How far are you willing to go, Michael? To the end.
Aqua Utopia|海の底で記憶を紡ぐ
Cosmic Funnies
$LAYYYTER

❣ Chile in a Photography ❣
Game of Thrones Daily
let's talk about Bridgerton tea, my ask is open

shark vs the universe

祝日 / Permanent Vacation

#extradirty
Three Goblin Art

roma★

Origami Around
Stranger Things
Sade Olutola

titsay
Alisa U Zemlji Chuda
taylor price
Cosimo Galluzzi
AnasAbdin
Lint Roller? I Barely Know Her
seen from Poland
seen from Libya

seen from Switzerland

seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from United States
seen from United Kingdom

seen from China

seen from United States

seen from Argentina
seen from Malaysia

seen from United States
seen from T1
seen from Sweden
seen from United States

seen from Malaysia

seen from United States
seen from United States
@nibi-nix
How far are you willing to go, Michael? To the end.

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Poets Walk at Sunset. By Richard Cartwright.
Good fit. Photo from my collection, no date/info.
This social media ban for under 16s and restriction for 16-17 year olds is absolutely dystopian by the way, and nobody asked for this. I'm all for reducing screentime and increasing safety but that is an individual responsibility and all this law is going to do is isolate teenagers, push them to less safe corners on the internet (e.g. unregulated forums,) and prevent them from accessing vital information on topics such as current events and mental health. Who on earth thought this would be a good idea
i think this captures the defining pathology of the collective social media psyche right now. we are in the thrall of people who are wantonly cruel but who also demand to be coddled at all times in every way

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This woodblock print is a celebrated modern masterpiece by the Shin-hanga virtuoso Shiro Kasamatsu (1898–1991). Titled "Spring Night - Ginza" (Ginza no haru no yoru), 1934, Japan. The artwork captures the modan (modern) romanticism of Tokyo’s premier shopping and entertainment district. Kasamatsu orchestrates an exquisite nocturnal palette of deep indigo blues, muted teals, and soft charcoal greys, dramatically illuminated by the warm, radiant glow of artificial streetlights and commercial signs.
im seated the volunteers at the rink are scared and asking me to leave because the season doesnt start until september but im simply too seated
Can't fucking go anywhere in Polska.
Can't go to the piwnica, there's a bazyliszek there.
Can't go to the studnia, there's a topielec there.
Can't go to the pole, there's a południca there.
Can't go to the las, there's a leszy there.
Can't go to the rozdroże, there's a diabeł there.
Can't go to the cmentarz, there's a duch there.
Can't go to the jaskinia, there's a smok there.
Guess I gotta stay in my fucking zamek on a wyspa in the middle of the jezioro.
Oh fuck. The myszy are here.
"you don't like mpreg?" i don't even like fpreg

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Herbert Tobias. Les deux chats, Paris (1952)
In a Boudoir
by Leon Wyczółkowski (Polish, 1852–1936)
Nina using her creepy powers to entertain the cat
Reasons why I’m now lowkey obsessed with Marissa, a character who has ONE SCENE in the ENTIRE BOOK:
She’s the first person Grace remembers from his past. He remembers her before he remembers he’s a teacher, before he remembers Stratt, before he remembers HIS OWN NAME.
He mentions no other people who he’d consider a friend that he’d hang out with.
The first thing Grace tells us about her is that she and him have steak and beer together every Thursday at the same time at the same place, at the same TABLE because the staff immediately recognize them every time and know their orders.
They met in grad school because Marissa dated Grace’s roommate for three months. They have no inkling of romance between themselves at all.
They’ve known each other for TWENTY YEARS.
She works at the DOE and learned about the Petrova Line absorbing the sun’s energy before Grace did—she’s the one to tell him about it. The information weighs on her enough that she drinks four whiskeys.
Every other named character calls Grace “Grace,” “Dr. Grace,” or presumably “Mr. Grace” in the case of the students. But Grace calls Marissa by her given name (doesn’t mention her surname), suggesting she’s the only character who would call him Ryland.
The dialogue in their one scene together suggests Grace is used to joking around with her without feeling judged
The book never brings her up again after this one scene. This makes me feel CRAZY.
WHY did Weir make them seem so close only to give Marissa one singular scene? Her only tangible role appears to be to give Grace exposition about the Astrophage Problem, but there’s plenty of ways to write a scene like that without specifying that she’s also apparently his closest human friend?
Did Grace ever call her to explain why he can’t show up to dinner anymore? Did he have cell signal on Stratt’s Vat? Did Stratt LET him call people after signing him onto the Project? She seems to have taken care of his job, but she wouldn’t have any reason to know about Marissa and the Thursday dinners unless Grace and Marissa left evidence on social media or something.
What happened to her after her one scene? Presumably she kept doing her job at the DOE and having a harder and harder time due to the crisis, maybe she worked on trying to get energy to warm people’s homes.
Did Stratt know about her at all? Did anyone know she was Grace’s friend, did anyone know she had dinner with him every week, did anyone know she would miss him?
Petrova Taskforce Guys: Oh yeah Grace is a loser he has no family or friends to miss him
Me: DO THEY KNOW
How did she feel hearing that Grace became the science officer of the Hail Mary? Without telling her, without saying goodbye?
Did she think Grace just suddenly cut off their friendship, or did she get suspicious of the government and Stratt because she knew Grace wouldn’t just do that to her?
I see posts sometimes of people being like “oh Grace didn’t have meaningful relationships before meeting Rocky,” and I feel like I’m waving the book around like DOES ANYONE WANNA TALK ABOUT MARISSA HELLO MARISSA THE GRAD SCHOOL FRIEND SHE EXISTS SHE’S REAL
Maybe she wasn’t someone Grace would die for—he couldn’t overcome his fear of death even for his kids, and they’re why he joined the Project in the first place. But she was someone he cared about. And she only gets one. Scene.

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this one i didnt get any process pics... tragedy, but it was hideous before i finished it so ¯\_(ツ)_/¯ i tried using the reference as a 1 to 1 but is was uncanny
i mean he does live in the desert