AnasAbdin
todays bird
hello vonnie

Janaina Medeiros

oozey mess
Cosimo Galluzzi
$LAYYYTER

Love Begins

shark vs the universe
styofa doing anything
Claire Keane
macklin celebrini has autism
YOU ARE THE REASON
Jules of Nature

#extradirty

Kiana Khansmith

Origami Around


2025 on Tumblr: Trends That Defined the Year

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@mydamnblogposts

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A standard porno with the bad acting and music and whatnot but partway through the action the camera pans to a millipede and hunting spider locked in a duel for survival, the sounds of sex fade out and the scene in the background blurs, epic battle music starts to play
stop posting butch and femme miles davis
The FBI cut the phone lines during the 1977 disability rights sit-in. Then they turned off the hot water.
They locked the doors from the outside. One hundred and fifty people were trapped on the fourth floor. Half of them used wheelchairs. The government assumed they would leave.
Kitty Cone was thirty-three. She had muscular dystrophy. Her muscles were failing, but her logistics were flawless. She knew how to organize people.
The federal government had promised to sign regulations protecting disabled Americans from discrimination. The policy was known as Section 504. They printed the promise on paper. Then they stalled. Without a signature, it was just typography.
The protesters entered the regional Health, Education, and Welfare building in San Francisco on a Tuesday morning. They took the elevators to the director's office. They brought sleeping bags and catheters. They informed the staff they were not leaving until the law was signed.
By sunset, the police surrounded the exits. Kitty sat near the windows. She organized the floor plan. She assigned committees for security and sanitation. She kept her medication in a small cooler.
According to federal memorandums released decades later, the strategy to end the occupation relied on medical attrition. The building was not equipped for long-term habitation. The FBI calculated that a population requiring ventilators, specialized diets, and daily medical aides would voluntarily evacuate if the environment became sufficiently hostile. They instituted a blockade.
The blockade went into effect immediately. No food deliveries allowed. No medical supplies permitted through the lobby. Guards stood at the main doors checking identification.
Kitty's muscles deteriorated faster under the physical strain. She couldn't walk. When the phone lines went dead, the fourth floor lost contact with the press. The government waited for the quiet.
Kitty dropped to the floor. She realized the barricades were designed for standing adults. The police had blocked the hallways at waist height. They hadn't blocked the linoleum.
The floors were covered in cigarette ash and spilled coffee. She dragged her body through it. She crawled under the barricades to reach the restricted elevator shafts and unguarded offices.
She carried notes in her pockets. She found a single working payphone the FBI missed. She called the local news desks. She called the mayor's office.
She crawled back. When her arms failed, someone pulled her by her ankles. The Black Panthers heard the news reports. They crossed the police lines with hot meals. The FBI could not stop them without a riot.
They shut off the elevators, so she crawled.
The occupation lasted twenty-five days. It remains the longest non-violent occupation of a federal building in American history. On April 28, the Secretary of HEW signed the regulations without a single alteration.
The protesters left the building the next morning. They went back to their apartments. The Rehabilitation Act regulations laid the groundwork for every accessibility law that followed. The HEW building still stands on United Nations Plaza. The elevators run on a schedule. The doors are heavy glass.
Kitty Cone: the woman who crawled under the barricades.
Source: Kitty Cone's oral history, Bancroft Library.
Verified via: National Museum of American History.
(Some details summarized for brevity.)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mameanta Wade by Tsuvasa SaĂŻkusa for Enfnts Terribles Magazine Issue 2
to anyone in the areas impacted by the wildfire smoke, my #1 biggest piece of advice as someone whos been dealing with wildfire smoke in the NW united states for years, is build yourself a Corsi-Rosenthal Cube
they perform as well as expensive HEPA air cleaners, and are comparatively VERY inexpensive. all you need is a box fan, 4 air filters, a piece of cardboard, and some duct tape!!!!
i think it took us maybe a half hour to put ours together, if that, and we replace the filters every 3 months. it's really made a HUGE difference, both when the air quality is bad, but also with our allergies
Saw these easy to read instructions on Twitter. Stay safe đź’š
Great time to start pricing this out by the way, fire season starts… on the summer solstice this year, that’s fun. Signs point to it being a doozy.
Vintage Porcelain Covered With Hand-Painted Ants
Anok Yai and her mother Nyibol Akuei by Rafael Pavarotti for Vogue UK June 2026

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Orville Bulman — Jazz Club, New Orleans (oil on canvas, 1954)
“Black Swan”
Photographed by @achillesinhighheels
Bhavitha Mandava by Daniel Arnold for D Repubblica Magazine May 2026
“When I kissed her I was so full of desire between one kiss and another that I felt I would lose her if we stopped kissing.”
— Mahmoud Darwish, tr. by Ibrahim Muhawi, from “Journal of an Ordinary Grief,”
Anok Yai by Rafael Pavarotti for Vogue UK June 2026

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i’m gonna cry it’s raining right now and i just passed by a family where both parents were without an umbrella but their kid who couldn’t have been older than like 3-4 was proudly holding this GIANT umbrella whose diameter was as tall (if not taller) as the kid. both the parents were getting absolutely drenched but u could tell the kid was just so happy to have an “adult” task and carry the umbrella themselves and i think that sacrifice is what love is all about
hastily-made artist’s recreation in the five minutes it took to get to my stop
Sanaa Lathan pictured with her father, the director Stan Lathan.