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todays bird
Keni
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@nibi-nix

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aaoouhhh
Lightning over Hazmburk Castle, Czech Republic by Jan Drahokoupil
I finally understand why that argument was always making me angry
Lawrence of Arabia (1962) dir. David Lean

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This leopard sculpture is obvara fired! This technique involves dipping a hot piece right out of the kiln into a yeast solution, creating unpredictable and unique patterns. This sculpture will be available this Friday, June 12th at 8pm Eastern time.
Oh Eva Stratt,
They could never make me hate you…
Even if your execution was already in motion.
This is my friend's commission
pia/olegg is hottest sisitod
Old staticmoth/valentino art dump
I feel like I did a lot more line-less art on Procreate. But CSP result is definitely better.

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Satin Ball Gown of Queen Louise of Denmark
c. 1881
Whitaker Auction
REWATCH ROULETTE HIS DARK MATERIALS | 1.06 The Daemon-Cages
Sea, swallow me
Evening Dress by Christian Dior
c. 1954
Musée des Arts Décoratifs
What’s up. Photo from my collection, no date/info.

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I have absolutely no faith in Hollywood, but the fact that they had the audacity to look at the script of an horror story like this and want to rewrite it completely is very telling.
This movie is about a man who knows he has no chances with the girl he's crushing on, forces her to love him back through magic, and then refuses to break off said magic, trying to work around it instead when the wish starts to get twisted. It's clear time and time again that Bear does NOT want to render the wish null, just fix it so it still suits him. Nikki breaks of the spell at several points, one of them to confirm that he had no chances with her, and he still forces her to stay with him. And Hollywood looked at that and went "You have to change that, he should be the hero". In a movie where the lack of consent for everything romantic and sexual that's happening is the point, and what makes it horror.
It says a lot of things, and neither of those things is positive.
Still, it's about of what I'd expect from Hollywood. Is it really a surprise that they are so mad (and worried) that "amateur" movies made by people outside of the industry like this can become hits?
Incredibly based director for staying true to his vision, none of that "his poor unreciprocated fee fees uwu" bullshit, much less ultimately rewarding him with a "real" relationship with Nikki. Not only it's made clear that Nikki was not willingly consenting (and again most probably never would have, since she compared him to a little brother, and the dodged confession from Bear scene is also very telling), Bear is also a piece of shit through and through, who squandered dozens of chances not to be, but chose instead to double down on being an irredeemable piece of shit. While you can initially make a point about him not knowing that the wish would actually work, or that he doesn't know how to fix it, or what have you, you can no longer make that point later.
I commend creators with unwavering commitment to the stories they want to tell. We don't have many of them nowadays, and when it comes to horror in particular, there is also a huge swat of people who hate the genre and want it to be something completely different (you just need to take a look at horror book reviews sometimes). Yet not every story is meant to leave its audience feeling nice and comfortable after it ends. Sometimes being unsettled is the point. That's also why this movie doesn't end with Bear and Nikki holding hands and ridding off into the sunset, and why the last line of the movie isn't Nikki saying "What did I do", but "What have you done [to me] [and make me do]".
Jessi Kirtley as Others in Operation Mincemeat! (Act 1 & 2)
Master: @theriddletrades 🎥