Why Infographics Rule
13 reasons why your brain craves infographics
and
The infographic about infographics

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Origami Around
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Discoholic 🪩
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The Bowery Presents
Noah Kahan
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he wasn't even looking at me and he found me

Love Begins

Andulka

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@nativeadstoday-blog
Why Infographics Rule
13 reasons why your brain craves infographics
and
The infographic about infographics

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Webby 50
Several of my favorite projects from the past year made the list of the Webby 50 -- which “celebrates the visionary minds behind the work in contention for the 19th Annual Webby Awards” and is itself sponsored by Grey Goose Vodka. Those I particularly liked included:
Vine
NYT’s 36 Hours travel feature
Billboard’s Real-Time Social Charts
NYC, 1981
The Onion’s In-House Agency Rakes in the Bucks
The Atlantic looks at how The Onion’s in-house ad agency -- which didn’t exist three years ago -- pulls in 81 percent of the company’s total revenue.
The Increasing Integration of Edit and Ads
Close connections between editorial and advertising -- so long as advertising never sacrifices reader trust by affecting what editorial covers -- can be a very good thing for readers. Witness two new projects announced today.Â
The Wall Street Journal launched a new online section, the Logistics Report. It is sponsored by UPS, which “will supplement the WSJ’s news coverage with sponsored content that includes commentary by key UPS executives. The UPS content will be clearly labeled and The Wall Street Journal news department is not involved with the creation of content produced by UPS.”
And Bloomberg TV has announced a three-year partnership with the Hyundai Motor Company to launch a global series about the world’s most interesting art personalities. There will be 25 half-hour episodes of “Brilliant Ideas” each year, which will also appear online. The car company has been aligning itself with the arts as a unique angle on luxury. Says the press release: “ Hyundai Motor has been a strong supporter of the arts, reflecting its deep commitment to foster innovative interaction. In recent years, Hyundai Motor has announced global initiatives with MMCA (National Museum of Modern and Contemporary Art) in Seoul, Tate Modern in London, and LACMA (Los Angeles County Museum of Art) in Los Angeles to support the global art community and encourage the public to enjoy art."
I’m about a year late to this Delta Innovation Class, where they pair up mentors and those who can learn from them for a flight. But it’s one of the best custom content ideas I’ve yet to see.Â

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Vox CEO on Branded Content
Advertisers aren’t going to want to work with us if consumers don’t trust us. We are realistic about the fact that people aren’t going to seek out branded content unless it is compelling and engaging and data-driven. Ads on the Web have historically been lackluster versus other great forms of advertising. So we think that branded content can achieve that, and by applying a lot of the same [editorial] mind-set and capabilities—not necessarily the same people—but a whole lot of talent, we can be successful in creating really compelling advertising content.
--Â Vox Media Chairman and CEO Jim Bankoff in the Wall Street Journal
Journalists: Park Your Ego at the Door of Native Ads
Ego is a persistent foil among journalists trying their hand at branded content. Many journalists are attracted to the career because it offers the prospect of being well known and respected for industry expertise and the ability to have one’s name attached to big stories. That possibility doesn’t exist when it comes to branded content, where a creator’s byline is just one in a long list of numbers that includes video producers, product managers and programmers.
--Â Extra, extra: Grumpy journalism refugees are (often) bad at branded content, Digiday
Great Fever Charts
From a NY Times native ad page for Chevron. Check out the second set of graphics, headlined “When Key Energy Sources Entered The Mix And How They’ve Evolved”.
The Atlantic and the Wall Street Journal both debuted redesigned sites this week. The magazine revamp is all about big images, and it provides major space on its homepage to sponsored content, with the promotion running all the way across the page (see above). The newspaper, meanwhile, seems to limit promotion of sponsored content to the very bottom of the home page, and then only in text links.Â
ASME Loosens Rules on Editors Working with Advertisers
The American Society of Magazine Editors has lowered hurdles that were meant to prevent editors from working with advertisers on branded content, AdAge reports.Â
When it comes to editors collaborating alongside advertisers, the new principles simply say, "Editors should avoid working with and reporting on the same marketer." They previously said, "Don't Ask Editors to Write Ads."
The new guidelines are located here.

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'If it looks like a puff piece, nobody's going to read it.'
That’s Dow Jones’ global head of ad sales Trevor Fellows talking about native ads to Digiday. To which one can only say “Amen, brother.” The 32-person WSJ Custom Studios 50 campaigns involving custom content (including native) in 2014, and 12 percent of the Journal’s ad revenue last year came from custom.Â
Webby Award Nominees for Best Native Ad
Of the five named, the Tinny Vision campaign on SnapChart to discourage teen drunk driving gets my vote. Great marriage of platform, message and audience.Â
Hearst Pres: Editors-in-Native Debate Overblown
Hearst President David Carey thinks too much is being made of the involvement of editors in the creation of native content, Digiday reports.Â
Hearst uses its editors to provide advertisers with an “editorial understanding of what’s important to an audience,” and as a final check on whether the proposed native content is up to the publishing company’s standards, he says. While it doesn’t expect to have editors actually draft native content -- as competitor Conde Nast has said it will -- people are making too big a deal about using editors to create native content, he says.Â
Native ads run in feed were seen twice as often as banner ads on sites viewed on tablets, and 25% more on sites viewed on desktop computers, according to an eyetracking study from Sharethrough and Nielsen, MarketingProfs reports.
A brilliant content campaign from the Metropolitan Opera that puts a spotlight on its stylist customers. Run by the Opera and its ad agency on Tumblr, according to the Wall Street Journal. (That’s designer Vera Wang, above.)

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And other reasons native beats banners on mobile devices, from Yahoo.Â
Netflix’s Atlantic Campaign
The Atlantic’s package promoting House of Cards wins Digiday’s nod as the native ad of the week. And it’s the complete package:
A 2,000-word story about Presidential couples forms the spine of the package.Â
An interactive infographic charting the lives of five Presidential couples.Â
A two-minute video interview with Kati Marton, author of the book Hidden Power: Presidential Marriages That Shaped Our Recent History.
A sprinkling of high-impact photos and factoids.Â
The only mention of House of Cards -- other than at the top, to disclose it is the sponsor -- comes near the bottom. But even that is innovative. The level of dominance and submission in the conversations between Frank and Claire in Seasons 2 and 3 are graphed, to show how supportive or dysfunctional their relationship is.Â
This is brilliant work, even bit as engrossing as the storytelling in the magazine itself.Â