Maia Wischuf

Detail of The Dreaming Hand XV, 56 x 40 cm.

(I re-used an old plate so the dark spot on the right is just a deeply etched image still visible through the mezzotint ground – I wonder how visible that will be in the print?)

Det er tørke i speilbildets tjern (”There’s a Drought in the Pond of Self-Reflection”). Mezzotint and photogravure, 19 x 21 cm.

Some slight adjustments and color tone explorations on an old mezzotint plate. The Dreaming Hand V. Mezzotint, 13 x 18 cm.

Some work-in-progress copper plate shots from my bachelor graduation project.

A transfer experiment with an old drawing I had tucked away in a drawer. Amazing to see the color splitting out from black ink!

On plinth: The Fuse Has Been Blown, graphite on lithographic stone, 32 x 46 x 6 cm.

Exhibition next week!

From the series Det amerikanske regnværet treffer annerledes (The American Rain Hits Differently). Ballpoint pen on paper, 21 x 20 cm.

From the series Det amerikanske regnværet treffer annerledes (The American Rain Hits Differently). Ballpoint pen on paper, 21 x 20 cm.

From the series Det amerikanske regnværet treffer annerledes (The American Rain Hits Differently). Ballpoint pen on paper, 21 x 20 cm.

From the series Det amerikanske regnværet treffer annerledes (The American Rain Hits Differently). Ballpoint pen on paper, 21 x 20 cm.

Mitt første minne er et mareritt (My First Memory is a Nightmare) from the ongoing series Råte. Ballpoint pen on paper, 21 x 30 cm.

The Dreaming Hand VIII. Ballpoint pen on paper, 21 x 15 cm.

The Dreaming Hand VII. Ballpoint pen on paper, 21 x 15 cm.

Some mezzotint process shots.

Continued explorations in mezzotint. This plate was my first attempt, which might have been a little ambitious at 13 x 18 cm. If I estimated it correctly, I spent about 29 hours rocking it with very tight overlapping directions. The last image is just 3 x 3 cm – it's crazy how much subtle detail you can fit into one of these plates!