moved to @azeraphael

ive abandoned this blog :((( i can no longer stand the constant falsettos tony performance reblogs and following 891 people from my 2015 david tennant phase

ive abandoned this blog :((( i can no longer stand the constant falsettos tony performance reblogs and following 891 people from my 2015 david tennant phase

ive abandoned this blog :((( i can no longer stand the constant falsettos tony performance reblogs and following 891 people from my 2015 david tennant phase

howdy!! long story short… i made this blog ironically in july to troll someone but ??? people are actually following this and i wanna move away from my old 2015 cursed tumblr so i’m gonna migrate here and make this my main! feel free to unfollow if ur not interested :^)

i’m probably just going to be reblogging random shit. you’ll likely see some michael sheen, good omens, and prodigal son content! along with music, memes, ramblings, late night talk show hosts, true crime, philosophy, literature, broadchurch, the beatles, comedy, and other miscellaneous bs. 

also i’d love some mutuals !!! so like this post and i’ll fb 

here’s the link to my about me and i’ll cya around ;D

“They’re called pavor nocturnus. Night terrors. And they’re not fun. But on the bright side, they’re ruining my life, so.”

Behind the Scenes of Aziraphale’s Bookshop (as it burns down)

Excerpt from The Nice and Accurate Good Omens TV Companion:

Responsibility for the bookshop blaze fell to the special effects supervisor, Danny Hargreaves. Like everyone else in the cast and crew as filming at Bovingdon [Airfield - where the bookshop set was built] progressed, he had come to appreciate the scale and detail invested in the set by Michael Ralph [production designer].

“I went from being just a guy on set to being the bad guy,” he laughs, as the man appointed to set fire to it. “It also broke my heart a little bit as there were thousands of book, tapestries, and beautiful grandfather clocks inside the shop that were real.”

“Everything is under control,” Danny points out, “but there is a limit as to where that fire can go, and we took it right to that limit. The burn time inside the bookshop was quite long, because David Tennant had to do a whole scene in there. Now, as Crowley is from Hell that means fire is his thing. So David had to be very cool about being in there, and he did it so well. The radial heat coming out was incredible, and there were moments where I shut off the gas lines sooner rather than later. One time Douglas [Mackinnon, director] came out and questioned why I’d cut it. I had to point out that the roof was about to catch fire.”

As the individual responsible for creating such a magical set, Michael Ralph considers the burn to be just another purpose for its existence.