell is an offense that can earn you years behind bars.
"... Hey, you okay?' Julie asks, sitting down beside you.
"Yeah, I just... can't believe I did that." You say, staring at the wall. "Am I a bad person now?"
"You're not a bad person," Julie reassures you. "Sure, cocaine isn't legal, but guess what? Being gay wasn't legal either, and do you think your attraction towards women makes you a bad person?" she asks. Your lips twist upwards. You're not sure being gay and selling hard drugs is really comparable but you appreciate her support.
"No. But my attraction towards women won't kill anyone, unlike cocaine, which might." You sigh.
"Hey, look at me," Julie says, grabbing your face gently. "No one is forcing them to do coke. And you're not selling it to them with the intent to kill them. You're selling because you just want to survive. You're just doing what you have to do."
You're touched by her words, but you wonder if intent over action is really enough to cleanse you of your guilt.
"Thanks, Julie. I better be getting home now." You stand, but Julie reaches out and stops you.
"You can stay the night if you want, I don't mind. I don't really want you walking home this late," she says.
"I've already done plenty of walking tonight already," you reply tiredly. "One more hour won't kill me, probably."
"Probably. But do you want to walk another hour? No offense but you look like you're about to fall over." She looks you up and down pointedly. And she's right; you don't want to walk for another hour in the dark.
"No, I don't. Thanks Julie." You slump over with relief and start taking off your shoes, tossing them by the door and laying back on the bed.
"No problem," Julie chirps. While your eyes are closed, she tosses a soft blanket over you and you adjust it over your body, snuggling up under it and drifting off soon after.
Something smacks you square in the face, hard, jolting you from your sleep. Your eyes fly open and you jerk away, turning to see Julie's outstretched arm and hand where your face just was. She's softly snoring and sprawled out in the bed with a thin line of drool down the side of her mouth, completely unaware that she hit you. You irritably grumble at having been woken up and sit up, kicking off the blanket. Last night it was soft and comfortable, but now it feels too warm and suffocating.
You yawn and hop off the bed. The carpet where a beam of sunlight hits is extra warm on your feet. You walk over to your purse and root through it for your phone, you pull it out and check the time. It's one in the afternoon. You should probably be getting home so you can shower, freshen up, and then resume your newest hobby of job hunting. You approach the bed again and gently shake Julie awake.
"Rise and shine, sleeping beauty,"
Julie groans and doesn't wake until after a few more seconds of shaking.
"Ugh. What?" She says, peeling open her eyes and looking at you blearily.
"I'm heading home now," you say. "Do you want me to sell more tonight or should I wait?" Julie sighs and sits up, pushing her thick hair out of her face.
"Oh, yeah you can try to sell some more tonight," she says. "Actually, I want you to take the whole duffel bag home this time," she continues, getting out of the bed and stumbling towards the closet.
You weren't expecting her to give you the whole bag. You don't want the whole bag. Having just the thousand grams at your house makes you anxious enough, but a whole duffel bag full?
"Why?" You ask. Julie leans down and hauls the duffel bag from the closet and you frown at it.
"Because I've already used some of it," she admits, casting you a guilty little smile over her shoulder. "The temptation is getting too strong, but you're a goody little two shoes so I know it's safe in your hands," She picks it up and holds it out to you. Reluctantly, you take it, surprised by its weight.
"How much coke is in here? It's heavy..." You ask.
"Like, fifty bricks, I think."
You stop and look at her. "Fifty?" You repeat. You think about how she said she found it. You don't understand how that much cocaine just ends up in the creek. You quickly do the mental calculations and feel nauseous.
"Julie... if we're charging fifty-five dollars per gram, that's not forty grand for the bag, that's about two million dollars," You inform her, heart speeding up. Julie, unlike you, seems much less spooked by the amount of money it's worth. Two million is nothing to sniff at, and you're feeling even less sure that two million dollars' worth of cocaine somehow ended up in the creek, and that nobody will be looking for it.
Julie claps her hands excitedly.
"Holy shit, really?" she grins. "We're going to millionaires! We can split it, a million for you, a million for me!"
"... Maybe," you say quietly. You say goodbye to Julie and leave the motel. Today's going to be a busy day, with job hunting and then returning to the club to sell. Julie eagerly waves at you through the window, and you wave back. You don't share her enthusiasm. You're not sure she's comprehending the weight of the situation. You'd love to have that much money. But you know things like that are too good to be true. There's always a catch, and you're waiting for the catch to smack you right in the face.

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Dogsbody
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Chapters -
Ch.1, Ch.2, Ch.3, Ch.4,
I impulsively applied to be a combat medic because I STILL don’t have a job. I probably shouldn’t have done that bc I have no desire to join the military. Of course, they’re the only job actually getting back to me and they want me to complete a second application 💔💔💔
Luckily it’s only the second application and if I just don’t do it they’ll ignore my application and move onto someone else