Sade Olutola
ellievsbear
official daine visual archive
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PUT YOUR BEARD IN MY MOUTH
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@theartofmadeline
Xuebing Du
Jar Jar Binks Fan Club
we're not kids anymore.
YOU ARE THE REASON
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@mossathenium-time
The Amazing Digital Backrooms
It's no secret how much I love TADC and the Backrooms movie, I think my friends are already tired of hearing about it. I had a chance to see both movies one after another two days in a row in the cinema haha
I feel like both films touch upon very similar topics đ You can buy a print of this in my ONLINE STORE!
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Have you seen the backrooms movie yet? If not, do you plan to watch it?
HOLY FUCKING PEAK.
Backrooms spoilers below
Clark saying the creatures don't feel anything and then later in the same scene the woman anomaly is seen attempting to run away from the pirate, seemingly in fear. Something something devaluation of life seen as different than him.
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
Backrooms
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whatever i'll crosspost this one
not all cages have bars.
Bars
mary kline backrooms my beloved
In this scene, Clark says "Can you imagine how good that must feel?"
"There's no thoughts, no pain, no ego. No fear. They simply exist. Like furniture."
But then when he turns the light off, the wheelchair user turns his lamp on. When Mary hits The Pirate with the concrete piece, he yells in pain. Clark consoles The Pirate as though its feelings might be hurt. And when the memory of his wife sees The Pirate, she tries desperately to get away.
They have every one of those things. He just refuses to see their interiority. Like he always did. Like he refused to understand why his wife would kick him out, and keeps refusing, even now that he can see that she was terrified of him. Cause she's always been just furniture to him.
That scene really unsettled me deeply because of how the sentience of the still lives is implied.
Clark claims they arenât really alive the same way we are, comparing them to the furniture. Yet the way the others act suggests otherwise. That at the very least they can react to and feel certain stimuli around them, the same way living things do. Which begs the question⌠what about the six eyed man?
Yes, he is the most docile and unresponsive of the still lives, but does that discount the idea he may be alive and aware? For all we know, he could simply not be able to move while having awareness and sensation, unable to act on it the same way ďżźthe others might. Yet Clark carves into him and takes out chunks to eat.
It reminded me of how humans often justify eating or abusing animals, like fish for instance, because they donât really feel pain the same way âhigherâ beings do. An apt parallel considering Clarkâs similarly self centred disregard for the people around him and their feelings
If Backrooms was a childrenâs book
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Something is following you...
I love this gif. Me when I need my stool
Daily Nagoriyuki 22072026
deltarune girlhood is a beautiful spectrum
Daily Nagoriyuki 21072026
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artfight attack 4 @bendybonesss
a rare moment of quiet
